Interesting New Releases in 2024 (Updated Weekly)

Use the linked dates below to jump right to a release week.

January ::1st*:: ::5th:: ::12th:: ::19th:: ::26th::                     February ::2nd:: ::9th:: ::16th:: ::23rd::
March ::1st:: ::8th:: ::15th:: ::22nd:: ::29th::                         April  ::5th::  ::12th::  ::19th::  ::26th::
May  ::3rd::  ::10th::  ::17th::  ::24th::  ::31st::                       June  ::7th::  ::14th::  ::21st::  ::28th::
July  ::5th::  ::12th::  ::19th::  ::26th::                                             August ::2nd::  ::9th::  ::16th::  ::23rd::  ::30th::
September  ::6th::  ::13th::  ::20th::  ::27th::                         October  ::4th::  ::11th::  ::18th::  ::25th::
November  ::1st:: ::8th:: ::15th:: ::22nd:: ::29th::             December  ::6th::  ::13th::  ::20th::  ::27th:: 

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*All five Ryan Adams releases from Jan 1st, 2024…because he’s *extra*.

Hi there!

So we did this thing last year, and enough people seemed to give a damn that we decided to do it again. Click on that link above to learn more about the impetus for this lil project and with that, don’t fault me for doing some copy pasta below of some good boilerplate from that post.

The bottom line is that I want more people to discover good music that they may not otherwise hear about through their normal channels of discovering new music. The link above talks briefly about the Postcard from Hell, and how it is an invaluable resource for discovering new music. I’m trying to bring a little more of that spirit to a broader audience without having to become a newb to an online community that has been around for 30+ years (and includes several original members). Or maybe you would like that. If so, consider joining.

That said, the records I put on these weekly lists are BY NO MEANS a comprehensive list of new releases; rather they are just those that were pleasing to my own ears - AND - records I thought that friends of mine who might actually read this blog will also enjoy.

Naturally, I will miss some good new releases, and when I do, I invite you to comment at the bottom of this post, or, more naturally, share the suggested record in the comments section of whichever social media site you found this link.

This will be a “running post” updated weekly (hopefully). I may miss a week or two but for the most part, my hope is to roll into the week of December 31st, 2024 with 52 sets of new releases (though, historically, not much comes out in the final weeks of a given year).

STRUCTURE AND SOURCE(S)

The list at the top of this post each week will contain new releases from the most recent week we’ve posted. You can scroll down to see the weekly releases going back to the week of January 1st, 2024.

New releases come out every Friday. However, some artists will schedule their records to be released on other days. We will do our best to capture all the releases from a given week up to and through “New Release Friday” of that week.

We split the releases into two categories each week:

  • The Knowns: Releases by artists you have likely heard of. Sometimes if it’s a solo record by an artist from a well-known band (i.e., if Jonathan Pearce from the Beths were to release his first solo record, it may go here…or it may be in the next section. The rules are fluid). My aim for this year is to include fewer records in this section, and focus more on…

  • The News: Releases by bands I’ve never heard of and presume many folks reading this have also not heard of. This does not mean that it is a debut record by the artist/band. Just that they’re not quite a household name yet. I will also try to limit these releases to stuff that I think is particularly worthy of sharing.

Our list of releases will not usually include reissues, live albums, and/or pop albums that you’re likely hearing about elsewhere that have a billion streams on Spotify (unless it is something that rules like Taylor Swift or The Chicks). Unfortunately, these lists will be light on hip hop and R&B because I am just not skilled enough to separate the wheat from chaff in the glut of hip hop, R&B and trap music being released. We welcome your suggestions on good, positive hip hop. The same can be said for metal. There are only so many bands whose names are written with gnarled sticks that stand out from the rest of the pack.

Our primary source is the weekly new release list shared by Consequence of Sound as it has been most consistent in sharing releases that have seemed to fit the likes and styles of Postcarders who have been benefitting from these lists. We’re wholly open to exploring other sources and have had past success with allmusic, albumoftheyear, metacritic, and newreleasenow…but Consequence has been most consistent and accurate with release from the date in question.

We link each record to its space on Spotify. And all linked playlists are housed on Spotify. You’re not going to convince me to use another streaming site. You do not need a premium account to interact with these links.

Ok? Ok. What’s next?



January 1st, 2024

Ok - I mean, we’re already listing stuff and it’s not even “New Release Friday” yet… But because Ryan Adams is extra, here we are. The dude decided to drop FIVE (5) new albums on January 1st, 2024 that total 77 tracks of music (65 of which are new songs). Clearly they were in the can already, but if you spend any amount of time on his insta page, you might think his fans believe he recorded all of them on Dec. 31, and released them Jan. 1.

Gross hero-worship aside, and whatever your feelings might be on Adams given his recent, publicly scorned behavior toward romantic partners, the man is a prolific songwriter, and I am going to write about him (fuck sakes, look at the name of this blog!!). So here are some blurbs about each of the records he released on New Year’s Day.

::The Ryans::

Ryan Adams ::1985:: Of the five (5!) records Adams released on New Year’s Day, 1985 is the most ‘punk’. It boasts 29 songs clocking in at a mere 34 minutes. Only two songs clock in over two minutes, and the song with the longest duration (“On A Side”) is only 2:45. There’s clearly some fucking around going on, but some of the songs that last beyond one minute have a certain ‘Ryan Adams’ quality to them…it’s kinda 80s, kinda twangy, kinda Husker Du, kinda Replacements, it’s melodic. Like your favorite Guided By Voices record (or Ryan Adams record as of late), you could probably cull this down into 11, pretty similar/coherent tracks.
Ryan Adams ::HEATWAVE:: The opening cut on HEATWIVE might have fit more squarely on 1985…but beyond that, this record leans a bit more into the glam world that Adams traipsed around in when he released ROCK-N-ROLL and III/IV. These are the songs apt for an arena rock show. Not saying that show would be incredible or anything, but the songs on HEATWAVE are big, sometimes riffy, and sometimes pulling from the 60s/70s era Stones and Mott the Hoople influences. But then there are some 80s-influenced, super chorus-y/swirly + reverb-drenched guitar-laden songs like “Walls” that break this mold. Either way, the style isn’t breaking any new ground for Adams.
Ryan Adams ::STAR SIGN:: If you like the Adult Album Alternative season of Ryan Adams’ career (think GOLD, CARDINOLOGY, EASY TIGER), you might want to start with STAR SIGN. Of the five albums, this is the one that sounds sonically different than the others. We hear the return of the acoustic guitar as a primary track on some songs, but also some strings, a banjo here and there, and pedal steel guitar accompaniment. Some of these songs are like a methadone hit to us Whiskeytown addicts. Like, you kinda remember that feeling, but it is nowhere near as good and pure as it once was. Dial up “Shinin’ Through The Dark” for an example. This record also includes my favorite song of the bunch - “Speeding Car” as it sounds most like the song that wasn’t produced in a home studio. Several cuts on this record actually sound more sonically ‘open’ and leads me to wonder if these were recorded a while ago at the PAX-AM studio before it (presumably?) shuttered.
Ryan Adams ::SWORD & STONE:: You’d think with a title like SWORD & STONE that this would be another attempt at a black metal record (look, ORION is unironically still one of my favorite Ryan Adams releases), but alas, this sounds like an extension of STAR SIGN noted above. The songs on this record fall into that softboi Adult Album Alternative sound that Adams was heralded for back in the early aughts. Mostly acoustic and piano-driven songs with the occasional rocker. Lots of that Adams falsetto (which, personally, I could do without). Again, not much new ground broken here, but none of it is offensive in anyway. It’s just fine. I’m also left to wonder when these songs were written and tracked as the sound quality on this record also sounds a bit more professional (and there are at least two songs clearly about New York, Adams former residence).
Ryan Adams ::PRISONERS (LIVE):: Admittedly I have not listened this one, but it is live, acoustic versions of Adams’ 2017 release PRISONER.

All told, these are five, inoffensive, fine, non-ground-breaking Ryan Adams records that fans who have stuck with Adams through all of his recent shit will probably like. Once-fans who aren’t inclined to support an artist who was accused (and cleared) for soliciting an underage fan…but is pretty clearly guilty of being manipulative and shitty to some of his female partners; both musically and romantically…though the line between the two was often blurred…and therein lies the problem.

My fandom of Adams has waned substantially since he went solo. A lot of it is because my tastes have changed and his songs are no longer identifiable mile markers to moments of my life. By no means am I saying that Adams’ solo career songs are not good, or are inferior…just that I do not connect with them as much as I did, say “Inn Town”, where, as a college sophomore, I would return to the home where I was raised and spend short periods of time living out of a suitcase in my own bedroom.

One day, I’d like to make a good ~90 minute mixtape of songs across his solo career, with The Cardinals, the Finger, and whatever other things he’s involved himself with over the years since Whiskeytown called it a day, and have a nice ‘cream-of-the-crop’ sample of that output. Though, honestly, I don’t know how many - if any - of the songs from his more recent output would make that cut.


January 5th, 2024

Slim pickins this early in the year. I am still combing through some other sites looking for releases but they all seem to have some of the same ones that I just don't find that interesting. 

As in prior years, I am creating monthly spotify playlists to aggregate all the links shared in this running thread. I had already made the January Playlist to pull all five Ryan Adams records dropped at Midnight on January 1, 2024.

January 2024 Spotify Playlist: 2024-01

I noted in another post that Fust put out a spate of EPs that are suuuuper lo-fi. I like it, but I am obsessed with that band right now. I also listened to the Gumshoes record that Karla mentioned elsewhere, and it didn't really move me. I'd be curious to learn if anyone else listens to it and likes it, because I am going to attempt to cull the number of things I put on these playlists so they are more manageable. If my hunch is right that most of y'all are 'meh' on a band like Gumshoes, that's data for me moving forward. Granted I don't make the playlists *just* for Postcard, but y'all are the barometer I use for measuring 'good' music. 

Now, then, here is what dropped on the first new release day of the year, Friday January 5th, 2024.

::The Knowns::

Nuthin.

::The News::

The Boy Detective ::ART THEFT:: Fun emo-punk-ska out of southeastern Michigan. 
Fust ::SONGS OF THE RAIL:: Written and recorded while Fust singer/songwriter Aaron Dowdy was living in New York, these songs were sparsely recorded on a "kitchen table" recording rig. I'd say that these songs are somewhere between demos and suuuuper DIY. This one might be for the die-hards, but if you're like me, and you enjoy hearing these rougher, unpolished gems, this might be your jam.
The Hypos ::THE HYPOS:: New songwriting collaboration between Greg Cartwright (Reigning Sound) and Scott McMicken (Dr. Dog) that answers the question: "What if before they got their MD, 'Mr. Dog' went to med school at UT Memphis, and spent as much time studying Memphis Rock N Roll as they did studying for the MCAT?" [Note: This release is not (yet?) on spotify, so it will not be included on the January Playlist. The link here takes you to their Bandcamp space].
Wagging ::MY OWN PRIVATE RODEO:: Wagging is a three-piece, lo-fi power pop trio from Asheville, NC led by songwriter Alison Antaramian, and her two friends Mark & Emily. Simple, melodic pop with twee singing by Alison and Emily. Recorded in Asheville's Drop of Sun Studios, the record has a nice warmth to it that lends itself to two-windos-down car jams during spring road trips. 


January 12th, 2024

Happy Friday. This weekend my folks were in town from PA and we spent all day at a Fishing Expo here in Raleigh. Fun times. But yeah, here are the releases of interest from January 12, 2024 (which would have been my late pup's 14th birthday. To celebrate, I made steak and eggs for dinner that night - which was always the birthday meal Mosby got to eat).

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm hoping this year's playlists will have a better wheat:chaff ratio.

January 2024 Spotify Playlist: 2024-01

Quick nod to the Holler Choir record. This is the new stringband project of Clint Roberts, a songwriter I've mentioned before who hails from the Asheville, NC area. Clint released a hell of a record in 2021 called ROSE SONGS that was recorded in Nashville with a set of crackshot musicians. His writing and vocal phrasing on ROSE SONGS reminded me a lot of FABLES-era David Ramirez. Some of that same phrasing can be heard on the Holler Choir stuff. And the musicians on this record are also pretty amazing.  

Anyway, brother, here is what dropped on the first new release day of the year, Friday January 12th, 2024.

::The Knowns::

Gurf Morlix ::MELT INTO YOU:: Music for Americana Whitehairs and No Depression readers..

::The News::

Bill Ryder-Jones ::IECHYD DA:: Described as a "musical polymath" with credits as a producer, multi-instrumentalist, composer, and singer/songwriter, this former guitarist for the psych-pop outfit the Coral draws on influences such as Ennio Morricone, Johnny Greenwood (Radiohead) and Nick Drake on his latest. RIYL low-key folks-influenced Brit pop.
The Clamps ::MEGAMOUTH:: Speed-stoner rock from Italy. I'm not saying that these are direct influences, but listening to the first couple tracks on this record makes me want to pull out all my old Corrosion of Conformity and Kyuss albums.
Holler Choir ::SONGS BEFORE THEY WRITE THEMSELVES:: The latest songwriting vehicle for Asheville, NC singer/songwriter CLINT ROBERTS who eschewed the slick Nashville studio production of his debut solo record ROSE SONGS, and pulled together a group of friends from in and around Asheville who lay a base of banjo, fiddle, upright bass, and gorgeous vocal harmony. There's a reason they call Western NC/Eastern TN/Southwestern VA "A Hotbed of Musicians". Roberts' vocal phrasings remind me of the FABLES-era David Ramirez, which ain't a bad thing at all. Though Holler Choir's direction is decidedly more stringband/bluegrass/Appalachian stop, Roberts' songwriting still contains a heavy pop element which serves these nine original songs well. Come for the nine originals, and stay for the stringband cover of Nirvana's "Heart-Shaped Box."
Lily Seabird ::ALAS,:: Lo-fi singer-songwriter hailing from Burlington Vermont who brings a Gregory and the Hawk DIY vibe to her songs. There quiet introspection, guitar-driven indie pop, and some twang to be had on this record. 


January 19th, 2024

Still a slow trickle of new stuff early in 2024. Maybe we can blame the arctic front that's over a large portion of the US right now (EXcluding the NC piedmont, unfortunately). Here's what trickled out on Friday January 19th, 2024...

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm hoping this year's playlists will have a better wheat:chaff ratio.

January 2024 Spotify Playlist: 2024-01

::The Knowns::

Green Day ::SAVIORS:: A band that went from singing anthems about masturbation to anthems about anti-capitalism. Green Day is still worth our time.
Sleater-Kinney ::LITTLE ROPE:: Described as "one of the finest, most delicately layered records in the bands nearly 30-year career."
Doug Paisley ::SAD OLD WORLD:: Paisley follows up his stellar 2023 release SAY WHAT YOU LIKE with a record of old country covers.

::The News::

Eliza McLamb ::GOING THROUGH IT:: First, I love this album title. And the songs are good, too. Based in LA, there's definitely a pop element to these songs, but the backbone is steeped in late aughts and early 2010s indie. The third track, 'Mythologize Me' is radio -eady (hell, I don't listen to the radio, so it may be getting some play already judging by the spotify playcount).
Lizzie No ::HALFSIES:: I honestly don't know how to characterize this Lizzie No record. Some of it sounds like East Nashville-style 'country', some of it is pop, some is AAA, but it's all really good. As a proxy for artists/events where Lizzie No played, here's some of her priors: "Lizzie has toured with Iron & Wine, Adia Victoria, Ron Pope, Sarah Shook and the Disarmers, and has showcased at festivals like Newport Folk Fest, Americanafest, South by Southwest, and Hardly Strictly Bluegrass."
Old Heavy Hands ::SMALL FIRES:: These bois oughtta scratch the itch of the "Nine Bullets" contingent of the Alt-Country/Americana spectrum. They make a bed consisting of punk and metal as the fitted sheet, loud southern twang as the flat sheet, and gruff, gravelly vocals as the comforter on top. 
PACKS ::MELT THE HONEY:: Songwriting vehicle for Madeline Link, who self-produced the record in a nod to 'unpretentious disaffection of the grunge movement and the inventive arrangements of Guided By Voices, who have inspired PACKS since their inception.


January 26th, 2024

Finally at the end of January and its five damn weeks. But still not a lot out there kicking off the year. Granted, I am being more picky. For example, this time last year, the January playlist had 66 albums and 743 tracks, whereas the January 2024 playlist has 32 records and 364 tracks (and 4 of those records and 77 of those tracks are all Ryan Adams releases). Quality over quantity is the goal. 

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. As noted, I'm hoping this year's playlists will have a better wheat:chaff ratio.

January 2024 Spotify Playlist: 2024-01

So here's what dropped on the final Friday of the month, January 26th, 2024.

Let me know what I missed.

::THE KNOWNS::

Chatham County Line ::HIYO:: Gotta admit, it's pretty wild to hear an electric guitar kick off a Chatham County Line record. If you were an early adopter, this is a new sound, but the bones are still here.
Katy Kirby ::BLUE RASPBERRY:: RIYL inward-looking folksy/Americana exploring why we feel the way we feel when entering into a relationship...particularly one that is novel.
Matt pond PA x Alexa Rose ::CALL AND RESPONSE [EP]:: Nice to see Matt team up with my cousin Alexa.
Sarah Jarosz ::POLAROID LOVERS:: There's a reason Jarosz has been nominated for a Grammy 4 times. This record is crisp.
The Smile ::WALL OF EYES:: Though I am not the biggest fan of Radiohead, I can appreciate Thom Yorke and Johnny Greenwood forming a side project appropriate for their non-Radiohead art.
Torres ::WHAT AN ENORMOUS ROOM:: This is Mackenzie Scott's sixth record - and third with Merge records. If you're not familiar with her music, think about the Merge Records roster and this fits right alongside the label's other recent output.
Willi Carlisle ::CRITTERLAND:: The term "folk" gets tossed around a lot, but Carlisle truly embraces the genre. Based out of Northwest Arkansas, Willi is a musician, historian, and folklorist who has spent a LOT of time collecting folk songs and stories from the Ozarks and beyond. And it is these stories and lore that influence his own writing. Proud to call Willi a friend. I'm not religious, but Willi's songs always make me feel the way I wish Church would have made me feel back when I used to go.
William Elliott Whitmore :SILENT, THE MIND BREAKS:: Country blues, gospel shouts, and field hollers.

::THE NEWS::

A Fish in the River ::FOREST GOD [EP]:: (Jan 25th release) This is what I think of when I think "Portland" - just slack-ass melodic indie rock. I wish this was longer. This feels like a band Ben Salmon should know about. Hopefully he can provide a little extra info if so!
Gruff Rhys ::SADNESS SETS ME FREE:: Super Furry Animals' frontman adds another LP to his solo career. This sorta reminds me of a weirder cousin to Belle and Sebastian. Some 70s pop, augmented by strings and steel guitar in places. Falsetto vocals soar above these melodies. Definitely interesting.
Heavy Seas ::DISTORTION DAYS:: This one is for Jenn Husbands, since they're a Chicago band. From the band's bio: "Jesus Lizard rhythms over melodies that channel Sonic Youth's more aggressive atmospheres..." RIYL: Seaweed, Jawbox, Quicksand, The Casket Lottery, Braid.Large Brush Collection ::OFF CENTER:: Texas-based 4-piece that coalesces around songwriter and bassist Nora Predey's songs. The band has a full-time flautist, and before you think Jethro Tull or Marshall Tucker, think again. This is really chill. Conjures some early aughts indie vibe, but super soft.
Office Dog ::SPIEL:: Power trio out of Auckland NZ who sound like they were raised on a steady diet of late 90s grunge and Pavement. It's wild how a brand new record can make you feel nostalgic. This one is gonna get some spins.
Slower ::SLOWER:: Featuring members of Fu Manchu and Kyuss, this EP of all Slayer covers is dripping with the heaviest sludge. Oh, and the five tracks on this record clock in at just under 40 minutes...so there are some heavy jamzzzz.
Spencer Burton ::NORTH WIND:: After retreating to a cabin in northern Ontario, Burton started penning songs inspired by the isolation. Garden variety Americana produced in Nashville, but the songs have a rawness and lilt that is magnetic.
The Umbrellas ::FAIRWEATHER FRIEND:: From the band's bio: "Classic indiepop influences are very much in evidence here, from The Byrds to Orange Juice, The Pastels, Comet Gain and Belle & Sebastian, along with a noticeable garage-pop/Paisley Underground flavor that is a hallmark of San Francisco's best bands."


February 2nd, 2024

Happy Groundhog Day from this Native Pennsylvanian who doesn’t give a FUCK how inaccurate Punxsutawney Phil’s winter/spreing predictions have been across history. Loving him is a law! like scrapple, and the Amish. Also, Happy American Aquarium Road trip To Raleigh to all who celebrate! I have a pal from Arkansas in town and he and I plan to spend most of the weekend up to our elbows in Eastern North Carolina Pulled Pork Barbecue and bloodstreams full of good bourbon. Anyway, brother, here is the light fare from Friday February 2, 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. As noted, I'm hoping this year's playlists will have a better wheat:chaff ratio. Also, there's a new list for February!

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist:
2024 - 02

Let me know what I missed.

::THE KNOWNS::

J Mascis ::WHAT DO WE DO NOW:: Mascis solo brings the same energy as Dino Jr, but without the three Marshall FULL stacks that rupture your eardrums.
J. Robbins ::BASILISK:: One-time Government Issue bassist and Jawbox founder serves as a throughline to all the old DC Hardcore I grew up listening to.
The Paranoid Style ::THE INTERROGATOR:: Songwriting vehicle of Elizabeth Nelson of the Mendoza Line and includes an all-star cast of players including her husband and Mendoza Line member Timothy Bracy, Peter Holsapple, and William Matheny.
Paul McCartney & Wings ::BAND ON THE RUN (50TH ANNIVERSARY EDITION):: BRB - gonna go google what "underdubbed: means. (hint: It means stripped-down)

::THE NEWS::

Big Scenic Nowhere ::THE WAYDOWN:: Featuring members of Fu Manchu, Mos generator, and Yawning Man this has a sludge metal through the vocal stylings of peak Alice in Chains, or a more tempered Faith No More. All the songs are over 4 minutes long, and with only 7 tracks seconds shy of 40 minutes, there are some jammmmmms on this one.
Flight Mode ::THE THREE TIMES:: Oslo, Norway power pop with hints of math-y emo. I was a big fan of their TORSHOV '05 EP that came out in 2022. This release looks like a combination of all the band's EPs and singles released over the past few years. RIYL Beezewax (which, is basically just me and Ryan Kennemur I think).
The Last Dinner Party ::PRELUDE TO ECSTASY:: Meghan nailed this one: "Kate Bush meets Belle & Sebastian meets Eurythmics with some Radiohead guitar thrown in."
Liquid Mike ::PAUL BUNYAN'S SLINGSHOT:: Usually when I think about Michigan's Upper Peninsula, I think about "Da Jimmer" (IYKYK), but who knew Marquette Michigan would produce a damn good indie band, too? As a mail carrier in town, frontman Mike Maple gets to observe a lot of the world and those everyday observations manifest as songs that, as Rolling Stone says "splits the difference between 90s pop punk and 90s indie." Well said.
Reconciler ::ART FOR OUR SAKE:: Soft-edged hardcore with a southeastern (Atlanta, GA) swagger. RIYL The Dirty Nil, The Dead Stars.
Vera Sola ::PEACEMAKER:: Described as the "lost love child of Leonard Cohen and Nancy Sinatra" and "PJ Harvey at her most irate, teeth-bared." Worth a spin.


February 9th, 2024

Last week's list was pretty good, so maybe we're finally starting to thaw the new-release frozen tundra that we typically experience at the start of the year. That said, here's what we get on Friday, February 9th, 2024,

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. As noted, I'm hoping this year's playlists will have a better wheat:chaff ratio. Also, there's a new list for February!

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02

Let me know what I missed.

::THE KNOWNS::

The American Analog Set ::NEW DRIFTERS:: Seeing this band name made me think I just fired up Soulseek to download some P2P MP3s. The Austin, TX drone-pop outfit's latest is a blast of nostalgic sounds as it is a retrospective that includes the FUN OF WATCHING FIREWORKS, FROM OUR LIVING ROOM TO YOURS, and THE GOLDEN BAND LPs, remastered from the original analog tapes and garnished with period b-sides, outtakes, and demos.
Brittany Howard ::WHAT NOW:: Pro Tip: Don't approach this record through the lens of The Alabama Shakes. Brittany is operating on a different plane...and though this is a whole other vibe, it definitely hits in spots.
The Dead South ::CHAINS & STAKES:: Manufactured bluegrass/Americana with zero flaws. I feel like when I tell people I like "alt-country" and "Americana" this is what comes to their mind. I find it incredibly stale and boring, but your mileage may vary.
Ducks Ltd. ::HARM'S WAY:: Looking to scratch that mid twenty-teens jangle-pop itch? These dudes still remind me of Surfer Blood a bit. Also, their latest features collabs with Ratboys' Julier Steiner and Marcus Nuccio.
Tyler Ramsey ::NEW LOST AGES:: Lead guitarist of Band of Horses releases the best Band of Horses record to come out so far this year.

::THE NEWS::

Astral Bakers ::THE WHOLE STORY:: From their blurb on Rough Trade describing the band's sound: "Some say acoustic rock, others say soft grunge. Songs in English, halfway between Big Thief, Supertramp and an unplugged Nirvana concert."
David Nance & Mowed Sound ::DAVID NANCE & MOWED SOUND:: One of the better spotify bios I've seen in a while: "Music made with dirt, water, gravy, Midwestern Raga, sand, choogle, 1972 Fender Twin Reverb, hair, insomnia, wind, joy, caramelization, breath, thunder, rain, and sunshine." The opening track has lots of swagger. This sounds like a deep cut record from my dad's vinyl collection amassed in the mid-70s.
Ellis Bullard ::HONKY TONK AIN'T NOISE POLLUTION:: Honest-to-goodness honky tonk stop. This guy is tearing Waylon and Dwight Yokam out of a shitty Peavey guitar. Also, there is an epic key change in "What's a Man to Do?"
Madi Diaz ::WEIRD FAITH:: Really good, earnest singer/songwriter/Americana surely to impress the Americana/No Depression subscribers. Hopefully she doesn't get pigeonholed into this lane because this record has broad appeal. I'm picking up Katie Pruitt meets Phoebe Bridgers vibes.
Orgone ::CHIMERA:: Funk as hell. RIYL The Breakestra, The New Mastersounds.
Pouty ::FORGOT ABOUT ME:: Songwriting vehicle for Rachel Gagliardi who, over her career using the Pouty moniker has collaborated with Michelle Zauner (Japanese Breakfast) and former members of Hole and the Vivian girls. RIYL frungy, bratty punk rock with 90s nostalgia.
Split System ::VOL. 2:: Melbourne, AUS punk band that spans the gamut of punk sounds from "proto- to post-".


February 16th, 2024

Has 2024 been kicking anyone else’s ass so far? Yeah. let’s just get to the new releases I found interesting from Friday February 16th, 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02

Let me know what I missed.

::THE KNOWNS::

Blackberry Smoke ::BE RIGHT HERE:: Look. It's a Southern Rock band from Georgia. And they worked with Dave Cobb to produce this record. It's gonna be good. Also - when the weather gets warm and you're driving with the windows down, put on track 2 ("Hammer And The Nail") and thank me later.
Frontier Ruckus ::ON THE NORTHLINE:: An inde-rock fan's alt-country band. These guys hit the scene around the same time as your Blitzen Trappers and Dr. Dogs. And they're still making pleasant music.
Granddaddy ::BLU WAV:: Gonna lift an apt description from, of all places, Pitchfork, that nails this one: "On...Grandaddy’s first album in seven years, Lytle leans into bittersweet Americana twang, a natural fit for his fatally flawed, cautiously optimistic cast of characters."
IDLES ::TANGK:: Post-punk has never been my bag, but I totally get why people dig it. At least these dudes do less worshipping at the Ian Curtis altar. This record has a lot of energy.
Laura Jane Grace ::HOLE IN MY HEAD:: Shit...she comes out swinging on this opening track! This record is what Craig Finn meant when he said "sing along songs will be our scriptures". The track "Birds Talk Too" sounds like the Mats!
Matthew Logan Vasquez ::FRANK'S FULL MOON SALOON:: The first time I saw Delta Spirit, I thought their singerl looked a little like Fez from That 70s Show. I feel bad about that now. If you're familiar with Vasquez's music, you'll like this. 

::THE NEWS::

Barren Womb ::CHEMICAL TARDIGRADE:: Two-piece Nordic noise rock outfit that reminds me of what the Japandroids would sound like if they listened to post-hardcore music. This kinda rips!!
Danielle Durack ::ESCAPE ARTIST:: I get that I often compare new, female indie songwriters to Phoebe Bridgers, but damn, this artist really sounds cut from the same cloth. The opening song sounds like a B-Side from STRANGER IN THE ALPS. But Durack has her own style as well. Her voice is bell-clear and earnest over these guitar-forward songs. Really enjoying this!
Ethan Lipton & His Orchestra ::DID YOU DO THE THING WE TALKED ABOUT?:: This might violate my wheat:chaff goal, but something about this record is refreshing. Lipton has what appears to be a four-piece "orchestra" that includes guitar, upright bass, drums, and saxophone. This record sounds like four longtime bandmates went into a room, put a microphone in the middle, and knocked out 11 songs in one take each. It's super simple and enjoyable if this is your sorta jam. I feel like the Two-Rs and Americana old heads (he said affectionately) will dig this a lot.
Frances Chang ::PSYCHEDELIC ANXIETY:: Chang refers to her music as "slack prog" and i couldn't agree more. This answers the question "What if Wednesday and early WESTING BY MUSKET AND SEXTANT-era Pavement made a record together?"
Friko ::WHERE WE'VE BEEN, WHERE WE GO:: A blend of post-punk, chamber-pop, and & experimental rock, Chicago style. If you like songs with a "the world might end soon, so we need to finish this set" energy, give this a spin! This is a BIG-sounding record, and it's the band's debut.
Gaby Moreno ::DUSK:: If you've been digging the latest Lizzie No record, i feel like you'll enjoy this Gaby Moreno. It's pop music through an Americana filter. But Moreno, who is Guatemalan, has a couple tracks that lean on that influence and heritage. But it's damn good. And her voice? Holy hell! Start with "Solid Ground" and go from there!
Gentleman Rogues ::SURFACE NOISE:: Austin, TX quartet who aren’t so much wearing their influences on their sleeve…they’re just wearing the band’s t-shirt. This is a great band to play “spot the influence” with. Superdrag? Check. The Replacements? Check. Superchunk? Check. And if you don’t believe my words, check out this mashup of the Lemonheads and Superdrag on the non-album track “Bloody Rudderless (In Ursa Major)”.Levitation Room ::STRANGE WEATHER:: This record answers the question "What was the soundtrack to Los Angeles in the 1970s?"
Lol Kirke ::COUNTRY CURIOUS [EP]:: Actress-turned-country singer who has toured with Jenny Lewis and Margo Price. This EP was produced by Elle King and features a guest spot by Rosanne Cash. RIYL any artist just mentioned above.
Pet Needs ::INTERMITTENT FAST LIVING:: This sounds like Frank Turner cosplay, and I don't mean in a bad way. Suuuuper high energy, anthemic rock.
Prize Horse ::UNDER SOUND:: Minneapolis slo-grunge band that probably have a few records in their collection by Nirvana, Hum, and Sunny Day Real Estate. 
San Fermin ::ARMS:: interesting record by Brooklyn-based OCTET (!!!) with alternating lead vocals by bandleader Ellis Ludwig-Leone and Claire Wellin (who has a great voice). The record has an early 2010s indie feel to it, and there's a lot of ground covered across 9 songs in 33 minutes.
 serpentwithfeet - GRIP. If you like R&B/pop with gorgeous, glass-clear male vocals and melodies, this is your jam. He's been coupled up for a few years now and has been writing really sweet songs about his boo. This typically is nowhere near my cup, but my wife and I saw serpentwithfeet early on in our relationship. This was pre-COVID, but during a particularly heavy week socio-emotionally. It was still during the Trump admin, and some infringement of others' rights had gone down...and serpentwithfeet took the opportunity to put together a setlist of songs and spoken word with the intent to uplift the audience. It was amazing and like a shot of elixir against the ills of society that night. I say all this to say that my emotional and personal connection may be why I still like their music so much, but I know we have broad and varying tastes on this list so i wanted to signal to other existing or potential serpentwithfeet fans that you're not alone!
Shadow Show ::FANTASY NOW!:: detroit all-female power trio that combines elements of 60s garage psychedelia and modern pop-art.


February 23rd, 2024

This has zero to do with new music, but today I learned that "King" Richard Petty is still alive at 86 years young. If that doesn't give you reason to celebrate, well, then. Also. Ace Frehley and Mick Mars (Motley Crue) released records today that I am not going to include on the playlist below, but shit...I definitely don't hate either one. In other news, Sun Kil Moon has an EP out today with a song called "Mark Kozalek Died Happy While Fishing."  Good. Fuck that guy and all of his bands. 

That said, here's what dropped on February 23, 2024:

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02

Let me know what I missed.

::THE KNOWNS::

Ace Frehley ::10,000 VOLTS:: Like...this isn't terrible. But wheat:chaff means i am not adding to the playlist. But the KISS completists out there might want to dial this one up.
Hurray for the Riff Raff ::THE PAST IS STILL ALIVE:: I mean...I feel like this is the kind of record we all could queue up and just lay back and enjoy. This may be my favorite release by Alynda Segarra to date. Stoked to catch them live next week!
Laetitia Sadier ::ROOTING FOR LOVE:: Solo outfit by Stereolab's lead vocalist.
Mary Timony ::UNTAME THE TIGER:: Did y'all know Mary Timony taught Lindsey Jordan (Snail Mail) how to play guitar?
Mick Mars ::THE OTHER SIDE OF MARS:: I mean, this album kinda fucks - but I'm still not gonna put it on the playlist. And I don't know who lead singer Jacob Bunton is, but he is from Birmingham Alabama, so I want to believe that he cut his teeth partying at The Nick.
Modern English ::1 2 3 4:: There are about 50 bands out there *trying* to do what Modern English does effortlessly. "Not Fake" is a banger.
Real Estate ::DANIEL:: Carry me back to 2009.

::THE NEWS::

Disastroid ::GARDEN CREATURES:: These dudes have been making grungy stoner rock for a decade, so they may not be new, but the singer sounds like if you put a 45 of Chris Cornell on 33RPM. It jams.
Glitterer ::RATIONALE:: Saw this outfit open for The Hotelier a few weeks back. High-energy rock n roll fronted by Ned Russin, who emotes all over his songs. Super catchy tunes with big sing-along moments throughout.
Little Kid ::A MILLION EASY PAYMENTS:: Toronto indie folk outlet with crips, quiet tunes. Really pleasant. I feel like it falls somewhere in the range of Hiss Golden Messenger and Someone Still Loves You Boris Yeltsin...kinda.


March 1st, 2024

Greetings from sunny PA - here's what dropped March 1st 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 2024 - 02
March 2024 Spotify Playlist: 2024 - 03

Let me know what I missed.

::THE KNOWNS::

The Bevis Frond ::FOCUS ON NATURE:: For those of you who need a dose of 90s alt in your life, these guys have been owning that underground for decades.
Faye Webster ::UNDERDRESSED AT THE SYMPHONY:: Were it not for the Postcard From Hell, I would not know about Faye Webster. I remember her 2019 record ATLANTA MILLIONAIRES' CLUB hitting me like a brick with its mix of indie folk, hip-hop, and GOBS of pedal steel guitar. UNDERDRESSED AT THE SYMPHONY doesn't diverge from this recipe and it's a good thing. If you can't groove to this opening track, check your pulse
Liam Gallagher and John Squire ::LIAM GALLAGHER AND JOHN SQUIRE:: Cunty, British, tosser-rock.
Mannequin Pussy ::I GOT HEAVEN:: Cathartic tunes about despairing times, Philadelphia edition.
Ministry ::HOPIUMFORTHEMASSES:: Fourteen year-old Caleb from 1992 is JAMMING to this record...
Pissed Jeans ::HALF DIVORCED:: if, like me, you're mired in Student Loan Debt, the track "Sixty-Two Thousand Dollars in Debt" is worth a listen, even if it's the only track you spin from this record. Punk as fuck.
Sheer Mag ::PLAYING FAVORITES:: Listening to this the other day, my wife and I landed on this description: It's like young Michael Jackson fronting Death by Unga Bunga." If that makes sense to you, then you'll probably love this. 

::THE NEWS::

Coco ::2:: Side project collab by members of The Dirty Projectors and Lucius. It's a little all over the place but a pleasant listen. Per the Spotify bio about the latest record: "its sonics varying from lush shoegaze guitars, to dusky electronica, to jangly 60s pop." All of that tracks on a quick sampling of these songs. A little something for everyone, maybe.
Footballhead ::OVERTHINKING EVERYTHING:: Not much to overthink, here. This is just solid, guitar-forward chicago-based, midwest, 90s-influenced alt rock by a songwriter who spent a lot of time at the skate park.
Jade Dust ::GREY SKIES:: Jade Dust answers the question "What if Fugazi were from Portland, Orehan." The nod to DC Hardcore this band delivers is uncanny. I love it!
Hands of Goro ::HANDS OF GORO:: Hands of Goro answer the question "What if Lemmy Kilmister had three illegitimate children who formed a band and started a third wave of British heavy metal?" If you were ever into 90s metal and butt rock, please give this a shot. RIYL: The Darkness, Death By Unga Bunga.
Hannah Frances ::KEEPER OF THE SHEPHERD:: Wild, polyrhythmic guitar playing under soaring, clear vocals in a music style that has drawn comparisons to Jeff Buckley and Joni Mitchell with its meld of avant-folks, progressive rock, and jazz.
Late Bloomer ::ANOTHER ONE AGAIN:: Charlotte, North Carolina's Late Bloomer answer to the question "What do you get when a band draws from early DIY punk, the fuzzy alt-rock of Superdrag, Sugar, Dinosaur Jr, and the subdued harmony of the Weakerthans?"  This is good.
Mush ::MUSH WITH BENEFITS:: Midwest emo supergroup that will scratch your American Football, Get-Up Kids, Saves the Day, and other mathy-midwest emo bands itch. 
RIP Dunes ::RIP DUNES:: This won't be for everyone, but this synth-heavy indie dream pop outfit fronted by Brooklyn's Michael Iwanusa has a lot of big-sounding moments that made it hard to click past. I can't really put a pin on their sound, but the RIYLs from spotify include Ducks Ltd. and The Reds, Pinks, and Purples.
Tish Melton ::WHEN WE'RE OLDER [EP]:: This 18-year old rising star teamed up with Brandi Carlisle, who served as producer, collaborator, and mentor in helping Melton craft her brand of pop. No wheel-reinventing here, but good music is good music. Probably an artist to take note of now.


March 8th, 2024

Who's got some Q1 favorites for Ryan Mallett?  For me it's probably Lizzie No, Liquid Mike, and Hurray for the Riff Raff. But let's keep it rollin with releases from March 8th, 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02
March 2024 Spotify Playlist: 
2024 - 03

Let me know what I missed.

Adeem’s new record ANNIVERSARY is out May 3rd

I usually don't use this space to talk about singles, but I will highlight a new song from my pal Adeem the Artist, whose first single "One Night Stand" is out today from the forthcoming record ANNIVERSARY, produced by Butch Walker and due out in early May. The song has heavy Diamond Rio vibes with the little mandolin line. One of my favorite aspects about Adeem's writing is how they take progressive lyrical themes, in this case about two men navigating a relationship where one wants a one night stand, and the other wants a long term relationship, and fold them into a pop country tune. If you're not listening to the words, it sounds like any song that could be on Top 40 Country Radio. I hope for a world where normies who 'don't 'understand all that gay shit' wind up loving the song because it allows them a sonically comfortable and safe place to reconcile the lyrics; basically that love is love. Anyway. Listen to the song. It's pretty great!

::THE KNOWNS::

Judas Priest ::INVINCIBLE SHIELD:: Unreal that this band is still going after 50 years. Halford's vocals are as powerful as ever.
Kim Gordon ::THE COLLECTIVE:: I met Kim Gordon and Sonic Youth oncet.
Norah Jones ::VISIONS:: Consistent since 2002s COME AWAY WITH ME

::THE NEWS::

Brother Bird ::ANOTHER YEAR:: Honestly, the story behind this artist, covered in Forbes of all places, is pretty wild. The TL:DR is a young Nashville songwriter covers a Manchester Orchestra song, puts it on youtube, dude from MO's mom sees it, shares it with her son, and now he collabs with the songwriter.
Ghost Work ::LIGHT A CANDLE FOR THE LONELY:: alt-rock supergroup featuring members of Seaweed (Aaron Stauffer, vocals), Snapcase (Sean Husick, bass) and Minus the Bear (Erin Tate, drums). And it sounds as good as you would think.
Lamplight ::LAMPLIGHT:: This record reconts songwriter Ian Hatcher-Williams odyssey from a child raised in a Virginia cult, to a burned out NYC tech ework, and back to VA where he married his childhood friend. I've zero doubt that Hatcher-Williams has every Pavement record in his collection. Start with "Call Your Mother" and its gorgeous steel guitar lines. 
Luke Grimes ::LUKE GRIMES:: I recently binged every show that Taylor Sheridan has written in the Yellowstone universe, starting with 1883, then 1923, and finally Yellowstone. For fellow Yellostone fans, you'll recognize Luke Grimes as Kayce Dutton. Despite what I am sure would be instant coddling from 'Slick Nashville™', this record retains a roughness. It's closer to his co-star Ryan Bingham's work than it is Tim McGraw. I', really digging it so far. But if you're a fan of that American Aquarium, 49 Winchester, and Ryan Bingham lane of Americana, this is for you.
Tomato Flower ::NO:: Baltimore quartet that "melds...melodies with rhythmic trickery and unexpected structures...math rock, dub, and bossa might flash well before the outro." Definitely unique moments while I was previewing these tracks!


March 15th, 2024

I dunno about you folks, but I am bewaring the SHIT out of today. And I plan to steer clear of any Caesar salads during meals (yeah, I know they're not named after *that* Caesar, but whatevuh!). So yeah, let's talk about the most interesting shamrocks I picked out of the cloverfield this week (or something more witty).

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

The Black Crowes ::HAPPINESS BASTARDS:: Fifteen years since their last album of original music, the brothers' Robinson have reunited and released their 10th studio album with longtime bassist Sven Pipen. Definitely some new vibes here, but also some classic sounds for the nostalgia-seeker in you.
Dan Boeckner ::BOECKNER!:: I've included this in the 'knowns" because most of us know Boekner as a driving force behind early Wolf Parade output, Handsome Furs, Divine Fits and others. He was also a touring member of Arcade Fire. This record seems square in the wheelhouse for any fan of the above.
The Dandy Warhols ::ROCKMAKER:: Though they've been around since the 90s, I know very little about the Dandy Warhols, but I know folk love em. 
Justin Timberlake ::EVERYTHING I THOUGHT I WAS:: Yeah. Maybe you actually thought you treated Britney Spears right...but you didn't. I still heart you, JT, but you were an asshole to Britney.
Kasey Musgraves ::DEEPER WELL:: Eat your heart out, Ruston Kelly. Also, I think in a truly just world, Kasey Musgraves would make the proper 4th member of boygenius.
Scott Stapp ::HIGHER POWER:: "HOLD ME NOWWWW!!!"
Wonder Women of Country ::WILLIS, CARPER, LEIGH [EP]:: Look, Kelli Willis and i are twitter friends now, so I got that going for me. But also, this trio of Willis, Melissa Carper, and Brennen Leigh is, given the note above, like the Texas version of boygenius. Cowboygenius? Whatever. Kelly Willis could sing me the phone book and I'd be mesmerized.

::THE NEWS::

Beans ::BOOTS N CATS:: Australian organ-forward garage psych supergroups fronted by Murlocs drummer Matt Blach. The track "One to Four" has me wanting to reach for my Meters records.
Bedbug ::PACK YOUR BAGS THE SUN IS GROWING:: Suuuuuuper lo-fi bedroom indie, but really great sense of melody, and the li-fi recording means you also get some noise. Listening to this makes me think (fondly) of the days I was plugging a 1/8 inch computer microphone into my CreativeLabs SoundBlaster external soundcard, and recording ditties using Cool Edit Pro. Though Bedbug does it way better than I ever did.
Chuck Strangers ::A FORSAKEN LOVER'S PLEA:: I am pretty ill-equipped to speak eloquently about hip-hop music, but I like this. It's musical more so than just beat and rhyme-heavy. Also, his spotify bio just says "Chuck be doing him" and I kinda love that.
de clair ::HIDING MOUNTAINS IN THE PALM OF MY HAND [EP]:: Praise for this indie-forward folk artist includes "a sonic balm for the whirring mind" and "Storytelling on par with John Lennon". Pretty high praise.
The Fourth Wall ::RETURN FOREVER:: Melodic noise rock from Portland, Oregon by way of Oahu, Hawaii. Clicking through the songs on this record, if you like crescendos, you'll jam this. Though, admittedly, "Beware the Furnace sounds like an homage to everyone's favorite Portlandian, Elliott Smith.
Grieving ::EVERYTHING GOES RIGHT, ALL AT ONCE:: From Stereogum [paraphrased] "Grieving’s music triangulates the early emo, post-hardcore, and gritty ’90s indie touchstones. if you’re into the likes of Jawbreaker, Fugazi, Lemonheads, Samiam, Guided By Voices, Trail Of Dead, Dismemberment Plan, Archers Of Loaf, Shudder To Think, and At The Drive-In, well, so are they.” This is a favorite of the week so far!
The Messthetics + James Brandon Lewis ::THE MESSTHETICS AND JAMES BRANDON LEWIS:: Former Fugazi bandmates Joe Lally and Brandon Canty are found here backing up James Brandon Lewis' sax playing. For those of you with a penchant for jazz, you're probably going to love this one. 
Potato Beach ::DIP IN:: Psych and garage-inflenced outfit from Vienna, Austria. This opening track sounds directly influenced by Syd Barrett.
Sunday Cruise ::ART OF LOSING MY REFLECTION:: indie/punk/emo from outside of Chicago. Lead singer Zoe's vocal phrasings remind me some of my favorite aspects of Gwen Stefani...but this music is far from a No Doubt vibe. Definitely gonna come back to this.
Sweet Pill ::STARCHILD [EP]:: Philly-based emo band that isn't afraid to wrap themselves in their Paramore and Circa Survive influences. Some of these song structures remind me of Tallahassee-turned Austin emo band Look Mexico. i am such a sucker for music like this.


March 22nd, 2024

What better way to seek solace if/when your NCAA tournament bracket busts (BYE Kentucky!) than with some new music. There was a LOT to sift through today, some mem - even after controlling for the wheat:chaff ratio, others gems that are shining through, but most of this will get overshadowed by the new Waxahatchee. Y'all, Katie Crutchfield bringing Jake Lenderman onto this project is such a clutch move. I already love everything he's ever put to tape, but this collab is a dream for my ears. I am only on track three of TIGERS BLOOD and I already know that I am going to be listening to this all day, multiple times. That said, here's what swished from deep beyond the arc on Friday March 22, 2024.

Of note - to all who celebrate - the Butthole Surfers reissued some of their back catalog today (PCPPEP, PSYCHIC...POWERLESS...ANOTHER MAN'S SAC, and REMBRANDT PUSSYHORSE). I don't usually include reissues in these lists, but at least wanted to throw Butthole Surfers fans a turd wave. 

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

Let me know what I missed

::THE KNOWNS::

Adrienne Lenker ::BRIGHT FUTURE:: The first time I saw Big Thief, Adrienne Lenker carried two Magnatone amps onto the stage and not to get all IYKYK, but I knew then that she put a lot of care and thought into her songcraft, from sonics to lyrics.I imagine Waxahatchee will suck up a lot of oxygen this week, but don't sleep on this record.
Aoife O'Donovan ::ALL MY FRIENDS:: O'Donovan's voice is ethereal as ever.
Cary Hudson ::OLD BLUE:: Few other artists have had the impact on my guitar playing and songwriting as Cary Hudson. As a grandfather of Alt-Country with the Hilltops and Blue Mountain, and later in his career as a traveling, swamp blues performer - it's tough to quit Cary Hudson. His latest also features lead vocals on some songs by his daughter Anna Hudson. Oh, and one of these days, remind me to tell you the story of when Cary carved a pipe out of a red delicious apple and smoked pot in my kitchen through it. This dude is an all-timer.
Charlie Parr ::LITTLE SUN:: For the bluesy Americana fan inside of you, this record sounds like the soundtrack to a snowy day in the Minnesota winter.
Cody Jinks ::CHANGE THE GAME:: Not always my speed, but I recall stumbling into a Jinks show at the Pour House in Raleigh and really being blown away by the songs. And Jinks is still bringing that "country/americana music for heavy metal fans" vibe that he's finely honed over his career.
The Gaslight Anthem ::HISTORY BOOKS - SHORT STORIES [EP]:: Jersey AF.
The Jesus & Mary Chain ::GLASGOW EYES:: So many new bands draw on their influence, but it's tough to top the OGs.
Ruston Kelly ::WEAKNESS ETC. [EP]:: B-sides and leftovers from Ruston's WEAKNESS LP.
Sam Evian ::PLUNGE:: producer to the indie stars is out with his 4th record, inspired by 70s rock production vibe, but still sounding crisp and modern.
Sierra Ferrell ::TRAIL OF FLOWERS:: Sierra's bio says she "brings a dose of beautifully strange magic to everything she touches" and I agree. If you love the Kasey Musgraveses and S.G. Goodmans of the music world, Ferrell ought to be on your radar.
Waxahatchee ::TIGERS BLOOD:: This one will be at the top of year-end lists. "Right Back To It" is already my 'song of the year' as Jake Lenderman's harmony part in that song is perfect.
Wye Oak ::SHRIEK: VARIATIONS:: 10th anniversary of the fan-favorite album with Variations, five cuts reimagined by GRAMMY-nominated composer William Brittelle and recorded by Wye Oak and the Metropolis Ensemble.

::THE NEWS::

Barely Civil ::I'D SAY I'M NOT FINE:: Interesting outfit out of Milwaukee, Wisconsin who blend melodic midwest emo with math rock and screamo. Some of it sounds like Beezewax meets the Posies and other parts sounds like Fugazi meets Thursday. YMMV but records like this are extremely my shit and definitely worth digging into more.
Early Day Miners ::OUTSIDE LIES MAGIC:: Fronted by Daniel Burton, who was an engineer on early Songs: Ohia records, and has been involved with Secretly Canadian over his career, this is a lilting, slowcore record (the band's 9th) that would likely intrigue any fan of present or past Secretly Canadian artists (despite SC not releasing this record).
Restorations ::RESTORATIONS:: This is the third record this band has released since 2014 I think, and each time I am not sure whether I like it, or find it too derivative. But if you like anthemic punk that draws from mid-atlantic americana (think The Gaslight Anthem), then this is for you. Hell, this record sounds more like the Gaslight Anthem I remember than the new Gaslight Anthem also released today does.
Rickshaw Billie's Burger Patrol ::BIG DUMB RIFFS:: I mean, the title got me, but the band's bio is icing on the cake: "We just wanted 'the part.' The opening of Pantera's 'Primal Concrete Sledge', the breakdown in Primus' 'Pudding Time' - the shit that makes you move and lose your mind. Just that part the whole time...Being a dingus is crucial to the groove. All these riffs were designed to allow us to act bigger and dumber on stage." It's kinda like if Diarrhea Planet were from Austin. Probably not the best thing released today, but damn sure fun!
Rosali ::BITE DOWN:: Another stellar NC-based artist on Merge Records. The bio on Merge seems fitting: "Rosali makes songs that take their time in revealing their full power. What might appear to be restrained, introspective compositions will stretch slowly outward, snagging your attention with a sideways guitar lead or an exceptionally raw lyric you didn’t catch the first time around. Her softly glowing music is deceptively fluid, able to appear patient and refined at the edge of unraveling.
Sam Morrow ::ON THE RIDE HERE:: Country-fried honk. I feel like this would be a fitting on-deck record to the Black Crowes' release from last week.
Siouxie & The Skunks ::SONGS ABOUT CUDDLES:: Riotous garage punk from Brescia Italy.
Snuff ::OFF ON THE CHARABANC:: Old school UK-style anthemic punk.
The Staves ::ALL NOW:: The Staves answer the question "what if two sisters who listened to nothing but Laura Marling, Simon and Garfunkel, and Crosby, Stills, Nash, and Young took those influences and started a band." The vocal harmonies on this record are gorgeous.
Van Houten ::THE TALLEST ROOM:: "...a sonic mixing pot of intimate li-fi rock + cavernous shoegaze" from Leeds.
Velcros ::STRANGE NEWS FROM THE VAULT:: Sounds way more 1994 than 2004. From an article in Everything is Noise: "With a magnetic fusion of Tom Petty‘s undeniable charisma and the raw, unfiltered energy reminiscent of the punk bands such as The Hives or The Wipers, VELCROS masterfully intertwine elements of infectious melody and unapologetic vigor."
Villagerrr ::TEAR YOUR HEART OUT:: Nice, twangy, soft indie rock out of Columbus Ohio. Songs that "[imbue] mundane moments with disarming emotional clarity." Primary songwriter Mark Allen Scott is prolific, this being his 4th record since forming the band in 2022.


March 29th, 2024

I’m in Nashville last week and so far have played four different Gibson ES-335s (three at Carter Vintage and one at the Gibson Garage) and had I walked out with all three, it would have cost me over $20,000. Expensive-ass hobby.

Anyway, you know what's free? The knowledge of the new releases from Friday March 29th!

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

Alejandro Escovedo ::ECHO DANCING:: "Radically rearranged versions of [Escovedo's] back catalog recorded in Italy with Don Antonio. Some interesting arrangements on here. Kinda wish they did "Five Hearts Breaking" and at the same time am kinda glad they didn't.
Beyonce ::COWBOY CARTER:: For a large chunk of the population, this is the Alpha and Omega of this list. This record is great. But I'm loath to use superlatives to describe it. "Bodyguard" is my favorite jam so far. That bass line is some shit.
Chastity Belt ::LIVE, LAUGH, LOVE:: Five years since their eponymous 2019 record, Chastity Belt are back with more guitar-driven, lyrically witty 90s riot grrrl rock.
Jon Snodgrass ::BARGE AT WILL.:: This record sounds like Jon has been listening to Bob Mould more so than Drag the River. High-energy punk-adjacent midwest heartland rock.
Ride ::INTERPLAY:: This week's list is heavy on shoegaze/dream pop - not that I am complaining.
Sarah Shook & The Disarmers ::REVELATIONS:: Still on a songwriting high since they got sober, River Shook continues to perfect a songraft that is transparent, honest, and lays bare some shit that most people don't have the ability to reckon with. I hope they play some shows in and around my home region in support of this record.
Scott H. Biram ::THE ONE & ONLY SCOTT H. BIRAM:: …The ‘H’ stands for “Motherfucker.”
The Secret Sisters ::MIND, MAN, MEDICINE:: Southern. Gothic. Alt.Country. Soul. Sister-Harmonies. Dark. Good.
Shabazz Palaces ::EXOTIC BIRDS OF PREY:: Just wild and weird hip hop that remains in a league of its own.
Sheryl Crow ::EVOLUTION:: Sheryl Crow is a national treasure, and a hell of a songwriter.

::THE NEWS::

Candi Carpenter ::DEMONOLOGY:: This is the kind of pop music I love. Think Olivia Rodrigo or Blondshell...just that guitar-forward, rock-driven pop with soaring vocals and harmonies. This record is radio-friendly as shit, but my guess is that the album- and song titles is keeping the play counts down. Seriously, tho, click that link and check out those song titles...and while you're there, listen to a few. They're pretty great!
The Fever Haze ::MOONBOW:: Grand Rapids' Michigan quintet The Fever Haze answer the question "What if My Bloody Valentine and the Cure overlapped?" Listen to the opening sequence of "Last Night I Killed a Man" and tell me you don't expect to hear Robert Smith come in singing...
gglum ::THE GARDEN DREAM:: moniker of 21 year-old London-born songwrite Ella Smoker, who was recently signed to Secretly Canadian. From her website bio: "Inspired by the likes of Alex G, Phil Elverum and Adrianne Lenker, gglum’s music positions Smoker as an artist who can wield atmospheric disturbance at her fingertips, crafting soundscapes that allow her to reconcile with a tumultuous coming-of-age. With flickers of electronica, dream pop and discordant garage-punk, her acoustic guitar becomes a sturdy ally, the base of a versatile, lo-fi sound that manages to feel simultaneously escapist and immersive."
Kelly Moran ::MOVES IN THE FIELD:: New York-based composed who has worked with FKA Twigs and Yves Tumor. This solo-piano record is giving me big George Winston vibes.
Majesty Crush ::BUTTERFLIES DON'T GO AWAY:: I usually don't list compilations, but I am making an exception here. Detroit's Majesty Crush were a dream pop/shoegaze band from the 90s that never really found their footing, even after opening for acts like Jesus Jones, Mazzy Star, Royal Trux, and the Verve. One journalist opined that had the band been from London and not Detroit, their career may have spanned more than five years. This one checks a lot of boxes and would be a killer follow-up for those of you who liked that Fever Haze record above. BUTTERFLIES DON'T GO AWAY is a compilation of the band's discography.
Melisande Pope ::[DELETE] [DELETE] [DELETE]:: Holy grunge guitar, Batman! Boston-based Molly Pope has big feelings, and they're accompanied by big guitar chords. She says many of the songs on this record stem from angsty text messages never sent (hence the title). A crystal clear voice over sometimes loud guitars in a full-band setting, and others in a soft acoustic arrangement. I wish there were more than 5 tracks here.
The Rocky Valentines ::ERASE:: I was going to skip over this because of the dumb name, but it turns out that this project fronted by Charles Martin - who happens to be the son of Starflyer 59's Jason Martin - is pretty good. RIYL Weezer and/or Beezewax. From Martin'sd Tooth & Nail bio: "ERASE is a record that harkens back to some of rock’s best moments, though its most important influence might be Charles himself. Mixing Grant Hart’s earworm melodies with Tony Iommi’s heavier-than-hell guitar riffs, Martin combines it all with a measured restraint, allowing his vocals to shine without a lot of studio trickery."
Teens in Trouble ::WHAT'S MINE:: I've been anticipating this one. Lizzie Killian has been slowly building her career here in Raleigh, playing pop-up record store shows, sets at festivals, and some supporting and headlining sets at local venues. The debut Teens In Trouble record is a crisp, punk/garage/dream pop/grunge onslaught - and is a massive sounding record for the band only being a power-trio. Fuck tons of melody and crunchy Weezer-esque guitar. Listen.


April 5th, 2024

Welp - I'm already into this new John Moreland and am loving it. A return to form, if you will, after some more experimentation on BIRDS IN THE CEILING. Anyway, let's dig in, because it is a MONSTER week for New Releases that will please many ears around here (Moreland, Old 97s, Black Keys, Phosphorescent, Pernice Brothers, Kruangbin), on this day, Friday April 5th.

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new April 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

The Black Keys ::OHIO PLAYERS:: NGL, I was kinda hoping this was a record of all Ohio Players songs. But it's not. Either way, you know it would be good. These guys don't miss.
Cedric Bunrnside ::HILL COUNTRY LOVE:: From the opening guitar notes, I was transported back to the White Water Tavern on a swampy July night sweating alongside everyone else grooving to Cedric and his band. This is honest-to-goodness Mississippi juke joint music from the grandson of a legend.
Cock Sparrer ::HAND ON HEART:: Old, bald, gray, and still punk as fuck. Oi!!
John Moreland ::VISITOR:: Sparse, acoustic-forward, and just some of the best songwriting in America right now. John's voice creaks over these songs tired and hopeful like the light breeze after an Oklahoma tornado just took everything from you.
Katie Pruitt ::MANTRAS:: East Nashville-based songwriter who I discovered when she toured with Ruston Kelly back in 2017. Her debut LP, EXPECTATIONS, was a hell of an effort that framed not only Pruitt's songwriting muscle, but also her guitar playing chops. This is pop country with an edge. And if the show Nashville were still on TV, Katie's character would be hanging out with Scarlett, Gunnar, and Avery.
Khruangbin ::A LA SALA:: The soundtrack to a steamy, Texas summer fever dream.
Novo Amor ::COLLAPSE LIST:: The Bon Iver of TikTok. And whatever, dude makes pleasant music.
Old 97s ::AMERICAN PRIMITIVE:: Hitchhike to Rhome...take a Greyhound to Fredericksburg.
The Pernice Brothers ::WHO WILL YOU BELIEVE:: This record is a giant cross section of sounds and styles that Joe Pernice has crafted over the past several decades. 
Phosphorescent ::REVELATOR:: Someone should Google how many artists have included "Revelator" in the title of their record. Anyway, I have always loved how the pedal steel guitar floats so effortlessly in Phosphorescent songs. Judging by the opening track, there's more of that to love on this record.

::THE NEWS::

Bnny ::ONE MILLION LOVE SONGS:: Lo-fi, dreamy, indie outfit that is the project of Jessica Viscius, who recorded the album in Asheville, NC's Drop of Sun Studios (Wednesday, Indigo DeSouza, MJ Lenderman, HotlineTNT). Nearly everything coming out of that studio is magic, and this record fits that bill.
Dustin Kensure ::DESERT DREAMING:: A southwest, desert alt-country record by the dude in...Thrice?!?!? Give it a shot. Lots of 1-6 rolling bass lines and steel guitar sweeps.
Gustaf ::PACKAGE PT. 2:: Brooklyn art punk that might belong in the chaff pile, but I have a feeling that Jersey Joe knows something about this band that will make some of you want to listen to them. 
Kate Clover ::THE APOCALYPSE DREAM:: LA-based and LA-inspired punk (think X, Germs, and the Gun Club).
Kyle Kimbrell ::EASY TRUTHS:: From Kimbrell's spotify bio; "Standout track "Shape I'm In" ... immediately brings to mind the likes of Dave Alvin, jimmie Dale Gilmore, and Jason Molina with Kimbrell's high lonesome vocals taking the spotlight. Indeed, this guitar-driven work of alt-country feels like it could have come from the genre's golden era in the late 80s and early 90s while still brimming with the kind of modern touch that is sure to appeal to fans of fellow Alabama artist Jason Isbell."
Maxband ::MAXBAND ON ICE:: Max Savage (Parquet Courts) trades in his drums for guitars on this new project.
Melanie Baker ::BURNOUT BABY [EP]:: RIYL Boygenius, Lucy Dacus, Phoebe Bridgers.
Sea Urchin ::DESTROY!:: Lo-fi, slack rock from New York. Just all over the place and fun. Please check out their Bandcamp bio.
Temple of the Fuzz Witch ::APOTHEOSIS:: Like, could this have been anything other than doom/sludge metal?
Wisp ::PANDORA [EP]:: Emo/shoegaze from San Fran. HEAVY, thick, fuzzy guitars with an almost Sigur Ros-like vocal delivery. This jams. 

April 12th, 2024

Fresh off a visit to my cardiologist, let's take a look at what came out today, Friday April12, 2024

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new April 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

Aaron Lee Tasjan ::STELLAR EVOLUTION:: Four songs in and it's clear this is a synth record. So it's definitely an evolution. The jury is out on whether it's "stellar". I guess being as prolific as Tasjan, you gotta try new things to keep it fresh.
Elliott BROOD ::COUNTRY:: I googled why BROOD is always all capital letters, and couldn't find an answer.
James ::YUMMY:: The band's SIXTEENTH record!
Maggie Rogers ::DON'T FORGET ME:: Maryland's native daughter.
Metz ::UP ON GRAVITY HILL:: I recall thi outfit's 2012 eponymous record getting a lot of hype.
The Reds, Pinks, and Purples ::UNWISHING WELL:: Since 2019, Glenn Donaldson has released six EPs and NINE full-length LPs. And they're arguably all good.
Will Hoge ::TENDERHEARTED BOYS:: Proto-Americana songwriter hasn't lost a step.

::THE NEWS::

Aaron West and the Roaring Twenties ::IN LIEU OF FLOWERS:: Americana for power pop and emo kids. Or maybe this is more like someone who listened to Panic at the Disco all his life, and then discovered Frank Turner and tried to do what he does. Not sold on Aaron West's voice. But I appreciate what he's trying to do here. It's trying to be anthemic Emo Americana - like a mashup of Turner and the Hotelier, but I am not sure it pulls it off. YMMV.
Asha Jefferies ::EGO RIDE:: Hailing from Brisbane Australia, Jefferies' music references Tom Petty, Olivia Rodrigo, and Soccer Mommy, but you can hear that being filtered through a listener-friendly Britpop filter.
The Cosmic Dead ::INFINITE PEAKS:: This is lite instrumental sludge metal that sounds like it's been triple-filtered through late 60s Pink Floyd records. Think an album-length jam in the middle of "Set The Controls For the Heart of the Sun."
Diane Birch ::FLYING ON ABRAHAM:: Songwriting in the vein of Carole King, Laura Nyro, and Elton John that distills her love of Motown, blues, and old-fashioned pop into a retro sound. The second track "Jukebox Johnny" is a whole-ass vibe.
Dog Date ::ZINGER:: 13/10 on the band name, 9/10 on the music which their Spotift bio describes as "thick walls of dimed-out fuzz applied to spiky, hyperactive punk rock songs." Accurate.
Nicolette and the Nobodies ::THE LONG WAY:: High-energy honky tonk from Guelph, Ontario.
The Ophelias ::RIBBON [EP]:: Julien Baker-adjacent queer-conscious indie from Cincinnati, Ohio.
Trummors ::5:: I think we've reached the point where we can refer to something as "garden variety Cosmic Americana" music. This outfit is for the Beechwood Sparks, Flying Burrito Brothers, and Mojave 3 fans in your life...or, you know, maybe that's you?
Work Wife ::WASTE MANAGEMENT:: Slack-y, lilting, atmospheric indie rock. This short EP has a lot of nice space being filled by pedal steel guitar buried in the background. Really pleasant backdrop against the other noise.

The Strangers Almanac Year In/End Review: 2023

::I got so damn busy i didn’t even do a recap last year::

Yet this year, we sit quarantined at out house, having been bitten yet again by that scourge, the COVID-19 bug. But hey, 2023 was a year of strikes and gutters. Let’s recap:

::STRIKES (like, in bowling)::

  • The year started off with a busy bang as Dragmatic, the band fronted by longtime friend and hetero-life-mate Ryan Kennemur, got invited to play the coveted Great Cover Up at King’s in Raleigh. We performed as Canadian rock band Sloan, who also happen to be a huge influence on our original music (center bottom).

    • It was a great night until we learned that it turned out to be a COVID super-spreader event. Our drummer and guitar/bass player both got nabbed by the virus. We sounded good, tho.

  • We made good on our New Year’s Resolution to cook a new dish every month for all 12 months. Some of the recipes are likely going to make it into the normal rotation (top left).

  • We visited the Duke Lemur Center and walked with some cool lemurs (top right).

  • We took a trip to Toronto, Ontario Canada (my first time North of the Border), rode bikes on the Toronto Islands, and best of all, caught Asheville’s Wednesday at the legendary Horsehoe Tavern. (center)

  • Played my first legit show in a band doing original music with Dragmatic alongside our friends Secret Monkey Weekend, and Cage Bird Fancier. It’s fun swapping back and forth between guitar and bass.

  • On a whim, bought a Lukas Nelson signature model Gibson Les Paul Jr. modeled after Nelson’s 1956 Gibson Les Paul. This is one of the finest instruments I own and have played it nearly every day since mid-August of this year (bottom left).

  • Attended our first Hopscotch Music Festival in Downtown Raleigh where our inner 90s kids came back alive seeing bands like Pavement, Sunny Day Real Estate, Digable Planets, American Football, and more (bottom left).

  • Drank some damn fine bourbon (bottom center-right), and kept it real with the Lehigh Valley Workshop (left center).

::GUTTERS (also, like, in bowling)::

  • Begrudgingly saw Ryan Adams play his first show in Raleigh since 2005, and it was unremarkable. Most of those who were there while he was coming up we absent; and I figured they would be, bridges having been burnt and all (bottom center-left).

    • If you’re familiar with Adams’ live sets, they can either quickly derail or become legend on a whim. There was a part of me hoping Adams would pull off an absolutely legendary show as a giant fuck you to all those who stayed home. Instead, we got a rambling set that lilted to an abrupt 10:30 PM cut because of the city curfew on this particular Sunday night.

  • Got t-boned and totaled my 2009 Toyota Tundra while pulling into the storage lot where I keep my boat, and am still receiving treatment for damage to the existing back injury I have from a prior car accident in 2013. I’ll never not own a Toyota. It’s the second one that’s saved my life in a wretched accident (center right).

Lastly, there was the music. And by god there was a LOT of it.

Since November 1st, 1996, I have been a member of a music listserv called the Postcard from Hell. Postcard, for short, was started as an online meeting place for fans, friends and followers of Belleville, Illinois alt.country stalwarts Uncle Tupelo. Taking its name from the band's song "Postcard," the digital community continued onward after Uncle Tupelo's split in 1994 with keen interest in the successive careers of Jeff Tweedy (Wilco) and Jay Farrar (Son Volt.)

Damn near thirty years on, the list not only survived but has grown miles beyond people trading live tapes and talking about the band that inspired it.

It is a place for music discovery, and one of the projects/services I have contributed to the list for part of last year and all of this one, was to scour new music release lists, sample those that seemed interesting (or were by bands that folks from this online music community likely would want to know about), and compile them into posts, with spotify links for easy streaming of the record(s). I also aggregated these “weekly interesting new releases” into monthly spotify playlists for those who wanted everything in one place.

This year, I went a step further and used this blog to publish these weekly new release lists. If you are interested in visiting the mammoth blogpost that has lists of new releases from nearly all 52 weeks in 2023(not many ‘interesting’ new releases in late December of a year) , you can find it here. The links to all of the spotify playlists are also included on the post.

From those, I culled just the records that I enjoyed - or at least hoped to revisit and give more attention to, though my intention to do so fell flat with some records. As such, here is a list of 2,384 songs across 220 records by 216 artists (Isaac Alexander and Hotline TNT both have multiple releases on this list) to give you an idea of what made my ears perk up in 2023: Records: 2023.

From that, I pulled my ten favorite records of the year and a little over thirty “elevens” that just made the cut. A “Standout Track” from each is included on the embedded spotify playlist below. Further down are my musings about each record that I hope you’ll read, and feel encouraged to click on the linked record to listen in full.

Also, be sure to peep the list of 45 concerts (and additional musical/stand-up performances) I took in this year. It was a good one!

Cheers, y’all. Let’s meet back here this time next year!


My Favorite Music from 2023: A PLAYLIST

SONGS: 2023 - A Spotify Playlist of my favorite tracks off each record featured below (and a few extras not covered here)


Top Ten Records of 2023

10. Blondshell ::BLONDSHELL:: After spending the first three years of her twenties pursuing a pop career with her outfit BAUM (and, yikes), Sabrina Mae Teitelbaum switched gears, grabbed guitars, and embraced a more 90s grunge sound, rebranding with the moniker Blondshell. This record is an incredibly fun game of “spot the influence from the 90s.” Echoes of Hole/Courtney Love, No Douby/Gwen Stefani, PJ Harvey, Cranberries/Delores O’Riordan come through the vocals, while the grit and grind of the guitars evoke Pixies and Nirvana.
Standout Track ::Salad::

9. Duane Betts :: WILD & PRECIOUS LIFE:: It’s wild that in the decade prior to WILD & PRECIOUS LIFE that Duane Betts was road-dogging and guitar-slinging with a number of bands, including Dawes and his father Dickey’s Great Southern. But WILD & PRECIOUS LIFE, and the 2018 EP SKETCHES OF AMERICAN MUSIC find the guitar sire honing his songwriting skill after a lifetime of being surrounded by southern rock music, and the icons who made it. A definite highlight of the year was catching Duane at the Lincoln Theatre in Raleigh earlier this year and hearing him play my favorite song that his father wrote. But as much as Betts draws on the influence of his elders, his songs stand alone as well.
Standout Track ::Waiting on a Song::

8. Hurry ::DON’T LOOK BACK:: Hurry answers the question: “What if Teenage Fanclub were from Philly and made the proper follow-up to GRAND PRIX?” This record is full of that thing where you bend a guitar string that’s 1/2 step down up to the same note (think slow guitar solo part at the end of “The Concept”). IYKYK. Matt Scottoline has been releasing albums under the Hurry moniker for a decade, and this might be his best. Absent on DON’T LOOK BACK is the heavy chorus-pedal-swirl on the rhythm guitar which was prominent on recent releases, and was a distraction from the saccharine vocal melodies and harmonies that make Scottoline’s songs soar.
Standout Track ::Little Brain:: {bendy thing at 3:15!!!]

7. Andrew Bryant ::PRODIGAL:: Hopelessly drawn to songs about ‘place’, Andrew Bryant’s PRODIGAL was quick to reel me in. The Water Valley, Mississippi musician (and one-time one-half of the Water Liars) has continuously cranked out records since 2009s GALILEE, and with each release, he has further finely tuned his craft. PRODIGAL sounds like the hymnal from the church I wish existed. The one where you’re not made to feel guilt for your shortcomings. The one where atoning for failed relationships involves joy. The one where the difficulty of fatherhood is embraced. The one where no matter who you are or where you’re from, you don’t get judged. PRODIGAL is that church, and Andrew Bryant is its pastor.
Standout Track ::Shiloh::

6. Kym Register + Meltdown Rodeo ::MELTDOWN RODEO:: In August 2022, I showed up at the Pinhook in Durham, NC to see my pal Lee Bains kick off his tour in support of his latest record, OLD TIME FOLKS. After longtime bandmates Adam and Blake Williams decided to call it a day, Bains found himself in need of a touring band. Enter Meltdown Rodeo (née Loamlands). Like Bains, Register’s songs are like ice picks, chipping away at tired, old social tropes that we’ve become too numb - or lazy - to confront. For example, the opening track, Scottsboro, is about The Scottsboro 9's racist arrest in 1930's Alabama and the history of Communist organizing / involvement in workers rights and uprisings in the southeastern US. Each song is a new chip highlighting the struggle against classism and racism, as well as the social justice fight for workers rights and queer identity in the American South. Longtime Durham stalwart Joe Westerlund and bassist Sinclair Palmer hold down the rhythm while lead guitarist Matt Phillips weaves a textured quilt of twangy and soulful guitar lines that might make a Jason Isbell fan listen more closely. On top of all that is Register’s vocals, which blanket these songs like a younger, Southern Natalie Merchant. Just gobs of soul on this record.
Standout Track ::Some Boy::

5. Wednesday ::RAT SAW GOD:: There is a scene emerging out of Asheville, NC. Leading that pack, arguably, is Wednesday, the project fronted by songwriter Karly Hartzman, whose partner (MJ) Jake Lenderman, in addition to being a hell of a songwriter in his own right, layers ferocious lead guitar to Hartzman’s calm-to-vicious songs on the band’s latest, most even record to date. Recorded in Asheville at Drop of Sun Studios, recording wizard Alex Farrar expertly captures the softer, more wistful Hartzman with the same intensity as the “about to explode” Karly when she is vocally careening off the cliff (check out the back half of “Bull Believer” for an example where Hartzman moves from droning the line “finish him” to a two-minute holler and scream sesh to close out the song). RAT SAW GOD runs the musical gamut from Sonic Youth noise rock (Hot Rotten Grass Smell) to twangy, alt-country (Chosen to Deserve), buttressed by Xandy Chelmis’ soaring pedal steel guitar, all featuring Hartzman’s ‘observational’ lyrical musings. I feel like this record is Wednesday at their moment just before breaking out…and it’s been fun watching it unfold.
Standout Track ::Quarry::

4. Bully ::LUCKY FOR YOU:: The songs on this record sound perfect. Probably because prior to forming Bully, Alicia Bognanno moved to Nashville, TN to earn a sound engineering degree from Middle Tennessee State University (MTSU). This led to an internship at the famed Electrical Audio in Chicago (alongside notable producer of some of your favorite records, Steve Albini), and a gig engineering at Battle Tapes Recording and running sound at the Stone Fox venue in Nashville. Couple this audio engineering knowledge with Bognanno’s angsty, political, cathartic, anthemic, gritty, grungy songwriting, and you get huge, sonically-bursting-at-the-seams, guitar-driven rock-n-roll, a growling, sometimes strained voice; which at times sounds like it is trying to leave her body, and lyrics that rightfully put any know-it-all 40-year-old white guy who doubt’s Bully’s legitimacy as a band in their goddamn place. Those who have compared Bully/Bognanno to Nirvana/Cobain are definitely hearing what I am hearing in this record.
Standout Track ::Change Your Mind::

3. Buddie ::AGITATOR:: Originally hailing from indie hotbed Philadelphia, PA, chief Buddie songwriter Dan Forrest relocated to Vancouver, British Columbia to earn a graduate degree in ecological sustainability. Prior to his departure, Buddie convened in a Philly studio in 2021 and recorded the songs that would become AGITATOR. This record is a master class in fuzzy, melodic power pop about millennial anxiety, covering topics like climate/ecological/inequity grief & anxiety, and seeing the colonial/imperial/capitalist project of western Europeans and their offshoots, the US, Canada, Australia... as the root of these crises. Hell, if I were Dan Forrest, I might submit AGITATOR as my dissertation. In addition, what drew me to this record was the uncanny similarity in sound to two Frederick, Maryland based outfits that are no stranger to my speakers: Jim Shorts & Mr. Husband/The Trend. If you like this Buddie record, please also check out these two bands, as they’re cut from the same cloth.
Standout Track ::Class Warfare:: [Sounds like a lost Posies song]

2. Will Johnson ::NO ORDINARY CROWN:: It’s been a wild twenty-five-year ride since first hearing centro-matic’s REDO THE STACKS back in college. Indeed, Will Johnson’s songwriting was such an inspiration that me and Ryan Kennemur (who has been my songwriting partner for as long), made a record leaning heavily on our newfound centro-matic influence. Over this period, through work with centro-matic, South San Gabriel, Jason Molina, Monsters of Folk, New Multitudes and Marie/Lepanto, Johnson’s loud, raspy voice has matured into a fine-tuned howl that hovers in the room like a vapor when he sings. More so than the instrumental palate or his oft cryptic lyrics, its the vocal melody that forms the foundation of Johnson’s songs. And those collected on NO ORDINARY CROWN are elite examples of this. Over the years, I’ve come to call Will Johnson a friend, and I’d be grateful if you lent an ear to my friend’s extraordinary record.
Standout Track ::The Conductor Calls:: [it has delicious pedal steel guitar AND hand-claps!]

1. Fust ::GENEVIEVE:: It’s hard to write about GENEVIEVE without getting personal and drawing some parallels to chief Fust songwriter Aaron Dowdy. For example, I grew up in a small, blue collar town in south-central PA, nestled in the northern Shenandoah Valley. Though my hometown is only an hour from Washington DC, my raising was way more Appalachia than Anacostia. My life trajectory has been vastly different from most of my hometown peers (i.e., I think I am still the only person in my graduating class who earned a PhD), but I still sometimes imagine my life had I followed a path similar to that expected of those who come from where I come from. It’s no surprise, then, that I gravitated to the songs on GENEVIEVE. Dowdy, who hails from Bristol, Virginia, a small, blue-collar town in the Shenandoah Valley, left his home and is currently a graduate student at Duke, pursuing a PhD in Literature. The characters in Fust songs often represent the life my alternate trajectory may have promised. These characters are navigating life milestones like love, marriage, and parenthood while doing their best to ignore how their surrounding town is crumbling to dust. However, they continue to lay roots in the hope that it will hold the ground beneath them a little longer. Hope and fatalism swirl through this record like a yin and yang - and it really doesn’t get more Appalachian than that.
Song of the Year ::Violent Jubilee::


::The ElevenS: Records that just missed the cut::

::(ORDERED BY GENRE, THEN ALPHABETICALLY)::

::Alternative/Indie/Rock::

Bory ::WHO’S A GOOD BOY:: Bandcamp's favorite freelance writer, Ben Salmon was the first person I hears sing the praises of Bory. The Portland, Oregon power pop outfit is the vehicle of Brenden Ramirez, who, in working closely with Portland Renaissance Power Pop stalwart Mo Troper, has crafted an album lush with melody, rich vocal harmonies, and some fun "spot the era of Teenage Fanclub this sounds like" moments.
Standout Track ::Feel the Burn::

Cory Hanson ::WESTERN CUM:: Winning the Gold for grossest record title, do NOT let it sway you from this excellent power pop gem. You may have familiarized yourself with Hanson through his psych-pop outfit Wand. The opening track on this record has pop hooks galore, and a guitarmony solo that gives whiffs of Thin Lizzy, while the follow-up second track opens like a lost Zeppelin tune. Later, Ghost Ship lilts along a bed of twangy, country-tinged melodies. This record is a vibe!
Standout Track ::Wings::

Diners ::DOMINO:: The PacNW is alive and well with poppy, indie music. One lynchpin in that scene as of late is Mo Troper, whose production work really brings Blue Broderick’s catchy, guitar-driven indie pop songs to life here.
Standout Track ::Someday I’ll Go Surfing::

Dosser :: VIOLENT PICTURE/VIOLENT SOUND:: Baltimore, Maryland buds whose dads probably listened to the same 90s grunge that I grew up cutting my teeth on…but they do it right. Like Narrow Head below, there’s elements of Hum, the Foo Fighters, and [insert 90s fuzzy alt-rock band here].
Standout Track ::Joy Thief::

Drew Beskin ::GARRETT [EP]:: Extended Play [EP] releases typically show up among the elevens, because they often just fall short (naturally) of being enough. But if Athens, Georgia’s most prolific songwriter puts music out, it’s damn near guaranteed to show up on this year-end list. Beskin experiments a bit more on this release, with jammier songs (like the 5-minute trippy opener Nosedive), and the more electronic album closer (Revenge Body), but the classic power pop elements can’t help but shine through in Beskin’s writing.
Standout Track ::Never Even Listening::

Dropkick ::THE WIRELESS REVOLUTION:: On any other day of the week, the latest dropkick record would be squarely in the top 10. Dropkick answer the question “What if Gerry Love never left Teenage Fanclub and their past several records have had all the magic as their earlier output?” Gobs of jangle, melody, and three-part vocal harmonies make this a winner.
Standout Track ::The Other Side::

Horsehead ::SUNDOGS DANCING IN THE EARLY MORNING LIGHT:: Who says ‘heartland rock’ needs to come from the ‘heartland’? Based in Richmond, Virginia, Horsehead’s Jon Brown and Kevin Wade Inge have been crafting a ‘Tom Petty, but twangier’ sound together for nearly 30 years. Their latest is sonically similar to 2012’s SYMPATHETIC VIBRATIONS, which was a banger. Proud to call these bois pals.
Standout Track ::Clouds Like Cast Iron Blues::

Hotline TNT ::CARTWHEEL:: If I ever meet Hotline TNT’s Will Anderson, I hope to ask him whether he ever listened to 90s alt rock band Eugenius, one of several projects started by Eugene Kelly while the Vaselines were inactive. These Hotline TNT songs are like waves peaking on a sea of fuzzed out guitar. The vocal melodies are the wave peaks, that stand above the melee only briefly until falling again into the sea of fuzz. It’s a hypnotic sound that I really connected with. It may have something (read: everything) to do with Alex Farrar’s production hand in the record.
Standout Track ::History Channel::

Indigo De Souza ::ALL OF THIS WILL END:: Another artist from the emerging hotbed of Asheville, NC that walks a slightly different soundscape. De Souza’s past records featured drums, guitar, and production by Jake (MJ) Lenderman and have been reorded by Alex Farrar at Drop of Sun Studios in Asheville, NC. De Souza’s songs are tense with layers of gritty guitar and lilting synth and riotous lyrics by narrators who seem to keep finding the shit-end of the stick…but doing their level best to make it through.
Standout Track ::All Of This Will End::

MJ Lenderman ::AND THE WIND (LIVE AND LOOSE!):: My favorite artist actively making music at the moment released a blistering live record which has captured a band at the start of their upward trajectory. I was fortunate to see Jake & the Wind on this tour, and it felt like seeing early Uncle Tupelo or Nirvana, or Replacements shows. Just pure magic.
Standout Track :: Live Jack - Live::

Narrow Head ::MOMENTS OF CLARITY:: Proof that Dallas, TX has more than just country music and oil. Narrow Head straddles the line between 90s Hardcore bands like Helmet and fuzzed-out, trippy alt-rock a’la Hum.
Standout Track ::The Real::

PONY ::VELVETEEN:: PONY answers the question “What if [primary singer/songwriter] Sam Bielanski’s mom put headphones on her belly while pregnant with Sam, but instead of playing Vivaldi, played Veruca Salt’s AMERICAN THIGHS?” Just catchy, angsty, grrrrl rock ‘n’ roll.
Standout Track ::Peach::

The Pretty Flowers ::A COMPANY SLEEVE:: Taking just the pages out of the Guided By Voices playbook that results in good, pop-rock, even-structured songs, with a foreword by latter-day Replacements and an epilogue by early-career Superchunk, the Pretty Flowers may have a good book on their hands!
Standout Track ::Another Way to Lose::

Roger Bryan & The Orphans ::THAT’S LIFE [EP]:: Upstate New York’s Roger Bryan and the Orphans put out the best Paul Westerberg/Replacements record of 2023. If this weren’t an EP, it probably would have made a run for the top 10.
Standout Track ::Whispers::

Sad Palomino ::ASLEEP IN THE SADDLE:: It’s difficult to boil down sound of Fayetteville Arkansas’ Sad Palomino into a singular point of reference. On one hand, there’s probably a Nirvana influence (evidenced by select vocal melodies, but without the Cobain growl), a general grunge influence (evidenced by the fuzz on the *bass*), and a dream pop influence (evidenced by general quiet-to-crescendo song structure). The production on this record is tops (and should be after producer Will Eubanks spent years working with the band at East Hall Studios to dial in the sound).
Standout Track ::What It Feels Like::

Sluice ::RADIAL GATE:: When Durham, NC-based songwriter Justin Morris isn’t crafting the best soundtrack to a cold weather road trip at dusk through the sonic landscapes he paints with Sluice, he can be found with his bandmates backing Aaron Dowdy in Fust. Morris’ voice is akin to the soft delivery of Neil Halstead of Mojave 3, and the late-night feel of these tunes isn’t too dissimilar either. Exponentially more Biblical references in Sluice songs tho. There is a glut of great music coming out of Durham, NC and Philly’s Dear Life Records right now. What a time to be alive!
Standout Track ::Acts 9:3::

Truth Club ::RUNNING FROM THE CHASE:: Sluice is to Durham as Truth Club is to Raleigh. Truth Club recorded RUNNING with Alex Farrar at Drop of Sun Studios in Asheville, NC. If you read all of this post, you’ll note a theme that most records made there are highlighted somewhere in this post. Truth Club is heavy, noisy, brooding, and teetering on the precipice of exploding. Heavy rhythm guitars lay a base for arpeggioed, jangly - and sometimes feedback-screaming lead guitar lines. Careful spinning this one if you already have high blood pressure.
Standout Track ::Uh Oh::

The Whiffs ::SCRATCH ‘N’ SNIFF:: The Whiffs answer the question “What if the Replacements were a new band in the 2020s, but were from Kansas City and probably smell more like barbecue smoke than cigarette smoke?” Excellent garage-y, gritty power pop from the City of Fountains.
Standout Track ::Pretender::

::Alt-Country/AmericaNA::

Ava Mirzadegan ::DARK DARK BLUE:: Ava Mirzadegan answers the question “What if Gregory and the Hawk’s Meredith Godreau and Owen’s Mike Kinsella engineered a sire from their respective DNA samples?” Mirzadegan’s songs are quiet, longing, wistful, melancholy. Perfect for the winter ahead.
Standout Track ::Good::

Doug Paisley ::SAY WHAT YOU LIKE:: Doug Paisley’s SAY WHAT YOU LIKE answers the question “What if Kenny Rogers was alive, younger, from Toronto, and releasing excellent alt-country?” This record was on heavy rotation in my head while visiting Toronto earlier this year…especially when we rented bikes on the Toronto Islands.
Standout Track ::Sometimes It’s So Easy:: [That walk-up bass line at 2:13 slays me]

Dylan Earl ::I SAW THE ARKANSAS:: Thanks to Dylan’s relentless touring, which carries him to the Old North State dang near every tour, I’ve been able to keep an open line to my old ‘rock star’ days in Arkansas. Indeed, Dylan’s keys player is Lee Zodrow, who fronted Basement Brew, an outfit I moonlit with of an evening. But whatever. If you like sad boi country sung by a Keith Hernandez look-alike (RIP Big Hands Jason) with a deep baritone, this is gonna be your jam. RIYL The Star Room Boys, The Derailers, Adam Lee & the Dead Horse Sound Company. Don’t sleep on Dylan’s label, Gar Hole Records, which boasts other great Arkie acts like Bonnie Montgomery, Nick Shoulders, and keeps company with Willi Carlisle.
Standout Track ::White Painted Trees::

Espanola ::ESPANOLA AGAIN:: If you’ve ever listened to - or seen live - City & Colour, Daniel Romano, Cowboy Junkies, Kathleen Edwards, Matt Mays, Elliott Brood, The Sadies, the Arkells, and/or the Weather Station, then it is possible that you’ve heard/seen Espanola’s Aaron Goldstein, as he has served as a side player for all of the above acts. Mash off of them together as influences, and you get a good idea of what Espanola brings to the table.
Standout Track ::Look to the Sky::

Hello June ::ARTIFACTS:: Sara Rudy crafts twangy indie rock songs steeped in Appalachian Fatalism like only a native of West Virginia can.
Standout Track ::Interstate::

John R. Miller ::HEAT COMES DOWN:: Though now spending time in Nashville, John R. Miller has continued to craft songs with characters who are usually up to no good, hiding under the night sky, and tromping around the Eastern Panhandle of West Virginia. BRB, about to go put on my Mecklenburg Inn t-shirt and dig out my Fox Hunt records.
Standout Track ::Harpers Ferry Moon::

Ladybird ::LADYBIRD [EP]:: It’s a damn shame Pete Freeman, Ladybird’s chief songwriter, left Frederick Maryland before he and I could become friends, because he writes sad-bastard alt-country songs like I want to write. And I’m thinking we coulda started a Ladybird East. These songs make me think Freeman was listening to a ton of 90s alt-country when these songs were written. Based in Milwaukee, the songs and characters are often plodding around the Cream City, soaked in beer and making suspect decisions. My kinda people.
Standout Track ::Console::

Lydia Loveless ::NOTHING’S GONNA STAND IN MY WAY AGAIN:: Is it weird that 90% of the time when you go out here in Raleigh NC you wind up hanging out with the subject about whom the majority of Lydia Loveless’ latest batch of excellent songs were written? Seems weird. But makes for damn good listening.
Standout Track ::Sex and Money::

Pony Bradshaw ::NORTH GEORGIA ROUNDER:: There’s a scene emerging out of North Georgia, and Pony Bradshaw’s smart, twangy, southern rock-influenced songs are a fine export. Lost of romp and foot stomping are in order while listening to these songs.
Standout Track ::North Georgia Rounder::

Ratboys ::THE WINDOW:: This probably belongs in the “rock” category, but on their latest, Ratboys experiments with more folky, country sounds. And the sound on the record is crisp, having worked with Death Cab for Cutie’s Chris Walla, who produced.
Standout Track ::Morning Zoo:: [Note: a top 3 song for me this year]

Ruston Kelly ::THE WEAKNESS:: Ruston Kelly answers the question “What if all the screamo kids you went to high school with traded in their fuzz pedals for pedal steel guitars?” The saddest of bastards playing some of the most heart-achingly great alt-country at present. Ruston’s records have been like dating someone with Borderline Personality Disorder…despondent, drugged, and fucking up at every turn, then hopeful, redeeming and apologetic, and then back to regretful, anxious, and abandoned…then hopeful again. It’s a veritable rollercoaster of emotions, and I connect right to all of them.
Standout Track ::Holy Shit::

Viv & Riley ::IMAGINARY PEOPLE:: A friend recently lamented that they never had the opportunity to catch Viv & Riley before their relocation from the Pac NW to Durham, NC. We’re glad to have this duo who answers the question “What if Gunnar and Scarlett from ABC’s Nashville were more indie-folk and less country?”
Standout Track ::Sauvie Island::

::Funk/Hip-Hop/Soul::

Adi Oasis ::LOTUS GLOW:: Adi Oasis is a French Caribbean, Brooklyn-based soul/funk songwriter and suuuuper badass bass player. This record answers the question “What if DapTone Records released a record influenced by 90s R&B?”
Standout Track ::Serena::

Jalen Ngonda ::COME AROUND AND LOVE ME:: If you’re a sucker for neo-soul a’ la Lee Fields, Charles Bradley, and/or Durand Jones and the Indications, give Washington DC’s Jalen Ngonda a spin. It shouldn’t be a surprise that he is on Daptone Records.
Standout Track ::If You Don’t Want My Love::

Oddisee ::TO WHAT END:: This record sounds like an hour-long episode of Yo! MTV Raps from 1991. Lots of old school sounds and textures here.
Standout Track ::Many Hats::


Shows: 2023

[1]. Jan 27, 2023 ::The Great Cover Up @ King’s, Raleigh, NC:: ***
[2]. Jan 28, 2023 ::The Great Cover Up @ King’s, Raleigh, NC::
[3]. Jan 31, 2023 ::Pony Bradshaw w/Charles Latham & his Borrowed Band @ The Pour House, Raleigh, NC::
[4]. Feb 2, 2023 ::MJ Lenderman w/ Florry @ The Cat’s Cradle Back Room, Carrboro, NC::
[5]. Feb 10, 2023 ::Kathleen Edwards w/ Matt Sucich @ The Cat’s Cradle, Carrboro, NC::
[—]. Feb 17, 2023 ::The Book of Mormon @Durham Performing Arts Center, Durham, NC::
[6]. Feb 24, 2023 ::Hank Sinatra w/ Tan & Sober Gentleman + Charles Latham & his Borrowed Band @ The Pour House, Raleigh, NC::
[7]. Mar 4, 2023 ::The Beths w/Sidney Gish @ The 9:30 Club, Washington DC::
[8]. Mar 9, 2023 Why Bonnie w/ Foyer Red @ Duke Coffeehouse, Durham, NC::
[9]. Mar 12, 2023 ::Willi Carlisle @ The Pinhook, Durham, NC::
[—]. Mar 25, 2023 ::Trevor Noah @ Durham Performing Arts Center, Durham, NC::
[10]. Mar 28, 2023 ::Archers of Loaf w/ MJ Lenderman @ The Cat’s Cradle, Carrboro, NC::
[—]. Apr 12, 2023 ::Beetlejuice @ Durham Performing Arts Center, Durham, NC::
[—]. Apr 14, 2023 ::Porgy & Bess @ Martin Marietta Center for Performing Arts, Raleigh, NC::
[11]. Apr 15, 2023 ::Ruston Kelly w/ Annie DiRusso @ The Lincoln Theatre, Raleigh, NC::
[12]. Apr 18, 2023 ::Clint Roberts & Helena Rose; Beer & Banjos @The Raleigh Times, Raleigh, NC::
[13] Apr 22, 2023 ::The Mountain Goats w/ Adeem the Artist @ The Cat’s Cradle, Carrboro, NC::
[14] Apr 23, 2023 ::Band of Heathens @ Lincoln Theatre, Raleigh, NC::
[15]. Apr 25, 2023 ::Drive By Truckers w/ Lydia Loveless @ Haw River Ballroom, Saxapahaw, NC::
[16] May 9, 2023 ::Josh Ritter w/ Adeem the Artist @ The Jefferson Theatre, Charlottesville, VA::
[17]. May 12, 2023 ::The Gaslight Anthem w/ Emily Wolfe + Oso Oso @ The Ritz, Raleigh, NC::
[18]. May 18, 2023 ::Dylan Earl w/ Charles Latham & his Borrowed Band + Kym Register & Matt Phillips @ The Pinhook, Durham, NC::
[19]. May 27, 2023 ::Dylan Earl w/ Reese McHenry @ King’s, Raleigh, NC::
[20]. May 28, 2023 ::Ryan Adams & the Cardinals w/ Ruby Force @ Red Hat Amphitheater, Raleigh, NC::
[21]. Jun 8, 2023 ::The Indigo Girls w/ Larkin Poe @ Durham Performing Arts Center, Durham, NC::
[22]. Jun 10, 2023 ::Dumb Valley w/ Flooded + The Dirty Middle @ Olde Mother Brewing, Frederick, MD::
[23]. Jun 16, 2023 ::Pixies w/ Franz Ferdinand + Bully @ Red Hat Amphitheater, Raleigh, NC::
[24]. Jun 23, 2023 ::Wednesday w/Tenci @ The Horseshoe Tavern, Toronto, ON, CAN::
[25]. Jun 26, 2023 ::Sloan @ The Cat’s Cradle Back Room, Carrboro, NC::
[—]. Jun 28, 2023 ::Six @ Durham Performing Arts Center, Durham, NC::
[26]. Jul 11, 2023 ::Dragmatic w/ Cage Bird Fancier + Secret Monkey Weekend @ The Pour House, Raleigh, NC :: ***
[27]. Jul 13, 2023 ::Fust w/Dirty Flowers @ The Pinhook, Durham, NC::
[28]. Jul 14, 2023 ::Son Volt w/ Peter Bruntnell @ Haw River Ballroom, Saxapahaw, NC::
[29]. Jul 20, 2023 ::Duane Betts & Palmetto Motel w/ Gabriel Kelley @ The Lincoln Theatre, Raleigh, NC::
[30]. Aug 17, 2023 ::The Beths w/ Disq @ The Cat’s Cradle, Carrboro, NC::
[31]. Aug 29, 2023 ::Kym Register & Meltdown Rodeo w/ Alice Gerrard & Tatiana Hargreaves @ The Pinhook, Durham, NC::
[32]. Sep 2, 2023 ::Huntington Music and Arts Festival, Ritter Park, Huntington, WV; Adeem the Artist, Dougie Pool, William Matheny, Kindred Valley
[33] Sep 7-9, 2023 ::Hopscotch Music Fest, Downtown Raleigh, NC; Alvvays, American Football, Digable Planets, Margo Price, Pavement, Sunny Day Real Estate; Cable Ties, Dylan Earl, Fust, Florry, Hotline TNT, Joe Westerlund, Natalie Jane Hill, Sluice, Truth Club::
[34]. Sep 23, 2023 ::Futurebirds w/ Holler Choir @ Lincoln Theatre, Raleigh, NC::
[35]. Sep 26, 2023 ::Bully w/Wombo @ Motorco, Durham, NC::
[36]. Sept 27, 2023 ::IBMA Ramble, Downtown Raleigh, NC; Caleb Bailey @ Paine’s Run, Magpie the Band, Backline, Arkansauce
[37]. Oct 1, 2023 ::Adeem the Artist w/ Flamy Grant @ The Pinhook, Durham, NC::
[38]. Oct 15 2023 ::Superchunk w/ Sluice @ Motorco, Durham, NC::
[39]. Oct 20, 2023 ::Ryan Kennemur @ the Farmhouse Cafe, Wendell, NC::
[40]. Oct 21, 2023 ::Kym Register & Meltown Rodeo -Record Release- w/ Flock of Dimes, The Cat’s Cradle, Carrboro, NC::
[—] Nov 2, 2023 ::Stephen King’s Misery @ The Raleigh Little Theatre, Raleigh, NC::
[41]. Nov 18, 2023 ::The Debonzo Brothers @ Trophy on Maywood, Raleigh, NC::
[42]. Nov 25, 2023 ::Liz Phair w/ Blondshell @ The Anthem, Washington DC::
[43]. Dec 1, 2023 ::Ryan Kennemur @ the Farmhouse Cafe, Wendell, NC::
[44]. Dec 5, 2023 ::Lydia Loveless w/ Reese McHenry @ Cat’s Cradle Back Room, Carrboro, NC::
[—]. Dec 16, 2023 ::Cabaret @ The Kit Kat Club, London, UK::
[45]. Dec 16, 2023 ::Elvana w/ Oh My God! It’s the Church @ The Roundhouse, London, UK::
[—]. Dec 19, 2023 ::Stranger Sings @ Southwark Playhouse, London, UK::


Interesting New Releases in 2023 (Updated Weekly)

Let’s be Resolute

One of the Resolutions I’ve thought about pursuing in years’ past (this one being no exception) was using this space/blog as a vehicle for cataloging new music releases that catch my ear. For almost thirty years, I have been a member of an online music community that began as a place for like-mindeds to chat about Uncle Tupelo, Son Volt, Wilco, and their offshoots. It’s since grown into a full-blown online family. Maybe I’ll pontificate on this community more elsewhere some other time.

One thing the Postcard From Hell has been damn good at is informing community members about new music. I continually contend that there is no better place to discover new music from a wide berth of styles than the Postcard from Hell. Each week, users add to a “running thread” (since 99.9% of ‘Postcarders’ use gmail, continuing conversations as threads over time is pretty easy) of New Releases. In recent years, one user not only made a post with new releases - but also placed all those new releases into a Spotify Playlist for each month (as doing a running playlist would be a nightmare. For example, all told, across the 12 months in 2022, these compiled monthly Spotify Playlists that housed 953 records totaling 10,406 songs! So breaking them up month by month is probably best).

During the great Spotify purge of 2022 (not really) where people left the platform in droves (not really), I took up the task of scanning various new release aggregator sites and pulling together these lists for the folks within the Postcard community. And I’ve just sorta kept on doing it. One thing I have done differently is add links to each specific record - AND - after sampling several songs from it, pecking out a few words to hopefully wet the whistle of a potential listener. In a world of streaming, every digital spin counts!

This year, however, rather than keeping it secluded to the Postcard servers and my gmail archive, it made more sense to share these releases more broadly through this site.

Now, then…the records I put on these weekly lists are BY NO MEANS a comprehensive list of new releases; rather they are just those that were pleasing to my own ears - AND - records I thought that friends of mine who might actually read this blog will also enjoy.

Naturally, I will miss some good new releases, and when I do, I invite you to comment at the bottom of this post, or, more naturally, share the suggested record in the comments section of whichever social media site you found this link.

This will be a “running post” updated weekly (hopefully). I may miss a week or two but for the most part, my hope is to roll into the week of December 31st, 2023 with 52 sets of new releases.

Structure and Source(s)

The list at the top of this post each week will contain new releases from the most recent week we’ve posted. You can scroll down to see the weekly releases going back to the week of January 1st, 2023.

New releases come out every Friday. However, some artists will schedule their records to be released on other days. We will do our best to capture all the releases from a given week up to and through “New Release Friday” of that week.

We split the releases into two categories each week:

  • The Knowns: Releases by artists you have likely heard of. Sometimes if it’s a solo record by an artist from a well-known band (i.e., if Jonathan Pearce from the Beths were to release his first solo record, it may go here…or it may be in the next section. The rules are fluid).

  • The News: Releases by bands I’ve never heard of and presume many folks reading this have also not heard of. This does not mean that it is a debut record by the artist/band. Just that they’re not quite a household name yet.

Our list of releases will not usually include reissues, live albums, and/or pop albums that you’re likely hearing about elsewhere that have a billion streams on Spotify (unless it is something that rules like Taylor Swift or The Chicks). Unfortunately, these lists will be light on hip hop and R&B because I am just not skilled enough to separate the wheat from chaff in the glut of hip hop, R&B and trap music being released. We welcome your suggestions on good, positive hip hop. The same can be said for metal. There are only so many bands whose names are written with gnarled sticks that stand out from the rest of the pack.

Our primary source is the weekly new release list shared by Consequence of Sound as it has been most consistent in sharing releases that have seemed to fit the likes and styles of Postcarders who have been benefitting from these lists. We’re wholly open to exploring other sources and have had past success with allmusic, albumoftheyear, metacritic, and newreleasenow…but Consequence has been most consistent and accurate with release from the date in question.

We link each record to its space on Spotify. And all linked playlists are housed on Spotify. You’re not going to convince me to use another streaming site. You do not need a premium account to interact with these links.

#LFG


Jump to a week by clicking on the hyperlinked date below:

January: ::6th:: ::13th:: ::20th:: ::27th::                                              February: ::3rd:: ::10th:: ::17th:: ::24th::
March: ::3rd:: ::10th:: ::17th:: ::24th::  ::31st::                            April: ::7th:: ::14th:: ::21st:: ::28th::
May: ::5th:: ::12th:: ::19th: ::26th::                                                      June:  ::2nd:: ::9th:: ::16th:: ::23rd:: ::30th::
July: ::7th:: ::14th:: ::21st:: ::28th::                                                        August: ::4th:: ::11th:: ::18th:: ::25th::
September: ::1st:: ::8th:: ::15th:: ::22nd::  ::29th::                  October: ::6th:: ::13th:: ::20th:: ::27th::
November: ::3rd:: ::10th:: ::17th:: ::24th::                                     December: ::1st:: ::8th:: ::15th:: ::22nd::

To return to this menu, simply click your browser’s “back” button when you want to select another week.


Friday, December 8th, 2023

Have you made your list and checked it twice? Of course I am talking about the list of your favorite records of the year. If you've been keeping up with these posts, "I didn't really find much good music this year" is hardly an excuse. I hope to go through and count how many records were posted in these lists from the first week of Jan 2023 through the last week of the year. It's probably gonna take a while. In the meantime, here is what came out on Friday December 8th, 2023.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. The links below get you access to all TWELVE months of 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10
November 2023 Spotify Playlist: 2023 - 11
December 2023 Spotify Playlist: 2023 - 12

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

The Band of Heathens ::SIMPLER THINGS:: Acoustic versions of the excellent SIMPLE THINGS released earlier this year.
Barbara Manning ::CHARM OF YESTERDAY...CONVENIENCE OF TOMORROW:: Honestly, Barbara's spotify bio kinda nails it: "the idiosyncratic but rewarding Barbara Manning is a little too spiky and odd to fit comfortably in the Lilith Fair crowd, but her best work outshines those of her bigger-selling peers." Manning sounds youthful and angsty on these tracks, which hits all the right notes of nostalgia for those seeking that 90s alt sound in the 2020s.
Car Seat Headrest ::FACES FROM THE MASQUERADE:: Their studio albums made them indie darlings, but I remember people bristling at the band's live shows. I presume they've improved live...if not, this release may be bold. 
Dimmu Borgir ::INSPIRATIO PROFANUS:: OG Black fucking Metal from a band whose first record was sung entirely in Norwegian. Many lineup changes later, they still thrash (and apparently moved on to Latin - at least for the record title).
Kenny G ::INNOCENCE:: Do you have a new baby in your life? This is a god damn album of lullabies played by Kenny motherfucking G. This might be more metal than the Dimmu Borgir record above. 
The Killers ::REBEL DIAMONDS:: Not usually one to post best-of on these lists, but this 20-song retrospective might offer a nice introduction to folks who are less-acquainted with the Killers (i.e., me). "When You Were Young" is still an undefeated playlist staple for me.
Neil Young ::BEFORE AND AFTER:: Take that, Spotify!
Nicki Minaj ::PINK FRIDAY 2:: Released on her 41st Birthday! Folks here in Raleigh are beaming at the news that Minaj will be a headlining performer at J Cole's Dream Fest this year. 

THE NEWS:

Bory ::WHO'S A GOOD BOY:: Last week, Bandcamp's favorite freelance writer, Ben Salmon, was talking about Bory. The Portland, Oregon power pop outfit is the vehicle of Brenden Ramirez, who in working closely with Portland Renaissance Power Pop stalwart Mo Troper, has crafted an album lush with melody, rich vocal harmonies, and some fun "spot the era of Teenage Fanclub this sounds like" moments.
Kind Beast ::DIRTY REALISM:: Think Spoon + Queens of the Stone Age, but from Detroit. Hell of a lot of swagger and grit in this rock n roll. The outfit features Sean Bondareff on bass from Mitch Ryder and the Detroit Wheels. 
James Elkington ::ME NEITHER:: Instrumental, acoustic guitar-driven record by Chicago-based collaborator to Wilco's Jeff Tweedy, Eleventh Dream Day, and Richard Thompson. Very pleasant background music...and probably the subject of an in-depth post of the super-extra Wilco facebook group.
Mars Red Sky ::DAWN OF THE DUSK:: French sludge metal with lyrics inspired by sci-fi literature. Roll for initiative before you spin this one. 
Michael Nau ::ACCOMPANY:: Maryland-based singer-songwriter who has a long history of operating under the radar. His latest was recorded in Richmond VA with Adrian Olsen (Head and the Heart, Lucy Dacus, Fruit Bats) and features playing by Mat Davidson (Langhorne Slim, Big Thief), and Ken Woodward (Biuck Meek). This record has a lot of pedal steel guitar and nicely straddles the line between indie and country. 
Uncle Lucius ::LIKE IT'S THE LAST ONE LEFT::Texas country for Yellowstone fans. 


Friday, December 1st, 2023

We're getting into the short rows of 2023. Likely gonna be slim pickins from here til the end of the year (if anything worth posting at all), and this week seems to fit that prediction. Anyway, brother, here's what dropped on Friday December 1st, 2023.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Since today marks a new month - the FINAL month - of 2023, we now have a new link to the December 2023 Spotify Playlist. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10
November 2023 Spotify Playlist: 2023 - 11
December 2023 Spotify Playlist: 2023 - 12

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

CZARFACE ::CZARTIFICIAL INTELLIGENCE:: Hip Hop supergroup featuring Inspectah Deck from Wu Tang Clan. This is great east coast, melodic, socially conscious hip hop, as you would expect.
Gene Loves Jezebel ::X - LOVE DEATH SORROW:: It may be 2023, but this sounds every bit like 1987.
Minor Threat ::OUT OF STEP OUTTAKES:: There's only three cuts, but for the completists out there...
Peter Gabriel ::I/O:: On the bus ride from south-central PA to Orlando Florida during my high school class trip, a buddy of mine espoused - for what seemed like the entire trip - why Peter Gabriel was the superior talent in Genesis. And he definitely convinced me then. So there will always be room in what I do to champion Peter Gabriel. 
Wiz Khalifa ::DECISIONS:: Pittsburgh vs All Yinz. I love this line from his spotify bio: "a perfect balance of pop hooks, effortless charm, and stoner rap swagger..."

THE NEWS:

Dweller ::DWELLER [EP]:: Toronto supergroup featuring Georgia Harmer and members of Field Guide. Quiet, sorta dreamy indie pop. Good cold weather music. 
Frida Kill ::KILL! KILL!:: A sound that is "equal parts post-punk revival, filthy garage rock, and experimental noise..." RIYL The Screaming Females, Bikini Kill, The Breeders, L7, The Slits etc.
Gonzalez Smith ::ROLL UP A SONG:: The "Gonzalez" in this equation is Athens musician Jay Gonzalez, who plays keys with the Drive By Truckers, and the "Smith" is Pete Smith, a comedy writer for Adult Swim. The songs are great, classic, piano-driven, 60s and 70s-inspired pop songs a-la McCartney or  Bacharach with hints of Big Star-esque power pop. A pleasant surprise indeed!
Harp ::ALBION:: Featuring Midlake's Tim Smith, this is full of dark, dreamy, chamber indie pop


Friday, November 24th, 2023

Today was RSD: Black Friday Edition, so lots and lots of reissues out - and lots of things not available on streaming platforms. I'm gonna leave those on the shelf and instead listen for new shit. Turns out there really wasn't much new shit other than the GBV (which is good, and you should listen to it). The Spector record is OK. I mostly was trying to list at least ONE thing in the "News" section that was decent. Anyway, here are the two records out on Friday November 24th to wrap up November's interesting new releases.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10
November 2023 Spotify Playlist: 2023 - 11

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Guided by Voices ::NOWHERE TO GO BUT UP:: This is the THIRD (!!!) LP out this year by the Native Sons of Ohio. Your move, King Gizzard and the Lizard Wizard!

THE NEWS:

Spector ::HERE COME THE EARLY NIGHTS:: Beit indie rock band that sound, at times, like an amped-up Belle & Sebastian (that is, some of their songs are crafted over a 70s lite rock base).


Friday, November 17th, 2023

When I started this exercise back in January 2023, I wasn't sure if I would be able to maintain the upkeep every week. Fuck, it's a lot of work. But I think I have discovered more new music as a result of compiling these lists every week than I have at any other time in my life (including my days as a record story clerk). This week's list is short because SO MUCH shit sounds the same to my ears, it's getting increasingly difficult to find things that stick out. Maybe that's a good thing? There's only six more Fridays until we close out 2023. Time to start thinking about your "Faves" and "Best Of" if you're into that sort of thing. Also, here's the list of releases for Friday, November 17th to take you into Turkey Day...

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10
November 2023 Spotify Playlist: 2023 - 11

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Acetone ::STILL WAITING:: 90s alt rock band passed over for being way-too Beach Boys and not enough Bad Brains. But these slow, atmospheric jams have never been out of style.
Dolly Parton ::ROCKSTAR:: Fitting for the newest member of the Rock N Roll Hall of Fame.
Dori Freeman ::DO YOU RECALL:: I am so used to hearing Freeman guest as a backing vocalist, it's nice to hear her out front for oncet.
H.R. ::LET LUV LEAD THE WAY:: Looks like H.R. still got that Reggae attitude these days...
Iron and Wine ::WHO CAN SEE FOREVER:: With releases from S. Carey and the Great Lake Swimmers earlier this year, it feels like 2004.
Josh Radnor ::EULOGY I:: After telling us how he met our mother, now he's singing songs about his most recent breakup. Sounds like all those post Rusted Root-sounding bands that screamed "HEY!" throughout their songs.
Juliana Hatfield ::JULIANA HATFIELD SINGS ELO:: Come for the "Don't Bring Me Down", stay for the "Showdown."
MJ Lenderman ::AND THE WIND (LIVE AND LOOSE):: If you were fortunate enough to catch Jake and the Wind on this past tour, then you probably know you witnessed something special... There are a couple songs here that will likely be on Lenderman's next LP ("Rudolph" and "Live Jack"). It's stupid how good the recording quality is on this - it being a live record and all.
The Polyphonic Spree ::SALVAGE ENTERPRISE:: Can you imagine what the payroll is like in this band? There's 23 members! But damn is this music lush as hell!

THE NEWS:

Bastards of Soul ::GIVE IT RIGHT BACK:: For those upset that Leon Bridges moved his sound away from the Sam Cooke vibes, this Dallas/Fort Worth group provides what you're looking for. Just dripping with plate reverbs and mic preamp overdrive. Something that pulls so heavily from the 60s shouldn't sound this fresh!
Jeremy Squires ::RIDDLE OF STARS:: New Bern, NC native singer/songwriter with tunes that will embrace your inner sad boi™. RIYL Matt Woods, William Matheny, John Moreland.
Mia June ::DON'T FORGET YOUR BAGS [EP]:: Drawing inspiration from Fiona Apple, Big Thief, and Lucy Dacus, my only complaint is that this is only six songs in length


Friday, November 10th, 2023

Happy Veteran's Day to all who celebrate. My maternal grandfather was a Korean War Veteran who, after his return, was making a routine flight from DC back to Roswell NM when his Superfortress Bomber plane vaporized over the Texas panhandle back in 1955. There's a conspiracy theory that his unit was testing the transport of nuclear weapons, and something went wrong. Anyway, Here's what dropped on Friday November 10th, 2023.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10
November 2023 Spotify Playlist: 2023 - 11

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Beirut ::HADSEL:: Lots of strings, brass, and drone.
Cat Power ::CAT POWER SINGS DYLAN:: THE 1966 ROYAL ALBERT HALL CONCERT:: Not only has Chan Marshall did the weird task of re-creating a live concert by another artist, but she is apparently touring on it as well.
Chris Stapleton ::HIGHER:: This is bound to be good, but I don't think Stapleton has yet re-captured the magic of TRAVELLER. Hopefully this one gets close.
John Moreland ::LIVE AT THIRD MAN RECORDS:: I've been more underwhelmed with John's latest output, but I just can't see a future scenario where I quit him. The songs where it's just John, his guitar, and a voice that sounds crushed with heartache is what I want *my* Angels to sound like when they sing for me.

THE NEWS:

Calling Hours ::SAY LESS:: Billed as a "melodic hardcore band" this Harrisburg, PA-based outfit reminds me of why I initially fell in love with The Gaslight Anthem.
Daniel Donato ::REFLECTOR:: Donato should probably be among the "Knowns." His latest kicks off like a War On Drugs record that went Cosmic Country™.
L.S. Dunes ::LOST SONGS: LINES AND SHAPES:: Supergroup of post-hardcore and emo bands (My Chemical Romance, Coheed and Cambria, Circa Survive, and Thursday) that sounds exactly like a mashup of is members' other outfits.
Layperson ::MASSIVE LEANING:: Hard to pin this one down. It's soft, melodic indie folk from Portland (which sorta says something on it's own), so instead I'll use this from Willamette Week: "Morris's earnest folk-pop lyricism has been compared to that of Cat Stevens. Early glimpses of Morris' vocally driven, "folkish" record have also sparked comparisons to the powerful vocal androgyny of Tracy Chapman and the rainy-day musings of Elliott Smith." Really digging the production - and songwriter Julian Morris' voice.
Locket ::SUPERLUMINAL:: Your weekly dose of new, garden-variety emo-punk.
The Sleeping Souls ::JUST BEFORE THE WORLD STARTS BURNING:: Known by most of us as the backing band for Frank Turner, this act is still explosive, but the music is more emo than your standard FxTxHxC record.
Vincent Neil Emerson ::THE GOLDEN CRYSTAL KINGDOM:: East Texas singer songwriter crafting Americana and country songs that belong on your playlists featuring John R. Miller, Zephaniah OHora, Joshua Ray Walker, and Charley Crockett.


Friday, November 3rd, 2023

It's Movember. How's your mustache?  While you convalesce from your Halloween Candy Coma, here's some new releases for you to check out from Friday November 3rd.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. This is the first of the new moth, so note the link to the November playlist below. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10
November 2023 Spotify Playlist: 2023 - 11

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Andrew Bryant ::PRODIGAL:: One time member of the Water Liars, this Water Valley, Mississippi songwriter continues to hone and strengthen his songwriting on each release. This is Bryant's 5th post-WxL album and is full of all the familiar notes and sentiments from prior releases: woodsy, tunes soaked with the sounds of the region (think Memphis to Muscle Shoals [killer horn section on "Tongues", btw), and lyrics from a narrator who has been trying to find that righteous path, no matter how many wrong turns he takes along the way. A prime example of Southern Gothic writing. Artists like Bryant are why I do these lists. I hope some reading who've never heard Andrew's music in the past will queue this up and come to love it. So many great artists don't hit our radar (and miss mine as well). Here's to hoping Andrew Bryant lands on more.
The Blasters ::MANDATORY:: THE BEST OF THE BLASTERS:: The second Dave Alvin-involved release in two weeks. Dig in to 21 classic BLASTERS songs where, if you listen closely enough, you might see Dave and Phil Alvin trying to punch one another.
Cold War Kids ::COLD WAR KIDS:: I honestly can't tell you how the band's newer material stacks up against that which put them on the map back in the aughts. Spin it and let me know, will ya?
Drop Nineteens ::HARD LIGHT:: After 30 years of lying dormant and barely picking up a guitar with the intent to write a song, Greg Ackell found the urge again. The band's 3rd record is a nice continuation of their 90s shoegaze sound.
Kevin Drew ::AGING:: Broken Social Scene? More like Broken SOLO Scene. This is a solo effort by the BSS founder.
Laura Veirs ::PHONE ORPHANS:: This is the 12th (!) studio record from the Portland, OR indie folk songwriter.
Semisonic ::LITTLE BIT OF SUN:: It's closing...nay...resurrection time. This is the band's first record since 2001s ALL ABOUT CHEMISTRY and it sounds fresh.
Shooter Jennings ::SHOOTER JENNINGS & THE WEREWOLVES OF LOS ANGELES DO ZEVON:: Not usually one to post tribute albums or live albums, but Shooter Jennings doing Warren Zevon seems like a noteworthy exception to that rule.
Snail Mail ::VALENTINE DEMOW [EP]:: If you're looking for a more intimate version of the VALENTINE songs, these are great examples of Lindsay Jordan in the raw.
The Struts ::PRETTY VICIOUS:: This band continues to fit the vibe of their name.
Suzy Bogguss ::PRAYIN FOR SUNSHINE:: I like this from her bio: "You can call her a country singer, but that's just the beginning." This one is classic, bluesy, and smoky.

THE NEWS:

Animal Hospital ::SHELF LIFE:: Sounds like a more beep-boop driven Explosions in the Sky - or a chip off the old RATATAT block. Instrumentals painted with a palette of organic and electronic instrumentation. Anthemic tunes that ride the quiet-to-crescendo rollercoaster quite well.
Ava Mirzadegan ::DARK DARK BLUE:: Songs sparsely finger-picked on a nylon string guitar with hauntingly soft vocals. The title of this record is apt. I'm reminded of Meredith Godreau's Gregory and the Hawk output from the early aughts. This record will be excellent listening for these fall days where our allocation of daylight is shorter.
bar italia ::THE TWITS:: We've covered this outfit before when they released TRACEY DENIM back in May of 2023. THE TWITS is more of the same scuzzy UK post-punk sound.
Dirty Honey ::CAN'T FIND THE BRAKES:: Australian sleaze rock. Think Jet meets the Black Crowes.
Empty Country ::EMPTY COUNTRY II:: Former Cymbals Eat Guitars frontman Joseph D'Agostino returns with his second record under the Empty Country moniker; the first (eponymously titled) featured co-production by Kyle Gilbride of Swearin' and a guest backing vocal by his mentor and guitar teacher Charles Bissell of the Wrens. Ths follow up was produced by my Raleigh neighbor John Agnello (who has a great ear). Not sure how to accurately explain how these songs sound, other than to say they sound "big." I dig it.
Green Lung ::THEHEATHEN LAND:: Slick-produced London-based riff-laden Stoner Rock.
Hotline TNT ::CARTWHEEL:: Saw this band open for Snail Mail a year or so ago and something about them reminded me of 90s alt-rockers Eugenius (feat: Eugene Kelly, formerly of the Vaselines). On record, though, that sound there, but less pronounced...though Hotline TNT are still incredibly shoe-gazey with floating low, register vocals (where the Eugenius comparison may hold water) by NY indie stalwart Will Anderson. CARTWHEEL was produced by Alex Farrar at Drop of Sun Studios in Asheville, NC (MJ Lenderman, Wednesday, Fust, Indigo DeSouza). Hell, I find it tough to dislike anything Alex Farrar has had a hand in creating. This record will be on heavy rotation.
Jaime Wyatt ::FEEL GOOD:: From her website bio, which sums this record up nicely: "Feel Good is bold and ecstatic, built on tight, intoxicating grooves. Wyatt’s writing...reckons with grief and growth, and her delivery[cuts] to the bone with equal parts sensitivity and swagger. Taken as a whole, the collection...tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry." I think fans of Yola's first record will enjoy this. Similar vibe.
Jeffrey Martin ::THANK GOD WE LEFT THE GARDEN:: If I didn't know any better, I would think Martin is the perfect blend of Gregory Alan Isakov and Jeffrey Focault.
Jockstrap ::I<3UQTINVU:: This band's 2022 release I LOVE YOU JENNIFER B landed on some year-end bests of people whose opinions I respect. It's NOT my speed at all, but your mileage may vary. It's just wild, off-kilter electronic music.
Kevin Abstract ::BLANKET:: File Under: DO NOT judge a book by its cover. This Texas rapper and singer/songwriter, best known as a founding member of Brockhampton, crafts bedroom-indie songs through a pop lens. One melodic alt-rock, guitar-driven songs cedes into a synth-heavy pop tune into rapping over a jungle beat. It's a smorgasbord of styles all done well.
SUDS ::THE GREAT OVERGROWTH:: Anthemic and earnest Power Pop meets Midwest Emo from Norwich, UK of all places. Some of these songs make me think The Beths...others Juliana Hatfield, some others Avvays, and also some Tigers Jaw peppered in. Totally my speed.
Swampmeat Family Band ::POLISH YOUR OLD HALO:: Sleazy, twangy rock n roll from Birmingham UK peppered with pedal steel guitar and infectious grooves. One member took a hiatus from the band to tour with Low Cut Connie, who make a strong RIYL.
TIFFY ::SO SERIOUS:: Boston-based fuzz pop/soft punk band fronted by multi-instrumentalist Tiffany Sammy that pays homage to bands like Speedy Ortiz, Jay Som, and Weezer.
Time Spent Driving ::ESTRANGERS:: These songs might be the emo soundtrack for sadbois who run 90 miles per hour into a brick wall to add physical insult to emotional injury. Don't get me wrong, these songs are good...but I might not be the intended audience (anymore). But that doesn't mean you aren't! Lots of hyper melodic, guitar-heavy sad/emo songs here.


Friday, October 27th, 2023

Have you finalized your costume for Trick-or-Treat yet? I'm only a set of overalls away from my Squirrelly Dan costume, but I may need to wait til next year to unleash it... Anyway, brother, here's what dropped on October 27th, 2023:

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

American Analog Set ::FOR FOREVER:: This long-running drone-pop quartet out of Austin, Texas hasn't missed a beat. They've weathered some lineup changes and added keys, but it's still Andrew Kenny and Lisa Roschmann's outfit.  There's a comforting early 2000s vibe with this band.
The Black Pumas ::CHRONICLES OF A DIAMOND:: Not really sure why, but this Austin, TX duo seems incredibly manufactured. It's like boilerplate soul music for people who don't want to endure some of the imperfections in recording and performance by soul acts with fewer resources. But hey...people like this stuff, so here you are.
DJ Shadow ::ACTION ADVENTURE:: Look, ENDTRODUCING... was an all-timer. DJ Shadow still deserved some spins.
Dokken ::HEAVEN COMES DOWN:: Rokken! Why bother with bands who try to ape the power ballad sound when you can get an original. This is not bad!
Duran Duran ::DANSE MACABRE:: New Wave; Old Band.
The Gaslight Anthem ::HISTORY BOOKS:: Sill great songwriting from the working-class Ney Jerseyans steeped in Springsteen (who guests on the title track) & the 'Mats, but the production leaves this one a little lacking. Gone are the raw, cutting guitars and drums from the band's debut.
Jessi Colter ::EDGE OF FOREVER:: Outlaw Country music from one of the OGs. Margo Price and Jenni Eddy Jennings guest.
King Gizzard and the Lizard Wizard ::THE SILVER CORD:: Weird. This is only the Gizzard's second record in 2023. They usually have 5 or 6 under their belt by this time in the year.
The Mountain Goats ::JENNY FROM THEBES:: Given that one of my favorite songwriters -  Adeem the Artist - characterizes their early songwriting as "John Darnielle cosplay", I should probably pay more attention to the Mountain Goats.
Nirvana ::IN UTERO (30TH ANNIVERSARY EDITION):: I know, I know...it's a reissue. But it's a reissue of a seminal album and includes two discs of live performances at the band's height.
PAWS ::PAWS:: For those of us missing the high-energy, earnest, anthemis rock songs emblematic of bands like the Japandroids, or the Hold Steady, this might be worth your time.
Shabazz Palaces ::ROBED IN RARENESS:: Socially conscious hip-hop rooted in classic beats, jazz, and great rhymes.
Superchunk ::MISFITS & MISTAKES: SINGLES, B-SIDES & STRAYS 2007-2023:: Maybe the most consistent band from the Chapel Hill scene. Check out some alt-takes and rarities on this comp.
Taylor Swift ::1989 [TAYLOR'S VERSION:: I wonder if Ryan Adams will re-record his and call it 'RYAN'S VERSION'?

THE NEWS:

Angie McMahon ::LIGHT, DARK, LIGHT AGAIN:: Lots of earnestness on this Australian songwriter's sophomore effort. She's been known to cover bands like ABBA and Fleetwood Mac, and her influence shows up in these songs. For example "Letting Go" sounds like a sonic cousin to a number of War on Drugs songs.
Circus Devils ::SQUEEZE THE NEEDLE:: Side project by Guided By Voice frontman Robert Pollard...because he literally writes a new song with every breath he takes. Stylistically, this is all over the place - but done well wherever the song lands; from indie pop, to electronica, to psych. Pollard is the genius of a generation.
Dollar Signs ::LEGEND TRIPPING:: Lo-fi punk from Charlotte, NC. So lo-fi that it almost sounds live. The high-energy punk opener also includes a horn section.
Egyptian Blue ::A LIVING COMMODITY:: Angular and jagged riff-heavy post-punk band from Brighton UK.
Flatland Cavalry ::WANDERING STAR:: Garden-variety Red Dirt country out of West Texas with a silk-smooth vocalist.
Full Time Men ::PART TIME JOB:: New York supergroup led by the Fleshtones' Keith Streng. Good garage-y rock-n-roll for olds. Their latest is a two-disc effort out on North Carolina's YEP ROC Records.
Golden Apples ::BANANASUGARFIRE:: Philly strikes again with another fuzzy indie-pop band who have have seamlessly combined the off-kilter catchiness of ‘90s college rock with dashes of dreamy shoegaze, scrappy bedroom pop, homespun psychedelia, and more. Start with "Little Bronco".
Grave Secrets ::TIL YOUR LUNGS FALL OUT..." Screaming - but melodic  hardcore out of Los Angeles. Some nods to 90s hardcore in their sound.
Nora Jane Struthers ::BACK TO CAST IRON:: Honest songwriting with Americana/AAA/Country flair.
Rifle ::UNDER TWO FLAGS [EP]:: Old school punk/hardcore that's rough around the edges but still sounds fresh.
The Third Mind ::THE THIRD MIND 2:: Psych-y/trippy/jammy project by Dave Alvin, and Victor Krummenacher (Camper Van Beethoven/Cracker/Eyelids).
Viji ::SO VANILLA:: Australian "indie sleaze" characterized as "the slower end of Sonic Youth paired with pop hooks, and soulful soliloquies."


Friday, October 20th, 2023

Happy new Rolling Stones record to all who celebrate. I mean, it is Spooky Season™ and, well, Keith Richards, amirite? I joke, but don't sleep on the new Stones record...it's really damn good. Also, Dylan Leblanc is out with a new one that brings lots of spookiness, Highly recommend these and awakebutstillinbed if you're looking for a dose of early aughts-esque emo.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

blink-182 ::ONE MORE TIME:: "Ware are eyouuu?" Also, when blink involves the three original members (re: Tom DeLonge has left and come back a couple times) these dudes still hit.
Blues Traveler ::TRAVELER'S SOUL:: In 2021, Blues Traveler released TRAVELER'S BLUES, an album of blues covers. TRAVELER'S SOUL follows suit with soul- and soul-inspired tunes. For example, TLC's "Waterfalls" and the B522 "Groove is in the Heart" are pretty fun.
Boys Like Girls ::SUNDAY AT FOXWOODS:: If the blink-182 is the shot, this is the chaser.
Chris Shiflett ::LOST AT SEA:: Shiflett has really harnessed the swagger from being in one of the world's biggest rock bands and applied it here to a country/twang context. This record is gonna land on some year-end bests.
Dhani Harrison ::INNERSTANDING:: "And who is this Susan when she's at home?" And if you're wondering, this apple fell far, far away from the tree.
Dog Eat Dog ::FREE RADICALS:: Bridging the gap between punk and metal, this is the band's first full-length since the 1996 LP PLAY GAMES.
Duff McKagan ::LIGHTHOUSE:: Proto-Seattle-Grunge-Godfather-turned-Rock-icon. This record includes contributions from Slash, Jerry Cantrell, and a duet with Iggy Pop.
Dylan LeBlanc ::COYOTE:: LeBlanc has been a household name in mi casa since PAUPERS FIELD was released back in 2010. That record is an all-timer, but COYOTE is a close second. Listening today, I was really noticing the similarities between LeBlanc's singing and some of the Cardinals-era Ryan Adams vocal performances. Maybe think of LeBlanc as Adams without the bullshit.
Glen Hansard ::ALL THAT WAS EAST IS WEST OF ME NOW:: Just masterful, anthemic songwriting still coming out of this guy.
Pip Blom ::BOBBIE:: I never got the allure, but I know lots of folks like this outfit.
The Rolling Stones ::HACKNEY DIAMONDS:: This is really good. Like, stupid-good.

THE NEWS:

awakebutstillinbed ::CHAOS TAKES THE WHEEL AND I AM A PASSENGER:: This is really scratching that early aughts indie-emo itch. Lo-fi gnarly guitars and vocals by a singer who it definitely letting the listener know that there is some shit going on...but iss ok have big feelings. This San Jose CA project of songwriter Shannon Taylor has received positive Pitchfork reviews in the past, and for good reason.
Course ::TIGHT FEATHERS:: Chicago dream pop band with synth-heavy soundscapes over pop beats. Not a 1:1 comparison, but I get some Vita and the Woolf vibes which definitely doesn't make me mad.
Dusk ::GLASS PASTURES:: Appleton, Wisconsin country rockers with a raucous side. The sextet has driving backbeats, gnarly guitars interlaced with crying pedal steel, and soaring male/female vocals & harmonies. Released on Don Giovanni, which is home to faves like Lee Bains & Meltown Rodeo.
Emily Wolfe ::THE BLOWBACK:: I know of Emily because she is a guitar gearhead. And this record is reflective of that. Great rock-forward pop songs from the young Austin, TX-based songwriter and producer.
Gold Lake ::WEIGHTLESS:: Check out this bio: "A Brookly-based dream pop outfit with a knack for pairing breezy, vintage Laurel Canyon-inspired West Coast retro-pop with moody, modern shoegaze..." That alone should be worth a spin.
Graveyard ::6:: Big 1970s 'heavy metal' vibes (like when folks called Zeppelin 'heavy metal." Fuck tons of guitars and even more swagger. A little doom peppered in here and there. This one rips.
Hippie Death Cult ::HELICHRYSUM:: Riff-heavy, psychedelic rock with howling female vocals. Hell of a mess of noise for a power trio.
Knuckle Puck ::LOSING WHAT WE LOVE:: These dudes have nearly half a million monthly spotify listeners, and I've never heard of them. But this is solid, garden variety emo pop punk, which I have an evergreen soft spot for.
Me Rex ::GIANT ELK:: One part 90s grunge, one part 90s Brit Pop, kinda fun.
Mike Adams at his Honest Weight ::GUESS FOR THRILLS:: Another solid power pop record from this criminally unknown songwriter out of Bloomington, Indiana. Just super pleasant singing and sounds. Not sure who to compare him to since he sorta does his own thing all over the rock/power pop spectrum.
Radar Peak ::RADAR PEAK:: Super solid rock n roll from members of PUP. Some of this sounds like a mashup of the Replacements, Sloan, Teenage Fanclub, and the Beach Boys. One of my faves so far this week!
Steph Green ::LORE:: Based in British Columbia, Green self-recorded these dark, folk-country tunes on an old reel-to-reel tape recorder, giving the already eerie sounding record an extra layer of patina.
Teenage Halloween ::TIL YOU RETURN:: I discovered this New Jersey emo/pop-punk band by accident and have regularly revisited their records, always chock-full of cutting guitars, and loud, boastful, but melodic vocals.


Friday, October 13th, 2023

It's Friday October 13th. My bad luck happened earlier this week. SOOOO much garbage to sift through this week. Here's to hoping folks find something worth listening to! Definitely check out the Uni Boys and Abby Hamilton. Two of my faves from this bunch.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Take note that there is a new October Spotify Playlist for your enjoyment.The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Allah-Las ::ZUMA 85:: Still scuzzin' it up...
Boygenius ::THE REST [EP]:: The whole is way more inaccessible than the sum of its parts...at least for me.
The Exbats ::SONG MACHINE:: More 60s girl pop from the garage by this father-daughter duo.
The Feelies ::SOME KIND OF LOVE:: The Feelies cover the Velvet Underground.
Jamilla Woods ::WATER MADE US:: The Chicago-based RnB Singer's 2019 release LEGACY! LEGACY! got considerable chatter from folks who read these lists. This one is probably worth a spin.
Margo Price ::STRAYS II:: Apparently, STRAYS is a three-act work, and this is part 2. All 10 tracks from STRAYS are here alongside nine new tracks comprising the second act.
The Menzingers ::SOME OF IT WAS TRUE:: This is that band whose t-shirt most of the folks at the Lucero show are wearing.
Ringo Starr ::REWIND FORWARD [EP]:: I wonder what a writing and recording session with Ringo looks like. Anyway brother, here's 4 songs from that process.
Squirrel Flower ::TOMORROW'S FIRE:: Great bio for her on Spotify: "squirrel flower is witch rock."
Uni Boys ::BUY THIS NOW!:: Just straight-ahead melodic garage-y pop rock.

THE NEWS:

Abby Hamilton ::#1 ZOOKEEPER (OF THE SAN DIEGO ZOO):: Kentucky singer-songwriter who has opened for Kelsey Waldon, Valley Queen and Arlo McKinney and blends folk, country and rock-n-roll into a "unique sound that feels just as comfortable in the Appalachian mountains as it does in a whiskey-soaked bar room in the city." Her voice reminds me of someone that I just can't place, but I am currently letting it wrap me like a warm blanket on a cold Appalachian mountain morning.
Anna Hillburg ::TIRED GIRLS:: I highly recommend reading Hillburg's bio on her website. This record is great pop rock from the singer-songwriter bent. Like, she doesn't sound like or remind me of Josh Ritter, but when you think of solid songwriters who try to push their songcraft with each song, I bet Hillburg and Ritter take similar approaches.
Dear Dear ::DEATH OF A FAIRYTALE:: This project by songwriter/fashion designer Chase Cohl is a trip back to the 60s, with heavy girl-group vibes.
Lightheaded ::GOOD GOOD GREAT! [EP]:: "New Jersey pop that draws as much from 60s Brill Building, garage pop, and folk pop as it does from the DIY indie explosion of the late 80s/early 90s."
Lilts ::WAITING AROUND [EP]:: Collaborative project by John Ross (Wild Pink) and Laura Wolf.
Milliseconds ::SO THIS IS HOW IT HAPPENS:: 2/3 of this band were in the Dismemberment plan and it smacks of that early 20-aughts to 2010s, sparkly indie rock.
Twin Temple ::GOD IS DEAD:: Since it's spooky season - Twin Temple are pioneers of the "Satanic Doo Wop" genre. Gimmicky as shit, but still fun.
Upchuck ::BITE THE HAND THAT FEEDS:: Atlanta old school scruffy, loud punk rock with plenty of blemishes, cuts, and scars.


Friday, October 6th, 2023

So after nearly a week in Virginia with my family spending every day fishing for largemouth, smallmouth, and striped bass, the trip culminated with my second severe car accident since 2017. Needless to say, it's been a week of doctors, insurance adjusters, and recovery (I'm mostly fine). So the following list is from Friday October 6th. I'll get to today's releases a little later.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Take note that there is a new October Spotify Playlist for your enjoyment.The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09
October 2023 Spotify Playlist: 2023 - 10

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Darius Rucker ::CAROLYN'S BOY:: If there were ever a vocalist who did NOT need AutoTune™, it is Darius Rucker. But this is the *sound* of modern pop country.
The Darkness ::PERMISSION TO LAND...AGAIN:: I tend to skip over reissues on these lists, but as a point of personal privilege, I am including the 55 new tracks (demos, b-sides, and live cuts) of one of the best records to come out in the early aughts.
Dogstar ::SOMEWHERE BETWEEN THE POWER LINES AND PALM TREES:: All's we are is dust in the wind... Come with it, Keanu!
Earl Sweatshirt and the Alchemist ::VOIR DIRE:: I love this description of Earl Sweatshirt: 'Known for a creatively languid style that swings lyrically from highly personal alt-rap to morbid horrorcore."
Futurebirds ::GHOULIN AROUND:: Among the cover songs presented on this Spooky Season release is Diarrhea Planet's "Ghost with a Boner".
Heatmiser ::THE MUSIC OF HEATMISER:: Explore Elliott Smith's early, more rock-n-roll side.
John R. Miller ::HEAT COMES DOWN:: I've been listening to John since his old stringband The Fox Hunt were playing dive-ass bars like The Blue Moon in Shepherdstown, WV. Here's more rollicking, twang and country from one of the Eastern Panhandle's best exports.
Jolie Holland ::HAUNTED MOUNTAIN:: I'm sure most folk here know HOlland, but her RIYLs include Gillian Welch, Hurray for the Riff Raff, and the Be Good Tanyas. I know lots of folks who have been anticipating this one.
Meat Puppets ::CAMP SONGS:: Eleven new cover songs for a campfire near you. The Puppets also re-released IN A CAR and UP ON THE SUN this week.
PRONG ::STATE OF EMERGENCY:: If  you ever liked Prong, you'll like this. 
Reba McEntire ::NOT THAT FANCY:: Better than Reba McHalf.
Roger Waters ::DARK SIDE OF THE MOON REDUX:: This was WHOLLY unnecessary. I spun it top to bottom, and all of the songs are pitched down to compensate for Roger's inability to sing high notes. Sure, the content is more modern and relevant...but this could have been better presented as a stage play than a re-recording of the record (which sort of sounds like Roger did the whole thing from his home studio).
The Rural Alberta Advantage ::THE RISE & THE FALL:: Still cranking out anthemic indie.
Sufjan Stevens ::JAVELIN:: Remember when he was hailed as a genius? NOw he's sorta just fine. I like this so far, for what it's worth. Sufjan has a way of getting me to emote fully with his music, and that's gotta stand for something.
Tre Burt ::TRAFFIC FICTION:: Burt's third album on Oh Boy records suggests he's not letting up.

THE NEWS:

Butcher Brown ::SOLAR MUSIC:: Jazz/Soul/Funk/Rock soundscapes by a group of kids attending Richmond VA's Virginia Commonwealth University. This is like a Daptone Records release that leans heavier in the Jazz and Rock world. But there are also elements of hip hop and pop. It's all over the spectrum but all good.
Citizen ::CALLING THE DOGS:: I like this, but it sounds sort of like the wish.com version of Tigers Jaw minus a female vocalist. Some production with more punch would help this record a lot, but your mileage may vary.
Corey Gulkin ::HALF MOON:: Saccharine indie pop from Montreal. Gulkin's high register singing is met with even higher harmony vocals over beds of chimey guitar and synth.
Del Paxton ::AUTO LOCATOR:: No, this isn't the jazz drummer from That Thing You Do. It is, however, an emo/pop punk trio from Buffalo, NY that has me all in my feels. Think Thursday, but less screaming and more math-y guitars. Digging this one!
Dopelord ::SONGS FOR SATAN:: Everything about this is what you expect: Sludge-riffing, heavy rock, and proto metal with a high, nasal-y Ozzy-esque vocal. It's 420 somewhere.
Elijah Johnston ::HOMETOWN VAMPIRE:: Two things have me spinning this record: 1) the artist is from Athens, GA, and 2) They're doing a show with Drew Beskin. If any of that resonates with you, this is worthy of your time. 
Espanola ::ESPANOLA, AGAIN:: Canadian Aaron Goldstein has served as a side player with City & Colour, Daniel Romano, Kathleen Edwards, Matt Mays, The Sadies, Arkells, the Weather Station, and the Cowboy Junkies. Y'all - this record spans power-pop to alt-country, and it's stellar.
Hello June ::ARTIFACTS:: West Virginia-based Sarah Rudy, the primary songwriter behind Hello June, has a voice that feels familiar and comfortable. For fans of raw songwriting over rootsy musical compositions, this is for you. I'd also LOVE to see this band tour with Kym Register and Meltdown Rodeo, as I hear some sonic similarities.
Ilsey ::FROM THE VALLEY:: Crisp, slickly-produced Laurel Canyon Rock.
Jason Hawk Harris ::THIN PLACES:: Harris' songwriting has been compared to Lyle Lovett and John Moreland. We should all probably pay attention to this kid. If you spin this one, be sure to go further than the opening track.
The Lowlies ::THE LOWLIES:: I kept trying to skip past this one but couldn't. These songs are just pretty. The Western NY duo enlists Sara Watkins (I'm With Her, Nickel Creek) on several cuts. AND the male (they're a husband/wife duo) shares my name! If you want soft, pleasant, folk-y music with great male-female harmonies, this should hit your queue at once.
Open City ::HANDS IN THE HONEY JAR:: Another shot of emo punk. This record's 11 songs clocks-in at only 24 minutes.
The Steel Woods ::ON YOUR TIME:: Neo-Southern Rock likely catered to dudes who are obsessed with Yellowstone.
Tele Novella ::POET'S TOOTH:: This is a great bio: "Coin-operated medieval country songs through a 1950s western lens."
Truth Club ::RUNNING FROM THE CHASE:: Raleigh, NC brooding post-punk recorded at Alex Farrar's Drop of Sun Studios (Wednesday, MJ Lenderman, Fust, Indigo De Souza, Sluice).


Friday, September 29th, 2023

If you hear banjos while you're reading this, it's because the International Bluegrass Music Association's World of Bluegrass Conference and Street Festival has descended on Raleigh for what we've learned is its penultimate year. It's always fun to be walking around downtown Raleigh waiting on a streetlight with Jim Lauderdale standing next to you (this happened to me Wednesday night). I'm hoping to catch Del McCoury and Molly Tuttle at some point, but top priority this weekend is to install the two new Garmin fish finders on my boat in advance of my fishing trip to Smith Mountain Lake in Virginia next week. But first, as always, let's look at a rundown of interesting new releases for Friday September 29th.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Take note that there is a new October Spotify Playlist for your enjoyment.The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Animal Collective ::ISN'T IT NOW?:: My wife tells me that some people (including her) actually like this band. As such, here is their latest for your consideration. Truth be told, 5 tracks in and I'm not hating it. The band is definitely still painting with their broad musical brush, but something about these songs feels much more 'put together' than earlier releases that did little to please my earballs.
Armand Hammer ::WE BUY DIABETIC TEST STRIPS:: High brow hip hop.
Blonde Redhead ::SIT DOWN FOR DINNER:: The band's first LP since 2016s MASCULIN FEMININ.
Charley Crockett ::LIVE AT THE RYMAN:: Everything about this live record feels right.
Cherry Glazerr ::I DON'T WANT YOU ANYMORE:: Clementine Creevy claims that this record is about her "coming to terms with [her] bullshit." I dig the sentiment.
David Eugene Edwards ::HYACINTH:: I love that this dude has never strayed from his weird gothic songwriting. This is a fir piece from Sixteen Horsepower, and I was never a fan of Wovenhand, but if you've been a fan of any of his prior works, you know it's worth a listen.
Ed Sheeran ::AUTUMN VARIATIONS:: Team Lewis Capaldi.
Green Day ::DOOKIE [30TH ANNIVERSARY DELUXE EDITION]:: Not included on the playlist, but this record was seminal for us late Gen X kids.
John P. Strohm ::SOMETHING TO LOOK FORWARD TO:: From member of the Blake Babies, to solo artist, to lawyer, to Rounder Records' President, and back to lawyerin and making music. Talk about a hell of a circle. CALEDONIA and VESTAVIA are still some of my favorite albums. I bet this one will rank up there too.
Lil Wayne ::THA FIX BEFORE THA VI:: Lit.
Molly Burch ::DAYDREAMER:: Her latest was produced by Wild Nothing's Jack Tatum.
Wilco ::COUSIN:: [Insert something nice to say here]

THE NEWS:

alexalone ::ALEXALONE TECHNICAL RESEARCH:: Once a one-person outfit, Alex Peterson has expanded to a quintet, but still creates music that fits the band's "90s journey" approach, drawing on influences such as Yo La Tengo, Him, and Low. However, the latest was created during the pandemic, and took a naturally darker, heavier turn, drawing comparisons to heavier influences like Slint, Sonic Youth, and Boris. As such, this 5-song record has some tracks that span 11 or 12 minutes. One last point in their favor, is that they're on Polyvinyl records, who have a roster that includes some of your - and my - favorite bands.
The Atom Age ::THE ATOM AGE:: Silicon Valley garage/punk veterans. Take all the neo-garage and punk sounds from the early aughts (i.e., the Strokes, the Hives, Jet), and add a layer of production to it to make it sound less like it was recorded on a Realistic™ tape recorder.
Bad History Month ::GOD IS LUCK:: Sometimes the band bio pulls you in. Bad History Month is the solo project of Sean Sprecher, who was part of the avant folk duo Fat History Month. Sprecher, under the BHM moniker, has released albums with titles such as FUCKING DESPAIR and DEAD AND LOVING IT. The music is very atmospheric, peppered with sounds you'd hear on records described as 'chamber indie'...but also has some early 70s Pink Floyd vibes on some songs. Vocally, Sprecher largely keeps to his low-register, near-whisper, which gives these songs a quiet, comforting sound. This is NOT typically my jam, but I am really enjoying this record on a cool, cloudy autumn morning.
Career Woman ::GRAPEVINE [EP]:: The brainchild of 19 year-old Melody Caudill from LA. Coming from a musical family, and learning how to play piano at the ripe age of four, she’s been immersed in the creative world of songwriting since before she was in kindergarten. She learned the ukulele at 13, and then moved on to the guitar. Like those who inspire her (Priscilla Ahn, Phoebe Bridgers, and Elliott Smith), Caudill writes with a certain sense of vulnerability and confidence. This record is unbelievable!
Diamond Dogs ::ABOUT THE HARDEST NUT TO CRACK:: Swedish rock band with songs that lean on 70s garage and psych, some twang ("Blight the LIfe"), and fuck tons of swagger a'la the Stones or the Faces. Shaping up to be a really fun record!
Equipment ::ALT. ACCOUNT:: Math-y emo punk from Bowling Green Ohio. I'm such a sucker for this shit!
Fefe Dobson ::EMOTION SICKNESS: Another pop record that leans toward the edgier side of rock n roll (think Olivia Rodrigo). Lots of angst and clever songwriting (Dobson has penned songs for Miley Cyrus, Selena Gomez, and Jordin Sparks). Her sophomore record JOY was apparently a breakout success with two platinum-charting singles...so that goes to show you how much I pay attention to pop music... I'm really digging this tho!
Filth is Eternal ::FIND OUT:: You'd think with a name like "Filth is Eternal" that you'd be dealing with a metal band...and you'd be right. But this is a metal band made up of three kids out of Seattle who's song structures pay more homage to the heavier side of Nirvana than Napalm Death. Some of these songs sound like they could have been on INCESTICIDE (musically). I'd put this closer to NYHC than anything, with a couple cuts sounding like old Quicksand and Helmet songs. This record is a prime example of why we should listen before judging a band by their name or look.
Girl Scout ::GRANNY MUSIC [EP]:: A Swedish, grunge-inspired rock band drawing apt comparisons to Snail Mail and the Breeders.
Grove Street ::THE PATH TO RIGHTEOUSNESS:: If you were ever into 90s and 90s hardcore like Shelter and H20 et. al, then give this one a listen. Crunchy, palm-muted guitar riffs, big drums, and angsty, sing-along vocals. Based in Southampton UK, they're apparently a "must-see" live act. Halfway through this record and I'm putting them on my radar if they ever come stateside. I haven't stopped clucking to this yet!
The Howdies ::HOWDIES ALL AROUND:: This is exactly what you would expect from a band named the Howdies. The Athens GA six-piece worked with David Barbe (Drive By Truckers) and T. Hardy Morris on these 11 tracks that sound like a modern day Highwaymen record of outlaw country.
Lindsay Lou ::QUEEN OF TIME:: Folk-bluegrass-roots artist based in Nashville with a "molasses-sweet" vocal delivery. This record features bluegrass and traditional music luminaries such as Jerry Douglas and Billy Strings.


Friday, September 22nd, 2023

Happy TIM remix release day to all who celebrate. Between that and a new Lydia Loveless, I imagine some stereo speakers will be getting more of a workout than usual. Here's what else dropped on Friday September 22nd.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. The links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Brent Cobb ::SOUTHERN STAR:: Recorded in Macon Georgia at Capricorn Sound Studios (where the Marshall Tucker Band and Charlie Daniels recorded), this one is full of that good Peach State stomp. Would be excellent accompaniment to recent releases by Pony Bradshaw and Duane Betts.
Buddy & Julie Miller ::IN THE THROES:: Conway & Loretta? Nay! George & Tammy? Nay! Tim and Faith?! NAY! Buddy & Julie Miller might be the most crucial and influential power couples ever to grace Music City. Their fingerprints are all over the city, and their records, this new one included, seem timeless.
Cannibal Corpse ::CHAOS HORRIFIC:: No frills. Just fuckin metal.
Jenny Owen Youngs ::AVALANCHE:: Youngs' first record in a decade, and her debut for Yep Roc. Lots of hands in this one we all know including S. Carey, Madi Diaz, Christian Lee Hutson. And it was produced by Josh Kauffman (Bonny Light Horseman, The Hold Steady, Josh Ritter).
Lydia Loveless ::NOTHING'S GONNA STAND IN MY WAY AGAIN:: Lydia's songwriting and vocals are as infectious as ever on her latest.
Pkew Pkew Pkew ::SIIICK DAYS:: Still the best band name, and still bringing a fiery brand of amped-up rock n roll that should tickle any Japandroids or Frank Turner fan itch for big, sing-along songs. 
The Replacements ::TIM: LET IT BLEED EDITION:: A perfect album made more perfect with a new mix and master.
Soccer Mommy ::KARAOKE NIGHT [EP]:: Excellent set of covers including "Here" by Pavement to kick it off, and "Soak Up the Sun" by Sheryl Crow.
Teenage Fanclub ::NOTHING LASTS FOREVER:: This band will never be the same without Gerry Love, but this is a solid effort!

THE NEWS:

Al Menne ::FREAK ACCIDENT:: Menne is the voice behind Seattle soft grunge outfit Great Grandpa. The band took a break in 2019, and Menne relocated from Seattle to LA where they began exploring the songs that would become FREAK ACCIDENT. Menne's vocals soar in a quiet, upper register, and these songs tend to veer on the quiet, contemplative side. Great bedroom pop for when you're looking to slow things down.
Another Michael ::WISHES TO FULFILL:: Another Philly band. I might call them 'Pinegrove-adjacent" but that is probably more of a scene effect than anything. Nothing earth-shattering here, but if you like bands like Sadurn, Jodi, and Trace Mountains, this is in the same wheelhouse.
Arny Margaret ::DINNER ALONE [EP]:: From a small village in Iceland to your speakers, Margaret cites influences from the likes of Andy Shauf, Phoebe Bridgers, Bon Iver, and Gregory Alan Isakov. This is pleasant, quiet, cold-weather music. 
Bleach Lab ::LOST IN A RUSH OF EMPTINESS:: This sounds like the sort of alt-rock I cut my teeth on back in the early to mid nineties. But given it was produced by Catherine Marks (who has collaborated with PJ Harvey and Boygenius), there's some modernity to the recording. This is pretty tight for a debut. Hits that sweet spot between Alvvays and Honeyblood for me.
Cinema Hearts ::I WANT YOU:: DC-based indie with a 50s/60s girl group vibe. This might have Jersey Joe written all over it.
Dead Feathers ::FULL CIRCLE:: Imagine Ann Wilson of Heart fronting a 70s psych rock band. This is niche as hell, but it's pretty badass too.
Emily Kinney ::SWIMTEAM:: You guys! Beth from The Walking Dead put out an album! And...it's good! Pop undertones with some country twang in places. Kinney's voice is bell-clear, and on some songs makes me wonder how much Kasey Chambers she's been listening to...
Femke ::SAFE IN THE SUBURBS:: Was not expecting this to be as good as it is. Lushly-arranged pop songs with great vocal melodies and a BIG sound. Smart lyrics. This is her debut EP after working as a songwriter, multi-instrumentalist, producer, and label owner. In so many words, her bio notes that her songs bring the maturity of Paul Simon and Tracy Chapman with the angst of Billie Eilish and Boygenius.
The Holy Ghost ::IGNORE ALIEN ORDERS:: The Stockholm, Sweden band's bio says "...to define them more closely, one might mention bands like Husker Du, Dinosaur Jr., The Replacements, and Rites of Spring as major influences."  Yeah. That tracks. This is good!
Jeffrey Alexander and the Heavy Lidders ::NEW EARTH SEED:: Per the band's bio: "Based in Philadelphia, [Alexander] is a refreshing take on familiar sounds. There are clear references to the hazy, glazey Crazy Horse days of Neil Young as well as nod to the stylings of bands like the Meat Puppets and Dinosaur Jr."
Mad Honey ::SATELLITE APHRODITE:: Oklahoma City-based band with influences from early ’90s dream-pop/shoegaze bands like Lush and My Bloody Valentine, mixed among contemporaries like DIIV and Beach House. Great whirling guitar leads and dual-vocal harmonies.
Patio ::COLLECTION:: What started as a joke dreamed up during some day drinking brought to life. RIYLs include Truth Club and Sweeping Promises.
Samantha Urbani ::SHOWING UP:: Gritty pop music from the leader of the Brooklyn-based band Friends. 
Slaughter Beach, Dog ::CRYING, LAUGHING, WAVING, SMILING:: Nice Laurel Canyon vibes from a young outfit based in the Poconos, near Philly. Fans of Dawes and Cut Worms might dig this.


Friday, September 15th, 2023

Last week I complained about the heat. This week, I couldn't ask for prettier weather. I hope to spend most of Saturday on my boat, fishing rod in hand, and breeze in my hair. Lots of great releases this week. So far my fave is the new Will Johnson, which has some really, really gorgeous pedal steel guitar on some songs. Durham dynamic duo Viv and Riley also drop some new tunes. Have a listen to these and everything else that came out on  Friday September 15th...

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. In addition, the links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Barenaked Ladies ::IN FLIGHT:: TIL the Barenaked Ladies were still around.
Baroness ::STONE:: Back in the days of the "Heavy Vibes" threads (RIP Jim Kotsonas), this Savannah, Georgia band got a lot of love. Just simple, melodic metal.
Brian Setzer ::THE DEVIL ALWAYS COLLECTS:: Setzer continues providing effective advertising for Gretsch guitars. There's always a time and place for Setzer's music.
Demi Lovato ::REVAMPED:: I find I dig Pop music when it skews more toward heavier rock.
Explosions in the Sky ::END:: The band confirmed that the title is not an indication that this is their last record. That's good, because they clearly have a lot left to give. This one is a cathartic, crescendo-heavy, post-rock banger! Now, then, I'm off to watch Friday Night Lights...
Hank Williams ::HANK 100:: Greatest Radio Hits 1923-2023:: Not adding this to the September Spotify playlist, but in honor of the man's 100th birthday, I'm linking it here. These songs got me through some shit over the years...
Herb Alpert ::WISH UPON A STAR:: TIL: Herb Alpert is still alive. Again, also not adding to the September Spotify playlist, but the lead-off track here is "East Bound and Down." So, there's that. Oh, and there's a fine cover of the Beatles' "And I Love Her."
Mitski ::THE LAND IS INHOSPITABLE AND SO ARE WE:: Critic Will Arberry describes this as "Mitski's most epic and wise album."
S. Carey ::SHADOWLANDS:: Longtime drummer of Bon Iver, the Eau Claire native Sean Carey has had a storied solo career in his own right. If you like the atmospheric sounds of Bon Iver and Novo Amor (who Carey has also collaborated with), then this is worthy of a spin. Makes EXCELLENT background music.
Shakey Graves ::MOVIE OF THE WEEK:: Singular artist who branded self with band moniker releases new music. 
Stephen Marley ::OLD SOUL:: Yes. The son of *that* Marley, and an apple that has not fallen far from the tree.
Will Johnson ::NO ORDINARY CROWN:: One of the most prolific songwriters in indie rock, with a howl of a voice that can be haunting, aching, and comforting. Recently seen touring the country as a member of Jason Isbell's band the 400 Unit, Johnson's old outfit centro-matic was actually who inspired Isbell to write the song "To A Band I Loved" (which was penned in the wake of centro calling it quits after a long, under-the-radar career). This might be my favorite Will J. record. By the time I wrote this, I've spun it 4 or 5 times. It's a great mix of what one might hear on a latter-day centro-matic record as well as centro side-project South San Gabriel's output. There's some absolutely gorgeous pedal steel guitar on this record (i.e., "The Conductor Calls"). This one is easily in the running to sit amongst the year-end bests.
Willie Nelson ::BLUEGRASS:: I mean, this has to be great, right?

THE NEWS:

Aaron Skiles ::WHISTLE PAST THE GRAVE:: If you paid any attention to bands like Lucero, The Drive By Truckers, and the Dexateens throughout the early to mid aughts, this one is cut from the same cloth. Willing to guess that folks who ever spent considerable time in the 'ninebullets' community will find purchase here. Some folks may find it a bit too derivative, but you'll never know if you don't listen to it.
Advertisement ::ESCORTS:: This 2020 NME headline reviewing the Seattle-based band's last record says it way better than me: "Chaotic rock anthems with Stones-sized swagger..."
The Beaches ::BLAME MY EX:: A mainline IV of Canadian indie pop with a chaser of girlpower. If your tastes trend toward the poppier side of the musical spectrum, but still have rock n roll in your heart, this might be for you.
Briscoe ::WEST OF IT ALL:: Somewhere between Hiss Golden Messenger's rootsy rock, Gregora Alan Isakov's mountain americana, and Brett Dennen's throat-choked/gobstopper-in-the-mouth singing style lies a tranche of bands that sound like Austin, Texas' Briscoe...but I would argue that Briscoe is doing it better than most. There's something manufactured about the band and their sound, but I haven't skipped a track yet.
Charlie Kaplan ::COUNTRY LIFE IN AMERICA:: Don't let the title fool you. I almost wrote this off but with each song I was finding something appealing. Kaplan has definitely done his Power Pop homework, but there are times when it seems like he had Stephen Malkmus as a tutor. Just an all-around solid record from the young NY-based songwriter.
C.O.F.F.I.N. ::AUSTRALIA STOPS:: Children Of Finland Fighting In Norway. Can't make this shit up (though maybe the band did). Anyway, from their spotify bio: "A hard-biting four-piece rock & roll band hailing from the ocean shores of Sydney Australia, featuring a lead vocalist on drums." Pretty sure that singer listened to a lot of Motorhead growing up, because there is a Lemmy quality to his delivery. Seems pretty righteous, and reminds me of some of the stuff my old band, Dumb Valley, was aiming for in our early iteration.
Danko Jones ::ELECTRIC SOUNDS:: This one lies somewhere between Diarrhea Planet, The Darkness, and Steel Panther...and that's saying something! For context, this is tongue-in-cheek rock-n-roll driven as much by an overabundance of testosterone as overdriven guitars.
Margo Cilker ::VALLEY OF HEART'S DELIGHT:: A little bit Lucinda Williams (song structure) and a little bit Iris Dement (in her vocal delivery), and all good. Some twang, some western country, some rock n roll. Back in my day, we would have called this an 'alternative country' record. I think to call it "Americana" would do the vibe a disservice.
Maura Weaver ::I WAS DUE FOR A HEARTBREAK:: Veteran Cincinnati musician (formerly of Homeless Gospel Choir, Mixtapes, and other bands) is repackaging her melodic, "homespun experimentation, roots aesthetics, and pop reliability" in solo form. Her latest was released by DIY punk label Don Giovanni, home to some heroes of mine named Lee Bains II & The Glory Fires and Kym Register + Meltown Rodeo.
Rasheed Chappell ::SUGAR BILLS:: I wish all new hip hop sounded this old school.
Sarah Jane Scouten ::TURNED TO GOLD:: From the bio on her website: "Scouten’s music delivers a signature mix of vintage folk and country music, with modern sounds and subjects. An ever expanding palette brings a freshness to her brand of ambient indie Americana — or “space-country” as she likes to call it." I imagine lots of folks reading these lists will find something to love here.
Small Crush ::PENELOPE:: Bay area indie (or is it Bae-area indie?!?). Five to one ways these guys are big fans of the Beths.
Viv & Riley ::IMAGINARY PEOPLE:: Durham. NC-based duo steeped in folk + oldtime music but deliver it through the lens of modern pop. I discovered that this record was made at Bedtown Studios on Smith Mountain Lake in Virginia (a lake where my family has been vacationing since I was in the womb). That area of Southwest VA has a musical magic to it that seems to be seeping through on this record. Really loving this!
Wheeler Walker Jr. ::RAM:: If Steel Panther were country...
Worriers ::TRUST YOUR GUT:: "Punk-adjacent indie rock...[telling] stories of heartbreak, gender expression, identity, and love." Features keys/piano by the Hold Steady's Franz Nicolay.


Friday, September 8th, 2023

It's NOT supposed to be this god damn hot in September. Fuck sakes. Anyway, I'm amped for days two and three of Raleigh's Hopscotch Festival where I caught sets yesterday by Florry, Fust, Alvvays, and Pavement. Gonna see Fust and Florry again this afternoon, and then catch Cut Worms, Digable Planets, and Margo Price later tonight. Tomorrow is stacked with American Football, Sunny Day Real Estate, Quasi, Japanese Breakfast, Soccer Mommy, and Dinosaur Jr. I'm already tired. Anyway, before I do all that, let's see what new music dropped on  Friday September 8th...

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. In addition, the links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08
September 2023 Spotify Playlist: 2023 - 09

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Allison Russell ::THE RETURNER:: After finishing in the top 25 for OUTSIDE CHILD in the 2021 Postcard From Hell year-end bests, I have a feeling this one will get some spins.
Ashley McBryde ::THE DEVIL I KNOW:: Pop country with a punk rock attitude. And if y'all never saw McBryde singing "Amazing Grace" in the Ryman during Covid, I suggest you watch it.
Courtney Barnett ::END OF THE DAY:: Music from the film Anonymous Club, so it's not quite a Courtney Barnett record, but you might be into it.
The Handsome Family ::HOLLOW:: The chamber folk band's first new LP since 2016.
Joan Osborne ::NOBODY OWNS YOU:: In her TENTH record, Osborne gets political on songs with a heavy 70s AM radio vibe.
Jonathan Wilson ::EAT THE WORM:: Known for his work with Father John Misty, this one sounds like Mr. Tillman rubbed off on Wilson a little.
Kristin Hersh ::CLEAR POND ROAD:: BRB, 13-year old me is about to go look for my Throwing Muses t-shirt and jam this record!
Lillie Mae & Family ::FESTIVAL EYES:: Mae's 2019 release OTHER GIRLS found heavy rotation on my turntable because of her bell-clear voice and country undertones. Doesn't seem like much has changed and I am not complaining. Fans of any Third Man Records release should dig this.
Low Cut Connie ::ART DEALERS:: Not my jam (love the name tho), but I know lots of folks who'll wanna know this came out today.
Nanci Griffith ::WORKING IN CORNERS:: Legend.
Olivia Rodrigo ::GUTS:: The opening song sounds more Avril than Taylor...and from what I am hearing, this record leans more heavily on the latter end of the Pop Rock moniker.
Sparklehorse ::BIRD MACHINE:: The music for Bird Machine was recorded by Sparklehorse prior to Mark Linkous' 2010 suicide. Linkous' brother Matt oversaw unreleased music and found the track "It Will Never Stop" in 2022. In June 2023, the full album was announced, made up of older recordings, with additions made by Matt and Melissa Linkous. The initial tracks were recorded with Steve Albini and were intended to be the band's fifth studio album prior to collaborating with Danger Mouse for Dark Night of the Soul.
Tim Kinsella and Jenny Pulse ::GIDDY SKELTER:: Kinsella is a member of Chicago noise/indie/emo outfit Cap'n Jazz. He and his brother Mike (Owen) released a record together earlier this year under the moniker LIES. Like that, this one is also weird.
Tyler Childers ::RUSTIN IN THE RAIN:: All the Americana whitehairs are diamond hard right now. That doesn't mean you shouldn't spin this record. Childers is a real one.

THE NEWS:

38 Spesh & Conway the Machine ::SPESHAL MACHINERY:: Rust-belt hip hop from Western New York.
Coach Party ::KILLJOY:: Poppy, energetic rock quartet from the Isle of Wight. A little bit Beths, a little bit Bully, a little bit Veruca Salt, a little bit No Doubt.
Daiistar ::GOOD TIME:: Noise rock band from Austin TX formed in 2000 who have worked with members of The Black Angels and White Denim. I'd argue that the moniker of "noise rock" is misleading as this one is really melodic. Fuzzy shoegaze guitars and Alex Capistran's tenor vocal take me back to early nineties jams watching 120 Minutes late into Sunday evenings. Even the video for 'Tracemaker" follows suit.
Deeper ::CAREFUL!:: Chicago-based post punk that leans more towards early 90s 'college rock' than it does shit like Joy Division. The song "Sub" sounds like Ian Makaye singing over a Superchunk B-side.
Durry ::SUBURBAN LEGEND:: Say what you will about bands getting instant fame from TikTok or other social media, but this brother/sister team, who both wound up moving back to their parents' house during the COVID-19 pandemic struck musical gold, releasing "Who's Laughing Now" about the perils of being a Gen Z trying to navigate a world run by Boomers and wrecked by decades of Boomer policies. Oh, and these songs may be slick and produced for the Pop world, but they're catchy as all hell.
Holm ::ALIEN HEALTH:: Project by Mikkel Silkjaer Holm of the Danish indie band Yung. This is solid indie rock, melodic and crunchy. And if you've ever listened to the band Beezewax, there are similarities here.
Jalen Ngonda ::COME AROUND AND LOVE ME:: Newly signed to Daptone records, it shouldn't be a surprise that Ngonda is crushing the neo soul vibe. Gorgeous upper-register voice with a nice hint of smoke in it. 
Jess Nolan ::93:: Young singer/songwriter with an old soul who has been compared to Lucy Dacus and Joni Mitchell and also served as a touring member of Jenny Lewis' band. 
Jobi Riccio ::WHIPLASH:: Newly signed to YepRoc records, the born-and-raised Coloradan is now an active member of the burgeoning queer country music scene in Nashville. 
Logan Leger ::GOLDEN STATE:: The first artist on Leger's RIYL list from Spotify is my pal Zephaniah OHora. So I was already sold by that...but his bio is also intriguing: "Nashville-based singer/songwriter with a smooth voice and classic tone...calling to mind names like George Jones and Webb Pierce."
Mirror Tree ::MIRROR TREE:: An interesting one. Definitely some 70s pop vibes through a modern-day indie lens. But there are some great grooves on this record and at times I feel like I am shopping in a grocery store in the 80s (a vibe I dig).
Talking Kind ::IT DID BRING ME DOWN:: Lo-fi power pop from Philadelphia. So it's good.
Walter Etc. ::WHEN THE BAND BREAKS UP AGAIN:: Walter Etc. originally formed in 2009 as the trio of Dustin Hayes, Kris Schobert and Jake Lee under the name Walter Mitty And His Makeshift Orchestra, but after a brief hiatus in 2015, Dustin reformed the band under the name Walter Etc, with the idea that members could come and go as they please. And the result is a solid power pop/punk effort out on Side One Dummy records.


Friday, September 1st, 2023

Holy shit!!! How is it September already?!?! Quite a bit of reissues and first-time physical releases on this week's lists (i.e., some Tom Waits for all who celebrate) - which I am not including below, but that still leaves a few things to check out for this Friday September Oneth...

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here is the link to the September Playlist. In addition. the links below get you access to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07
August 2023 Spotify Playlist: 2023 - 08

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Frog Holler ::FOR THE AGES [EP]:: Despite living the majority of my life in Southern states (NC, TN, WV, AR, VA, MD, and back to NC), Pennsylvania will always be my home. And there isn't a band more synonymous with my rural PA-raising than Frog Holler. Holding true to their "Born Here, Die Here" ethos, the band rarely tours outside of the Keystone state, but the members keep making music. Their latest EP is on Bandcamp only for now, but Darren Schlappich sent me a note this morning saying that it would be on other streaming sites "in a few weeks". But what better way to celebrate Bandcamp Friday than going to the link at the beginning of this paragraph and buying a digital copy of this record?
GWAR ::BATTLE MAXIMUS:: This is the 10th Anniversary edition of the record. I tend to not include releases like this, but it's fucking GWAR! Besides, if I didn't mention it, they might come to destroy me.
Jeff Rosenstock ::HELLMODE:: It's 90 seconds til midnight on the Doomsday Clock™ and Jeff Rosenstock has the throttle wide open.
The Paper Kites ::AT THE ROADHOUSE:: Between this and Gregory Alan Isakov's record last week, the ethereal folk fans have a nice soundtrack primed for cooler weather, blankets, and bonfires in the coming season.
Phil Campbell and the Bastard Sons ::KINGS OF THE ASYLUM:: Former Motorhead guitarist blends that Motorhead grind with southern rock.
Slowdive ::EVERYTHING IS ALIVE:: I wrote this whole thing gazing at my shoes.
Speedy Ortiz ::RABBIT RABBIT:: Hooks for days. 

THE NEWS:

Elliott Fullman ::END OF WAYS:: literal 'bedroom indie folk' as Fullman records all of his music in his bedroom. I am two songs into this one and the New Jersey artist and actor (who co-stars as Jonathan in the film Terrifier 2) sounds EERILY like another Elliott many of us love. Everything from his vocal phrasings to some of his chord progressions on these tunes might cause any Elliott Smith fan to do a slight double-take.
Essential Forever ::ESSENTIAL FOREVER:: Musical project of Al Heaney, who moved from rural Ohio to the San Fernando Valley and began crafting his sound of neo 60s and 70s AM gold music. This one sounds like summer. Great vocal harmonies and melodies and lush arrangements. My guess is that fans of bands like Big Star, Cotton Mather, and Matthew Sweet who trace those bands' influences backward will land on music that sounds like Essential Forever.
Frankie and the Witch Fingers ::DATA DOOM:: LA quartet now featuring Nick Aguilar - former touring drummer for Mike Watt - that draws influence from proto punk but also leans on West African drumming (think Fela Kuti) that really seems to work with the band's punk roots. If you are a fan of punk but like a little strangeness, this might be worth a spin.
Ghost of Vroom ::GHOST OF VROOM3:: Project featuring Mike Doughty of Soul Coughing that "gets an unusual number of comparisons to Soul Coughing." I can't confirm because I don't know Soul Coughing - but you might!
Larry Fleet ::EARNED IT:: New country music for people who don't want to listen to bro shit or what the Country Music Industry wants to pass as hip hop for rural white folk. Fleet doesn't hide his Tennessee twang nor his influences, which range from Merle Haggard to Marvin Gaye.
Lathe of Heaven ::BOUND BY NAKED SKIES:: Brooklyn based post-punk/new wave band formed in 2021...so does that make them **new** New Wave? 
Lauren Calve ::SHIFT:: Debut LP recorded in Nashville that sounds like that land between pop country and alt rock. If this record came out in the late 90s, I presume Calve would be listed alongside artists such as Kasey Chambers and Kathleen Edwards who also operated between these two genres. This clearly has more Nashville slick-ness to it, production wise, but the songs themselves retain a rawness - which tracks given they were written in the heart of the COVID 19 pandemic.
The Natvral ::SUMMER OF NO LIGHT:: Solo project of Kip Berman, former singer/songwriter of the Pains of Being Pure at Heart. This is Berman's second record and the RIYLs are right in my Wheelhouse, and include Hurry, The Reds, Pinks, and Purples, Dropkick, and the Boys with the Perpetual Nervousness. Without listening to the whole thing, these RIYLs suggest a Teenage Fanclub influence might be here too.
P.G. Six ::MURMURS & WHISPERS:: Think acoustic chamber indie folk a'la Will Oldham, but less depressing. And homeboy plays a harp on some songs.
Taking Meds ::DIAL M FOR MEDS:: If you know me and you know my tastes, then when I say the opening chords and verse of this record was a brick to the face (as opposed to the Nerf balls that might describe 90% of the other stuff out there), then you know what it sounds like. Unfortunately, the rest of the record did not seem to match the opening song's energy. That's not to say that the rest of the record is not hook-laden rock-n-roll with vocal melodies and harmonies that will have you playing "spot the influence" (I've heard Teenage Fanclub and The Posies so far). Then you get songs like "Long Tooth" which opens like an Uncle Tupelo outtake from the ANODYNE Sessions. Also, that record title is excellent. Lots to like here, even if it slides a bit as the track number increases. 


Friday, August 25th, 2023

We're *burning* through August, and for me, all eyes are focused on the Hopscotch Festival here in Raleigh which is bringing acts such as Pavement, Sunny Day Real Estate, Dinosaur Jr., American Football, Soccer Mommy, Margo Price, and Denzel Curry. But I am still making time for the new stuff hitting the physical and digital shelves for Friday August 25th...

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Also, here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome

Let me know if I am missing anything this week!

THE KNOWNS:

A Giant Dog ::BITE:: Still the undisputed champs of running themes on Album Covers.
Alice Cooper ::ROAD:: Dude comes out of the woodwork with a new album, makes some shitty comments toward the transgender community (calling gender-affirming surgery a 'trans kid fad", and was in turn dropped by Vampyre Cosmetics for it. So fuck him for saying that, but here's his new record. 
Buck Meek ::HAUNTED MOUNTAIN:: The Big Thief guitarist is an artist in his own right, out with his 4th solo LP.
Candlebox ::THE LONG GOODBYE:: Don't get left 'far behind'...Candlebox has been making records since their breakthrough S/T record in 1993. I mean, there's only one founding member left, but it is singer Kevin Martin, so there's some consistency there. Fun fact: Original Pearl Jam drummer Dave Krusen is also in the current lineup (people often forget that Candlebox are from Seattle but were more akin to Mother Love Bone than Nirvana).
Danger Mouse and Jemini ::BORN AGAIN:: IYKYK.

Drew Beskin & The Sunshine ::GARRETT [EP]:: More Athens, GA-based power pop mastery from one of my favorite artists in the game. Damn I wish this was more than five songs.
Grandaddy ::SUMDAY: EXCESS BAGGAGE:: B-sides and remixes from SUMDAY, apparently.
Hiss Golden Messenger ::JUMP FOR JOY:: Still waiting to connect with MC Taylor's music...but that hasn't happened yet.
Morgan Wade ::PSYCHOPATH:: Country Music for people who don't want to admit they like Country Music...because it's actually pop music.
MXPX ::FIND A WAY HOME:: Soundtrack to "Hey guys, Drew's parents are out of town this weekend and he's throwing a rager." #LFG!!
Nellie McKay ::HEY GUYS, WATCH THIS:: My odd, and unhinged attraction to this woman's talent is still something I can't explain.
Old Crow Medicine Show ::JUBILEE:: I feel like this band has become a caricature of itself. 
Ratboys ::THE WINDOW:: The band travelled to Seattle to make this record with Death Cab for Cutie guitarist and producer Chris Walla. For the uninitiated, this band has been producing poppy, guitar driven rock for about a decade now. There's a clear grunge influence here.
Turnpike Troubadours ::A CAT IN THE RAIN:: Long-awaited new record by the Oklahoma-based Red Dirt Country band.

THE NEWS:

Be Your Own Pet ::MOMMY:: Austin, TX Riot Grrrl band with chops for days.
Becca Mancari ::LEFT HAND:: Nashville-based Mancari pulls in collaborators such as Brittany Howard (The Alabama Shakes) and Julien Baker on these songs. The RIYLs for Mancari should find some purchase with folks here (Buck Meek, Jess Williamson, Margaret Glaspy.
Fat Tony and Taydex ::I WILL MAKE A BABY IN THIS ECONOMY:: Houston, TX indie hip hop. This dude has a gorgeous flow.
flypaper ::BIG NADA [EP]:: Project of London-based artist Rory Sear. If you like quiet indie bedroom pop, this record is right in your wheelhouse. And the song "365" has tons of groove. Sounds like something that should be on Drew Beskin's new EP listed above.
Grain ::WE'LL HIDE AWAY: COMPLETE RECORDINGS 1993-1995:: This 14-song comp pulls together songs released on two 7", a split 7" and a 3-song EP that the band released over it's short life in the Cleveland Hardcore scene. I get heavy "I'm one of 20 dudes at the hardcore show being thrown at the local Grange Hall vibes."
Handsome Ghost ::HANDSOME GHOST:: Massachusetts duo that conjures emotional songs out of quiet solitude steeped in longing and nostalgia. The chorus of "Call Me When You're Pulling Up" sounds like an homage to "Come Pick Me Up" by Ryan Adams.
Kibi James ::DELUSIONS:: Atlanta, GA all female trio with lush three-part vocal harmonies over dreamy melodies.
Nora Kelly Band ::RODEO CLOWN:: A punk-turned-alt-country singer from Montreal? We have data to suggest this is usually a winning formula, and it appears to be here as well!
Open Mike Eagle ::ANOTHER TRIUMPH OF GHETTO ENGINEERING:: LA-based emcee at the forefront of the "art rap" genre.
Sonny and the Sunsets ::SELF-AWARENESS THROUGH MACRAME:: LA-based filmmaker and musician Sonny Smith crafts songs that sound like the natural progression from the Moldy Peaches and early Shins.
The Waymores ::GREENER PASTURES:: ATL-based husband-and-wife Honky Tonk duo.
Who is She? ::GODDESS ENERGY:: A supergroup of Seattle songwriters featuring Bree Mckenna and Emily Nokes (Tacocat) alongside Julia Shapiro (Chastity Belt). 


Friday, August 18th, 2023

Looks like August is ending pretty strong. Don’t sleep on the Margaret Glaspy record, or the Diners record…and definitely spend some time with my regional pals in Meltdown Rodeo!

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Also, here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome

Let me know if I am missing anything this week!

THE KNOWNS:

Birdy ::PORTRAITS:: Birdy landed in your ears most likely with her piano-based covers of Bon Iver's "Skinny Love" or Phoenix's "1901". Her latest is a synth-driven nod to the 80s.
David Dondero ::IMMERSION THERAPY:: more folk-punk from this veteran of the genre.
DeYarmond Edison ::EPOCH:: A five-disc release of all the albums by this Wisconsin-turned-North Carolina band featuring Justin Vernon (Bon Iver), Brad and Phil Cook (Megafaun) and Joe Westerlund (Megafaun, Meltdown Rodeo, and a million other bands). The songs on this record are all over the place, but have a sort of late-90s early aughts "jam band" base (Think Dave Matthews Band), augmented with horns, harmonicas, and the kitchen sink. You can hear the beginnings of Bon Iver and Megafaun in these songs. It's pretty rad.
Gregory Alan Isakov ::APPALOOSA BONES:: I discovered Isakov on accident playing poker one night. Our host had a Ryan Adams Pandora station on and Isakov's song "Idaho" shuffled up. I was hooked. At the time I was a Napster subscriber - so I downloaded every record Isakov had released as of fall 2012 (there were only three: SONGS FOR OCTOBER, THAT SEA, THE GAMBLER, and THE EMPTY NORTHERN HEMISPHERE). In the spring of 2013, I took two weeks of work to finish writing my dissertation. I played these three records on shuffle for damn near two straight weeks (splitting time with the Como Mamas). I say all this to say Gregory Alan Isakov's music is a whole-ass mood™ and I'll always feel connected to it. I actually took a break from writing to go see him play in Fayetteville AR at George's while he was touring to promote 2013s THE WEATHERMAN. When I met him, I told him how his music got me through writing my dissertation and when I saw him in Little Rock a few months later, his first question was "are you a doctor now?" He's a hell of a writer and a great dude. If you like quiet, atmospheric folky/rootsy/Americana-y music, please give this a spin.
Margaret Glaspy ::ECHO THE DIAMOND:: New, blistering rock-n-roll from the artist who showed up on a number of 2016 best-of lists for EMOTIONS AND MATH. These songs sound WAY more 1993 than 2023.
Mipso ::BOOK OF FOOLS:: Libby Rodenbaugh has had a busy year. Also, this record was recorded in Asheville's Drop of Sun Studios (MJ Lenderman, Wednesday, Fust, Indigo DeSouza), and basically anything made there is worth my time, and probably worth yours too.
OSEES ::INTERCEPTED MESSAGE:: fka Thee Oh Sees or just Oh Sees, the band's moniker evolves with their sound. The dirty, garage guitar is still here but songs are now more augmented with punchy synth. It may or may not be enough to give OG fans reason to jump ship.
Rhiannon Giddens ::YOU'RE THE ONE:: Giddens says of this album "I hope that people just hear American music...Blues, jazz, Cajun, country, gospel, and rock - It's all there."
Sonic Youth ::LIVE IN BROOKLYN, NY:: Real fucked-up noise from August 12, 2011.

THE NEWS:

Anna Tivel ::OUTSIDERS (LIVE IN A LIVING ROOM):: Nice, all-acoustic record by the Oregonian. Some of her vocal phrasings remind me of Kathleen Edwards and Tift Merritt.
Diners ::DOMINO:: I'm hooked based on reading this from the artist's bio: "...On DOMINO...she's taken a turn toward overdriven, uptempo power pop, applying her affirming lyricism to an unabashed rock record. With production help from Portland songwriter Mo Troper, DOMINO places her breezy melodies alongside stomping Big Star guitars and hazy fuzz bass..." I'll have that, please!!
Dizzy ::DIZZY:: Female-led indie pop. RIYL the giants in the genre (i.e., Phoebe, Julien, Lucy, Angel).
Fiddlehead ::DEATH IS NOTHING TO US:: Not a reinvention of the post-hardcore genre, but this record got my blood flowing early in the morning with its buzzsaw guitars and screaming vocals. But under all of that were really great, anthemic melodies.
Genesis Owusu ::STRUGGLER:: Not sure how to describe Genesis Owusu's music. It's like post-punk goth-pop, I think? Imagine Billy Eilish was a black dude from Australia. Which makes sense because my wife loves this dude and she's a recovering goth herself who loves a good beat. Owusu's award-winning debut, SMILING WITH NO TEETH is also a banger. Check out this NPR write up for more info.
Jill Andrews ::MODERN AGE:: This is the fifth solo album from the former member of the Everybodyfields. The songs range from wistful to big, and is a nice showcase of Andrews' influences of Joni Mitchell, Wilco, and Brandi Carlisle among others.
Kym Register +Meltdown Rodeo ::MELTDOWN RODEO:: Meltdown Rodeo was fka Loamlands, but changed their name after learning some unsettling history surrounding that name. They also backed Lee Bains on his recent tours (after Blake and Adam stepped away).Based in Durham, NC, Meltdown Rodeo is one of my favorite regional acts. Guitarist Matt Phillips can shred, but is more impactful when he adds just the right texture to a song, as he does all over this record. I think lots of folks here will dig this one. Songs about navigating the world as someone who is labeled an “outsider” (in Register’s case, as a non-binary member of the LGBTQ+ community -and white person living in the South). And it doesn’t hurt that Kym Register sounds like a twangier Natalie Merchant when they sing. 
Mapache ::SWINGING STARS:: LA-based Americana with a 70's soft rock undercurrent. This record sounds like a good one for a road trip.
Nathan Mongol Wells ::FROM A DARK CORNER:: Twangy country with a rock n roll backbone, and heavy Texas vibes, this is the first release by the Ottoman Turks frontman. The record was co-produced by Ottoman Turks bandmate Joshua Ray Walker. The opening cut sounds like a Tom Waits fever dream, but the rest of the record is full of twang and sweeping pedal steel.
The One EIghties ::MINEFIELDS:: Pedal steel guitar and 80s synths interplay on this  "space country" record. Nothing earth shattering, but YMMV.
PYNKIE ::SONGIES:: I gave this a spin because of the record title and I am glad I did. This NJ nurse by day, songwriter by night has some catchy indie-pop tunes, er, SONGIES to share.


Friday, August 11th, 2023

Another light week for the Dog Days of Summer.; but a few gems in here for sure.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. We have a new list for August 2023. Also, here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome

Let me know if I am missing anything this week!

THE KNOWNS:

Anders Parker ::THE BLACK FIGHT:: Anders Parker still puting the Alt-Country in Americana.
Bonnie "Prince" Billy ::KEEPING SECRETS WILL DESTROY YOU:: Will Oldham's latest is all electronica disco songs with fiddle and steel guitar cascading over every tune. Just kidding. It's a typical dour-ass Will Oldham record, and I get why people love it. If you're a fan, you'll be a fan of this.
Darrell Scott String Band ::OLD CAN BACK ROCKER:: Scott is responsible for writing one of my favorite songs ever, "You'll Never Leave Harlan Alive" so you best believe I am giving this some attention.
The Hives ::THE DEATH OF RANDY FITZSIMMONS:: Still a cutthroat garage rock band making music like tomorrow might be the end of the world.
Public Image Ltd. ::END OF WORLD:: Yeah. Nah. YMMV.
Ryan Bingham ::WATCH FOR THE WOLF [EP]:: Hard-scrabble, rusty, gravelly, West Texas Americana. Bingham is nothing if not an authentic songwriter. 

THE NEWS:

The Cordovas ::THE ROSE OF ACES:: Garden-variety Americana. For example, the first song name-checks both "Memphis" and "Muscle Shoals", So, it's gotta be, you know, that. Great vocal harmonies, but definitely not reinventing a wheel.
Curling ::NO GUITAR:: Don't let the album title fool you. This record has lots of guitar. And it's poppy and jangly and excellent! RIYL The Posies, Sloan.
Hurry ::DON'T LOOK BACK:: My favorite Philadelphia-based power-pop band. If you like lush melody, and three-part pop harmony vocals, jangly guitar, and bubblegum beats, this one is for you.
Spencer Zahn ::STATUES I:: If you ever listened to George Winston's solo piano recordings, this is a cut from the same, peaceful cloth!
Sundressed ::SUNDRESSED:: Who wants their monthly dose of emo-pop-punk?


Friday, August 4th, 2023

Not much to report this week. I guess the Dog Days of summer also have an impact on good music?

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Also, here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome

Let me know if I am missing anything this week!

THE KNOWNS:

The Front Bottoms ::YOU ARE WHO YOU HANG OUT WITH:: NJ rock duo that would probably be a gimmick if they weren't so damn talented.
Joshua Ray Walker ::WHAT IS IT EVEN":: The Dallas, TX country crooner is out with a record of covers which includes songs made famous by female singers. This was released the Friday that news about the Lizzo lawsuit was breaking, so here's to hoping that the inclusion of "Because I Love You" doesn't come back to be a bummer...because he crushes it!

THE NEWS::
Chris Farren ::DOOM SINGER:: An artist who claims to "love drum machines, the Magnetic Fields...and is best friends with Jeff Rosenstock." This is like a Weezer record through a mid 2010s lens. I'm digging it.
Girl Ray ::PRESTIGE:: Neo-disco as imagined by three millennial women. This record is a masterclass in pop groove.
Holy Wave ::FIVE OF CUPS:: all-instrumental soul and psych jams. Probably good accompaniment for 'herbal therapy.'
Rachel Bobbitt ::THE HALF WE STILL HAVE [EP]:: It is the age of super talented female indie songwriters, and Toronto-based Rachel Bobbitt should be among the top. 
Robert Jon & the Wreck ::RIDE INTO THE LIGHT:: Imagine the Black Crowes were from California and Chris Stapleton was their singer. This ain't my favorite thing, but I bet a lot of folks will eat it up if they listen to it.
Teenage Wrist ::STILL LOVE:: This is modern day 90s grunge. It's like Silverchair but if Ken Stringfellow and Jon Auer from the Posies were helping craft the vocal melodies.


Friday, July 28th, 2023

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Aphex Twin ::BLACKBOX LIFE RECORDER 21F/IN A ROOM7 F760:: I feel like 90% of the garbage I discover doing this every week are bands failing to imitate Aphex Twin. Stick with the OG. 
Bethany Cosentino ::NATURAL DISASTER:: New solo effort by the Best Coast frontwoman.
Brad ::IN THE MOMENT THAT YOU'RE BORN:: This Stone Gossard (Pearl Jam) side project releases their first album in over a decade - and it may be their last given vocalist Shawn Smith passed on back in 2019. Mostly a cult-acclaimed band, Brad never found the stardom Pearl Jam did, but if you dig that 90s rock with an observable "Seattle vibe", you're going to want to spin this one.
The Budos Band ::FRONTIER'S EDGE [EP]:: Formerly with Daptone Records, members of the band formed a new label (Diamond West Records) and FRONTIER'S EDGE is their first release. Imagine all the soul and rightness of the old Sharon Jones and Charles Bradley records, but with a more desert/western rock n roll and psych feel.
Bush Tetras ::THEY LIVE IN MY HEAD:: Old school NY Underground veterans are still plugging away. Dark, dissonant, trippy guitars, rubbery basslines, and haunting female vocal melodies abound here, if you're into that sorta thing.
The Clientele ::I AM NOT THERE ANYMORE:: Merge Records veterans are out with a quintessential Merge record...low-key, lush string-arrangements over floating bass lines and hushed vocals. RIYL Galaxie 500, yo La Tengo, Luna, Felt.
Diesel Boy ::GETS OLD:: Santa Rosa CA pop-punk add another release under their belt over a 30-year career.
Heroin ::DISCOGRAPHY:: Influential 90s hardcore band's retrospective of recorded output all in one place.
Post Malone ::AUSTIN:: I prefer Pre-Malone.
Roger Bryan and the Orphans ::THAT'S LIFE!:: Buffalo NY's own brand of Replacements-esque bar rock. One of my favorite writers. Please help Roger out by giving him some streams!
Susto ::MY ENTIRE LIFE:: This band has been on a roll of good records since forever. This is likely no exception.

THE NEWS

Bre Kennedy ::SCREAM OVER EVERYTHING (SIDE A):: If you're looking for more music that straddles that line between top-40 Pop and the female indie empire currently being ruled by members of Boygenius, then this is a good salve.
Darlingside ::EVERYTHING IS ALIVE:: NPR describes them as "exquisitely-arranged, literary-minded, baroque folk-pop." Yeah. We'll go with that.
Elizabeth Moen ::FOR ARTHUR [EP]:: You may not know Moen by name, but she has toured in support of lots of acts you do; Hozier, Lake Street Drive, Ani DiFranco, St. Paul, Lucy Dacus, and served as the guitarist for Squirrel Flower on their 2021 tours, and as a vocalist with Kevin Morby on his 2022 tours. This record has lots of quiet moments with beautiful steel guitar and commanding vocals. Nice balance of that Millennial indie and twang. Bummer it's only 5 tracks.
Fly Anakin ::SKINEMAXXX (SIDE B):: Richmond VA hip hop by an artist who, per his spotify bio was "raised on a steady diet of "READY TO DIE" and SUPREME CLIENTELE."
Hailey Whitters ::I'M IN LOVE [EP]:: Imagine a version of Miranda Lambert who wanted to sound more like the early country version of Taylor Swift. There's a market for this sound and Hailey is filling it.
Kid Fears ::UNDYING LOVE:: Atlanta shoegaze band that "draws influence from Low and My Bloody Valentine as well as contemporary songwriters like Grouper, Midwife, and Dia Margaret."
Kyle Nix & the 38s ::AFTER THE FLOOD, VOL1:: The Turnpike Troubadours' fiddler, Kyle NIx is out with his first record, chock-full of Texas, Red-Dirt country and featuring former American Aquarium bassist Bill Corbin holding down the low end. This one has Waylon-esque phaser lead guitar and country stomp beats. Get some!
Jordan Moser ::PERIL:: Dude looks like a short-haired Yanni, but this record is surprising. It's folky and a songwriter's record...but also slickly-produced. Nice moments of steel guitar across a journey of the narrator's stages of grief. Turns out, he recorded his previous record LONG NIGHT in Fayetteville AR with my pal Eric Whittans at Homestead Recording. Wild!
Phoebe Hunt ::NOTHING ELSE MATTERS:: Man, this record is solo fiddle playing and singing...and it has that HIgh Lonesome Sound Mr. Monroe liked to talk about. Hunt has an Appalachian moan that complements the old wood sound of her fiddle nicely. This one is niche, for sure, but I am here for it!
Ten Tonnes ::DANCING, ALONE:: If you dig that glassy/chimey guitar pop with an 80s light rock megastar bent (think Young Guv), this is one you're going to want to cue up.


Friday, July 21st, 2023

On the heels of an incredible set by Duane Betts and Palmetto Motel last night. Their record was featured in last weeks release notes, and it's been in heavy rotation all week. Let's see if anything below competes!

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Andrew Bird ::OUTSIDE PROBLEMS:: Whistle while you work.
Bloc Party ::THE HIGH LIFE [EP]:: Party like it's the mid-aughts.
Blur ::THE BALLAD OF DARREN:: No 'WOO-HOOs!' on this more intimate offering by Blur.
Bruno Major ::COLUMBO:: This guy is apparently huge (over 5 mil monthly spotify listeners). I feel like I shouldn't be enjoying this record but I really am. Like, this would be the trajectory of Josh Ritter and Ben Kweller in a world with more balance.
Cut Worms ::CUT WORMS:: Brooklyn's Max Clarke is back with a masterclass in pop groove.
Greta Van Fleet ::STARCATCHER:: New music by the children of each member of Led Zeppelin, probably.
Guided by Voices ::WELSHPOOL FRILLIES:: The already-prolific Ohioans are out with their second LP of 2023.
Lori McKenna ::1988:: Released in 2023. McKenna is a songwriter's songwriter.
Molly Tuttle & Golden Highway ::CITY OF GOLD:: All you stoner prog bluegrass fans can have Billy Strings. I think Molly Tuttle plays circles around that Wook.
Nas ::MAGIC 2:: "This is Nas, y'all, you know how we run...I'm wavin' automatic guns at nuns..."
Voivod ::MORGOTH TALES:: Fuck yeah.

THE NEWS:

Allegra Kreiger ::I KEEP MY FEET ON THE FRAGILE PLANE:: There's a long line of indie/folkie females that sound like they were poured from the Phoebe Bridgers mold, and Kreiger fits well into that mold, but also strays from it. Some of the vocal phrasings remind me of Karly Hartzman from Wednesday, but the songs are quiet. Indeed, some of the tunes and finger-picking guitar make me think of Gregory and the Hawk. Lastly, listening to this repeatedly may also help with your allergies.
Charm School ::FINITE JEST [EP]:: Think 70s post-punk mixed with 90s Post rock and you'll be close. RIYL: The Jesus Lizard, Swans, Public Image Ltd., The Fall, Wire.
The Cucumbers ::OLD SHOES:: An indie-folk duo established in the 80s with intermittent releases between then and now. This is a pleasant, acoustic-driven record with great male+female harmonies and crisp production.
Erin Viancourt ::WON'T DIE THIS WAY:: Country music for people who hate modern country music. This one one is twangy, with lots of steel guitar and soul. She's already toured with Cody Jinks...I bet she's soon among the ranks of Margo Price and Brandy Carlisle.
Inhuman Condition ::PANIC PRAYER [EP]:: For folks who liked early 90s Metal a'la Pantera and Slayer.
John Donne ::HARD TIMES:: I can't find much on this artist, because, you know, Google 'John Donne', but this record is saccharine indie/bedroom pop. If there's any complaint, it's that there's not enough. These nine songs clock in at 28 minutes. But it is a lilting 28 minutes of slack that is not far off from some of the music Bonny Doon is producing. 
Johnny's Uncalled Four ::THE LOST ALBUM:: Out on Daptone records, this 60s teen pop group would have been a great addition to any Buddy Holly show.
Kitba ::KITBA:: A contemporary of Allegra Kreiger above, hailing from the same NY music community. These two records are cut from the same cloth, but if you like music that leans more on the artsy side, spin this one first.
Miss Tiny ::DEN7 [EP]:: New project by Wet Leg producer Dan Carey. Very crisp sounding indie-slack rock out of NY.
Mort Garson ::JOURNEY TO THE MOON AND BEYOND:: Weird name: Check. Weird synth music: Check. For whatever reason though, this record slaps. It sounds like the score to an Austin Powers film, but unironically. 
Mother Tongues ::LOVE IN A VICIOUS WAY:: Pop music from Toronto with psych and jangle undertones.
Nathanael Larochette ::OLD GROWTH:: If you can remember when Wyndam Hill released "new age" music such as the solo piano records of the late George Winston, this is like that, but Larochette plays acoustic guitar. Very pleasant.
The Penske File ::HALF GLOW:: RIYL Against Me!, The Dirty Nil, The Gaslight Anthem, The Flatliners, Menzingers.
Sunshine Convention ::SUNSHINE CONVENTION:: The jangliest and poppiest jangle pop I've heard all year. Sounds like primary songwriter Jake Whitener rifled through my record collection and landed on a sound that might best be described as a fuzzier, more lo-fi Cotton Mather meets the Bigger Lovers.
Upper Wilds ::JUPITER:: Brooklyn power trio RIYL The Men, Purling Hiss.


Friday, July 14th, 2023

Still reeling after seeing the record release show for Durham NC-based indie-country band Fust last night. Their latest, GENEVIEVE is currently my favorite record of 2023. I wonder if anything released today will challenge its spot up top?

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Secondly - I am cataloging ALL of these posts on my blog. So if you want to look at the Grand list of 2023 Friday new releases, you can do so there. 

Let me know if I am missing anything this week!

THE KNOWNS:

The Adolescents ::CAESAR SALAD DAYS:: So-Cal punk/hardcore band drops 15 tracks, clocking in at 35 minutes. Reminds me of the time a hardcore dude was making fun of my penchant for Allman Brothers & Pink Floyd extended jams and told me "If you can't say what you came to say in under 3 minutes, then you probably can't say it." Punk AF.
Blake Mills ::JELLY ROAD:: Grammy-winning producer (Alabama Shakes, Fiona Apple, Phoebe Bridgers) occasionally shows his chops on the other side of the board. JELLY ROAD, his 5th LP, has a lot of 'atmosphere' and sounds amazing.
Colter Wall ::LITTLE SONGS:: Country Music for fans who want Waylon, Willie, Cash, and Kris all at once. 
Duane Betts ::WILD & PRECIOUS LIFE:: Debut LP by the sire of Southern Rock royalty, Dickey Betts, whose work with the Allman Brothers laid a bedrock for my own guitar playing. The apple doesn't fall far from the tree here, and given Duane's stint as a touring member of Dawes, this record sounds like a great blend of his father's and Dawe's influence.  The opening track, "Evergreen" is already a banger!
Kool & the Gang ::PEOPLE JUST WANT TO HAVE FUN:: It's true. This record is a party.
Lukas Nelson & The Promise of the Real ::STICKS AND STONES:: You may have heard of his father, Willie. Believe me when I say you can hear Willie in Lukas' croak, but the music stands on its own. A nice blend of swagger-filled country and southern rock.
Palehound ::EYE ON THE BAT:: I wish when critics labeled something as "indie rock" that it sounded more like Palehound. The newest by songwriter El Kempner, is not out of place alongside some of the bands Palehound has toured with including Big Thief, Lucy Dacus, and Sylvan Esso. Kempner also collaborated with Jay Som's Melina Duterte in Bachelor.
Royston Langdon ::PRESIDENT ALIEN:: The former Spacehog frontman apparently knows how to milk a good thing for more (i.e., compare the album cover and album title for this solo release, and Spacehog's 1995 record RESIDENT ALIEN). The new solo record also includes an acoustic version of "In The Meantime" which, tbh, is missing that epic bass line.

THE NEWS:

Being Dead ::WHEN HORSES WOULD RUN:: The Texas-based surf-twang group's bandcamp bio is a trip. I encourage you to peruse it while checking out some tracks on this one.
Far Caspian ::THE LAST REMAINING LIGHT:: Energetic, garden-variety indie rock with great melodies. Usually a great equation for my ears, maybe yours too. Based in Leeds, Far Caspian's Joel Johnson self-produces and records all his work and seems to have a talent on both sides of the board. 
Lead Pony ::LEAD PONY:: Rock n Roll from California. This one is a grower. The song "Sincerely" reminds me of The Sheepdogs a bit, and "Strangers" makes me think 'what if the DNA of Pete Yorn and U2 was mapped to make a new band?"
Marc Ribot's Ceramic Dog ::CONNECTION:: An album for guitar players, Ribot has worked with notables Tom Waits, Elvis Costello, Tift Merritt and T-Bone Burnett. Lots of weird, guitar-driven art rock here. Fans of Nels Cline will likely dig.
Night Beats ::RAJAN:: Have you ever been *out* for a night on the town, and it's getting to that 12:45 to 1:30 AM hour, you're feeling the haze of drink and bar-hopping across the city, ducking into bar after bar to shake off the cold of the night. Yeah. This record is the soundtrack to those nights, and should be what plays over a montage of the above scene. Really digging this sleepy-stoner-psych rock.
Temple of Angels ::ENDLESS PURSUIT:: Texas-based gothic indie-dream pop. Like Evanescence meets the Cure with some Interpol mixed in.
Vendetta ::Black As Coal:: Metallica's GARAGE DAYS REVISITED had covers of some stalwart German metal bands who heavily influenced Metallica on their rise. Flipping the script, Vendetta is a German metal band (contemporaries of Sodom and Kreator) who have been heavily influenced by the Bay Area metal sound made famous by Metallica and Megadeth. BLACK AS COAL sounds like LIGHTNING and PUPPETS-era Metallica and PEACE SELLS-era Megadeth. 


Friday, July 7th, 2023

Hazy, Hot, and Humid. Welcome to July. I turned 45 earlier this week, and have spent most of it relaxing, drinking booze, punishing my body with indulgent food, and prepping for the first Dragmatic show next week. So yeah. Life. 

We have a new playlist to capture all the noteworthy releases for the month of July 2023. 

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06
July 2023 Spotify Playlist: 2023 - 07

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

ANOHNI and the Johnsons ::MY BACK WAS A BRIDGE FOR YOU TO CROSS:: After disbanding in 2015 as Antony and the Johnsons, ANOHNI has reformed the group but eschewing her dead name. Louder Than War has characterized the album as having "elements of American soul, British folk and experimental music."
Chris Stamey ::THE GREAT ESCAPE:: Stamey, who is well-known to power pop oldheads due to his work the dBs, is also a damn fine producer. I'm much more familiar with (and prefer) his work behind the board. Luckily for me, he also produced this record which features playing by dBs bandmate Peter Holsapple, Raleigh stalwart Caitlin Cary (harmonia), Mipso member Libby Rodenbaugh (violin, viola) and former Son Volter Eric Heywood on pedal steel guitar) on some tracks. If you know Stamey, then you know what you're getting here - a well-produced record of jangly power pop with cotton candy melodies and sugary vocal harmonies.
Conway the Machine ::CONWAY THE MACHINE PRESENTS: DRUMWORK THE ALBUM:: Buffalo NY's hip-hop royalty Conway the Machine is on fire with his THIRD release in 2023.
Local Natives ::TIME WILL WAIT FOR NO ONE:: Finding their footing in 2009, Local Natives crafted an indie rock sound slightly more under the radar than contemporaries Grizzly Bear, Fruit Bats, Broken Bells, and Delta Spirit.
PJ Harvey ::I INSIDE THE OLD YEAR:: The Queen of art rock reminds us all why she's royalty.
Taylor Swift ::SPEAK NOW (TAYLOR'S VERSION):: Another in a growing row of middle fingers to predatory record labels. Fuck yeah, Tay. 

THE NEWS:

12Rods :: IF WE STAYED ALIVE:: Formed in 1992, and weathered breakups and reunions, 12Rods seems to bridge the space between early 90s "college rock" and early aughts indie. Lots of jangly guitars drenched in chorus pedals, tenor vocals, and just lush, dreamy melodies.
Alice Phoebe Lou ::SHELTER:: Singer/songwriter from Cape Town Africa now based in Berlin who has self-released four albums. RIYL Faye Webster, Big Thief, Julia Jacklin, Stella Donnelly.
Bad History Month ::DELUSION [EP]:: Based in Philly, Bad History Month is the project of Sean Sprecher that combines lo-fi, bedroom songs that range from what seem like demo snippets, to fully realized grunge songs. Definitely a collection of diamonds under the coal facade. Imagine Hayden made an album like Pavement's WESTING BY MUSKET AND SEXTANT...but it was only 7 songs.
The Far Outs ::THE FAR OUTS:: From their bandcamp page: "The FAR OUTS began as a side project to Brisbane’s Grand Atlantic as an outlet for songs that didn’t quite fit the format but still desperately needed a place to party. With influences ranging from the likes of The Kinks, The Sonics and The Easybeats, the group quickly established a reputation for their 60’s influenced Garage Rock - featuring blistering riffs, catchy choruses and drums akimbo." In short - sounds like Jet meets the Hives.
Longings ::DREAMS IN RED:: From Rough Trade: "Longings explore the dark passages of post-punk with an intricate and melodic edge. Both bleak and levitative, Dreams In Red aggressively conquers themes of frustration & isolation." This band sounds like all the aspects of Interpol, Franz Ferdinand, and British Sea Power that I love most. The electric guitar spanks all over these tunes with buzzsaw quality.
Miles Miller ::SOLID GOLD:: Kentucky-bred singer/songwriter drawn into the orbit of Sturgil Simpson, Tyler Childers, and Dave Cobb, the latter of which produced this record. Miller's sound leans more toward traditional pop country and less in the Americana realm. But he has a bell-clear tenor voice that I would love to hear front a bluegrass outfit.
Pigeon Wigs ::ROCK BY NUMBERS:: Fuzzy alt-rock from the bustling music scene in Cardiff.


Friday, June 30th, 2023

Six months from now, many of us will be frantically putting on the final touches on the list of our favorite albums of the year. Which of those that have been released to date are locks for your year-end faves? While you think on that, here's what dropped on Friday June 30th, 2023.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome

Let me know if I am missing anything this week!

THE KNOWNS:

The Baseball Project ::GRAND SALAMI TIME:: The supergroup featuring REMs MIike MIlls and Peter Buck, as well as Steve Wynn, Scott McCaughey, and Linda Pittmon still seems to be batting 1000 on their records. (see what I did there?)
JD Pinkus & Tall Tall Trees ::PONDER MACHINE:: Gothic banjo-driven rock by the longtime Buthole Surfer.
James & the Giants ::JAMES & THE GIANTS:: New release by the somehow still-prolific James Jackson Toth. RIYL lilting twangy rock with swagger.
Lucinda Williams ::STORIES FROM A ROCK N ROLL HEART:: Queen of Alt-County.
Natural Child ::BE M'GUEST:: Greazy rock n roll out of Nashville, TN.
The Pink Stones ::YOU KNOW WHO:: The Pink Stones INTRODUCING... from 2021 was one of my favorite releases of the year. The band is back with more cosmic American country. RIYL the BYRDS, Gram Parsons, and the state of Georgia.
Sweeping Promises ::GOOD LIVING IS COMING FOR YOU:: This one has apparently been highly anticipated. 

THE NEWS:

FRND CRCL ::SUBURBAN DICTIONARY:: Shitty name but catchy pop punk. Their Spotify bio encourages you to text them at 856-666-2866. I'm such a sucker for music like this!
Grian Chatten ::CHAOS FOR THE FLY:: Solo effort by the vocalist of Fontaines DC. It's like that but more...chill and artsy?
Hataalii ::SINGING INTO DARKNESS:: The name, which is Navajo for "to sing" is described in their bio as - get this "tapping into the nihilism of The Replacements' Paul Westerberg as well as the gorgeously romantic sleaze of Chris Isaak..." I'm intrigued alone by that!
Hayden Pedigo ::THE HAPPIEST TIMES I'VE IGNORED:: If you asked someone to paint a landscape of the Texas panhandle, but musically with an acoustic guitar, this is what you would get. Gorgeous, western rustic atmospheric music.
The Jins ::IT'S A LIFE:: Vancouver BC-based grunge trio that looks and pays homage to a Seattle-based grunge trio from the 90s. This is a fun one!
Joanna Sternberg ::I'VE GOT ME:: Bedroom folk from a songwriter who attended a music and arts high school and the New School for Jazz and Contemporary Music. It's nothing earth shattering, but it is intentional! Digging it so far!
Loma Prieta ::LAST:: RIYL At The Drive In.
Shady Bug ::WHAT'S THE USE?:: Self-described as "artful noise". Leans more on the "artful" than "noise" imho.
Spine ::RAICES:: KC hardcore...and I mean hardcore!
Suzie True ::SENTIMENTAL SCUM:: What if the Powerpuff Girls started a Blink 182 cover band?


Friday, June 23rd, 2023

I'm way late posting these June 23 releases since I was too busy eating All-Dressed Chips in Canada that week, and then returned to the states just in time to ramp-up for my 45th birthday. But thanks to the Wayback Machine, I was able to pull the list of last week's releases. Here are the ones that sounded good to me.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Albert Hammond Jr. ::MELODIES ON HIATUS:: One quarter of the Strokes delivers more Strokes-adjacent music.
Amanda Shires & Bobbie Nelson ::LOVING YOU:: A sweet album of classic country covers from two women who are more than just "Jason Isbell's wife" and "Willie Nelson's sister."
Candlebox ::LIVE AT THE NEPTUNE:: TIL - Candlebox is still a band. Can you guess what the closer on this record is? Also, it's all acoustic.
Dan Tyminski ::GOD FEARING HEATHEN:: Known for his work with Alison Krauss, and as the frontman of the 'Soggy Bottom Boys', you're no doubt familiar with Tyminski's high-tenor voice and driving bluegrass. Looking forward to this one!
Kelly Clarkson ::CHEMISTRY:: All the song titles are lower-case just like Tay. And it's a divorce record. So it's probably gonna be amazing.
Lloyd Cole ::ON PAIN:: DYK that Matthew Sweet played bass in Cole's 1st post-Commotions band, alongside Sweet stalwarts Fred Maher and Robert Quine?!?!?
M. Ward ::SUPERNATURAL THING:: Sad white guy indie folk. 
Portugal the Man ::CHRIS BLACK CHANGED MY LIFE:: Endearing album paying tribute to a band friend.
Power Trip ::LIVE IN SEATTLE:: A slick-sounding live record from one of Metal's best.
Straight No Chaser ::YACHT ON THE ROCKS:: Acapella yacht rock faves. My dad is gonna shit when he hears this!
The Watson Twins ::HOLLER:: Louisville, KY identical twins who, believe it or not, make twangy, Americana music without Jenny Lewis. 
Wye Oak ::EVERY DAY LIKE THE LAST:: The Durham-based duo getting back to basics.

THE NEWS:

Anna Shoemaker ::HEY ANNA [EP]:: Alternative/Indie Rock has a deep bench of clever and angsty female artists making good music. Count Anna Shoemaker among them. The Philly turned Brooklyn NY songwriter would fit nicely on any playlist that includes boygenius, Lucy Dacus, Phoebe Bridgers and other writers of that ilk. Shoemaker isn't reinventing the wheel here, but I'd argue that she's at least helping to grease the bearings.
BusCrates ::CONTROL CENTER:: Pittsburgh's Orlando "BusCrates" Marshall pulls from his father's record collection to create tunes inspired by classic boom-bap hip-hop and the endlessly colorful world of synth-crazy post-disco boogie-funk. It's like if DJ Shadow leaned heavy on 70s smooth disco.
Cable Ties ::ALL HER PLANS:: Scrappy, lo-fi, hi-energy Australian punk rock. 
Corvair ::BOUND TO BE:: Husband and wife band out of Portland OR. The bio says "Corvair sounds like nothing you've ever heard and everything you've always loved." Sure, Jan... Though you should listen and judge for yourself.
Cory Hanson ::WESTERN CUM:: Know for his work with the psych-rock band Wand and Ty Segal, I feel like this record title may wind up being a sticky wicket for a lot of folks. But I *implore* you to listen to the opening track. It's gorgeous guitar-heavy power pop!
Dee Calhoun ::OLD SCRATCH COMES TO APPALACHIA:: This dude is from near where I used to live and his music sounds like Days of the New as interpreted by an unhinged Ted Nugent fan. Not including this one on the larger playlist...
Devon Allman & Donavon Frankenreiter ::ROLLERS [EP]:: The son of Greg Allman doesn't fall far from the Hammond B3, apparently.
High Priest ::INVOCATION:: Four-piece stoner-rock band from Chicago. *High* Priest; *Stoner*-rock. Get it? The music fucks, tho. Sounds like Alice in Chains , but stoner doom.
Johnna Samuels ::BYSTANDER:: A lil bit indie, a lil bit twang/Americana. Ripe stuff for a lot of folk like me.
Martin Frawley ::THE WANNABE:: Really nice jangle power pop from Melbourne Australia. Frawley was a member of Melbourne band the Twerps who disbanded in 2018.
Militarie Gun ::LIFE UNDER THE GUN:: Hook-laden LA rock n roll with a gruff-voiced singer. Think a poppier version of Gaslight Anthem.
Nat Myers ::YELLOW PERIL:: Korean-American from Kenton County Kentucky who writes and plays rootsy blues. Recorded at the 100 year-old home of Dan Auerbach.
Pardoner ::PEACE LOVING PEOPLE:: San Fran post-punk, but poppy and melodic. 
Tommy Prine ::THIS FAR SOUTH:: Yes. It's his son. And this record was produced by pal Ruston Kelly. You can tell when you listen to it, too.


Friday, June 16th, 2023

Halfway through the sixth month, which means we're damn near the halfway through 2023. What's been filling your ear holes the most? Well, here are some more records to contend with them...

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

The Knowns:

Bettye Lavette ::LAVETTE!:: When asked what keeps her going she replied "I ain't got no fucking other plan." Cheers to this absolute badass.
Bonny Doon ::LET THERE BE MUSIC:: Detroit's most loveable slack-rockers.
Bright Eyes ::CASSADAGA: A COMPANION EP:: This fuckin guy, amirite?
Deer Tick ::EMOTIONAL CONTRACTS:: I've never really listened to these dudes, but I like em. Nice heartland rock y Americana y alt-country.
Drive By Truckers ::THE COMPLETE DIRTY SOUTH:: Remastered, and with some tracks the vocals were re-cut. This is the record as originally imagined.
Gov't Mule ::PEACE...LIKE A RIVER:: Guitar gods still exist.
Killer Mike ::MICHAEL:: Hip-hop legend, social justice warrior, and overall American sweetheart. ATL as fuck.
King Gizzard & the Lizard Wizard ::PETRODRAGONIC APOCALYPSE: OR, DAWN OF ETERNAL NIGHT: AN ANNIHILATION OF PLANET EARTH AND THE BEGINNING OF MERCILESS DAMNATION:: There are more words in the album title than there are songs on the record.
Kool Keith ::BLACK ELVIS 2:: This is Kool Keith's **SECOND** record in 2023!
Meshell Ndegeocello ::THE OMNICHORD REAL BOOK:: Known for her bass-playing on John Mellencamp’s cover of “Wild Night,: Ndegeocello is a hell of a songwriter in her own right, combining a progressive mix of Jazz, R&B, Soul, and Hip Hop.
Queens of the Stone Age ::IN TIMES NEW ROMAN:: Ok.
Sigur Ros ::ATTA:: Heilagur skítur!
Son Volt ::DAY OF THE DOUG:: Son Volt's tribute album to Doug Sahm. Hell, I credit Jay Farrar with introducing me to Sahm when Uncle Tupelo covered "Give Back The Key To My Heart" on 1994's ANODYNE. So this is probably gonna be good.

The News:

Boris and Uniform ::BRIGHT NEW DISEASE:: Japanese sludge/doom rock (Boris) meets NY hardcore (Uniform).
Far From Saints ::FAR FROM SAINTS:: Kelly Jones (Stereophonics), with Austin's Patty Lynn and Swight Baker (The Wind and the Wave) created a cross-genre sound that spans country, rock, folk, & Americana.
Fust ::GENEVIEVE:: Durham, NC-based Fust was another band brought to my attention from my longtime musical pal Ryan Kennemur. The latest by the indie country-rock band led by Durham’s Aaron Dowdy features Michael Cormier-O’Leary of Friendship, Indigo de Souza and Wednesday members Jake Lenderman and Xandy Chelmis, both of whom contribute pedal steel action to the record. Ryan says he hears notes of Ruston Kelly and Pinegrove. I added that the track "Violent Jubilee" sounds like the love child of Jay Farrar and Justin Vernon singing over a Pinegrove B-side. Just slow-core, twangy indie rock with soaring vocal melodies and sad, sad, steel guitar c/o Xandy Chelmis. 
Home is Where ::THE WHALER:: Garden variety, but good, indie rock. Like, the kind that gave the genre it’s name.
Horsehead ::SUNDOGS DANCING IN THE EARLY MORNING LIGHT:: Horsehead first hit my radar back in 2012 when their twangy, heartland rock record SYMPATHETIC VIBRATIONS was passed along to me from "Showtime" Ryan Kennemur. The "alt-country" (whatever that is) torch lit by bands I'd cut my teeth on some 20 years prior hadn't really been picked up by anyone in the 2010s...and SYMPATHETIC VIBRATIONS definitely scratched that itch! Every three years, Horsehead kicked out another no-frills rock record with the hints of twang in all the right places. When I moved to Richmond in late 2015, I went to every Horsehead show and eventually made friends with the OG members, Jon C. Brown and Kevin Inge. I learned through our pre- and post-show chats that their musical relationship was very similar to mine and hetero-life-mate, the aforementioned Ryan Kennemur, who, like Jon and Kevin, I'd been writing and playing music with for decades. In fact, I learned that they used to drive to Greenville NC (which is name-checked in "Darkened Streets" on SYMPATHETIC VIBRATIONS) to play shows while Ryan and I were both in college there...tho we somehow never caught them live. Anyway, the "an album every three-ish years" streak broke in 2018 after Jon recovered from a health scare, and then the world shut down two years later. The way I see it, we now have TWICE the album in SUNDOGS given that it's been nearly six years since PAGENT WAVE, the band's 2018 release, came out. And lookit, SUNDOGS is a banger. It opens *HOT* with Brown's and Inge's guitars bringing more crunch than a gravel road. This record has guitar hooks galore. Great vocal harmonies, and goddamn horns. I don't feel bashful saying this might be Horsehead's fullest record to date. Definitely worth your time.
Rodeo Boys ::HOME MOVIES:: Queer rock n roll band from Lansing Michigan that combines southern twang, punk, and 90s grunge.
Sad Palomino ::ASLEEP IN THE SADDLE:: Don't let the band name or album title fool you; Sad Palomino isn't a western band. Indeed, they're a unique alt-rock outfit that has been haunting small venues in Fayetteville Arkansas for the past 10 ish years. This record was a LONG time in the making, as drummer Dick Darden has been touring extensively with fellow Arkansawyer Dylan Earl nationally and overseas. Also, producer Will Eubanks (my former bandmate in Damn Arkansan) had a lot of life happen during the making of this record. Indeed, since Sad Pal's self-titled 2017 release and the release of ASLEEP, Eubanks got married, moved into my old house as my tenant with his new wife, had a daughter with said wife, got divorced from said wife, moved out of my house (which I've since sold), got remarried, and has baby Eubanks #2 due in the next month or so. Suffice to say he also shoulders some of the delay in releasing this record (which has been 'in the can' for a couple years now minus a few tweaks). It was well worth the wait. This record *sounds* amazing. It has a crunchy/grungy guitar tone - at least to the naked ear. Though really the guitars are clean and the bass is distorted...but together, it provides this lush baseline of guitar and bass melody that pops as hard as Darden's drums. Despite being Millennials, Sad Pal's songs sound like something off MTV's 120 Minutes from back in the 90s.


Friday, June 9th, 2023

Bunch of fuck all out this week. Guess it was a good week for Jason Isbell and Jenny Lewis, as there wasn’t much else competing with their releases this week.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05
June 2023 Spotify Playlist: 2023 - 06

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

The Knowns:

Janelle Monae ::THE AGE OF PLEASURE:: Damn right.
Jason Isbell & The 400 Unit ::WEATHERVANES:: **Surprisingly** good release from Isbell. This one is self-produced, and the *sound* on Weathervanes is way more organic than the last couple Dave Cobb-produced records. If, like me, you've recently quit Isbell, listen to this record before you fully walk away. "When We Were Close" is a great tune about the late Justin Townes Earle. Maybe start there.
Jenny Lewis ::JOY'ALL:: Unlike WEATHERVANES above, this one *was* produced by Dave Cobb. Though it doesn't sound sterile like Isbell's last few.
Jess Williamson ::TIME AIN'T ACCIDENTAL:: Imagine Linda Ronstadt makes a minimalist breakup record. 
Laura Cantrell ::JUST LIKE A ROSE: THE ANNIVERSARY SESSIONS:: A real singer/songwriter's singer/songwriter. Some good twang on this one. 
My Morning Jacket ::MMJ LIVE VOL. 3: BONNAROO 2004 [RETURN TO THUNDERDOME]:: Usually don't include live releases, but this is a band captured at the height of their game.
Spoon ::MEMORY DUST [EP]:: [JUNE 13TH] Three songs that began during the same sessions that produced Spoon’s 2022 album LUCIFER ON THE SOFA.
Youth Lagoon ::HEAVEN IS A JUNKYARD:: Meh. But I know some folks who really love this outfit.

The News:

Anna St. Louis ::IN THE AIR:: Hailing from Kansas City (but with a name like St. Louis?!?!), now residing in LA, this sounds like it is a female companion to Detroit slack rockers Bonny Doon. This is twangier and folkier. Lots of sweet, sweet pedal steel guitar here.
Black Rainbows ::SUPERSKULL:: Stoner/Space rock from Europe influenced by 90s stoner space rock. Think Kyuss meets Corrosion of Conformity.
Cooper Wolken ::CHAPTERS:: This is some weird-ass, noisy, lo-fi indie, but it has a flavor to it. Definitely a DIY ethos at work. Check out "Dumb Luck" if you don't listen to anything else.
feeble little horse ::GIRL WITH FISH:: Pittsburgh PeeYay quartet producing straight grunge. This one hits. Their bio describes them as "pittsburgh guitar music available for funerals, wakes, and any equestrian events."
Lightning Dust ::NOSTALGIA KILLER:: Dark and synth-friendly indie rock duo that started out as a side project by members of Vancouver's Black Mountain. RIYL David Berman and his ilk.
Squid ::O MONOLITH:: Brighton England quintet RIYL Shame, Protomartyr.
Sumbuck ::LUCKY:: Solo project from Taylor Meier of Caamp. R&B and 70s-pop influenced indie. Track 2, "How Long" has a dang flute solo.


Friday, June 2nd, 2023

I've been out of pocket the past few weeks with travel to Cleveland and back to PA to see the fam that I've missed doing my Friday release lists. So I compiled the next two at once…forgive me if I missed some bangers.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05

Now we add a June 2023 Spotify Playlist: 2023 - 06

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

The Knowns:

Ben Folds ::WHAT MATTERS MOST:: If you only listen to the track "Kristine from the 7th Grade" it'll be worth your time.
Ben Harper ::WIDE OPEN LIGHT:: New music from an artist who has definitely carved out a unique niche among his generation.
Bob Dylan ::SHADOW KINGDOM:: I wish I liked Bob Dylan. This is a collection of his early songs, but sung with a much older voice. It's 'meh' to me, but the "It's *BOB DYLAN*, tho!!" crowd will love it.
Buckcherry ::VOL. 10:: Hard Rock sleazeballs get older, sleazier.
Bully ::LUCKY FOR YOU:: This record fucking slaps. Songs from it keep shuffling up on my spotify recommendations, and I've yet to hear a bad track on it. Seeing Bully on June 16th in Raleigh opening for the Pixies. Pretty pumped. This one may easily land on my year-end favorites list!
Cowboy Junkies ::SUCH FEROCIOUS BEAUTY:: They still got it.
Cowboys In The Campfire ::WRONGER:: New band name, same ol loveable rascal Tommy Stinson (The Replacements, Bash & Pop). This is a more stripped-down vehicle for Stinson's writing. And the songs with the most energy have lack the melody of the slower cuts. A solid B- from me, dawg, but I'll take Bash and Pop any day!
Drew Holcolmb and the Neighbors ::STRANGERS NO MORE:: [JUNE 7TH] Wistful and moody Americana not out of place on a Gregory Alan Isaacov and/or Ray Lamontagne RIYL comp.
Foo Fighters ::BUT HERE WE ARE:: Dismiss this band at your own peril. This record is excellent.
Gringo Star ::ON AND ON AND GONE:: Atlanta garage rock y doo wop y BritPop stalwarts are still kickin.
The Hollywood Vampires ::LIVE IN RIO:: Alice Cooper, Joe Perry, and Johnny Depp walk into a bar...
Kenny Rogers ::LIFE IS LIKE A SONG:: RIP to this legend. Give his first posthumous release a spin.
Louise Post ::SLEEPWALKER:: One of the main voices of Veruca Salt is out here showing these kids coming up how it's done!
Nickelback ::GET ROLLIN (DELUXE):: Let's get this circus on down the road... (not included on the playlist).
Noel Gallagher's High Flying Birds ::COUNCIL SKIES:: Rock music for wankers, tossers, and cunts.
Protomartyr ::FORMAL GROWTH IN THE DESERT:: Detroit post-punk quartet delivers more gritty, burly tunes.
Rancid ::TOMORROW NEVER COMES:: I am typing all of this with a snarl and a spiked mohawk.
Roger Waters ::THE LOCKDOWN SESSIONS:: I saw the YouTube versions of these tunes which were recorded remotely by the musicians during COVID lockdown. This is one of the best, and only "live" versions of "Two Suns in the Sunset" and "The Gunner's Dream" from my absolute favorite record by the Floyd: THE FINAL CUT. So much of Waters' public commentary as of late (RE: Ukraine) has been icky AF, but fuck this dude can still jam.
Rufus Wainwright ::FOLKOCRACY:: ok. 
Tanya Tucker ::SWEET WESTERN SOUND:: Tanya has been singing good country music for 51 years. Her latest continues the streak. Produced by Brandi Carlisle and Shooter Jennings.
Terry Ohms ::ROCK SONGS:: This is the 13th (!!!) solo release from the Vulture Whale frontman.

The News:

The Aces ::I'VE LOVED YOU FOR SO LONG:: I mean, this is just pleasant pop music from an all-female outfit based out of Provo, UT.
American Nightmare ::DEDICATED TO THE NEXT WORLD [EP]:: Hardcore stalwarts formed in 2000, disbanded and then regrouped in 2011 are back with a too-short EP of emotional, riff-laden hardcore.
Beach Fossils ::BUNNY:: Chimey, reverb-laden indie pop, RIYL Real Estate, DIIV, Cloud Nothings, and other mid-aughts bands of that ilk.
Body Type ::EXPIRED CANDY:: Australian, all-female indie-pop band with lots of catchy melodies and hooks.
Comet Gain ::THE MISFIT JUKEBOX:: Comet Gain frontman David Christian leveraged his free time during the COVID lockdown to dig through the considerable Comet Gain archive of jangly, clangy, BritPop and shared new compilations of outtakes, demos, live recordings and simply forgotten and never released hits every Bandcamp Friday. "The Misfit Jukebox" is now a compilation of these compilations on LP for the 1st time.
Dead Billionaires ::DISASTER PREPAREDNESS COLORING BOOK:: Another band scuffing up stages in and around Richmond, Virginia, the Dead Billionaires have leveraged their anger at the American social landscape over the past several years and harnessed it into anthemic indie pop protest songs.  With sing-along choruses like "I don't wanna be a pawn no more" from "Pink Slip/White Truck" and "Fuck white supremacy wherever it stands, I don't want to use pointy words again" from "15 Words" - a thee-minute song where the first two minutes are wordless, building to the chorus, which repeats over and over for the next 45 seconds of the song before it crashes to an end. Then there's "Checks" with the chorus "let's use our welfare checks to play the lottery, use the winnings for our new frontal lobotomies. Try to forget the troubles of the working people's blues, get too drunk and watch the evening news." The only downside about this record is that it is only 7 songs. 
Gal Pal ::THIS AND OTHER GESTURES:: Wistful, female-led indie-rock out of LA.
Gorgeous ::SAPSUCKER:: Noise punk songs about technological dread, literal and figurative monsters, liars, dreamers, and true believers.
Hellwitch ::ANNIHILATIONAL INTERCENTION:: Speed metal as fuck. Formed in 1984. So, it's like that. And this is probably what Metallica *wished* they did with 72 SEASONS (which is still a great record in its own right).
JD Darling ::LOOKING FORWARD THINKING BACK:: Pop country that sounds closer to Sawyer Brown than Kane Brown.
Reckless Son ::RECKLESS SON:: A songwriter's songwriter with smart lyrics over melodies that don't rock the boat. The RIYL of Carter Sampson is what sold me.
The Royston Club ::SHAKING HIPS AND CRASHING CARS:: What if the Strokes were Gen-Z Brits? It would be this.
RVG ::BRAIN WORMS:: Indie darlings whose debut record landed on many year-end best lists, and who have toured supporting the Pixies, Kurt Vile, Camp Cope and others. Pretty sure the name stands for Ruth Vader Ginsburg. The lead singer was quoted as saying "if we could only make one more album, it would be this one."
Ruen Brothers ::TEN PACES:: If you're on the YepRoc mailing list, you'd think they're betting the house on the Ruen Brothers (and Jobi Riccio). The band's spotify bio refers to this album as "neo-noir gold." 
Sam Blasucci ::OFF MY STARS:: 70s inspired pop rock by a member of Mapache. The opening track is a hell of a grocery store jam.
The Stools ::R U SAVED?:: Detroit garage rock inspired by the Stooges and MC5.


Friday, May 26th, 2023

Here's the Memorial Day Weekend new releases that SLAP and/or FUCK from Friday May 26, 2023.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Charley Crockett ::THE MAN FROM WACO REDUX:: Marty Robbins-inspired takes from Crockett's classic 2022 record.
The Dirty Nil ::FREE REIN TO PASSIONS:: Blistering arena rock from a tight Toronto power trio. The band's 2018 release MASTER VOLUME is an all-timer for me.
The Exploding Hearts ::GUITAR ROMANTIC:: Expanded and remastered LP from Portland punk/power-pop band whose run came to a tragic end in 2003 when a van accident killed several members of the band, just as their career was taking off.
Fishbone ::FISHBONE [EP]:: Somewhere in Ohio my pal Ryan Gear is skankin to this EP.
Isaac Alexander ::COUNTRY MCGHEE:: I used to describe Isaac Alexander to my uninitiated friends as “imagine if Jeff Tweedy never started writing bad songs, and was from Little Rock.” I think that holds. Isaac has been a busy man t his year. In January he released FUTURE SANCTUARY, a stellar, 24-song double LP, and today he is back with COUNTRY MCGHEE, 11 new songs recorded at Cinderella Sound — a space with shag carpet on the walls that just happens to be Nashville’s oldest running independent studio — with the accompaniment of legendary session players like Wayne Moss, Lloyd Green, Charlie McCoy and Hargus “Pig” Robbins.
Kevin Morby ::MORE PHOTOGRAPHS (A CONTINUUM):: People who like Morby will like this, probably.
Metal Church ::CONGREGATION OF ANNIHILATION:: The band Metal Church is two years younger than me and still rip hard AF. Sometimes you don't need to tune your guitars to C# and make unintelligible guttural growling noises into the mic to make good heavy metal.
Miya Folick ::ROACH:: Folick crafts saccharine and infections pop songs, and shows up as a RIYL for a lot of artists that have been on these lists of late. 

THE NEWS:

Radiator Hospital ::CAN'T MAKE ANY PROMISES:: Released Thursday May 25th, this full-band vehicle for Sam Cook-Parrott's songwriting gets assists (both touring and recording) from members of Waxahatchee and Swearin (who's Kyle Gilbride produced the record). If you've paid any attention to the Philly indie scene over the past year, this record fits in well.
Alex Pester ::BETTER DAYS:: Indie, acoustic chamber pop from Bath, England. Lots of pretty acoustic guitar melodies with accompanying piano and string arrangements. Very pleasant listen.
The Barnestormers ::THE BARNESTORMERS:: Classic rockabilly from a supergroup of Jimmy Barnes, Jools Holland, Chris Cheney, Slim Jim Phantom, and Kevin Shirley.
Geraldine ::PAW PAW:: Oldtime stringband by a buncha dang kids out of Balitmore.
Oceanlord ::KINGDOM COLD:: Australian stoner rock. KINGDOM COLD is 6 songs and 41 minutes. Do that math.
Struck ::FREAK FREQUENCY:: Post punk that kinda sounds like Shame and 9frmrly 'British') Sea Power did a collab.
Twin Princess ::BLOOD MOON:: Philadelphia-based "synth pop/doom country". Yes. You read that right. Get through the opening minute of "Flood", the lead-off track, and the sweetest steel guitar comes in after a vocal intro. This record is just a wild soundscape!


Friday, May 19th, 2023

Here's the spate of interesting new releases that dropped on Friday May 19, 2023.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05

Don't forget to smash the heart/like/save icon on this playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWN:

Kesha ::GAG ORDER:: I'm not the biggest fan of her music, but she is a straight badass, and I'd drop damn near everything for an opportunity to see her in concert.
Sufjan Stevens ::REFLECTIONS:: SufYAWN out with yet another record that is NOT another notch in the "50 States Project" bestpost. This release is just solo piano. No vocals. And it's beautiful, but also fuck Sufjan Stevens.
Yes ::MIRROR TO THE SKY:: Purveyors of prog rock put forth a new one.
Califone ::VILLAGERS:: For those of us wanting to revisit our early-aughts indie fix.
The Milk Carton Kids ::I ONLY SEE THE MOON:: A modern-day Simon and Garfunkel with a filter of Gillian Welch and David Rawlings.
Graham Nash ::NOW:: I mean, okay. The track "Golden Idols" is a nice shitpost on MAGA, for what that's worth. Still trying to teach the children well, I see.
Robert Ellis ::YESTERDAY'S NEWS:: in 2019, Ellis released TEXAS PIANO MAN to pretty decent acclaim. I know several folk reading this post will be excited about this one. And for the uninitiated, Ellis is a songwriter in the vein of Justin Townes Earle, John Fulbright, Slaid Cleaves and other sad white guys of that ilk.
Brandy Clark ::BRANDY CLARK:: Slate once proclaimed that Clark is "one of the greatest living short-story song writers in country."
Horse Jumper of Love ::HEARTBREAK RULES:: Boston-based indie twang.
The Wedding Present ::24 SONGS:: Statistically speaking, this band should have been divorced and remarried by now...
Marty Stuart ::ALTITUDE:: Talk about an artist who has recaptured his career and taken it where he wants to go... Armed with Clarence White's famous Parsons/White stringbender guitar (which allows him to make pedal-steel guitar-like sounds on an electric guitar), Stuart shines on ALTITUDE along his band, The Fabulous Superlatives (who fucking earn that name every day). This record is chock-full of shit-hot chick'n pickin that sounds like SWEETHEART OF THE RODEO-era Byrds.
Raul Malo ::SAY LESS:: Frontman of the Mavericks is out with another.

THE NEWS:

Alex Lahey ::THE ANSWER IS ALWAYS, YES:: Pop music has not been my thing for a long while, but this Alex Lahey record has a certain je ne sais quoi that reminds me of some of the better grunge and post-grunge from the mid-to-late 90s that I grew up listening to. This is pretty slick, but it still hits. And playing "spot the influence" is kinda fun. The second track "Congratulations" sorta sounds like Avril Levigne impersonating Nirvana, and the following track "You'll Never Get Your Money Back" sounds a bit homage-y to the Strokes.
Lewis Capaldi ::BROKEN BY DESIRE TO BE HEAVENLY SENT:: I'm not adding this one to the playlist, but it's worth mentioning. Capaldi's ascension in the world of pop music is unprecedented. And he's funny AF (follow him on TikTok). Lastly, I *DARE* you to watch his video for "Wish You The Best" and not bawl your eyes out.
bar italia ::TRACEY DENIM:: Moody Post-Punk from the UK. I hear strands of Interpol here ("punkt") and believe it or not, GISH-era Smashing Pumpkins ("my kiss era"). And they're apparently a big-ish deal, so says NME.
The Murlocs ::CALM YA FARM:: Shiiiiiiit. This is a swampy one. Neo 70s Southern Rock from Melbourne Australia. They sound like a mishmash of Natural Child and The Sheepdogs.
Hanna Jadagu ::APERTURE:: Sub Pop artist who takes inspiration from Snail Mail and Phoenix. Other TIYLs include Blondshell, Miya Folick, and PACKS.
Sarabeth Tucek ::JOAN OF ALL:: Tucek came on the scene in 2003 singing a set of duets with Bill Callahan on Smog's SUPPER. That influence is here, but a bit more animated. So maybe  "chamber indie pop" best describes this.
Leith Ross ::TO LEARN:: This has a Bon Iver meets Phoebridgers quality to it that I don't hate. And the song "Orlando" is giving off HEAVY Gregory and the Hawk vibes.
Hotwax ::A THOUSAND TIMES:: UK punk trio forging post-punk, grunge, and alt-rock...and these three ladies are barely out of high school!
Motorama ::SLEEP, AND I WILL SING:: New-wave/post-punk band from Rostov-on-Don Russia.
PONY ::VELVETEEN:: Nice list of RITLs including: Bully, Charly Bliss, Weakened Friends, Dazy, Gladie, and Young Guv.
Foyer Red ::YARN THE HOURS AWAY:: Per the band's bio: "playfully chaotic arrangements which bridge art, punk, math rock, and sweetly-sung indie with a dash of the zoomies." They also refer to their sound as "crayon rock" which I adore.
Divining Rod ::SANTA MONICA & OTHER GOLDEN CLASSICS [EP]:: Straight-ahead alt-country/americana.
GracieHorse ::LA SHIT:: Americana-tinged indie from a more cynical perspective.
Lauren Early ::DON'T TAKE MY DREAM AWAY:: Millennial slack rock from LA. I kept trying to find reasons to leave this off the list but then found something catchy in the songs that kept my attention.
Paper Bee ::THAW, FREEZE, THAW:: RIYLs include Swearin, Gladie, P.S. Eliot, Worriers, and Greg Mendez. Pretty great alt/indie rock.
Saloon Dion ::MUCKERS [EP]:: High-energy UK post-punk from a band with as catchy a name as I've seen in a while.


Friday, May 12th, 2023

April showers are still bringing May Records. Here's what grew out of the New Release soil for Friday May 12th.

Reminder, I have created monthly Spotify playlists of all the new releases highlighted in this running thread. Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04
May 2023 Spotify Playlist: 2023 - 05

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Let me know if I am missing anything this week!

THE KNOWNS:

Belinda Carlisle ::KISMET [EP]:: You should totally GO GO listen to this. 
Dropkick Murphys ::OKEMAH RISING:: Like Willco, Billy Bragg, and New Multitudes before them, longtime Beantowners picked up some acoustic guitars and set them to previously unreleased Woody Guthrie lyrics.
Johnny Polonsky ::RISE OF THE REBEL ANGELS:: well-known producer and session player for all things alt-rock and power pop is out with another solo record.
Libby Rodenbough (Mipso) ::BETWEEN THE BLADES:: Representing my native NC, the former member of Mipso is out with her sophomore release. It's really really nice.
Mike Gordon ::FLYING GAMES:: Gordon is the bassist of Phish. Probably all I need to say here.
Moby ::RESOUND NYC:: TIL Moby was still alive and making music.
Parker Millsap ::NEVER ENOUGH:: Hailing from Oklahoma, a singer-songwriter's singer-songwriter.
Pinegrove ::MONTCLAIR (LIVE AT THE WELLMONT THEATRE):: Possibly the band's swan song, which is fine considering this is Pinegrove at the absolute top of their game.
The Salt Collective ::LIFE:: The band name is new, but the members aren't. The Salt Collective is a collab between Matthew Caws (Nada Surf) and Juliana Hatfield (Juliana Hatfield Three, The Blake Babies), and it is as amazing as you would expect it to be! Other collaborators include Matthew Sweet, Mitch Easter, Peter Holsapple, Richard Lloyd, and Pat Sansone (Wilco). All produced by Chris Stamey. 

THE NEWS:

Alfie Firmin ::ABSENTEE:: This has the potential to be the kind of record where songs are plucked for the next Starbucks sampler CD/playlist, but it's not bad. Wistful indie-folk that likely has a market on these pages.
Charlie Hall ::INVISIBLE INK:: Moody, instrumental, War on Drugs-adjacent tunes from, not surprisingly, the War on Drugs' drummer/organist.
Charlotte Cornfield ::COULD HAVE DONE ANYTHING:: Toronto-based songwriters whose first RIYL was Jim Bryson. So this was an insta-listen for me. Nice Canadian folk rock...produced by Bonny Light Horseman's Josh Kauffman.
Chloe Gallardo ::DEFAMATOR:: Look, this is good, but I don't know how you don't start singing the lyrics to "Dreams" on the opening chords of this record. Justice for Ed Sheeran. Anyway - this record has some potential. Dark, indie, shoegaze with what appears to be a soft-spoken singer who can go from quiet to cathartic in a few bars of music. I could easily see Gallardo fitting nicely on a bill with Phoebe Bridgers, Jay Som, and Laura Stevenson.
The Courettes ::BOOM! DYNAMITE (AN INTRODUCTION TO THE FABULOUS COURETTES:: Drum + guitar 60s garage and girl-band influenced rock n roll.
Deva Yoder ::BE WELL:: Scrappy indie-folk and Americana influenced by PJ Harvey and Fleetwood Mac.
Duskwood ::THE LAST VOYAGE:: Desert/Stoner rock that doubles as a great advertisement for various and sundry fuzz pedals. Some songs sound like Days of the New and Kyuss merged together.
Fatoumata Diawara ::LONDON KO:: African pop with an incredibly infectious groove.
Hot Mulligan ::WHY WOULD I WATCH:: Your weekly dose of infectious, mathy, sad boi emo music.
Hotline TNT ::AUDIOTREE LIVE:: Mpls shoegaze/noise-rockers put together a hell of an Audiotree set. Too bad it's only 4 songs.
Iguana Death Cult ::ECHO PALACE:: There's a lot here folks will like. Quirky, garage-y, poppy indie rock with elements of 80s college rock (think Talking Heads), and modern day indie (think Modest Mouse) all morphed into one band. It's a LOT, but it's pretty great!
Island of Love ::ISLAND OF LOVE:: Holy shit! Imagine grunge stalwarts Eugenius and Dinosaur Jr. combined forces. Though forming in 2020, these UK natives sound like shit we were listening to in 1992!
Jeffrey Silverstein ::WESTERN SKY MUSIC:: Based in Portland, OR, Silverstein crafts western, atmospheric twang with a low baritone voice (almost speaking). The album features Barry Walker Jr. (Rose City Band & North Americans) on pedal steel guitar, Dana Buoy (Akron/Family) on drums and guest appearances from William Tyler and Katrina Walker.
R. Stevie Moore ::ON EARTH:: Lo-fi as fuck. RIYL early Guided by Voices, The Apples in Stereo.
The Rough & Tumble ::ONLY THIS FAR:: Self-described "dumpster-folk and thrift-store Americana. Maybe this is your thing.
Sorry Mom ::BABYFACE:: Femme-queer punk reminiscent of Team Dresch with more snarl in the vocals. 
Willa Frank ::BLACK CLOUD:: It is the era of smart female singer-songwriters thanks to a trail being blazed by the boygenius trio and more. Willa Frank falls into that category.


Friday, May 5th, 2023

We're on the 5th day of the 5th month (already?!?!?) Here are some interesting new releases to celebrate alongside Mexico on this Cinco De Mayo!

Also - here is the link to the May 2023 Spotify Playlist: 2023 - 05

Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Also, let me know if I am missing anything this week!

THE KNOWNS:

The Album Leaf ::FUTURE FALLING:: If I had a nickel for every time I've listened to the song "Streamside" from 2004's IN A SAFE PLACE, I wouldn't have student debt. The Album Leaf have been a welcome salve of instrumental, moody, emo that allowed us empaths to escape into our feels, particularly back in the early aughts. Unfortunately, FUTURE FALLING is missing some of the emotional gut punch of the earlier records. For one thing, it is pretty much all synth. The acoustic drum kit, electric guitar, and bass have all been "midi-generated" which, in my opinion (which shouldn't influence yours), leaves this record lacking. Bummer. I was looking forward to this one but I don't think it will get many spins...unless I am trying to sleep or write...as it would be excellent background mood music!
Atmosphere ::SO MANY OTHER REALITIES EXIST SIMULTANEOUSLY:: I'm not all that knowledgeable about hip hop (I mean, Atmosphere is averaging over a million plays a month on Spotify and I don't really know much about them), but my wife summed this record up nicely: "it reminds me of early Arrested Development." I concur. This is good, positive hip-hop.
The Bohannons ::NIGHT CONSTRUCTION:: I'll let singer/songwriter Marty Bohannon sum it up for you: "It was written in different dimensions. Kind of a cross hatch of colliding times. Fused together with dystopian beliefs, history (proven and unproven) and time. A not quite lucid experience. Like when you dream you are awake but are not. I was working late nights into the sunrise. That is a strange place." Oh, and if you like fierce rock n roll from the south with a punk attitude, this will be your jam.
The Bollweevils ::ESSENTIAL:: Typically, when you see a 90s band release a record called "ESSENTIAL" you think "ah, for the greatest hits fans out there." But naw, this is a new record by the sneering, snotty Chicago punks. This record is 10 songs and 22 minutes long. I pretty much spun the whole record during the time it took me to type this blurb.
The Connells ::SET THE STAGE [LIVE]:: I am usually not one to share live albums on this list, but the Connells are my neighbors, so I will show them love where I can. Formed in 1984 in Raleigh, NC, the Connells have been crafting infectious southern power pop for damn near 40 years. If you're a casual Connells fan, this one will have the songs you know.
Conway The Machine ::WON'T HE DO IT:: Native son of Buffalo New York, Conway the Machine is one of my favorite hip hop artists out there right now.
David Wax Museum ::YOU MUST CHANGE YOUR LIFE:: Husband and wife duo that make their life a party, write songs about it, and tour the world sharing their story. This record is simply fun! If you like Josh Ritter’s more joyous, upbeat writing style, I think you'll like this.
Durand Jones ::WAIT TIL I GET OVER:: This is Jones' first foray as a solo artist. Much of his work to date was as frontman of The Indications, a band that helped recognize drummer Aaron Frazer's star (Frazer, known for his high falsetto, 50s pop-inspired songs, would record and release his own debut with Dan Auerbach in 2021). I always preferred Jones' soulful voice over Frazer, but the whole is greater than the sum of its parts. On Jones' debut, he explores lots of sounds, but it's still rooted in southern black soul and sounds like it was recorded in a smoky studio in Muscle Shoals back in 1962.
Jenny Owen Youngs ::OFFAIR:: FROM THE FOREST FLOOR:: Quiet, rainy day music from this indie darling.
Rodney Crowell ::THE CHICAGO SESSIONS:: I've always liked Crowell's writing, but felt like the production and arrangements of his songs were weak. On the CHICAGO SESSIONS, he's teamed up with Wilco's Jeff Tweedy, and as much as modern-day Wilco isn't my cup of tea, this pairing of Tweedy and Crowell works. Hot Take: Jeff Tweedy is at his best when he is working with country songs. 
The Smashing Pumpkins ::ATUM: ACT 3:: If you follow the Pumpkins, you're likely aware that they wrote a rock opera called ATUM. What you may not know is that, in a *very* William Patrick Corgan move, the three-acts were released over time. Today marks the release of Act 3. Have you also been chomping at the bit to see how the story ends?!?!?!
Winger ::SEVEN:: Damn right.

THE NEWS: 

7ebra ::BIRD HOUR:: Swedish twins crafting lo-fi, earnest indie-pop. For fans of Momma, Why Bonnie, and others in that ilk. Pretty sure the record is just the two of them, as I'm only hearing a max of two instruments at once (usually guitar and keys/synth). I feel like it could use more bottom-end (bass) in places, but for "bedroom pop." it checks all the boxes.
Blood Ceremony ::THE OLD WAYS REMAIN:: From the band's Spotify bio: Toronto Canada's Blood Ceremony traffic in authentic 70s doom and heavy prog laden with occult themes and occasional folk and psych rock flourishes. I mean, the lead singer Alia O'Brien plays the damn flute. So imagine a band that sounds like Blue Oyster Cult, Jethro Tull, Deep Purple, Black Sabbath, and fuck it, let's throw some early Pink Floyd in there too, with a howling female lead vocal. Fuck. Yes.
The Bomboras ::SONGS FROM BEYOND!:: 90s Revival surf rock still riding waves...
Chalk ::CONDITIONS [EP]:: Irish post-punk apples that did not fall far from the Joy Division/Shame/Fontaines DC tree.
Cloth ::NEVER KNOW:: Twin brother and sister quiet indie pop out of Scotland. Let "Pigeon" be your gateway into this record. It's not fully exemplative of the whole record, but it's a damn good song.
Greg Mendez ::GREG MENDEZ:: Low-key bedroom indie from Philadelphia. That location alone is worth giving this a click. Philly has been on fire with good music lately.
Justin Moore ::STRAY DOG:: Not for everyone, but I am a sucker for good, top 40 country music that is rooted in the 90s Prime Country sound, and Moore, a native of Poyen Arkansas, serves it up nicely.
The Lemon Twigs ::EVERYTHING HARMONY:: 70s-inspired power pop crafted by the sons of a 70s power pop stalwart (Ronnie D'Addario). RIYL: Big Star, Todd Rundgren.
Q ::SOUL,PRESENT:: I was about to skip over this because of the dumb name and how hard it was going to be to search for info on this artist, but I found him and I am glad I did. These songs sound like lost 80s-era Prince music with Q singing over it. Like, there are bands that do the whole neo-80s thing...this is next level.
Sad Boys Club ::LULLABIES FROM THE LIGHTING TREE:: Says so right in the name. Sad boi music. Nice marriage of rock + emo out of London, England. This makes me feel very 2009.


Friday, April 28th, 2023

It's the Final Friday in April! Here are the releases that sounded good to me and/or that seem like something y'all would find interesting.

Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03
April 2023 Spotify Playlist: 2023 - 04

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. 

Also, let me know if I am missing anything this week!

The Knowns:

Country Westerns ::FORGIVE THE CITY:: Basically the Strokes with dashes of southern swagger and twang. Understand that the previous sentence is a compliment. Or maybe it's more apropos to say "what if the Replacements were based in New York City?" I mean, fuck...it's just good, okay? [please reread that in Mark Wahlberg's voice. Thanks]
The Damned ::DARKADELIC:: OG British Punk Rockers still going at 112 years old.
Dropkick ::THE WIRELESS REVOLUTION:: Lemme ask you a question: You like Teenage Fanclub? Hell, you like Teenage Fanclub! Do you miss the old Teenage Fanclub since Gerard Love has been gone? Well, give Dropkick a try! They also hail from Scotland's east coast and do that Teenage Fanclub thing (I might argue better than TF)...and with some extra doses of twang. Lots to like here. This one has top-ten contender energy.
Glen Matlock ::CONSEQUENCES COMING:: Former Sex Pistols bassist doesn't fall far from the tree.
Great Lake Swimmers ::UNCERTAIN COUNTRY:: Never really been a fan of these guys, but the first two songs on this record have me re-evaluating my life choices. Nice, driving alt-country tinged rock n roll. Sounds like simpler times to these ears!
Josh Ritter ::SPECTRAL LINES:: There are moments on this record where I kind of hear a Bon Iver influence, which somehow works. Also, Ritter's growing songbook is starting to resemble a hymnal more and more - and I don't hate it.
The National ::FIRST TWO PAGES OF FRANKENSTEIN:: Like, I get it, but *meh*.
Smokey Robinson ::GASMS:: Y'all. THE NAME OF THIS RECORD IS **GASMS**!!!!! Hayyyyyy!
Taj Mahal ::SAVOY:: The man is a living legend.
Teenage Bottlerocket ::SO DUMB/SO STOKED [EP]:: You're weekly dose of classic American pop punk.
Various Artists ::I AM A PILGRIM: DOC WATSON AT 100:: In honor of Merle Fest this weekend, this will be a fun one to spin. This is a tribute featuring Jerry Douglas, Dolly Parton, Steve Earle, Rosanne Cash, Valerie June and more. Flux's solo rendition of "Shady Grove” is a hauntingly beautiful opener.

The News:

Annie Blackman ::BUG [EP]:: I mean, this isn't covering any new ground, but it is saccharine indie pop by a Brooklyn-based artist originally from Montclair, New Jersey. The latter, which is the hometown of all-timers Pinegrove, who recently-announced that they were going on an indefinite hiatus. Whatever is in the water in Montclair, I want some, because Blackman has taken the existing, perhapst tired landscape and tools of indie rock and somehow packaged it in a fresh and interesting way.
Dave Hause ::DRIVE LIKE IT'S STOLEN:: Singer/songwriter in the same camp as these punks-turned-sad, soft bois a'la Chuck Ragan, Brian Fallon, and Tim Barry.
Del Barber ::ALMANAC:: Singer/songwriter of the Americana persuasion. If that's your thing, this will probably be your thing. 
Indigo De Souza ::ALL OF THIS WILL END:: Another stellar artist hailing from Asheville, NC, and fits squarely in with MJ Lenderman (who has been known to play drums in De Souza's touring band), and Wednesday. De Souza leans more pop/electronic, but there's still a lot of grit on these songs.
John Andrews and the Yawns ::LOVE FOR THE UNDERDOG:: 70s soft-rock inspired slack. Some RIYLs include Bonny Doon, Color Green, and Cut Worms.
Matt Maltese ::DRIVING JUST TO DRIVE:: Piano-driven pop that is part Ben Folds Five, part Father John Misty, part Kevin Morby, all pretty decent.
Matt Sucich ::HOLY SMOKES:: Canadian singer/songwriter who I recently discovered when he opened for Kathleen Edwards on a recent tour. Kathleen is a guest vocalist on a couple tracks. Nothing earth-shattering, but a clever lyricist, and pretty delightful human.
Moreish Idols::LOCK EYES & COLLIDE [EP]:: One critic describes Moreish Idols as "sounding like WATERY, DOMESTIC-era Pavement one second and some bucolic Canterbury Scene prog the next..." But, with sax...and just weird. Probably worth checking out if you like weird. The EP Cover art is aces, too.
Mya Byrne ::RHINESTONE TOMBOY:: From her bio: "Mya's own music has been favorably compared to Lucinda Williams by way of Nick Drake and Chris Stapleton." Since 2017, she's also toured with the queer country outfit Lavender Country.
OK Cool ::FAWN:: Chicago-based indie rock duo that has some math-y/midwest emo guitar bits. Solid vocal harmonies (the duo are both females with strong voices). Don't let the opening acoustic track fool you. This album has some punch to it.
Paul B. Cutler ::LE FLEURS:: Founding member/songwriter/lead guitarist of the Consumers and 45 Grave as well as later being lead guitarist of Dream Syndicate and a producer.
Photo Ops ::BURNS BRIGHT:: Los Angeles by way of Nashville singer/songwriter Terry Price creates dream pop with a tinge of folk under the moniker 'Photo Ops'. Price's songs capture the feeling of leaving the old behind and embracing the unknown that’s ahead in the space and mystery of traveling through the American West.
Single Mothers ::ROY:: Canadian anthemic punk rock with a not so subtle Hold Steady/Craig Finn influence in the speak-style story lyrics [See "(Moonlight) On Sunset" for a review).
Washer ::IMPROVED MEANS TO DETERIORATED WINS:: There is a lot more in the bandcamp bio, but as a teaser, this record sounds like if Mudhoney/Mark Arm tried their hands at Math Rock. The duo of drums + guitar might get old (like, it's a studio recording...just play the fucking bass on the tracks, too). Still kinda digging it tho.


Friday, April 21st, 2023

Welp, it's the week of Big Record Store™, where we have a slate of Friday releases for April 21st (listed below, obvi), and then of course Record Store Day tomorrow. 

Here's where you can listen to all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023 - 01
February 2023 Spotify Playlist: 2023 - 02
March 2023 Spotify Playlist: 2023 - 03
April 2023 Spotify Playlist: 2023 - 04

Don't forget to smash the heart/like/save icon on the playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. Also, let me know if I am missing anything this week!

The Knowns:

Bella White ::AMONG OTHER THINGS:: The sophomore effort by Calgary, Alberta singer/songwriter whose classic-country tunes are married to sharp-tongued lyrics. Listening to some of these lyrics, I sure as shit am glad I am not one of her exes.
DOZER ::DRIFTING IN THE ENDLESS VOID:: Long-standing, OG Swedish Stoner/Sludge metal band makes a return. 
Everything But the Girl ::FUSE:: Not my cup, but I am sure there are folks who will be excited about this one and have missed this band...er...like...um...like...sigh...LIKE THE DESERTS MISS THE RAIN!!!!!
Ian Hunter ::DEFIANCE PART 1:: Former Mott the Hoople singer is still making melodic, clever rock n roll music.
The Infamous Stringdusters ::A TRIBUTE TO LESTER FLATT:: Yep. It's exactly what you would expect. A band of shit-hot pickers doing songs by one of the all-time greats in bluegrass. More g-runs than you can shake a stick at!
The Mars Volta ::QUE DIOS TE MALDIGA MI CORAZON:: Still weird AF but stupid-talented.
Nathan Connoly (Snow Patrol)::THE STRANGE ORDER OF THINGS:: Connoly describes the album as "trying to understand, make sense, and work through events that have led to who I am now: heartache, regret, emotional cost, fatherhood."
Rose City Band ::GARDEN PARTY:: It's a garden party where Ripley Johnson is growing bushels of twang!
St. Paul & The Broken Bones ::ANGELS IN SCIENCE:: Manufactured soul for Disney Adults.
Trapper Schoepp ::SIREN SONGS:: Garden-variety Americana story songs. 
Triple Fast Action ::TRIPLE FAST ACTION:: A 32-song collection of demos and live takes from their career, which spanned 1992 through 1998. From a RiotFest blurb on the band: "They were a “Chicago band” through and through, playing their first gig at The Cubby Bear in 1991 and calling it a day after a 1998 show at Metro. Combining loud guitars with clever pop sensibilities, it was a no-brainer when they got caught up in the major label-feeding frenzy that descended on the city. Tourmate Art Alexakis of Everclear called them “the best un-kept secret of the 1990s.
Valley Queen ::CHORD OF SYMPATHY:: Singer Songwriter Natalie Carrol has ties to my former city of Little Rock, AR; so Valley Queen has always been on my radar. Now based in LA, the band's latest record is lush, and Rolling Stone called their music "bracingly afflicted, mountain-vaulting dream-country yodel." This one slaps, y'all,

The News:

Alice Howe ::CIRCUMSTANCE:: Had this been released in the late 90s, it would be considered "Adult Album Alternative" and would probably not be out of place on a playlist with Sheryl Crow, early Dixie Chicks, and maybe even Bonnie Raitt (indeed, veteran member of Raitt's band, Freebo, produced the record). This record has a nice mix of rock, soul, and country. And Howe's vocals soar.
ALL HANDS_MAKE LIGHT ::DARLING THE DAWN:: Featuring members of Broken Social Scene (Ariel Engle), and Godspeed You! Black Emperor (Efrim Manuel Menuck), this record is an interesting blend of orchestral-punk meets electro-shoegaze.
Buddie ::AGITATOR:: Buddie is the songwriting project of Dan Forrest, who writes fuzzy, poppy, rock songs about social anxiety, environmentalism, and trying to be a good person. Originally a solo project, Forrest solidified a 4-piece lineup and based in Philadelphia from 2015 t o 2021, but moved to Vancouver, British Colombia Canada, for grad school in 2021. Once there, he reassembled the band with like-minded Vancouverites. Only a handful of folks will get this, but the songs on this record sound like they could be a supergroup that features Davey Haynes from Jim Shorts and Kenny Tompkins from Mr. Husband/The Trend.
Christof van der Ven ::HAUL (EP): RIYL Bon Iver, S. Carey, and that whole thing. No reinventing of the wheel here, but pleasant songs nonetheless.
Esther Rose ::SAFE TO RUN:: Over Rose's first three records, written and released after the singer/songwriter moved from Michigan to New Orleans, the infatuation with traditional country gradually evolved into a more distinctive style, and creation of more personal songs. She would eventually leave New Orleans for New Mexico, and if you're like me, and you think *place* has a lot to do with a songwriter's base for writing, then you'll probably notice the desert country vibe on SAFE TO RUN. A new city and state meant new discovery, and the songs reflect it.
Hannah Grae ::HELL IS A TEENAGE GIRL:: Imagine Avril Levigne was raised on Taylor Swift and other teen pop. And there you have it. Very slick, and fun pop with some elements of punk and rock. 
Holiday Ghosts ::ABSOLUTE REALITY:: Falmouth garage pop band that has drawn comparisons to The Modern Lovers and The Clean.
Lael Neale ::STAR EATERS DELIGHT:: I ain't never et no star, but this one is out on Sub Pop records, so that alone is worth a second look. Droney, post-punk that might be best characterized as if the Cure meshed with Cat Power and Angel Olsen, but with roots in rural VA. 
Margarita Witch Cult ::MARGARITA WITCH CULT:: Man, listen to this description: "serving a merciless concoction of stoned sludge, demented thrash, and proto-metal weirdness..." I'm not gonna top that. And on a quick perusal of this record, that description is apt!
The National Honor Society ::TO ALL THE DISTANCE BETWEEN US:: Though based in Seattle, this band sounds like Belle & Sebastian's more upbeat cousin. Really nice late 80s-inspired indie dream pop.
WOLFNAUT ::RETURN OF THE ASTEROID:: Hailing from the deep forests of Elverum Norway (no shit), WOLFNAUT (formerly Wolfgang) make melodic, twin-guitar stoner/desert rock. In one of the promo photos of the band, the drummer is wearing a Kyuss shirt. That's as good a sign as any for me.


Friday, April 14th, 2023

Not only did it pour down the rain here in eastern North Carolina, but it also poured down new releases. Here's what fell from the clouds Friday April 14, 2023. There was a LOT of garbage to sift through this week. But also, a nice set of new releases from some known artists. Please, for the love of your childhood, do not balk on the new Metallica. It's actually pretty damn great!

Don't forget, we have a new monthly playlist for April: 2023 - 04

Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. Also, let me know if I am missing anything this week!

The Knowns:

Angel Olsen ::FOREVER MEANS (EP):: Olsen adds 4 more tracks on the heels of 2023's BIG TIME. These latest tunes are down-tempo ballads that let her soaring vocals shine. 
Black Thought and El Michaels Affair ::GLORIOUS GAME:: Fresh hip hop from the figurehead of the Roots.
Fruit Bats ::A RIVER RUNNING TO YOUR HEART:: Eric D, Johnson has come a long way from his 4-track indie folk recordings..
Hippo Campus ::WASTELAND (EP): These dudes are still bringing a chimey, melodic rock. The guitars on the second track, "Yippie Ki Yay" sounds like what Death Cab For Cutie used to sound like.
John Vanderslice ::CRYSTALS 3.0:: This is nearly unlistenable, and was not added to the playlists, but y'all should click the link to this record so that I don't have to be pissed off by myself.
Metallica ::72 SEASONS:: I, for one, am grateful Metallica re-entered their speed metal phase. The opening track (also the title track) of 72 SEASONS is damn-near 8 minutes long, and it fucking smokes.
Natalie Merchant ::KEEP YOUR COURAGE:: Natalie Merchant's voice is like a security blanket for Generation X.
The Tallest Man on Earth ::HENRY ST.:: 2010 called and asked us all to visit.

The News:

Brian Dunne ::LOSER ON THE ROPES:: If you liked Fantastic Cat, you'll dig Dunne's solo debut released on Kill Rock Stars and recorded in Athens GA with Drew Vandernberg. Definitely for fans of slickly-produced NY singer-songwriting white dudes.
Fenne Lily ::BIG PICTURE:: Tracked live in a North Carolina studio, Fenne Lily is joined by Melina Duterte (Jay Som) - whose musical prints are all over the mixing of this record, Christian Lee Hutson on guitar, and Katy Kirby on vocals. These musicians also serve as Lily's touring band.
Nicole Yun ::MATTER:: As a member of Eternal Summers, Yun was part of a trio crafting dreamy shoegaze...on her own her tastes run more toward 90s alternative. The guitar on the opening track sounds like IN THE VALLEY OF DYING STARS-era Superdrag. I was NOT expecting this record to punch so hard out of the gate!
NOT ::STOP THE WORLD:: Hook-laden pop punk from So-Cal punk veterans.


Friday, April 7th, 2023

Here are the eggs Zombie Jesus Bunny is dropping for the Friday before Easter, 2023. New month, so that means we have a new monthly playlist for April: 2023 - 04

Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03

Don't forget to smash the heart/like/save icon on ths playlist so it shows up in your playlist list. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist list. You're welcome. Also, let me know if I am missing anything this week!

The Knowns:

Crocodiles ::UPSIDE DOWN IN HEAVEN:: More indie-pop goodness from the former Dum Dum Girl. Elements of this remind me of early aughts rockers The Redwalls, but this is more slick.
Hayden ::ARE WE GOOD:: Toronto's Hayden Dresser is back with more moody, indie-folk, and sounds just as relevant to these ears as he did nearly 30 years ago when I haphazardly bought EVERYTHING I LONG FOR at CD Alley in Greenville, NC.
Matthew Logan Vasquez (of Delta Spirit) ::AS ALL GET OUT:: The first time I saw Delta Spirit, I thought Matthew Logan Vasquez was Wilmer Valderrama (Fez from That 70s Show). It was dark and I was drunk, so...
Mudhoney ::PLASTIC ETERNITY:: The album closer is called "Little Dogs" and is basically a song Mark Arm wrote about loving little dogs. Does it get any better than aging grunge pioneers and Seattle/Sub Pop stalwarts singing about dogs?
Robbie Fulks ::BLUEGRASS VACATION:: Fulks returns to his bluegrass roots.
Ruston Kelly ::THE WEAKNESS:: Unfortunately for Kelly, he's writing his best songs when he's dealing with some shit...and this album leads me to believe he's dealing with some shit.
Susanna Hoffs ::THE DEEP END:: A collection of more deep-cut covers as imagined by the former Bangle.

The News:

Billie Martin ::DROP CHERRIES:: Brit folk with some interesting discordant musical landscapes. Makes me think of what Laura Marling may write had she listened to a steady diet of Pavement.
Blondshell ::BLONDSHELL:: Gen-Z grunge rock. That's not a typo. One of my faves this week. Blondshell is the project of Sabrina Teitelbaum, who grew up in Manhattan, but relocated to LA to attend school for music. While there she learned how to mesh her love of pop music (which she heard growing up) with the indie rock she came to love as she got older.
Brandee Younger ::BRAND NEW LIFE:: Harp (!!!)-driven R&B/soul by an artist with ties to both John Legend and Common.
Calvin Johnson ::GALLOWS WINE:: Solo project by former Beat Happening & Halo Benders artist. On his latest, you'll hear some sorta smooth jazz, arty noise, classic lo-fi indie/garage-y tunes ("Good and Crazy" evokes Lou Reed a bit). It's a little all over the place, but still coherent, if that makes any sense.
Carter Sampson ::GOLD:: In my younger days, I used to moonlight as a guitarist in Carter Sampson’s Fayetteville Arkansas-based band, The County Seat, who backed her on 2011s MOCKINGBIRD SING. Carter is an Oklahoma-based songwriter whose smoky rasp suggests that she’s wise beyond her years…and her songs back this up. Recently sober, and writing some of her best songs, GOLD was a pleasant surprise for me this week. Please show my old boss (and to date, my best ‘music boss’) some love and spin her record!
Covet ::CATHARSIS:: Three-piece math rock outfit led by Yvette Young and her melodic finger-tapping guitar style. Young grew up playing piano and violin, eventually incorporating her stylistic touches from those instruments to guitar, and formed Covet in 2014. I'm a sucker for melodic math rock and this one checks all the boxes.
Devon Church ::STRANGE STRANGERS:: Nick Cave-adjacent, droney chamber pop w/ baritone vocals. Not my jam, but I know others love it.
Donnie Doollittle ::DONNIE DOOLITTLE:: Charlotte, NC-based "gothic Americana" or "Southern New Wave" synth-driven retro-pop for fans of Nick Cave, Orville Peck, Lee Hazelwood, Paul Cauthen and Leonard Cohen.
Golden Grass ::LIFE IS MUCH STRANGER:: A throwback to 70s, trippy, guitar-heavy rock. This is the 4th album by the Brookly-based power trio, and their first since 2018.
Mazey Haze ::BACK TO THE START (EP):: Solo project of Nadine Appledoorn who writes and produces dreampop songs inspired by 60s psych rock, ABBA, and pain. The EP opener, also the title track, has a great Byrds-esque, jangly 12-string (likely) Rickenbacker guitar on it. 
Mediocre ::TO KNOW YOU'RE SCREWED (EP):: Raw, power pop and fuzzy garage rock that takes inspiration from 90s BritPop, post-punk, and early aughts garage revival. Piper Torrison and Keely Martin's vocal phrasings sometimes remind me of Liz Stokes from The Beths.
NEWSKI ::FRIEND ROCK:: Wisconsin geek-rock reviving 90s alt by including some giants from the genre on every track, like Ryan Miller (Guster) and Matthew Caws (Nada Surf).
North Americans ::LONG COOL WORLD:: Instrumental high desert drone with up-front acoustic guitar layered with sweeping, reverb-drenched pedal steel guitar.
Scowl ::PSYCHIC DANCE ROUTINE:: Female-fronted hardcore punk from San Jose California.
Wednesday ::RAT SAW GOD:: Asheville, NC noise/alt/fuzz/garage/rock band featuring the songwriting of Karly Hartzman and blistering guitar of MJ Lenderman. Record of the Year material. Mark it.
Worriers ::WARM BLANKET:: Primary songwriter Lauren Denitzio takes the helm playing ALL the instruments (sans Atom Willard's drums) and producing Worriers 4th record. This feels more like a solo effort, which isn't a bad thing given that Denitzio has been the primary force behind the band. Hopefully Mikey Erg rejoins the fold when they tour for WARM BLANKET.


Friday, March 31st, 2023

Hey all. Here are the New Release knits added to the crocheted scarf of 2023 music for Friday March 31. Remember, you can catch-up with all the 2023 new releases of interest since the first week of January through these handy-dandy playlists:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03

SOOO much shit to sift through this week. I don't know who told all these kids that they can buy a $40 MIDI controller and a free download of Logic and make boring, instrumental, records of synth sounds...but there's a fuck-ton of it out there. However, those records have been lovingly left OFF the list below. 

Don't forget to smash the heart/like/save icon on these playlists so they show up in your playlist library. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist library. You're welcome. Also, let me know if I am missing anything this week!

The Knowns:

boygenius ::THE RECORD:: First LP release by the indie sadgorl supergroup of Julien Baker, Phoebe Bridgers, and Lucy Dacus. No notes. This one is gonna top a LOT of year-end best-of lists. Mark it.
City and Colour ::LOVE STILL HELD ME NEAR:: There was a time when this sad, bearded, indie, white dude™ music got me through my days. That time is gone. But the music still hits, even though I no longer *need* it.
Deerhoof ::MIRACLE-LEVEL:: There's a fine line between psychotic disorders and art. This record is the musical presentation of that line.
The Hold Steady ::THE PRICE OF PROGRESS:: More riff-backed stories from an Elder Scene Kid trying to teach the next gen how to fuck up smarter than us.
The New Pornographers ::CONTINUE AS A GUEST:: Vancouver's favorite supergroup has still got it.
Samiam ::STOWAWAY:: longtime punk outfit is back with their 9th album after three decades together as a band. 
Steve Gunn & David Moore ::LET THE MOON BE A PLANET:: Moore, of Bing and Ruth, teams up with Gunn to create a record worthy of the Windam Hill record label (that's not a dig).

The News:

A Certain Ratio ::1982:: I'm no Jazz-Funk aficionado, but this one slaps. Further, A Certain Ratio have been mixing indie, funk, disco, jazz, and punk together since their formation in 1977. Hell, maybe this record should be in the "Knowns" but despite being a year younger than this band, I've never heard of em! I feel like this record would make a nice chaser to last week's Depeche Mode drop.
Alasdair Roberts ::GRIEF IN THE KITCHEN AND MIRTH IN THE HALL:: Trad. Scottish folk (just guitar and vocal) from an artist with ties to Drag City Records, Jason Molina, and Secretly Canadian. Nice somber songs.
Alberta Cross ::SINKING SHIPS:: I recall some chatter about this outfit back in the twenty-teens, but not enough to consider them a known quantity. The RIYLs for Alberta Cross are encouraging: AA Bondy, Delta Spirit, Deer Tick, Phosphorescent, Great Lake Swimmers and Strand of Oaks. Just really nice, moody indie rock with sweeping tenor and falsetto vocal melodies.
IST IST ::PROTAGONISTS:: Imagine a fuzzy shoegazey band fronted by Ian Curtis of Joy Division. There's a market for this sound, though I ain't it. RIYL Shame, Fontaines DC.
Jake Pinto ::SAD SONGS FOR HAPPY PEOPLE:: Everything about this, from the artist name to the album title screams "skip!" but that would be a disservice to the songs. Some piano-driven rock steeped in 70s psych soul and groove. I'm fairly certain ol' Jake here has listened to a few Wings, Elton John, and Ben Folds records in his life. But also, some of these songs wouldn't be out of place on an Elephant 6 compilation (i.e., 'What Ever Happened?').
Kris Ulrich ::BIG IN THE USA:: I like this review posted by the artist about the record: "It harkens back to the 2000s sounds of Kings of Leon, The Stills, and Wilco, while also drawing inspiration from the likes of Ethan Gruska, Sam Evian, and the War on Drugs." This is one of those under-the-radar releases that could really surprise you. This is my favorite of the "news" this week.
Larry June & The Alchemist ::THE GREAT ESCAPE:: Hip hop that draws influence from the artists' childhood life, split between ATL and LA. Equally smooth and dritty, with a laid-back flow that I can get into.
LIES ::LIES:: One of the 2,847 indie outfits featuring Mike Kinsella (Owen, Joan of Arc). But his collaborator in this project is his brother Nate. I presume that is Nate singing the 'brother-tight" harmonies on these songs. This feels like an Owen record with more MIDI controller and less acoustic guitar. Definitely not hating it. Indeed, the comfortable croak of Mike Kinsella's vocals is like a warm blanket for me at this point.
Mighty Popular ::MIGHTY POPULAR:: Project by Andrew Marlin (Watchouse) and Punch Brother Noam Pikelny, and Chris Eldridge with 10 traditional bluegrass songs for folks who would rather tap their foot in 4-4 time than some progressive bluegrass bullshit beat that jerks you around like a car with a shit transmission.
MONO ::HEAVEN VOL. 1:: Tokyo, Japan-based instrumental post-rock a'la Explosions in the Sky and This Will Destroy You. Formed in 1999, but new to these ears, and anthemic AF.
The No Ones ::MY BEST EVIL FRIEND:: New collab by Peter Buck (REM) and Scott McCaughey (Minus 5, Young Fresh Fellows) offers up all the jangle and pop you expect! The band is rounded out by two players from Norwegian power pop band I Was King (Arne Kjelsrud Mathisen and Frode Stromstad).
Nova One ::CREATE MYSELF:: Lush, crisp indie pop exploring queerness, femininity, and gender. RIYL Crisman (who I like v. much) and Babehoven. 
PACKS ::CRISPY CRUNCHY NOTHING:: Wild, the RIYL for PACKS is Nova One, Crisman, and Babehoven. This has more of a 90s alt rock lilt to it, but would make a nice back to back spin w/ Nova One.
Rachel Baiman ::COMMON NATION OF SORROW:: Folky Americana by a contemporary of Kacey Musgraves, Kevin Morby, and Molly Tuttle. Definitely scratching my Kate Rhudy itch.
Scott McMicken and the Ever Expanding ::SHABANG:: Dr. Dog founder is out with a new set of sloppy twangy rock songs. One reviewer called SHABANG "part Basement Tapes, part Paul Simon."
Warm Human ::HOMETOWN HERO:: Her bandcamp bio just says "sludge pop trash princess." This was an insta-play for me. 


Friday, March 24th, 2023

Here are the new release knobs we're cranking to eleven for Friday March 24th. Also, you can catch-up with all the 2023 new releases of interest since the first week of January through these handy-dandy playlists:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03

Don't forget to smash the heart/like/save icon on these playlists so they show up in your playlist library. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist library. You're welcome. Also, let me know if I am missing anything this week

The Knowns:

The Bouncing Souls ::TEN STORIES HIGH:: The purveyors of anthemic punk shout-along songs are back with their first LP of new material since 2016. This one checks all the boxes, y'all [pick scraaaaaaaaatcchhhh].
Caroline Rose ::THE ART OF FORGETTING:: A lush and beautiful breakup album by my cousin. Caroline.
Depeche Mode ::MEMENTO MORI:: Giants of the synth-rock genre and Rock N Roll hall-of-famers dropped their 15th record doing what they do. I can't imagine the list of bands we listen to that credit Depeche Mode as an influence.
Jeff Goldblum & the Mildred Snitzer Orchestra ::PLAYS WELL WITH OTHERS [EP]:: I shit you not.
Jenny Conlee ::TIDES: PIECES FOR ACCORDION AND PIANO:: The album title, from this artist best known for her 23 year career with the Decemberists, pulls no punches. It's a record of accordion and piano tunes.
Kool Keith and Read Bad Man ::SERPENT:: In the words of Kool Keith: It's 1988 all over again.
Lana Del Rey ::DID YOU KNOW THAT THERE'S A TUNNEL UNDER OCEAN BLVD:: I'm told Lana Del Rey is good and that lots of people like her music.
Luke Combs ::GETTIN' OLD:: Say what you will about the proliferation about bro-ey, rap-county, Luke Combs is one hell of a breath of fresh air in Nashville compared to all that mess. Much closer to "Old Country Church" than "Old Town Road".
Nickel Creek ::CELEBRANTS:: I honestly don't know how such a raw tonnage of talent can exist as this band. Elements of folk, stomp, traditional stringband, indie rock, celtic, progressive bluegrass, and jazz are featured in every arrangement. And we haven't even begin talking about the pitch-perfect vocal harmonies of Chris Thile and the Watkins siblings. If we ever launch another satellite into space with American Music on board, a Nickel Creek song should be among those we send into the great beyond.
Purling Hiss ::DRAG ON GIRARD:: This record sounds like it was recorded in my basement. But that is NOT a complaint. Raw, fuzzy, lo-fi, and catchy as hell!
The Reds, Pinks & Purples ::THE TOWN THAT CURSED YOUR NAME:: This is, what, Glenn Donaldson's SEVENTH album under this moniker since 2019? Jesus Christ! And they're ALL GOOD! Thank god for ProTools...allowing all the prolific indoor kids an outlet for making a living while staying shuttered from the noises of the world. 

The News:

Andrew Gabbard ::CEDAR CITY SWEETHEART:: Twangy Americana from Southwestern Ohio peppered with elements of garage and psych rock.
Connections ::COOL CHANGE:: Ohio-based indie, RIYL Eyelids, Purling Hiss, Guided by Voices (their accessible stuff). 
Darren Jessee ::CENTRAL BRIDGE:: Ben Folds Five drummer (who is credited as the co-writer of the band's hit "Brick"), and frontman of Hotel Lights is back with his third solo record of earnest, hushed indie-pop.
Dick Stusso ::S.P.:: I'm gonna leave this write-up to the artist's bandcamp bio: "Dick Stusso is a mess. [His] third album...is a document of slow, full mental unraveling in a money-chasing saga set with a world in perpetual decay as its backdrop. The wild-eyed sounds on S.P.—span... countrified rock duets, Guided by Voices-recalling anthems, and outro noise-burst sound experiments."
Grand Royale ::WELCOME TO GRIME TOWN:: Detroit Rock Fuckin City by way of Scandinavia. Think Death by Unga Bunga, but with heavier leanings on KISS as an influence. The band's bio describes them as "straight forward rock'n'roll packed with electric guitars, melodic vocals, and thundering bass lines." Yes please! This one is definitely gonna get multiple plays around this house!
Jae Skeese ::ABOLISHED UNCERTAINTIES:: Buffalo hip-hop artist signed to Conway The Machine's record label. 
Kate Davis ::FISH BOWL:: Former conservatory-trained jazz musician embraces art rock and writes a coming of age story on her sophomore record released on ANTI. This one is grabbing me the same way Laura Stevenson's latest did.
The Natural Lines ::THE NATURAL LINES:: Formerly Matt Pond PA. The group's bio calls the project "a...collection of intimate reflections and personal accountability from a relocated, renamed, revivified talent." I'll take it.
Softcult ::SEE YOU IN THE DARK [EP]:: Billed as "music for mall goths." That tracks. It's big, guitar-y and synth-y, and grungy music fronted by Canadian sisters. This one has me lacing up my eight-eye oxblood Doc Martens....
Wilder Woods ::FEVER/SKY:: More white-boy neo-soul a'la Nate Rateliff and Drew Holcolmb...but instead by the frontman of NEEDTOBREATHE. I feel like this is some folks' thing.
Yours Are The Only Ears ::WE KNOW THE SKY:: Project of NY-based songwriter and producer Susannah Cutler. This one has that thing that will please the Phoebe Bridgers fans in the chat.
Zack Rosen ::SYZYGY:: Zack Rosen died by suicide May 18, 2019, at the age of 30, after suffering with schizophrenia and the effects of medications for the illness during the last years of his life. In 2018, Rosen approached his friend Connor Grant about producing the SYZYGY project. They were deep into this process at the time of Rosen's death, leaving Grant to comb through Rosen's home recordings, unearthing many that nobody but Rosen had heard until now. Y'all. This record is beautiful and twisted and lush and definitely worthy of a listen. 


Friday, March 17th, 2023

Here are the shiniest gold coins stolen from the Leprechaun for this Friday March 17, 2023. Not much this week. I wonder if that is because a lot of artists realized that this is SXSW week (as I keep being reminded by all my friends’ social media posts making me wish I were there), and it’s just a busy time for the ‘music industry’ in general. Who knows. Anyway…

Here's where you can get all the 2023 new releases of interest since the first week of January:

January 2023 Spotify Playlist: 2023-01
February 2023 Spotify Playlist: 2023-02
March 2023 Spotify Playlist: 2023-03

Don't forget to smash the heart/like/save icon on these playlists so they show up in your playlist library. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist library. You're welcome. Also, let me know if I am missing anything this week

The Knowns:

The Band of Heathens ::SIMPLE THINGS:: Spring and summer jams just in time for spring and summer by this consistent Austin outfit.
The Black Crowes ::SHAKE YOUR MONEY MAKER LIVE:: Compiled from the best performances of the band's reunion tour in 2021-22. This one is incendiary. We're all better for the brothers' Robinson figuring out how to exist together in a band again.
Doug Paisley ::SAY WHAT YOU LIKE:: If you're new to Paisley, think more "Underground" than "Brad" here. Doug Paisley is a singer-songwriter from Toronto who fits the "lonesome troubadour" mold set by folks like Townes Van Zandt, John Prine, and Lyle Lovett. Definitely worth your time. 
FIDLAR ::THAT'S LIFE [EP]:: Fuck It Dog, Life's A Risk.
M83 ::FANTASY:: Here for all your synth-pop and shoegaze desires. 
T-Pain ::ON TOP OF THE COVERS:: Once an early aughts hip-hop afterthought, T-Pain did a Tiny Desk Concert and the world learned that dude could really sing. On this collection of covers, his voice is front and center...and despite the bold move of opening with Sam Cooke's "A Change is Gonna Come" T-Pain kinda nails it.
U2 ::SONGS OF SURRENDER:: Apropos for March 17th, Rock n Roll's favorite Irish band is out with a collections of more stripped-down, intimate arrangements of their arena-ready songs. 

The News:

Alibhe Reddy ::ENDLESS AFFAIR:: I cannot pronounce her name, but if you like Julia Jacklin, Phoebe Bridgers, and other songwriters in that oeuvre, this might be your jam.
deathcrash ::LESS:: Moody alt.rock from London. Songs go from low-key quiet to onslaught of distorted guitar and dual vocals. Some Sunny Day Real Estate vibes on some of these tunes.
Gideon ::MORE POWER. MORE PAIN:: No frills metal from Tuscaloosa, Alabama. In sampling new releases week after week, given the sheer amount of metal that doesn't make these lists. It is refreshing to hear a metal album without a drone-y synth throughout each song. This shit reminds me of the first time I heard Pantera's VULGAR DISPLAY OF POWER (I know, they're problematic, but that record jams). Just raw AF.
The Lost Days ::IN THE STORE:: Indie-jangle pop side project by Tony Molina and Sarah Rose Janko. Bright and jangly with great vocal harmonies.


Friday, March 10th, 2023

Here's the latest dispatch from the Federal Register of Weekly New Music Releases for Friday March 10, 2023

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist, February’s Playlist, and March’s Playlist.

Don't forget to smash the heart/like/save icon on these playlists so they show up in your playlist library. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist library. You're welcome. Also, let me know if I am missing anything this week

The Knowns:

Ali Farka Toure ::VOYAGEUR:: West African Blues from the artists who has been called "the West African John Lee Hooker" to a fault. Though it's not an insult, it's also not a 1 to 1 comparison. Toure's blues can be drone-y, and excellent background music for zoning out and flowing with the rhythm. Such stylism is helping me on this rainy Friday morning.
Death Cab for Cutie ::ASPHALT MEADOWS (ACOUSTIC):: Probably should have spent more time with 2022s ASPHALT MEADOWS to better explain how this presentation of those songs differs, and/or how significant the difference is, but I didn't, and I can't...but I am definitely not going to gate-keep any release by one of the best crafters of melody in music right now.
King Khan ::THE NATURE OF THINGS:: The weird underground of rock n roll resurfaces.
Lonnie Holley ::OH ME OH MY:: A record that vacillates from "stirring"  one moment to a balm in the next. A deeply personal record with songs about Holley's harrowing youth and young manhood in the Jim Crow south. Collaborators include Michael Stipe (REM), Sharon Van Etten, and Justin Vernon (Bon Iver).
Miley Cyrus ::ENDLESS SUMMER VACATION:: If Miley Cyrus has not exceeded your expectations yet as an artists, I don't know if you've been listening closely enough. Her latest is just a great, solid pop record.
The Nude Party ::RIDES ON:: Native songs of Boone, NC are back with more rock n roll swagger.
Sleaford Mods ::UK FRIM:: Lots of folks I know had 2021s SPARE RIBS among their favorites of that year. This is so not my vibe, but may be yours. RIYL Shame, Fontaines D.C., Viagra Boys, and other UK post-punk acts.
Story of the Year ::TEAR ME TO PIECES:: Your weekly dose of emo/pop-punk.
The War and Treaty ::LOVER'S GAME:: A nother batch of bluesy, joyful, Southern soul, gospel, country and rock-n-roll from one of the cutest husband-and-wife teams in the business!

The News:

Balks ::BAD MANNERS:: No reinvention of the pop-punk wheel here, but clever song titles that reference movies from the late 80s and mid-90s make for a neat game. For example, the album opener, "Kevin, You Are What The French Call" is later followed by "Shop Smart, Shop S-Mart" and "We Named The Dog Indiana." This is a fun record for sure. 
Conway the Machine ::PAIN PROVIDED PROFIT:: Grimy, New York hip hop from Buffalo's east side.
H. Hawkline ::MILK FOR FLOWERS:: Longtime Welsh musician, who has played bass w/ Kevin Morby. Not sure how to explain this one...maybe, imagine someone who listened to a lot of Josh Ritter but from 'across the pond'? Not equating these two men's songwriting chops, but the production, instrumentation, and presentation of both artists songs would not be out of place on the same bill.
Shalom ::SUBLIMATION:: Punchy, gritty, driving rock from 1st gen American (who immigrated from Africa to NJ to attend Rutgers), black, queer woman whose songs caught the attention of Saddle Creek records. This record is a bit all over the place stylistically, but it hits hard. Probably the best thing I've heard so far this week.
Starcrazy ::ANOTHER DAY, ANOTHER SQUALOR:: File this one between your Darkness and Bat Fangs records...buncha dang kids playing neo-80s glam rock, and it slays.
The Covids ::BUST TO BITS:: Still too soon on the name, but this is super-catchy  punk rock from Amsterdam.
The Unknowns ::EAST COAST LOW:: Garden-variety (and good) punk from Brisbane Australia. It's scruffy and has great sing-along moments. Worthy of a listen.


Friday, March 3rd, 2023

Here are the records delivered by your local Schwann's driver for March 3rd, 2023.

It's a new month, so that means we've started a new monthly playlist for March. You can access it by clicking here: 2023 - 03

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist, and here’s February’s Playlist

Don't forget to smash the heart/like/save icon on these playlists so they show up in your playlist library. Pro-Tip: I organize all the monthly playlists into a playlist folder which I can then minimize when I don't want these to take up too much real estate in my playlist library. You're welcome. Also, let me know if I am missing anything this week

The Knowns:

Dry Cleaning ::SWAMPY [EP]:: Released Wednesday March 1st, South London's buzzy post-punk quartet is back on the heels of STUMPWORK, which was released last year to acclaim.
Michael Cleveland ::LOVIN' OF THE GAME:: One of the shit-hottest fiddle players in all of bluegrass. This latest features guest spots by the Travelin' McCourys, Billy Strings, Jeff White, Vince Gill, Dan Tyminski, Bela Fleck and many more big names and pickers in the genre. Hard to go wrong with this one if you like Bluegrass!
Ron Gallo ::FOREGROUND MUSIC:: I don't even have a garage, but this record takes me straight to it. This is the Philly-based Gallo's seventh LP since emerging as a solo artist in ~2014. 
Run Westy Run ::BEYOND REASON:: Minneapolis stalwarts who caught their stride in the wake of Husker Du, The Replacements, and Soul Asylum.
Slaid Cleaves ::TOGETHER THOUGH THE DARK:: Esteemed Americana singer/songwriter with a career spanning 25 years. Cleaves’ latest includes another batch of songs about struggle and resilience among the hopeful, hard working, batter, confused, and sad.
Steve Mason ::BROTHERS & SISTERS:: Latest solo recording by singer and founding member of the Beta Band
Willie Nelson ::I DON'T KNOW A THING ABOUT LOVE: THE SONGS OF HARLAN HOWARD:: Do I need to say anything here? Two of the heaviest weights in country music have come together.

The News:

Adi Oasis ::LOTUS GLOW:: Critically acclaimed Parisian immigrant with songs about her move to America and all the issues that come with. Nice 70's soul + R&B vibe on the songs. Some horns and flute. Adi is the bassist and she reminds me of my favorite bassist playing right now: Nick Movshon, who has played with Charles Bradley and Lee Fields among others. This record is good.
ALO ::SILVER SATURDAYS:: This one seems all over the place but has some nice throwback elements to my days as a jam band fan. I feel like fans of Phish, God Street Wine, Keller Williams, and Widespread Panic will be right at home listening to this record.
Blair Gun ::BLASPHEME QUEEN:: San Diego punks all of 21 screaming anthems of Gen Z ennui.
Can't Swim ::THANKS BUT NO THANKS:: Your weekly dose of emo punk. This is the 4th album out by the Keansburg, New Jersey quintet. I am a sucker for sad boi shit, so it gets real estate here.
Drayton Farley ::TWENTY ON HIGH:: It is downright stupid how much of a dead-ringer this Alabama singer-songwriter is for Jason Isbell. Can't yet speak to the caliber of songwriter, but Fraley seems to have taken the sound and vibe from SOUTHEASTERN Isbell and continued along its line. I don't hate this at all. It's Jason Isbell sounds at introductory prices.
Faim ::YOUR LIFE AND NOTHING ELSE:: Political hardcore out of Denver, CO.
Fake Names ::EXPENDABLES:: Old School punk Supergroup composed of members from Bad Religion (Brian Baker), S.O.A. (Michael Hampton), Refused (Daniel Lyxzen), Girls Against Boys (Johnny Temple), and Fugazi (Brendan Canty).
Gee Tee ::GOODNIGHT NEANDERTHAL:: Lo-fi, straight-ahead punk from Sydney Australia on Goner Records.
Gramercy Arms ::DELETED SCENES:: Gramercy Arms are kind of like an American version of Broken Social Scene, an ever-growing collective centered around the songwriting of Dave Derby (The Dambuilders, Lloyd Cole). They dropped their third album today, This time out they went for a late 60s - 70s pop sound, featuring several duets. Appearing this time around are: Lloyd Cole, Kevin March (Guided by Voices, The Dambuilders, Shudder to Think), Doug Gillard (Guided by Voices, Nada Surf), Sean Eden (Luna), Rainy Orteca (Joan As Police Woman), Mark Lizotte (Diesel), Rafa Maciejak (Lloyd Cole and the Negatives), Phoebe Summersquash (Small Factory), Lysa Opfer (Aeon Station), Kendall Meade (Mascott), Verena Wiesendanger (Semi Gloss), John Leon (Royal Arctic Institute), Hilken Mancini (Fuzzy), Richard Alwyn-Fisher (King Canutes), Mike Errico, Steve Hurley (Gigolo Aunts) and Carl Baggaley (Elk City, Royal Arctic Institute).
Hello Mary ::HELLO MARY:: All-female alt-rock trio. RILY Momma and Wednesday. Bright future here as two of the members can't even drink legally yet.
Karen Jonas ::THE RESTLESS:: Americana/Alt-country singer-songwriter out of Fredericksburg, VA.
Object of Affection ::FIELD OF APPEARANCES:: Mishmash of punk, gloomy pop, and synth-driven new wave out of LA.
Stoned Jesus ::FATHER LIGHT:: Ukrainian three-piece melodic metal band pulling from influences such as Mastodon, Soundgarden, King Crimson, The Cure and Deftones.
The Whiffs :: SCRATCH ‘N;’ SNIFF:: What do you get when a bunch of kids from Kansas City steeped in Alex Chilton, Paul Westerberg, and Tom Petty get together to make a record? This. Bubbly power pop with a retro bent…this one is a keeper from the first few songs!
Truth Cult ::WALK THE WHEEL:: Baltimore punk band with DC harDCore influence bleeding through their sound. 
Weird Numbers ::WEIRD NUMBERS:: This LA + Seattle-based band sounds like something you might discover on all those old Sub Pop records compilations from the 90s. Feat. members of The Girls.


Friday, February 24th, 2023

Here's the list of the latest records of interest congress passed into law for Friday February 24th.

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist, and here’s February’s Playlist

Let me know what I missed. Otherwise, let's get it...

The Knowns:

The Church ::THE HYPNOGOGUE:: Just gonna use my friend Ward's assessment  to describe this one: "Based on the singles and what I’ve been listening to since midnight this will be easily among the best of The Church. Some of these songs are so Church-y it’s giving me an ache."
Dierks Bentley ::GRAVEL & GOLD:: One of the few in Nashville who is still attempting to draw lines to old country sounds and not succumb to the more bro-country styles coming out of the city. Also, Dierks' guitarist Charlie Worsham has been one of the best TikTok follows for me over the past year. If you can stomach Top 40 Country, this is a record by good dudes making good music and worthy of your ears. 
Gina Birch ::I PLAY MY BASS LOUD:: Punk icon and 1/2 of the Raincoats is out with a new solo record.
Iris Dement ::WORKIN ON A WORLD:: Perhaps one of the most iconic voices in country/americana/folk is back with her first LP in nearly a decade.
Lucero ::SHOULD'VE LEARNED BY NOW:: Billed as a "return to roots." From Ben Nichols "The album is basically about how we know we are fuckups and I guess we are OK with that." Opening track is a ripper!
Motorhead :: BAD MAGIC: SERIOUSLY BAD MAGIC:: Usually not the space for reissues, but Lemmy fucking lives...and this has two exclusive new tracks on it.
Rick Wakeman ::A GALLERY OF THE IMAGINATION:: YES! (get it? Because he was in the band Yes. That's why it's funny).
Shame ::FOOD FOR WORMS:: For folks missing that 90s post-punk sound that bands like The National and Fontaines D.C. are doing. Though I would argue that Shame is a little less dour. 
Steel Panther ::ON THE PROWL:: Do you love the over-the-top glam metal of The Darkness? If you do but you haven't listened to Steel Panther yet, make haste! This is the best neo-hair/glam metal has to offer and is COMPLETELY UNFILTERED!
Ty Segal & Emmett Kelly ::LIVE AT WORSHIP:: Acoustic duo versions of Segal songs. 

The News:

Bria ::CUNTRY COVERS VOL.2:: Six more cover tracks by Bria Salmena, whose day job is a member of Orville Peck's touring band. If you know Peck, then you won't be surprised that these covers are moody, low-register vocal takes on these classics. I am particularly enjoying the version of Gillian Welch's "I Dream A Highway."
Death Pill ::DEATH PILL:: All-female Riot Grrrl political punk out of Kyiv Ukraine. Something tells me this record has some shit on it!
Death Valley Girls ::ISLAND IN THE SKY:: Reverb-drenched L.A. proto-punk scrappy rock-n-roll with some infectious pop melodies that could easily become day-long earworms. 
Dougie Poole ::THE RAINBOW WHEEL OF DEATH:: Poole is apparently a Mac user given this album title. Formerly more experimental, Poole's latter releases have been more country-tinged indie rock. It's nice. Two of the RIYL Spotify tapped were Bonny Doon and MJ Lenderman - which I can hear given the smooth, rollicking but lo-fi sound to these songs. 
El Attendant Ana ::PRINCIPIA:: Pleasant Parisian Indie Pop. There's something about this record that makes me think of all the "college rock" bands from the early 90s that my older friends were listening to. Really digging the first few tracks of this.
Jenny O. ::SPECTRA:: Spotify's RIYL include Jessica Lea Mayfield, Caitlin Rose, Courtney Marie Andrews, and Laura Veirs. Not a bad list. 
Real Friends ::THERE'S NOTHING WORSE THAN TOO LATE EP:: Your weekly dose of emo.
Swim Camp ::STEEL COUNTRY:: Swim Camp is the musical project of Philadelphia-based musician, Tom Morris. The project grew out of his desire to learn the guitar. Having grown up playing the drums in a primarily jazz-oriented context, Tom sought to have more melodic control in his music making. He started playing guitar while living in the Czech Republic in 2015 and realized that the only way for him to get better was to start writing music. This latest record is lush and noisy (at times) lo-fi indie rock/pop. Really digging this. 
U.S. Girls ::BLESS THIS MESS:: There's little reason why I should like this neo 80s synthy-pop that sounds Mannequin movie soundtrack-ready, but it's hitting this morning!
Various Artists ::14:: [Bandcamp] A jangly mix of previously unavailable (on vinyl) singles from UK DIY label Prefect Records. It includes a pair of Slumberland songs, one from Reds Pinks & Purples and the other from Chimes.


Friday, February 17th, 2023

Hey all - Here's what the milk man...but for new records...brought us this week. 

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist, and here’s February’s Playlist

The Knowns:

Jesse Malin ::THE FINE ART OF SELF-DESTRUCTION (20th Anniversary Reissue):: I usually don't include reissues on these lists, but this album absolutely fucks. I am still not mad for pulling a melody from 'Downliner' that was used in an old Hot Shot Karate song.
P!NK ::TRUSTFALL:: Looks like Pink is spelling her name with an exclamation point. Not that she needed to do that to prove she is a pop badass. Eat your heart out, Taylor Swift.
Screaming Females ::DESIRE PATHWAY:: No reinvention of their wheel here, but that will likely please fans. Then again, I am finding this record more palatable than their earlier output, so that might turn some fans off.

The News:

@ ::MIND PALACE MUSIC:: Gonna be difficult searching for the band's name, but MIND PALACE MUSIC reminds me a lot of the lo-fi, DIY indie I was listening to in the late aughts and early twenty-tens.
Anna B Savage ::IN|FLUX:: Garden-variety, run-of-the mill synth-driven indie pop. What might set this apart from the rest is Savage's deep, smoky, soulful voice. 
Avey Tare ::7S:: Speaking of late aughts/early twenty-tens diy indie, Avey Tare is a project by Animal Collective's David Portner that explores the weirder, more psychedelic side of his writing.
Free Range ::PRACTICE:: Indie-folk from Chicago and the brainchild of Sofie Hensen. Many of these songs were composed during COVID isolation, and you get that vibe from listening. RIYL Jodi, Sadurn, Why Bonnie.
Grade 2 ::GRADE 2:: Not to be confused with 2nd Grade, these Isle of Wight punks write songs that howl about contemporary injustice, personal identity, and frustrations of Gen Z youth. This is the band's second release on Tim Armstromg's Hellcat Records. Pretty great straight-ahead punk.
MF Tomlinson ::WE ARE STILL WILD HORSES:: Fans of Bill Callahan and King Crimson should give this a spin.
Oh No ::GOOD VIBES:: Jazz-influenced, melodic, instrumental hip hop by the son of soul singer Otis Jackson Sr. and nephew of jazz trumpeter Jon Faddis. This is excellent mood/background music.
Pigs Pigs Pigs Pigs Pigs Pigs Pigs ::LAND OF SLEEPER:: Stoner rock from a band whose name is the word "Pigs" written seven times in a row. Don't let the name fool you, when I started spinning this, my room instantly smelled like weed and incense.
Pile ::ALL FICTION:: Neo-grunge out of Boston with RIYLs including Ovlov, Pissed Jeans, Swearin', and Diarrhea Planet.
Runner ::LIKE DYING STARS, WE'RE REACHING OUT:: RIYL melancholy indie-folk a'la S. Carey, HOVVDY, and TOLEDO.
Tianna Esperanza ::TERROR:: Lots of interesting sounds on this record, but with RIYLs including Valerie June, H.C. McEntire, and Sunny War, it's definitely worth checking out.


Friday, February 10th, 2023

Here's what the record stork brought us for Friday February 10, 2023.

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist, and here’s February’s Playlist.

The Knowns:

Andy Schauf ::NORM:: Saskatchewan singer/songwriter starts marching at a slower pace as compared to 2020's THE NEON SKYLINE and 2021s WILDS. Shauf has now put out a record each of the past three years, all show solid craftwork for pop-laden rock-n-roll which seems to be a skill you get in Canada just by drinking the water there.
The Brian Jonestown Massacre ::THE FUTURE IS YOUR PAST:: Not sure how this one eluded my usual new release lists. Anton Newcome has been on a roll lately.
El Ten Eleven ::VALLEY OF FIRE:: More instrumental, melodic post-rock situated somewhere between Explosions in the Sky and Ratatat, but with way fewer delay pedals and wildcat growls, respectively. 
Rob Ickes & Trey Hensley ::LIVING IN A SONG:: People like to gush over the Dobro™ playing of Jerry Douglass, but Rob Ickes is every bit the player. This is good, solid, Dobro™-heavy Bluegrass
Paramore ::THIS IS WHY:: If you're gonna spin Top 40 rock/emo, there are worse options. This record actually doesn't sound over-produced and super squashed with compression (see The Loudness Wars for a review). As I sample these tracks, I am surprised by how much I am liking this record. 
Quasi ::BREAKING THE BALLS OF HISTORY:: Sam Coomes and Janet Weiss return and expand on their 'proto-indie' sound that they started crafting in the late 20th century (1990s).
The Rolling Stones ::GRRR LIVE!:: Another 24 live tracks of Rolling Stones hits that have been released as live tracks before this release.
Yo La Tengo ::THIS STUPID WORLD:: The NJ stalwarts not reinventing the wheels of their musical machine is likely going to be received positively by fans. This record sounds like high school to me. 

The News:

Bailey Miller ::LOVE IS A DYING:: Ethereal and soaring vocals (sometimes harmonized) over sparse string instrument musical landscapes. Very low-key and meditative.
Beat Awful ::PAWS:: From Boston, MA to Lexington, KY, to Richmond, VA, and seemingly picking up influences from each region, PAWS has everything from indie-pop jangle, to synth-driven, to lo-fi garage-y tracks all wrapped up on this nine-song LP. Here's a good quote from Boston Hassle: "Somewhere at the aural crossroads of shoegaze and garage rock, you’ll find BEAT AWFULS perched comfortably atop their throne of lo-fi, shuffle inducing jams." - Boston Hassle.
Big Laugh ::CONSUME ME:: Thrash/hardcore out of - get this - Milwaukee fucking Wisconsin. It rips.
Black Belt Eagle Scout ::THE LAND, THE WATER, THE SKY:: NPR and FADER darling who hit the scene in 2018 and released two acclaimed records since, THE LAND... being their third. Elements of 90s grunge and mid-teens female-fronted indie get an apt Spotify RIYL Jay Som and Vagabon.
CIVIC ::TAKEN BY FORCE:: Melbourne, Australia melodic proto-punk.
Lance Skiiiwalker ::AUDIODIDACTIC:: Up-and-coming artist praised by Kendrick Lemar with a hard-to-define sound that encompases psychedelic, alternative rock, jazz, hip-hop, and soul. 
Narrow Head ::MOMENTS OF CLARITY:: When I played track one on this record I thought I was listening to "Stars" by 1990s alt-rock sleepers Hum. Holy shit! Just straight melodic grunge/shoegaze. A boon on these ears!
Pearla ::OH GLISTENING ONION, THE NIGHTTIME IS COMING:: Lush, therapeutic and discordant folk from Brooklyn singer/songwriter (and angelic voice) Nicole Rodriguez. NPR's Bob Boilen is a fan.
Tennis ::POLLEN:: Saw this band open for Modest Mouse a few years ago. I prayed each song they played was their last (who know, maybe studio majgic will help here), but some folks here might enjoy what they call their own brand of "50s pop melancholy with smooth-and-easy '70s soft rock, in a beguiling, calming fashion that matches the sailing trips that provide them with inspiration." Koko is rolling over in his grave, which isn't easy do do considering he has a harpoon through his heart (IYK,YK)
Ashby Frank ::LEAVING IS BELIEVING:: Native son of Winston-Salem, NC-turned Nashville multi-instrumentalist, Ashby Frank's latest blends more country elements (i.e., drums, electric bass) into these mountain-stringband arrangements. 
Farmer Jason ::FISH WISH:: Americana-tinged children's song (this is just a single, but it is cute) by the brainchild behind Jason and the Scorchers. Y'all with young kids, and grandkids oughtta check this out!
Al Holliday ::ALL I WANT:: St. Louis-based octet trying to find that space between Joe Cocker and the Band.

What did I miss, y'all!??


Friday, February 3rd, 2023

Hey y'all. Still reeling after last night's MJ Lenderman show. Unreal. Here's what drops today.

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist, and here’s the new February Playlist.

The Knowns

Fantastic Negrito ::GRANDFATHER COURAGE:: Acoustic versions of songs from 2022s WHITE JESUS BLACK PROBLEMS. The opening song appears to be a new one.
Korn ::REQUIEM MASS:: Not adding this to the playlist, but this is a reminder that the 3:01 to 3:30 mark in "Freak on a Leash" is one of the best breakdowns in a song from that era/genre ever...and I think Korn is terrible. Props where props are due.
Robert Forster (the Go Betweens) ::THE CANDLE AND THE FLAME:: Nice output from a single lane of the Go Betweens.
Shania Twain ::QUEEN OF ME:: Let's go, girls. 
The Men ::NEW YORK CITY:: Gone are the more soulful country twinges of the Men. This one is a full-fledged garage rock record covered in NY subway grime and rat piss.
Tropical Fuck Storm ::SUBMERSIVE BEHAVIOR:: If you're not yet caught in the fuck storm, you really are missing out on some amazing, weird rock n roll out of Melbourne Australia.

The News

Babyfang ::IN THE FACE OF:: 'Dance-able doomsday post-punk' from a Brooklyn trio. This one gets loud and noisy, but also has some soul to it (check out track 3, 'SCARSGO'). This is a wild one that I did not expect to like. 
Blackwülf ::THIEVES AND LIARS:: Oakland California stoner rock. No reinvention of the wheel but likely scratches an itch if this is your jam.
Ibex Clone ::ALL CHANNELS CLEAR:: Memphis TN post-punk/power pop band on Goner Records. Stereogum did a nice write up on them here that digs into the members progeny. This one sounds like something that fans of Fontaines D.C. would love.
Jarrod Dickenson ::BIG TALK:: Garden variety and pleasant Texas singer/songwriter Americana.
LOTEC (Land of the El Caminos) ::SQUARES!:: Power pop three-piece of veteran Chicago musicians led by Dan Fanelli on guitar/vocals Kenny Wallin on Drums and Sean Hulet on bass. This is that scruffy rock that Postcard shows up for. Some of these melodic structures remind me of early Soul Asylum. 
Sanguisugabogg ::HOMICIDAL ECSTASY:: Adding this simply because their Spoitfy bio describes the band as "DOWN TUNED DRUG DEATH." Metal AF. This rips!
Sunny War ::ANARCHIST GOSPEL:: Soulful gospel with a punk attitude. SPotify RIYLs include Hurray for the Riff Raff, Adia Victoria, and Tre Burt.
The Velvet Hands ::SUCKER PUNCH:: From GodsInTheTVZine: "Bolshy, brash garage punk rabble-rousers somewhere between the attitude of early Cribs or Libertines colliding with the death or glory of the Clash."
The Waeve ::S/T:: Graham Coxon and Rose Elinor Dougall project with song "themes of oblivion and surrender...juxtaposed with hopefulness and light..."

What did we miss??!?!


Friday, January 27th, 2023

Hey y'all, here's what dropped on this final Friday in January. Lots of familiar names out there. Let me know if I missed anything...but more so, let me know whether you spin any of these and like em! I see myself spending a lot of time with the Bass Drum of Death, H.C. McEntyre, and the Mother Hips records!

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist.

The Knowns

The Arcs ::ELECTROPHONIC CHRONIC:: Dan Auerbach side hustle with Leon Michaels, Homer Steinweiss, multi-instrumentalist/vocalist Richard Swift, and America's BEST bassist, Nick Movshon. It's the Black Keys meets DapTone records. Lots to love here. Seriously, I want Nick Movshon to lay EVERY soul song foundation from here forward. That dude is teeming with groove.
Bass Drum of Death ::SAY I WON'T:: Lo-fi garage rock out of Oxford Mississippi. Less lo-fi than prior recordings, but the scruff is definitely still there. I can see this record being a hell of a soundtrack to early spring road trips.
Bob Dylan ::FRAGMENTS - TIME OUT OF MIND SESSIONS (1996-1997): THE BOOTLEG SERIES VOL.17:: I still don't like Dylan. And what I remember most about this record was that he toured on it with Ani DiFranco and she blew him off the stage every night according to show reviews.
Carly Simon ::LIVE AT GRAND CENTRAL:: Concert recording from April 2, 1995.
Fucked Up ::ONE DAY:: Canadian punk stomp that's just as incindiary as ever. You can't have a name like this and not be good.
Joe Henry ::ALL THE EYE CAN SEE:: Classic chamber Americana from a stalwart in the genre. 
King Tuff ::SMALLTOWN STARDUST:: More trippy garage rock from Kyle Thomas' alter ego.
The Mother Hips ::WHEN WE DISAPPEAR:: I mean, the opener, and title track of the Hips' new album sounds like a lost Band song. I guess I had these guys confused with the Tragically Hip, also great, but the Mother Hips are definitely scratching that 70s, California jam-rock itch that I get from time to time.
White Reaper ::ASKING FOR A RIDE:: Explosive pop-punk/emo/thrash with, as the band themselves describe: "chrome-plated riffs mixed with thrash, stadium-made choruses, and blissful acoustic comedowns"

The News

Elle King ::COME GET YOUR WIFE:: Top 40 country with a fiery singer. Not out of place on a playlist with Miranda Lambert and/or the Pistol Annies.
H.C. McEntyre ::EVERY ACRE:: Durham, NC-based singer best known as a member of Mount Moriah and Bellafea. This is low-key, soulful, southern Americana mlody with McEntyre's angelic voice hovering over it all. Spotify RIYLs include Lilly Hiatt, Margo Price, and Jake Xerxes Fussell. I hear Tift Merritt in her vocal delivery too (especially in the track "Rows of Clover").
Heavy Blanket ::MOON IS:: New name, familiar artist. Heavy Blanket is a side project by J. Mascis that began in his salad days as a teen when Deep Wound was winding down. So Masic and two high school buddies (drummer Pete Cougar and bassist Johnny Pancake) would get together to play trippy psych rock songs influenced by Hendrix and Blue Cheer. Y'all should read the story about these guys. It's wild. It culminates with the trio reuniting and record the record they attempted to lay down back in 1984. PS - the shortest song on this 6-track record is 4 minutes...and it appears to be all instrumental rock with Mascis being Mascis.
Ladybird ::LADYBIRD EP:: Milwaukee alt-country band whose singer, Peter Freeman, aka Peter Dangit, was once a resident of my former hometown, Frederick Maryland. Freeman moved to Wisconsin to immerse himself in the Packers nation before I got to Frederick, but folks in town still champion his music. The band's 2021 EP INTRODUCING... was a favorite of mine that year. The new S/T EP is only 4 songs...and I bet if you made a playlist of all 8 songs across both EPs, you'd have a banger.
Oozing Wound ::WE CATER TO COWARDS:: Real fucked up noise out of Chicago. Not really metal...more thrash and noise and hardcore. Be careful around valuables if you spin this one.
R. Ring ::WAR POEMS, WE RESTED:: Side project by Kelley Deal that sounds just as you would expect a side project from a member of the Pixies and the Breeders to sound.
Samia ::HONEY:: There is a growing crop of artists taking influence from Phoebe Bridgers et. al., and we can probably count Samia among them. Nothing to be mad about tho.
The Drin ::TODAY MY FRIEND YOU DRUNK THE VENOM:: Weird-ass Cincinnati punk band out with like, their third record in 18 months ! I think their music represents what the inside of a Schizophrenic's brain sounds like on any given day. It's wild!
The Tubs ::DEAD MEAT::New project by Owen Williams and George Nicholls from Joanna Gruesome fame. Lots of Fender guitar jangle under 80s-inspired pop melodies. 
Widows Gold ::LOVE DROPS:: One publication describes this act as "an amalgam of artists like The Smashing Pumpkins, The Strokes, Courtney Barnett, and the Chameleons." But you be the judge of that.


Friday, January 20th, 2023

Here's what's on tap for Jan 20, 2023 - which also happens to be my old man's 67th birthday. Send him well wishes wherever you are. The man is a saint. The new releases were plentiful today and sapped most of the morning. I know I am still missing some, so if you have recs, please share.

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist.

The Knowns:

Guided by Voices ::LA LA LAND:: GBV is back with their 749th record in the past 3 years. Only 11 tracks on this one and they're all accessible, driving, poppy rock-n-roll. In other words, it's GBV at their best.
John Cale ::MERCY:: I've never been a fan, but I acknowledge the influence. This one sounds a bit like an 80's B-movie soundtrack to my ears. Your mileage may vary.
Mac DeMarco ::FIVE EASY HOT DOGS:: This record title makes me hungry for hot dogs here in Raleigh's The Roast Grill. DeMarco's latest is instrumental smooth rock with jazz and indie undertones. Interesting to say the least...but not terrible!
New Found Glory ::MAKE THE MOST OF IT:: One of my guilty pleasure pop punk bands (tho as my wife constantly reminds me, there are no *guilty* pleasures, there are only **pleasures**). This all-acoustic record comes on the heels of guitarist Chad Gilbert's cancer diagnosis, treatment, and recovery. The songs are described as 'emotional and cathartic."

The News:

The Bad Ends ::THE POWER AND THE GLORY:: This should probably be in the "knowns" above because it is the new outfit by known quantity Bill Berry, former REM drummer. And it is everything you might expect from a group of veteran musicians from Athens, Georgia with Bill Berry on the kit. It's incredibly "postcard friendly." with elements of power pop, southern rock (not Southern Rock - iykyk), and a little twang here and there. Really digging this one, and I think folks here will as well.
Beauty Pill ::BLUE PERIOD:: I am gonna rely on wikipedia to help with this one: "Beauty Pill's music is generally characterized by cinematic arrangements, angular melodies, and electronic textures. This detailed, atmospheric aesthetic contrasts the more raw punk of its label-mates on Dischord Records.This sensibility reflects Clark's parallel profession as a producer and engineer. His discography includes work with The Dismemberment Plan,[1] Sparklehorse, Fugazi, Blakroc, Bernie Worrell, Marc Ribot, Mary Timony, The Evens, Lungfish, Bob Mould, The Wilderness, The Caribbean, Craig Wedren, among others."
The C.I.A. ::SURGERY CHANNEL:: New outfit by garage punk stalwart Ty Segal and his spouse Denee Segal. As expected, this is full of dirty, lo-fi guitar-oriented rock n roll, but with Denee on vocals. 
Dave Rowntree ::RADIO SONGS:: solo project by the drummer of Britpop darlings Blur. Has a Blur meets Joy Division quality to it. Droney and synth-y, which is a music style that many folks somehow enjoy.
Dosser ::VIOLENT PICTURE/VIOLENT SOUND:: Baltimore, Maryland alt-rock band raised on a steady diet of 90s grunge. The opening cut on this record ("Joy Thief") sounds like a mash up between Hum and early Foo Fighters. But the band's sound isn't just "grunge cosplay" - not only have the band been honing this sound for years, but they have been a staple of a scene brewing in Baltimore and the surrounding region with similar sounding acts (Baltimore's Mess and Frederick's Lilac Daze come to mind). I've known the guitarist and drummer for several years through my foray in the Maryland music scene, and I can tell you this record has been a long time coming. The production is a little slick for my tastes, but there's no question that the band put a lot of effort into this project.
Erik Vincent Huey ::APPALACHIAN GOTHIC:: Debut solo effort from Huey (aka Cletus McCoy of The Sureal McCoys).  Aided by Eric Ambel, this offers up some basic Country, R&R & Americana material dealing mostly with Huey's family history and life in West Virginia coal mining country.
Fran ::LEAVING:: Self-described as 'sexy rock u can cry to', Chicago-based songwriter Maria Jacobson diched her career path in film to teach English in Mexico. While there (circa 2015), she started learning guitar, and eventually came back to the states ready to start a band. Folks who dig songwriting styles of strong female artists like Lucy Dacus and Phoebe Bridgers will probably find something here. Spotify also has some non-unknown RIYLs including Gold Dust, Why Bonnie, Gladie, and Disq.
Glyders ::MARIA'S HUNT:: Chicgao-based, Drag City band that sounds more like they should be in the tepid, red clay-stained waters of some Alabama swimming hole more so than the Windy City. Fans of Natural Child and Color Green should get all over this one.
Half Life ::LIKE A JUNGLE:: From Iron Maiden cover band to legit Iron Maiden-influenced metal band. Singer Alessandro Minervini sounds like a meld between Rob Halford and Bruce Dickinson, and the lo-fi recording makes the LP sound like an old metal cassette from the 80s.
J.T. IV ::THE FUTURE:: Man...talk about lo-fi! J.T. IV's record sounds like it was recorded on cheap gear, then played over a stereo, and recorded onto a tape deck. But these songs have energy. The thing is, after doing some digging, this is kind of what happened. from J.T. IV aka John Henry Timmis was a Chicago-based punk musician active in the 1980s. He released only a smattering of music during his lifetime (and an extremely long film) that was collected for a posthumous re-release in 2008. from his bandcamp: "Barely-heard in his lifetime (1961-2002) but hailed as an outsider hero of ur-punk since 2009’s Cosmic Lightning comp, J.T. IV strikes back! 15 unheard-of tracks found on an obscure cassette tape make the schizo split in his music – rabid rock n roll fantasy and cold-eyed acoustic introspection – an epic. The Future is J.T. IV’s mad magnum opus." And *this* is why I like to add these info snippets on this list. What a weird and rad fucking story!
The MOSS ::INSOMNIA (EP):: Garden variety indie rock by 4 dudes from...UTAH?!?!?  What? This shit is catchy.
The Murder Capital ::GIGI'S RECOVERY:: Dublin-based Post-punk. RIYL Shame, Fontaines D.C.
Oddisee ::TO WHAT END:: Moniker of DC hip-hop artist Amir Elkhalifa, born to and raised by a Sudanese father and African mother, he grew up in PGC (Prince George's County) and witnessed the iniquity abound in America's capital city. These themes are present on TO WHAT END. Musically, Elkhalfia mixes old school hip-hop, jazz, and go-go in these tunes. Not your average hip hop record. Rifling through, it might be my second favorite release this week next to The Bad Ends.
Spice World ::THERE IS NO 'I' IN SPICE WORLD:: No, this has nothing to do with the Spice Girls. I'll let the bandcamp bio do the work here: "Spice World are a 4-piece band formed on Whadjuk Noongar Boodja (Fremantle, WA) for a one-night-only performance in early 2021 before their drummer Julia had to rush back to Melbourne a few days later. This performance was surprisingly well-received and so Spice World continued with occasional shows, sometimes in a more soft-edged trio format. Endearingly scrappy, Spice World perform DIY, ad-hoc pop music that is sometimes sad and sometimes silly, but always offered in earnest. They bring a punk mindset and laissez faire approach to sun-drenched kitchen table music."


Friday, January 13th, 2023

Here’s what trickled out of the new releases valve when they opened it this morning. Holler if we missed something.

Keep up with all weekly releases through the comprehensive Spotify Monthly New Release Playlists; here’s January’s Playlist.

The Knowns:

Belle & Sebastian ::LATE DEVELOPERS:: Considering last year's A BIT OF PREVIOUS was the band's first studio output in seven years, and it only released seven months ago in May 2021, LATE DEVELOPERS may be leftovers from the previous, well, A BIT OF PREVIOUS. Or who knows, maybe these are all organically written and recorded since A BIT. Pre-COVID, the band was slated to come to LA and make a record, but scrapped those plans and built a recording space to work during the pandemic. Both LATE DEVELOPERS and A BIT OF PREVIOUS were home-recorded, and so far, both records have a similar vibe. I am already enjoying this new one more so than the PREVIOUS.
Gaz Coombes ::TURN THE CAR AROUND:: Former Supergrass frontman returns with his third solo release of trippy, atmospheric rock n roll that you should expect.
Margo Price ::STRAYS:: On her 4th record, Price is plugged in, turned up, and roaring - about a broken world full of substance abuse, self-image, abortion rights, and ... orgasms (hey-o!). This record's 10 tracks are way more cosmic than they are country. 
Obituary ::DYING OF EVERYTHING:: Fuckin' OG death metal since 1986. Grab your lyric sheet as Tom Hardy got with the times, delivering these songs with a guttural vocal growl like many contemporaries. But all the classic elements are here from double-kick thrash drumming to heavy riff breakdowns. Make sure you don't have any valuables nearby when you spin this one.
Ernie Vincent ::ORIGINAL DAP KING:: New Orleans stalwart of funk music whose latest release boasts a shit-hot cast of players including the Drive-by Truckers’ Matt Patton (bass), Jimbo Mathus, the Squirrel Nut Zippers’ horns and strings, and backup vocals from Seratones frontwoman AJ Haynes. This record is a party.

The News: 

Billy Nomates ::CACTI:: British singer-songwriter who Tor Maries, whose stage name is Billy Nomates, was raised in Leicester and played in a number of bands that failed to get recognition. She was inspired to get back into music after a Sleaford Mods gig (who would eventually feature her on their track "Mork and Mindy"). Funny - the stage name was taken up from an insult tossed at her when playing a solo gig. Maries' self-titled first album was recorded in Bristol with Portishead’s Geoff Barrow. Released this in 2020, it quickly gained attention from BBC Radio 6 Music. She describes her music as "No-wave", though other critics call it post-punk. Fans of Portishead will probably dig this. It's a bit more upbeat and less melodically dour, but still driven by synth-y beats. 
Etta Marcus ::HEART-SHAPED BRUISE:: Twenty-year old singer songwriter from South London who wouldn't be out of place on a Phoebe Bridgers, Lucy Dacus and/or Sharon Van Etten tour. May not have much staying power, but the opening cut is a driving indie pop song with a great melody. "Smile the Camera" has a nice pop lilt that could easily find a place on a streaming television show about young women not taking shit from the patriarchy (not saying that pejoratively). Several songs have a 'chill-anthem' vibe to them which isn't off-putting.
Rozi Plain ::PRIZE:: UK Singer/Songwriter whose latest release is giving me some softer Vita and the Woolf vibes. Synthy, melodic, chill.  I almost wrote this one off as not interesting, but each track I skipped through had some interesting musical blocks. Again, may not have staying power, but definitely worth a few listens at least.
Myron Elkins ::FACTORIES, FARMS, & AMPHETAMINES:: Elkins, a 21 year old welder-turned musician must've made some waves somewhere considering Dave Cobb (Jason Isbell, Sturgill Simpson) produced his debut album. Across the album’s ten tracks, Elkins crafts sharp observations informed by his working-class upbringing, infusing his music with rich personal experience. “I actually wrote a lot of these songs on the album in my head while I was welding,” he says. “I just loved to play and write all of the time. Finding people who want to do that with you isn’t always easy, but we made it work. And with this bunch of songs, it made it all worth it.” Check out Elkins' bio here. Dude sounds like he's 70 years old singing some of these songs...
poolblood ::MOLE:: This record by Toronto's Maryam Said is a grower...in that it really blossoms from early, quieter, lo-fi tracks to full blown indie-pop shimmer by the time track 4 "twinkie" is up. Drawing inspiration from Fiona Apple, Nick Drake, Yuck, The Apples in Stereo, Mitski, the Deftones, and all points in-between, this record is a smorgasbord of sonic layers.
Unarmed ::IT'S LIKE THAT (EP):: Garden variety emo-pop-punk from Portland Oregon. May not be your thing, but it for damn sure is mine. Brb...gonna go sit in my feels and listen to this.
Wailin' Storms ::THE SILVER SNAKE UNFOLDS:: From the band's webpage bio: "Originally formed in the unrelenting heat of Corpus Christi, Texas, WAILIN STORMS migrated east and ended up in Durham, North Carolina. Their sound is justly a mix of doom-punk and swampy rock, as elements of their prior and current surroundings culminate into a unique and volatile brew. Stamped with eerily dark and ominous vocal elements reminiscent of bluesy masters like Howlin’ Wolf and Samhain with emotive nods to Destruction Unit, Bauhaus, and Jesus Lizard, the band’s output is incessantly passionate and harrowing in its entirety."
Whitehorse ::I'M NOT CRYING, YOU'RE CRYING:: "Ethereal folk, space cowboy twang, psychedelic spaghetti western, intergalactic blues grooves, pop noir."


Friday, January 6th, 2023

And we’re back! The monthly new release playlist for January is live! Smash that “like” button!

The Knowns

Anti Flag ::LIES THEY TELL OUR CHILDREN:: Pittsburgh PA punks return with their 13th (!!) record.
Iggy Pop ::EVERY LOSER:: There's no reason why this album should jam as hard as it does, especially given that Iggy Pop is 120 years old. Given that, there is obviously less of the Iggy snarl, but the tunes are more straight-forward rock that lend to his more low-pitched vocal delivery. Hell, it worked for Ian Curtis.

The News

Doom Flower ::LIMESTONE RITUAL:: After returning Chicago as a home base, Doom Flower's debut LP came together through the "pavementing" process (I dunno if this is a thing, but my buddy uses that term to describe when art is achieved collectively from different places, and sent back and forth until the final product is achieved). Songwriter Jess Price was in Columbus, OH filming a band that included now-bandmate Bobby Burg. The two became friends and that friendship grew into musical collaboration. The COVID pandemic was a boon to this process as each member had time to work on, refine, share, tweak, and repeat from their respective stations (Burg, for example, had moved to Tulsa, OK just prior to the pandemic). The result was 12 demo songs that would eventually comprise LIMESTONE RITUAL. Eventually, the band returned to Chicago to record the LP. This article in the Chicago Times has a nice summary of how the band, and the LP came together. It also notes that though the band may be "reminiscent of many ‘90s and aughts alt-rock and trip-hop greats like Mazzy Star, The Breeders, Cat Power and Portishead, [they] also sound unlike anything else currently being released."
Allen Epley ::EVERYTHING:: Not sure how to describe this one - singer/songwriter whose parents were classical professors for music; meaning he grew up with access to their record collection. Epley was best known for his work with the post-rock trip The Life and Times who formed after Epley's math rock outfit Shiner disbanded. But I don't think EVERYTHING fits into either "post-" or "math" rock. This record is sonic...and dreamy...and melancholy. Pedal steel guitar provided sweeping and floating melodies, but without the twang you might expect from the instrument...it almost serves like a string section on these songs. If any of this sounds intriguing, I encourage you to spin this record and read more about Epley on his website.
Isaac Alexander ::FUTURE SANCTUARY 1 / FUTURE SANCTUARY 2:: Those of you who attend(ed) the Holiday Hangout over the years likely recognize Isaac's name - as he'e been a staple performer at the event. A Little Rock native, as one-third of the Eric, Rob, and Isaac graphic design firm, he's been designing the Holiday Hangout posters and t-shirts for years. This most recent year's t-shirt design was a fucking ambigram of 'holiday hangout." I say all this to say that Isaac is a unique artistic talent. In the early aughts, Isaac fronted the Little Rock band Big Silver, which kind of skirted alt-country, but wasn't quite pure twang+punk. I've always viewed Isaac as Little Rock's own Jeff Tweedy - in that he will start with what is a simple folk song, and then add a chord or a section to the song that is rooted in this beautiful dissonance...which shouldn't work, but somehow does...Kinda like Heff Tweedy has been doing since SUMMERTEETH. That all said, Isaac released FUTURE SANCTUARY 1 and FUTURE SANCTUARY 2 to start the year. Vol. 1 is a bit more sleepy than Vol. 2, but as a whole, this is a pretty ambitious step for a guy who has a day job.  Isaac remains one of my favorite songwriters in Arkansas, and in general. I hope y'all give this one (rather, these two) a spin. 
L.A. Edwards ::OUT OF THE HEART OF DARKNESS:: Somewhat rockier than their earlier efforts.  Not as much Jackson Browne/Dawes sounding and more early Deer Tick and Delta Spirit.
Nicole Dollanganger ::MARRIED IN MOUNT AIRY:: Southern Ontario gothic singer songwriter with a childlike voice hovering over dour, dark melodies. One RIYL from spotify is Gregory and the Hawk (Meredith Godreau) whose vocal timbre is not all that dissimilar from Dollanganger. Indeed, MARRIED IN MOUNT AIRY sounds like it could pass for a Gregory and the Hawk record with tighter/crisper production.
We Are Only Human Once ::EVERY DOG ON EARTH:: Fuzzy, lo-fi, DIY songs that can crescendo into an epic cacophony of sound (see the opening track on EVERY DOG for an example). The singing on the songs seems a little constricted when not backed by harmonies (think John K. Samson's restricted range from the Weakerthans). The Delaware Ohio band self-describes their music as "poorly vocalized elongated snippets about heartache..." Track 3 (Happier Than This), clocking in at 1:47, sounds pretty Postcard-friendly. The further I get into this record, the more I like it. It's definitely our kind of lo-fi.

The Strangers Almanac Year In (End) Review: 2021

Oh lort, make it stop!

This section of the post is typically reserved for highlights of the year that was…and in this case the highlights seem to really have been deflated by events from the past few months.

Though it did feel like we had a few months there, back in the summer where things were going to be OK. For example, complete with a (then) full-course of two Moderna vaccine shots, we managed to head downtown and dine INDOORS at a several of our favorite restaurants WITHOUT OUR MASKS ON! Then the Delta Variant™ decided to rear it’s infectious head and that all went to pot.

Though right as Delta was moving in, we were getting ready to move on.

After several years of feeling like my job in Maryland was a bit of a dead end, I polished up my vita and started sending it around. To my surprise I was interviewed and got on with the University of North Carolina System Office (which oversees all 16 public higher education institutions in the Old North State). So in the middle of the Delta Variant wave, we packed up our wares and moved to Raleigh North Carolina.

We’re loving Raleigh so far, but this move hasn’t been all roses and rainbows. My partner spent the first couple months after the move job-searching. This added a dense fog of anxiety over our home until she finally accepted a position with a data visualization/tech company that works with higher education institutions.

Newly established in the City of Oaks, if missing our friends, and dealing with the existential question “what if only one of us is employed come January” wasn’t enough, in the early fall we also learned that a dear friend - and one of my longest-running friendships - was diagnosed with metastatic lung cancer. This news came on the heels of losing one of the long-standing members of my online music community earlier in 2021 - a stark reminder that this pandemic is not the only force out there taking away our loved ones.

Lastly, and the most recent heartbreaker for our family was the loss of our 11 year-old Weimaraner, Mosby, who left us on the afternoon of Dec 20, 2021. Though he went peacefully and painlessly on a day like most every other, surrounded by those who loved him most and his creature comforts, I am closing out 2021 with a HUGE piece of my identity missing. Each successive day gets a little easier, but every turn in this house, and every “on this day” social media memory going back eight years is currently a reminder of why the house is so silent right now.

But hey, 2021 wasn’t ALL bad…

Here’s a list of the things we’ve been thankful for since Jan 1 of 2021

  • We’ve remained COVID-free despite the variants and case spikes

  • We bought a 1993 Pro Craft V-180B Bass Boat, and a 2009 Toyota Tundra so we could tow it (which also meant I had to sell my badass 1979 Ford F-250).

  • We did see live music this year (more on that later)

  • We did take a vacation this year (to Disney, which was…. But I did get to fly the Millenium Falcon while there)

  • We’re loving North Carolina and look forward to exploring more of the region when the air is a little clearer.

  • Oh - and we decided to get married in 2022…appropriately (for us) in Kentucky at a bourbon distillery.

Of course another year of working from home meant that music was flowing freely from the jukebox while NOT in a Zoom meeting…and as in years past, here’s the list of “Elevens” (that is, records that could have been among our ten favorites on any given day) followed by our “Top Ten” favorites. Each album cover photo is a link to the record on Spotify (or bandcamp). But first, we hope you’ll listen along while you read to our playlist of “standout tracks” from each of the records listed below.

::The Rank Stranger’s Top Songs of 2021: A Playlist::

::Baby Goes to Eleven: Thirty Records that JUST missed the Top Ten Cut::

::(In Alphabetical Order)::

Aeon Station ::OBSERVATORY:: If there is one record that is likely to generate chatter into 2022, it will probably be Kevin Whelan’s Aeon Station. Known as one of the principal songwriters in New Jersey indie rock icons The Wrens, Whelan, alongside Wren Charles Bissell had been famously continually working on the follow up to the Wrens’ critically acclaimed 2003 record THE MEADOWLANDS. There was a revealing writeup in Pitchfork over Whelan’s impatience with Bissell leading to the formation of Aeon Station and the release of OBSERVATORY. Whelan notes that many of the songs on OBSERVATORY would have shown up on the Wrens’ next album whereas others were penned specifically for this release. The Replacements’ breakup spawned Paul Westerberg/Grandpaboy; Uncle Tupelo’s breakup spawned Son Volt and Wilco…perhaps we’re getting two for the price of one with Whelan (and presumably Bissell in the near future) releasing records as solo artists.
Standout Track: “Fade”

American Aquarium ::SLAPPERS, BANGERS, AND CERTIFIED TWANGERS VOL 1 & 2:: When BJ Barham had to virtually rebuild American Aquarium from the ground up after the mass exodus of original members in the wake of 2015s WOLVES, he pulled together a group of Austin and Nashville crackshot players. This version of the band flanked Barham on two studio releases, but as a way to keep things moving during the pandemic, Barham probably didn’t have to twist the band’s collective arm too hard when convincing them to record two volumes of 90s “Prime Country” cover songs. The band sounds completely at home on these recordings, but likely the best part of these two volumes is how Barham approaches songs made popular by female country artists. Not only does he present the songs in his characteristic baritone, but he doesn’t gender-correct the lyrics. It actually makes these cuts all the more powerful.
Standout Track (Vol. 1): “Heads Carolina, Tails California” (made popular by Jo Dee Messina)
Standout Track (Vol. 2): “Strawberry Wine” (made popular by Deana Carter)

Anne Freeman ::KEEP IT CLOSE:: Early in their career, the Beatles were not bashful about mixing their more country influences into the pop blueprint of their songs. The same bones are evident from the opening notes of Anne Freeman’s “City Watched Me Burn” where jangly guitars are augmented by a one-four backbeat often heard in country music. It’s probably not out of line to also say there’s a healthy dose of Neko Case in these songs. Regardless, this Oxford, Mississippi university administrator by day seems to have a bright future ahead of her moonlighting as a power pop band frontwoman.
Standout Track: “I’ve Got A Knife”

Avstin ::NOCTURNE:: Avstin is the solo project of Frederick, MD musician and artist Austin Bristor (indeed, Spotify lists the record under Austin’s full name, but there appears to be another musician named Austin Bristor out there, but based out of Florida). Prior to his solo project, Bristor was playing with Frederick alt-rock up-and-comers Flooring (whose 2018 record WALK JOG is also worthy of a spin. But on NOCTURNE, the 90s alt-rock throwback of Flooring is largely absent. In its place are atmospheric musical landscapes that sound as if Explosions in the Sky teamed up with Death Cab for Cutie and asked Sigur Ros’ vocalist to sing (but, you know, in English). To beat all, Bristor is the sole artist behind all the sounds and production of the record.
Standout Track: “Red Bud”

Bat Fangs ::QUEEN OF MY WORLD:: Every pre-teen or teenage girl should listen to Bat Fangs. If you have a young woman between the ages of 11 and 17 in your family - or somewhere in your life, go pick up a copy of QUEEN OF MY WORLD (preferably on vinyl…which may mean you will also need to buy the girl a turntable…that’s fine…do that too. And while you’re at it, buy her either a Gibson SG + Orange amplifier - or a drum kit) and give it to them to spin. QUEEN is the “NC/DC” duo’s sophomore release, and though not quite a sophomore slump, QUEEN does have a little less umph compared to their self-titled debut. Don’t trip, the songs are still explosive, but slicker production and too-perfect takes make this record a little stiff. In the words of East Hall Recording owner/producer Chris Moore, “Perfect is boring.” Luckily, there is still a LOT to fist-bump to on this record…and the band is not to be missed live!
Standout Track: “Talk Tough”

The Blips ::THE BLIPS:: Fan of Vulture Whale, are you? Fan of the Glory Fires, are you? Fan of Conor Oberst, are you? Then you’re likely to be a fan of The Blips - which features Wes MacDonald (Vulture Whale), Eric Wallace (The Glory Fires), and Taylor Hollingsworth (Connor Oberst’s Mystic Valley Band) alongside Birmingham, Alabama stalwarts Will Stewart and Chris McCauley who, together, blend 60s garage, southern power pop, and southern rock into a really fun record. This is both a guitar player’s record and a songwriter’s record with a variety of sounds to keep things interesting throughout.
Standout Track: “One and Done”

The Boys With The Perpetual Nervousness ::SONGS FROM ANOTHER LIFE:: If there is a theme to this list so far, it is that songwriters are not always confined to their main band. Nearly every other release featured above is from artists who also cut their teeth with other outfits. The Boys with the Perpetual Nervousness are no different - joining together Madrid’s Gonzalo Marcos from El Palacio de Linares and Scotland’s Andrew Taylor from Dropkick - who put out the best Teenage Fanclub record this year by any band not named Teenage Fanclub. SONGS FROM ANOTHER LIFE is twenty-six minutes of jangly Fanclub meets the Byrds with gobs of melody and vocal harmonies.
Standout Track: “Rose Tinted Glass”

Curtis Harding ::IF WORDS WERE FLOWERS:: Atlanta-based Harding may have come up in the Church and found his way to hip hop working for the record label that featured TLC, Toni Braxton, and Outkast as well as guesting on CeeLo Green records, but his solo work finds him back at the intersection of Gospel and Soul music. The primary format here may be soul, but there’s a modern hip-hop and R&B slickness to this record that leans more toward Goodie Mob than it does the Dap Kings. Still, though, it’s a fine soundtrack to spring evenings with the windows open that tends to set a certain mood.
Standout Track: “Where’s the Love”

Death By Unga Bunga ::HEAVY MALE INSECURITY:: Back in 2018, the band “Death by Unga Bunga” came up in conversation up a few times; mostly folk singing praises of their then-current record SO FAR SO GOOD SO COOL. Thiking it a funny name, on a whim, I pulled the record up on spotify and instantly fell in love. In hindsight, COOL likely should have placed higher than an “eleven” on this list that year - so here’s hoping the same mistake is not being made here. Though not as solid as COOL, the Moss, Norway quintet still do what they do best on HEAVY MALE INSECURITY, and that is wring out every drop of 70s arena rock-n-roll from their songs. Can you say guitarmonies??
Standout Track: “Not Like The Others”

The Dirty Nil ::FUCK ART:: Speaking of 70s arena rock…jeebus. The Dirty Nil are a Canadian three-piece rock band that sound like they’re playing 12 guitars and have 5 singers. It’s just a mountain of sound coming out of so few people. Singer Luke Bentham’s vocal range is a thing to behold. He routinely goes from a low register to a controlled scream - and he does it routinely on FUCK ART. Also - despite coming out in January 2021, that still has not been enough time to ascertain whether the album title means “Fuck you, Art!” or “Art you can fuck to.” Thoughts? Fun fact, the last time Death by Unga Bunga showed up among the “elevens” so did the Dirty Nil. These two bands go together like testosterone and ripped, acid-washed denim!
Standout Track: “Possession”

Durand Jones & The Indications ::PRIVATE SPACE:: Though this year-end list is more devoid of soul compared with past years’ lists, Durand Jones and the Indications kept the party going in 2021 with PRIVATE SPACE. The band has found a nice balance in showcasing the talents of both Durand Jones’ soulful voice alongside drummer Aaron Frazer’s falsetto. Baltimore, MD-native Frazier was busy this year, smacking skins for Yola on her sophomore release (more on that later). The latest Indications record features a band that has settled into a more mature, fresh, organic soul sound.
Standout Track: “More Than Ever”

Hovvdy ::TRUE LOVE:: Likely to be the record most regrettably not in this year’s top ten, Hovvdy’s (ugh, the two “v’s” in place of the “w” is super cringe) TRUE LOVE checks a lot of boxes. An early December discovery via Spotify (you know when they do that thing where you finish listening to a record and it auto-suggests stuff? Yeah, this is how TRUE LOVE first hit these ears), it’s anyone’s guess how frequently this record would have been spun had it reached these ears sooner. Compared with prior longplayers, TRUE LOVE sounds more realized, more serious…older…more wistful; all things that comport with our Current Times™. Will Taylor’s and Charlie Martin’s harmonies are like lullabies easily whisking listeners away from whatever hellscape 2021 ushered in.
Standout Track: “True Love”

Hurry ::FAKE IDEAS:: Philadelphia has long been pumping out stellar music, and Hurry definitely has a place in that melee. Matt Scottoline probably explains the record best with his “15 songs that influenced FAKE IDEAS” interview with Brooklyn Vegan. Forever a sucker for great guitar and vocal melody (and harmony), Hurry’s latest is chock-full of all the above. Scottoline opted to leave the swirly chorus pedal off the board for this record, and it was definitely a welcome decision.
Standout Track: “How to Cope”

Jodi ::BLUE HERON:: Pinegrove multi-instrumentalist Nick Levine released his debut record under the moniker Jodi in 2021. It’s not too far a stretch from Pinegrove, but that sort of thing generates ZERO complaints from this keyboard. Levine’s low-register and soft vocals lilt over rich guitar, bass, drums, keys, and the occasional pedal steel guitar. BLUE HERON sounds like a collection of Pinegrove b-sides with different vocals - and again - this is NOT a bad thing.
Standout Track: “Get Back”

Joe and The Feels ::UNSUPERVISED:: Little Rock, Arkansas supergroup Joe and the Feels is the songwriting outlet for Joe Yoder, who formed the band back in 2018 alongside Little Rock stalwarts Andy Warr and Dave Hoffpauir. Recorded at the Little Rock institution Fellowship Hall Sound, the record sounds seasoned - and unlike that of a typical debut record. But it is still loose in all the right spots. Yoder’s southern howl smacks here and there of some of our favorite Futurebirds songs.
Standout Track: “Beef”

Julien Baker ::LITTLE OBLIVIONS:: Ever since 2015’s SPRAINED ANKLE, these ears have oft wondered what Julien Baker would sound like with a full band behind her. The answer lies on LITTLE OBLIVIONS, which is a sonic combo punch of Baker’s soaring vocals, bone-cutting lyrics, and now lush, synth-driven music to augment what was already a piercing force. Baker’s songs, still heavily emotive, don’t seem to punch as hard in this format, but they still punch like hell.
Standout Track: “Faith Healer”

Ladybird ::INTRODUCING… (EP):: In the mid-1990s (or as the kids say, the “late 1900s”), “alternative-country” was gaining traction. Bands like Uncle Tupelo, Son Volt, Wilco, Blue Mountain, Whiskeytown, The Old 97s etc., were in constant rotation in and around whatever stereo/cd player I had nearby. My musical tastes would evolve with the marching of time, but I’ve always had a soft spot for alt-country, and if there was any band that scratched that itch this year, it was Milwaukee Wisconsin’s Ladybird. Singer/songwriter Pete Freeman had actually been on my radar (read: my social media “people you may know”) for years given he is originally from the Frederick, Maryland area (where I was a rank stranger for exactly four years). I finally gave into the recommendation and am glad I did. Despite probably being a gleam in his father’s eye or maybe an infant back in the mid 1990s, Freeman has done his homework and his simple, country-tinged rock-n-roll is both a breath of fresh air and an exercise in late 1990s nostalgia.
Standout Track: “End of the World”

Lucy Dacus ::HOME VIDEO:: It wasn’t until 2021’s HOME VIDEO that Lucy Dacus found her way on this list for a solo effort. For example, the Boygenius EP was on this year-end list in 2018, but even then, the Dacus-penned songs were the least-spun. HOME VIDEO is hitting all the right spots. Dacus’ vocals are wistful, nicely matching the sonic palate of the record. “Nostalgia” may be the wrong term for the narrator’s wrestling with faith and coming of age in evangelical youth groups, but like faith itself, sussing out meaning from it can be complicated and confusing.
Standout Track: “First Time”

Mike and the Moonpies ::ONE TO GROW ON:: Topping 2019’s CHEAP SILVER AND SOLID COUNTRY GOLD is a tall order, and though Mike and the Moonpies come close with their fiery Texas honky tonk twang, they don’t quite achieve the feat on ONE TO GROWN ON. Still, these songs are the perfect soundtrack to a sultry summer night at the White Water Tavern where you’ve had just enough to make the kind of mistakes you can live with…
Standout Track: “Hour on the Hour”

Ovlov ::BUDS:: Plain and simple - Ovlov continues to scratch this Generation-X, former grunge kid itch that is still here some twenty-five years later. Fuzzy guitars, dark vocals, and huge drums? Yes, please!
Standout Track: “Moron Pt. 2”

Peter Bruntnell ::JOURNEY TO THE SUN:: This record did not receive nearly the number of spins it deserves. Bruntnell was like a clock during the darkest days of the COVID-19 pandemic, routinely streaming acoustic performances on his various social media platforms. It was there where many of the songs that would end up on JOURNEY were fleshed out. It’s also evident that the record was made in the pandemic, as many of the songs are stripped down, and those with drums sound inorganic (i.e., like drum loops). But none of that takes away from the fact that Bruntnell is still writing top-notch songs deep into his career.
Standout Track: “Merrion”

Pinegrove ::AMPERLAND, NY:: One of Pinegrove’s greatest strengths is building out variations of recorded output into whole new landscapes live (or sometimes on subsequent recordings). Prime example of this is the half-realized version of “Angelina” from EVERYTHING SO FAR as compared to how the band played it live with a much more forceful drum and bass; a version which would then find itself on a later recording). AMPERLAND is a “live from the home studio” performance (with accompanying movie) where new life is breathed into the band’s previously recorded songs that - let’s be fair - weren’t all that ‘studio-stale’ to begin with. Recorded output is like a snapshot in time, and AMPERLAND is a snapshot of a band at its best.
Standout Track: “The Metronome”

serpentwithfeet ::DEACON:: Quite possibly one of the most beautiful sounding records on this list, Josiah Wise’s musical moniker serpentwithfeet mixes a pitch-perfect falsetto over crisp R&B and gospel sounds that isn’t afraid to get gothic from time to time. DEACON finds the Baltimore, MD native crafting songs about finally finding love, and being unabashedly, wholly consumed by it.
Standout Track: “Old & Fine”

Silver Synthetic ::SILVER SYNTHETIC:: Had this record hit these ears sooner than mid-December, it would likely be WAY higher on this list. Talk about “checking all the boxes!” Silver Synthetic sounds like a band that has taken all the best parts of SINGLEWIDE-era Dexateens, the greasy-honk of Natural Child, and the southern lilt of the Futurebirds all wrapped into one package. SILVER SYNTHETIC is the band’s debut, and given how heavy it’s been in rotation around here the past week, here’s to hoping the band has more in the chamber for the near future…because this record is about to get worn out!
Standout Track: “Unchain Your Heart”

Snail Mail ::VALENTINE:: The love around here for Baltimore-based artists is strong, and though not among the top ten, the title track to Snail Mail’s VALENTINE get’s my vote for song of the year. Lindsey Jordan has spent the past couple years orbiting the indie rock world on an erratic meteor that might veer off course to crash and burn at an instant. So far, Jordan’s cocktail of equal parts talent + youthful brattiness has served her well, and both of these components are heavily present on VALENTINE.
Song of the Year: “Valentine”

The Sonder Bombs ::CLOTHBOUND:: No, you’re right…that’s an electrified, distorted, heavily strummed ukulele during the breakdown in “Papillon", the opening track on the Sonder Bombs’ sophomore record. Infectious pop melodies throughout, it’s a shame that this record got lost in the shuffle partly thanks to its early 2021 release. However, a spin provides the listener with a mix of power pop, punk, and even 90s alt vibes - replete with, again, angsty ukulele!
Standout Track: “Play it by Fear”

Son Volt ::ELECTRO MELODIER:: Son Volt’s output in recent years has left a lot to be desired. NOTES OF BLUE (2019) is arguably the band’s best work since 2005’s OKEMAH AND THE MELODY OF RIOT. The thread sewing all of these records together, including this year’s ELECTRO MELODIER is Jay Farrar’s songwriting continues to get more “on-the-nose.” Farrar’s earlier Son Volt song lyrics, as well as those with Uncle Tupelo, were usually more cryptic. Here, on songs like “War on Misery” and the single “Living in the USA” there’s no veil shrouding the songs’ meanings. Sometimes this works…but it is possible to be a bit too on-the-nose. All told one of the more solid efforts from Farrar and co. this late in Son Volt’s career. Even fans of Farrar’s solo work will enjoy the blending of band + solo record sounds (give “Diamonds and Cigarettes” a listen, as it sounds like a B-side from SEBASTOPOL to these ears).
Standout Track: “Diamonds and Cigarettes”

Tuns ::DULY NOTED:: In a world that doesn’t seem to give us enough Sloan, Flashing Lights, and Super Friendz, we have Tuns - which features Chris Murphy (Sloan) and Matt Murphy (Super Friendz, Flashing Lights) [PS: no relation, btw] bringing a bit more stripped-down version of the Canadian arena-rock styles oft heard in their primary projects. For years this was a mashup fans of all the above bands dreamed of, and it continues to deliver.
Standout Track: “We Stand United”

The War on Drugs ::I DON’T LIVE HERE ANYMORE:: Plenty of others will be able to sing the praises of Adam Granduciel and his outfit the War on Drugs. As a kid, I remember taking family trips to the K-Mart or wherever, and my pops playing the local top-40 radio station in the car. Mind you, this was the late 1980s…and there is something about the way Granduciel crafts his songs that fit that mid-to-late-80s-in-the-car-with-the-fam-going-to-K-Mart-listening-to-Top-40-radio vibe. The Super-Soft™, yet somehow driving rhythm section that punctuated LOST IN THE DREAM and A DEEPER UNDERSTANDING are still present, but the new color on the palette is the synth sounds, which is where I think the above “K-Mart” vibe mentioned above is coming from. And let’s not forget how understated a guitarist Granduciel is. This record is definitely a grower, and an earlier release likely would have led to a deeper dig into the lyrics, and a greater connection.
Standout Track: “Change”

Yola ::STAND FOR MYSELF:: It’s probably unfair to judge an artist’s current record compared with their prior work; and instead judge their work against all the other releases of the year. If doing the latter, Yola’s sophomore solo record is a certified banger and belongs on many year end lists…but if judging using the former criteria, some of the initial wonder and excitement when first hearing Yola (particularly those of us unfamiliar with Yola’s prior outfit Phantom Limb) has lost its sheen. It’s sad when our brains work that way, because on it’s own, there is a LOT to love here: Soul-soaked vocals, crackshot production (thanks again, Dan Auerbach), and a shit-hot band, to boot. But when you come out of the gate as hard as Yola did on her solo debut, it’s tough to keep up that momentum. Still, there’s little doubt that in a world without WALK THROUGH FIRE, we’d likely be singing as high praises for STAND FOR MYSELF.
Standout Track: “Starlight”

::The Rank Stranger’s Top Ten Records of 2021::

The thirty records above are all great - and highly recommended. It also is a glimpse into the broader spectrum of genres that got heavy play in 2021. But given how relentless 2021 has been (and on the heels of the equally shitty 2020), the records that got the most play are indicative of a regression to more comfortable spaces: That of “sad white guy music.”

Over the past five years, my partner has been a boon to my music listening habits; introducing me to new music that likely would not hit my radar if left to my own devices. As such, my record collection has recently seen more representation from female artists or bands with a significant female presence, as well as nonwhite artists from varying genres (i.e., soul, R&B, HipHop, country, punk).

But the constant beating of Pandemic Life on me, my partner, my family, my friends, and my communities found me seeking refuge in familiar places. All of this is noted not as an apology, but instead as self-reflection for this snapshot in time. With that, here are the ten records that best served as a warm security blanket for me in 2021.

10. The Pink Stones ::INTRODUCING…THE PINK STONES:: See the above blurb on Silver Synthetic. Then take a little more Futurebirds, and a little less Dexateens and about as much Natural Child, then set the band down in Georgia and toss in a pedal steel guitar for good measure. For those who cut their teeth on alt-country and southern rock-n-roll (not to be confused with Southern Rock™), the lilting, road-trip-worthy sounds of the Pink Stones would be a good prescription for those looking to escape the current hellscape of 2021 (and trust me on that…I’m a doctor). This record should probably be listened to outdoors, or preferably in a car with at least two windows down.
Standout Track: “Put Me On”

9. Tigers Jaw ::I WON’T CARE HOW YOU REMEMBER ME:: Sometimes in a relentlessly emotionally-draining two years, you seek refuge and solidarity in emo-punk records. If you’re prone to doing so, it’s tough to go wrong with Tigers Jaw. Hell, the refrain in the chorus of the title track repeats “I see the pain not healing…I see the same things still overwhelm” (see the years 2020 AD and 2021AD for a review). Ever since Ben Walsh and Brianna Collins took over songwriting duties circa 2016, the band has continued to gel around their voices and their pop-punk-emo harmonies. Those who enjoyed 2017s SPIN, will not be disappointed - and for those who are intrigued by this blurb, then you’re in for a hell of a on-two punch from Tigers Jaws’ most recent two studio offerings.
Standout Track: “Hesitation”

8. Valerie June ::THE MOON AND STARS: PRESCRIPTIONS FOR DREAMERS:: On a snowy February evening in 2019, I trekked down to Ram’s Head On Stage in Annapolis, Maryland to see one of my favorite songwriters, Thad Cockrell, opening for Valerie June. At the time, I knew very little about Valerie June, and what with the heavy snow falling outside, and my having an hour+ drive back to my homeplace in Frederick, Maryland at the time, I nearly bailed on her set. But I told myself I’d stay for the first two songs and then decide whether or not to leave. The next thing I knew, I was standing in line to tell Ms. June that her vocals reminded me of all the old Hazel Dickens and Alice Gerrard recordings I’d listened to over the years. Valerie came out from behind her greeting table to give me a big hug and say “that’s the best compliment I think I’ve ever been given…I’ve been big fans of them for as long as I can remember!” Needless to say, I’ve now been a big fan of Valerie June since this night, and THE MOON AND STARS has often been a necessary lullaby for These Times™. The sounds on this album are pretty atmospheric and sparse, but June’s vocals are the constant ground wire holding everything from floating away. Just gorgeous music.
Standout Track: “Colors”

7. John Paul Keith ::THE RHYTHM OF THE CITY:: While retreating into the comfort of familiarity, sometimes keeping it simple is a wise move. “Simplicity” seems to be the foundation of THE RHYTHM OF THE CITY, which once again finds John Paul Keith finding inspiration from founding giants of rock-n-roll, crates of rare records littering record stores across Memphis, Tennessee (Keith’s home base), and 70 years worth of Memphis’ vibe and history that seems to pour out of these songs. Maybe “simplicity” is the wrong word here; better described as “deliberate” because despite Keith’s ability to scorch these songs with fiery guitar, he dials in just the right amount on each one. Careful, repeated listens might cause you to go buy a vintage Telecaster and Fender Deluxe Reverb (not that I am speaking from experience or anything)!
Standout Track: “Ain’t Done Loving You Yet”

6. Andrew Bryant ::A MEANINGFUL CONNECTION:: As if dealing with a Global Pandemic over the past two years wasn’t enough, listening to Andrew Bryant’s latest is a reminder that some folk also have been dealing with a passel of personal issues such as staying sober, fatherhood, ending, starting, and maintaining relationships….it’s a LOT. And rightfully so, the narrator on these songs sounds weary, and at times cynical…which actually feels like appropriate emotions that my own Gen. X heart understands all too well. Each successive record Bryant has released has been better than the last - another positive when the breakup of a band (in this case, the Water Liars) fosters a greater yield of good music from each songwriter as a solo artist.
Standout Track: “Reality Winner”

5. Laura Stevenson ::LAURA STEVENSON:: Not being all that familiar with Jeff Rosenstock, (whose prior outfit Bomb The Music Industry! was where Stevenson first hit the scene as the band’s keyboard player), it was not only shocking how damn good Stevenson’s self-titled 2021 release was, but also that it was her SIXTH studio record since 2014! These songs are lush. Equal parts BIG guitars and Super Soft™ tunes keeps the listener’s attention. For the reader who is new to Stevenson (like me), rejoice in the notion that once you’re fully saturated from listening to this record, you have FIVE more prior releases to also check out!
Standout Track: “Continental Divide”

4. Golden and Rust ::GOLDEN AND RUST:: I’ve not written a complete song in over a decade…I’ve got a ton of half-written concepts, but none fully realized. I lovingly blame Joey Kneiser for this. Kneiser has been a major influence on my listening and writing since he fronted Murfreesboro, Tennessee’s Glossary, and despite my studying his craft all these years, with each release, I am reminded that my level of talent is light years away of where it needs to be to craft songs like these. On GOLDEN AND RUST, Kneiser teams up with Nashville songwriter Lew Card, whose own craft is similar enough to Joey’s that the record is nice and even (and not unlike, say, when you have a group presentation or term paper where each individual voice is clearly noticeable). Golden and Rust prominently features some familiar names such as Bingham Barnes (Glossary) on bass, Matt “Mr. Jimmy” Rowland (Glossary) on keys, and Whit Wright (American Aquarium/Nashville session player) on pedal steel guitar: All of whom contribute to the nostalgia for that early-aughts Glossary sound that has been sorely missing from our stereos and stages as of late.
Standout Track: “Ruby”

3. The Hold Steady ::OPEN DOOR POLICY:: For young songwriters who cut their teeth on writing about their own youthful exploits (or in the case of Craig Finn, sometimes just observing other youths’ exploits), what happens when the passage of time ages them out of those scenes? It would be weird for a fifty-something year old songwriter to expect his or her forty- and fifty-something year-old fans to continue to connect with the 24-hour Party Kids’™ world of drug deals, hookups, breakups, overdoses, and general bad decisions. Here’s the thing…those 24-hour Party Kids get older too…and they’re likely still making suspect decisions - just on a smaller scale be it drug use (“Spices”), low key drug deals (“Heavy Covenant”), rehab (“Lanyards”, “Family Farm”), and drug-fueled hookups (“Hanover Camera”). And for whatever reason, all of this works, which is a hopeful harbinger for more Hold Steady records like OPEN DOOR POLICY - arguably the band’s best since their late twenty-aughts halcyon days.
Standout Track: “Spices”

2. Marie/Lepanto ::GULF COLLIDE:: In our world of streaming services, it is a bold move for an artist or band to not include their latest record on Spotify. Songwriting team Justin Peter Kinkel-Schuster (fmr. Water Liars) and Will Johnson (Centro-matic; South San Gabriel), whose sophomore release as Marie/Lepanto is an example of this boldness. GULF COLLIDE not only had a limited run of 500 physical copies, but remains streamable only via bandcamp. But here’s the thing: This record is so damn good that it’s a pretty easy decision to pause whatever you’re spinning on Spotify and dial up the Marie/Lepanto bandcamp player. And once you’re there, you’re likely to stick around and spin the whole thing. Kinkel-Schuster and Johnson are releasing their best solo career-era songs on GULF COLLIDE. Will Johnson, in particular, fills up that massive early Centro-matic sized chasm that has been around since the band’s 2014 swan song TAKE PRIDE IN YOUR LONG ODDS. However, the fuzzed out guitar leads are more reminiscent of REDO THE STACKS-era Centro, which is welcome to these ears! Indeed, the ‘Standout track” “Eureka Flame” sounds like the proper answer to SOUTH SAN GABRIEL SONGS/MUSIC’s “Proud Son of Gaffney” with the latter half of the song just harmonized howling. Even Kinkel-Schuster amps up his songwriting (harkening back to his Water Liar days), though the true feature on GULF COLLIDE are the two singers’ vocal harmonies - which sound more like a pair who have been singing together for decades, let alone for just two albums.
Standout Track:Eureka Flame

1. Drew Beskin ::PROBLEMATIC FOR THE PEOPLE:: Athens Georgia’s most prolific songwriter returns with what might be his finest collection of songs to date - from any of the myriad of projects to which he’s lent his songwriting pen. With a not so subtle nod of an album title, Beskin comes out swinging with “I’m Not Human” - a masterclass in power pop melody and groove. And the record continues along that trajectory til the end. Full of “good earworms” I spent an outsized number of days walking around singing “there’s more bad days than good…” In my mind it was just a memorable line with a poppy melody…until I was in public softly singing it and a stranger remarked “no shit, buddy.” The thing is, this record represents so much of what I listen for in a record: Infectious pop melodies, crisp instrumentation that is not too over-telegraphed, great vocals and harmonies, and clever songwriting where song narrators wrestle with their takes on the daily grind of life, relationships, religion, etc. Here’s hoping Beskin not only continues along this trajectory, but also revives what was once an Athens music scene thicc with music similar to this effort. And with that, I am gonna let the lilting steel guitar line from this record’s standout track float me into 2022…
Standout Track: “Atlantic”

Shows Attended in 2022

Not surprisingly, this is another light list, but at least we made it out to a few…

[1.] Julien Baker w/Thao Nguyen; Haw River Ballroom; Saxapahaw, NC; Sept. 8, 2021
[2.] “Magic” Mike w/ Lydia Loveless, Chip Robinson, and D.J. Lewis; Local 506; Chapel Hill, NC; Sept. 11, 2021
[3.] Kathleen Edwards w/ Mick Flannery; Haw River Ballroom; Saxapahaw, NC; Sept. 16, 2021
[4.] John Howie Jr. and the Rosewood Bluff w/ Dylan Earl; Local 506, Chapel Hill, NC; Oct. 1 2021
[5.] White Water Tavern Holiday Hangout Night 1: Joe and the Feels, Isaac Hoskins, Adam Faucett & the Spectral Class, Nikki Hill, John Paul Keith, Alvin Youngblood Hart, Lee Bains III and the Glory Fires; Little Rock, AR; Dec. 3, 2021;
[6.] White Water Tavern Holiday Hangout Saturday Songwriter Round: Shane Sweeney, Jason Kutchma, John Calvin Abney, Joey Kneiser; Little Rock, AR; Dec 4, 2021
[7.] White Water Tavern Holiday Hangout Night 2: Isaac Alexander, Tim Easton, Rev. Greg Spradlin, Bonnie Montgomery, Cory Branan, Joey Kneiser & Kelly Smith (feat. Lew Card), Slobberbone; Little Rock, AR; Dec. 3, 2021;
[8.] The Dinwiddies w/ Dylan Earl and Willi Carlisle; The Wicked Witch; Raleigh, NC; Dec 18, 2021

The Strangers Almanac Year In (End) Review: 2020

Ugh.

During the penultimate weekend of February 2020, I was in in the Raleigh-Durham-Chapel Hill triangle for what was dubbed “rock n roll weekend” as my old college buddy and I designed a weekend of escapism that involved seeing the Archers of Loaf on Friday Feb 21 at the Cat’s Cradle in Carrboro, NC, consuming copious amounts of barbecue, Bojangles, bourbon, and Time-Out chicken biscuits, hooking up with a cadre of musical pals and playing lots of loud music of our own, and culminating with seeing Sloan in the “back room” of the Cat’s Cradle that Sunday.

During this trip, I also made a pit stop in Richmond, Virginia to sign the final paperwork on a three-year-old personal injury lawsuit surrounding a car accident that happened in March 2017 which would forever alter my back, neck, and strength of each. The settlement was nice, but I think I would rather not have a lifetime of brain fog and chiropractic visits to wrestle with moving forward.

Consider all this with the fact that in January, the lady friend and I had just seen one of the best shows in some time when Yola (who was the #1 record of 2019 here at the Strangers Almanac) came through our Nation’s Capital and played the shit out of the Nightclub 9:30!

So it would seem that 2020 was off to a good start, yeah?

No.

Less than a month after that Sloan concert at the Cradle, the President declared a National Emergency due to the COVID-19 Pandemic that was, at that time, raging on the east coast from New York down to Maryland & DC. Soon after, the community college where I crunch numbers closed our campus, and the four-year private college where I adjunct followed suit. All of a sudden we were scrambling for technology, toilet paper, milk, eggs, and peanut butter as businesses shuttered doors, hospital ICUs overflowed, doctors, nurses, and frontline workers made some heart-wrenching sacrifices. In addition, there was gross mismanagement by both federal and state governments blanketing the nation under a cloud of confusion and fear.

It’s probably presumptuous to note that I am only stating the obvious above for when folks read this post years down the road (viva la Strangers Almanac!) - because god knows none of us need to re-live it now, at the close of 2020.

The thing is, 2020 was a shit year for reasons beyond the Pandemic. My pops had a scary visit to the cardiologist that resulted in immediate open heart surgery (which, silver lining, likely saved his life). We lost Alex Trebek to pancreatic cancer. And our nation erupted in a renewed effort to bring racial injustice to the forefront of the national agenda in the wake of the murders of George Floyd, and Breonna Taylor by police, and Ahmaud Arbery by two white men who hunted him down and murdered him in his own neighborhood.

But it will be hard to talk about 2020 without the losses experienced directly and indirectly from COVID-19. I had dear friends who contracted the disease, and thankfully survived. But I also had friends and colleagues lose loved ones to it. A subset of Americans, egged on by the President, politicized damn near every safety precaution that they felt infringed on their freedoms, and left the rest of us feeling like the ones in the group who wind up doing all the work on a class project while the others fuck off.

The impact of COVID-19 on music writ large is still accumulating. As someone who averages 50-100 concerts per year, my show list in 2020 stands at 6 shows: 2 local, and 4 regional. My band, Dumb Valley has grinded to a halt - and the few times we’ve tried to get together there’s been a scare from someone’s family member possibly being exposed to COVID, or kids with the sniffles.

Caution is currency.

We’ve also seen several venues close their doors as revenues dried up in the absence of performers and patrons. If there has been any silver lining during all this, it is that since the lady friend and I have saved so much money by NOT going to shows and traveling, it has allowed us to donate directly to venues (i.e., Save Our Stages) and artists through their virtual tip jars while they did livestream performances, or via their Patreon accounts.

Perhaps the silverest of linings is that being home ALL THE DAMN TIME meant lots of time to consume music. And consume music I did! Despite the river of shit that flowed constantly through this year, there were a LOT of stellar records released this year; some highly anticipated and critically acclaimed (i.e., Fiona Apple and the Dixie Chicks), some anticipated releases by newer independent artists (i.e., Zephaniah OHora), and new artists who hit the radar this year (see below for more on that).

So yeah. Fuck 2020.

Let’s talk about the ungodly amount of music consumed while ass-fixed to my home office chair. The “top ten” records of 2020 are followed by a list of “elevens”, that is, records that could have easily been # 11, but are included together as w group because any one of them could be the true #11 depending on the day. Also ,below this paragraph is a Spotify playlist with each of the “Standout Tracks” for the listed records (with one standalone addition of Ben Gibbard’s “Proximal B”, which has not yet been released on a full record. Feel free to listen along while you read. Also, each album cover is linked to the album on Spotify. Click those if you want to hear more (highly encouraged!)

::The Rank Stranger’s Favorite Songs of 2020:
A Playlist::

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Thirty-Five Elevens

(in Alphabetical Order)

2nd Grade ::HIT TO HIT:: Fun record that has the slack philosophy of Pavement, and the indie spirit of a Chapel Hill band circa mid 1990s. 2nd Grade are one of an impressive cadre of acts currently calling Philadelphia home. There’s a mix of musical stylings on HIT TO HIT, and the guitar solo on “100 hrs” is worth the price of admission.
Standout Track: “100 Hrs”

American Aquarium ::LAMENTATIONS:: Singer/Songwriter BJ Barham is arguably one of the more hard-working and resilient musicians of his generation. Six years sober, & a slate of new musicians making up the band whose moniker he plucked from a Wilco song fifteen years ago when the band stared; Barham is writing the most mature and important songs of his career on LAMENTATIONS
Standout Track: “The Long Haul”

John Anderson ::YEARS:: Part of the reason Yola’s WALK THROUGH FIRE landed at the top spot on this list last year was the gorgeous production of The Black Keys’ Dan Auerbach. Anderson, who tapped Auerbach to produce YEARS, is quoted on his website saying about recording vocals: “Let’s get everything because I might not wake up.” That’s a hell of a motivating force for a 66 year-old country giant.
Standout Track: “Tuesday I’ll Be Gone” (feat. Blake Shelton)

Fiona Apple ::FETCH THE BOLT CUTTERS:: This record will no doubt end up toward or at the top of many year-end lists. An overheard take on FETCH THE BOLT CUTTERS that resonated around here was “the songs on this record sound like what anxiety feels like.” However relatable, this record is worth of the praise it continues to garner. But be careful, one listen and you’ll find yourself with the songs stuck in your head for days…
Standout Track: “Shamekia”

Bad Moves ::UNTENABLE:: DC Punk/Hardcore/Indie torchbearers come correct with their follow-up to 2018’s stellar TELL NO ONE. The songs on UNTENABLE live up to the album name - songs about personal, social, and personal crisis set over riffs and pop hooks. With three songwriters contributing, there’s likely more to come from a group that quickly cemented their place among the brutalist DC scene.
Standout Track: “Cape Henlopen”

Andrew Bryant ::SENTIMENTAL NOISES:: Some artists have an ability to translate “place” into “sound.” Adam Faucett (Central Arkansas), early Whiskeytown (Eastern North Carolina), and Andrew Bryant with Northern Mississippi. Every record Bryant releases sounds like it could be the soundtrack to a hazy, humid, Mississippi evening around dusk…the perfect environment for secrets and loneliness.
Standout Track: “Lucky Cigarette”

The Chicks ::GASLIGHTER:: Country music has a storied history of “bucking the system.” In 2003, the formerly “Dixie” Chicks found themselves embroiled in controversy after singer Natalie Maines noted “we’re ashamed that that President of the United States is from Texas” in reference to the US participation in the Iraq war. After two albums with underwhelming sales and a nearly 10 year hiatus, the Chicks - who dropped “Dixie” in the wake of racial injustice and tension in America, realizing the negative connotation associated with the word - are back with GASLIGHTER; a record steeped in anthems for social unrest (“March March”), empowering women (“Juliana Calm Down” with its refrain of “put on your best shoes and strut the fuck around like you’ve got nothing to lose.”), and of course, dudes being shitty (“Sleep at Night”). GASLIGHTER is as timely as it is good!
Standout Track: “March March”

Tyler Childers ::LONG VIOLENT HISTORY:: Artists on the top of their game have been known to completely break from their sound to disrupt the monotony. Neil Young did so with TRANS and RE-AC-TOR, Uncle Tupelo with MARCH 16-20, 1992, more recently Sturgill Simpson with SOUND & FURY (more on him later). Though, in Childers’ case, an album of old fiddle tunes is less a stretch, as these same ancient tones have graced both PURGATORY and COUNTRY SQUIRE, albeit dressed up with drums and electric guitars. Still, it is pretty bold to release a 9-song record where 8 songs are instrumental fiddle tunes. But the closing track packs a heavy message…best explained by Tyler himself.
Standout Track: “Squirrel Hunter”

Dawes ::GOOD LUCK WITH WHATEVER:: Nine songs clocking in at 40 minutes, Dawes play it safe on their seventh studio album with more Laurel Canyon Dad Rock (not a bad thing). Slightly more uneven than prior efforts, but still a pleasant escape to warmer, breezier sounds during the cold, stale pandemic.
Standout Track: “Good Luck With Whatever”

Dead Stars ::NEVER NOT HERE:: Brooklyn, NY power pop/fuzz pop band Dead Stars released their 4th record NEVER NOT HERE in early 2020 (Feb. 21), and it has remained in heavy rotation. Gen X kids reared on mid 90s grunge should find a lot of purchase with Dead Stars. Indeed, fuzzed out pop hooks evoke early Superdrag and any number of bands on those old Sub Pop compilations. The songs and hooks stand on their own while scratching that itch for Doc Martens and flannel.
Standout Tracks: “Hold My Breath”; “Story of Your Life”

Diet Cig ::DO YOU WONDER ABOUT ME:: Diet Cig’s latest record in a word: CATCHY! In the throes of pandemic lockdowns on the east coast, Alex Luciano’s saccharine indie pop was a needed boost. Regardless of your age, the songs on DO YOU WONDER ABOUT ME have the ability to make the listener temporarily return to more youthful bliss.
Standout Track:Broken Body”

Drive-By Truckers ::THE UNRAVELING:: One of two releases by DBT in 2020 (THE UNRAVELING released in January, and THE NEW O.K. released in October), both records share in themes of social unrest and heavy political messaging from characters who are no stranger to the down and out. THE UNRAVELING shows up here simply because there was more time to let the album sink in. Patterson Hood sounds more like a Southern Professor shouting to an auditorium of students in a Cultural History course than he does a guy on a rock stage. While Mike Cooley brings songs that continue to sound like the brink of disaster if things don’t go just right. The more spins this album gets late into the year, the more important it feels.
Standout Track: “Thoughts and Prayers”

Kathleen Edwards ::TOTAL FREEDOM:: One of the most anticipated releases of 2020, and one of the few artists where we tuned into a livestreamed performance of this record in its entirety at Edwards’ coffee shop Quitters in Stittsville Ontario. TOTAL FREEDOM is Edwards’ first release since 2012’s VOYAGEUR, which was co-produced by Bon Iver, and the last record she made before deciding to quit music. We’re all the better for Edwards deciding to quit quitting and return to music. Produced by longtime friend and collaborator Jim Bryson, TOTAL FREEDOM can rightly be called a “return to form” (though one may argue that Edwards’ writing has been fairly consistent over the years since FAILER was released in 2003). Indeed, if any of the 35 records in this section were the true #11, this would be it.
Standout Tracks: “Options Open”; “Who Rescued Who”

The Jayhawks ::XOXO:: The Jayhawks have been making music together in some form or fashion for an impressive thirty-five years. Most known as a band featuring the dual songwriting and harmonies of Gary Louris and Mark Olson, one may find it shocking to consider that Olson left the band in 1997, only to return on one other Jayhawks record: 2011’s MOCKINGBIRD TIME. But sinde 1997, the Jayhawks have primarily consisted of Louris, drummer Tim O’Reagan, bassist Marc Perlman, and keyboardist Karen Grotberg. One oft overlooked component of this era of the Jayhawks is the strength of O’Reagan’s songwriting. For example, “Dogtown Days” is peak Minneapolis, and sounds like a lost Tommy Stinson-penned Replacements tune. O’Reagan’s and Grotberg’s harmonies with Louris are also every bit a sweet as those heard with Olson in the band’s salad days. Don’t sleep on Louris’ great lead guitar playing. Overall, a really strong effort by this veteran “alt-country” band.
Standout Track: “Bitter Pill” [listen to that chick’in pickin!!]

Will Johnson ::EL CAPITAN:: Arguably the most prolific songwriter of his generation, former centro-matic quarterback released his 8,371st record of his career this year, and it’s every bit as cryptic, bleak, and sparse as we’ve come to expect. Just gorgeous and lonely soundscapes all around.
Standout Track: “Ocean/Sea”

Ruston Kelly ::SHAPE & DESTROY:: If 2018’s DYING STAR was a glimpse into the late-night, drug-and-drink-hazy East Nashville exploits of a broken character trying to tame his blaze into a flicker, SHAPE & DESTROY is about those same characters - now sober - dealing with episodes of relapse. You get the sense that the narrator of these songs was doing really well…and then just fucked up. These songs seem to drip with sorrow and regret; from characters who still haven’t shaken the poison out of their system from the night before and trying to decide if their first call is to their lover or their sponsor. Knowing Ruston Kelly’s backstory, it might not be a stretch to think these songs are mostly autobiographical. If nothing else, his presentation of them is definitely believable.
Standout Track: “Changes”

Kestrels (Feat. J Mascis) ::DREAM OR DON’T DREAM:: Lush shoegaze out of Halifax, N.S., Kestrels stand on their own as a badass trio with a HUGE guitar sound and gorgeous vocal harmonies. But why stop there? To push the limits, they enlisted J fucking Mascis to litter glorious lead guitar all over the songs. This record is incredibly fun.
Standout Track: “Grey and Blue”

Khruangbin w/ Leon Bridges ::TEXAS SUN:: (EP) Whereas Khruangbin’s full-length MORDECHAI will likely show up on more year-end lists, this marriage between the eclectic Texas trio and Houston soul/R&B singer Leon Bridges was a fine match. The title track is a bona-fide two-windows-down jam; the perfect soundtrack to a road trip across the Lone Star State, chasing the fading daylight.
Standout Track: “Texas Sun”

The Lees of Memory ::MOON SHOT:: If there ever were a band made for pandemic-era music-making, it’s the Lees of Memory. Former Superdrag alum John Davis and Brandon Fisher have been crafting DIY records since 2014’s SYSYPHUS SAYS, and doing so often. MOON SHOT is the band’s fourth full-length record in six years (and one of those four was a double-album). One benefit of being able to craft and demo music at your home all day is it left room to explore new sounds. For example, recent Lees’ records featured pedal steel and sitar on some tracks. But MOON SHOT comes closest to those old shoegazey, fuzzy, poppy, Beatlesesque Superdrag records of old, and we ain’t mad about it.
Standout Track: “Crocodile Tears”

Jason Molina ::EIGHT GATES:: “Ghosts” are no stranger in the songs of Jason Molina. Fitting that this posthumous release features sparse, eerie arrangements and waif-like vocals - as if Molina himself is the ghost in these songs. It’s not all gloom as the listener can catch birds singing in the background between each track - a comforting touch to balance the darker songs. An interesting inclusion comes in the back-and-forth between Molina and whomever else was in the room at the beginning of "She Says” where Molina quips “The perfect take is just as long as the person singing is still alive…” These takes may not be perfect; hell, many of them aren’t even complete songs, but this is a ghost that can keep haunting our ears for years to come.
Standout Track: “Shadow Answers The Wall”

Mandy Moore ::SILVER LANDINGS:: Without getting into the drama that has plagued Mandy Moore throughout her life (including her marriage to this asshole), one thing that has emerged in recent years is that Moore has been trying her hand at songwriting, working to break away from the teen pop star moniker and establish herself as a songwriter. SILVER LANDINGS sounds like Moore catching a new stride. It helps that she assembled some crack shot musicians for this project, including current husband and Dawes frontman Taylor Goldsmith, who also has a “composer” credit "(alongside some other noted names such as Chris Walla of Death Cab for Cutie, Lori McKenna, and Natalie Hemby, known for working with top 40 country artists, and as a member of the Highwomen). Goldsmith’s brother Griffin contributes percussion, and Nickel Creek alum/I’m With Her founder Sara Watkins who contributes vocals and fiddle. This is all to say that SILVER LANDINGS is rich with musical textures, grounded in a breezy Laurel Canyon rock/Fleetwood Mac vibe. The narrator in these songs sounds older, more mature, and is offering advice to the listener on how to shrug off past mistakes and life choices that may have not been as beneficial as they seemed at the time. Looking forward to continued growth from Moore in this format.
Standout Track: “I’d Rather Lose”

John Moreland ::LP5:: If you’re ever unfortunate enough to hit rock bottom, let’s hope John Moreland is not the soundtrack. because his songs take you by the arm, pull you down to rock bottom, then hand you a jackhammer and tell you to keep digging. LP5 features new textures (digital drum sounds and more esoteric keyboards), but the cut-to-the-bone lyrics that put Moreland on the map are still here.
Standout Track: “I Always Let You Burn Me To The Ground”

Miss Lonelyheart ::THE NOTES THAT MATTER:: Local Frederick, Maryland, and DC hardcore-adjacent Miss Lonelyheart likely didn’t envision THE NOTES THAT MATTER to be their final record. After all, the band was enjoying a renewed activity in the region, particularly locally. But in January that would change when guitarist Dan Gallagher tragically and unexpectedly passed away. This record is a fitting tribute to Gallagher’s pop and punk chops. His sharp and biting Fender Stratocaster through Dr. Z Maz 18 tone cuts straight through the songs. Miss Lonelyheart has been one of the best discoveries since moving to Frederick back in 2017 and getting more rooted in the music scene here. This band, and Dan’s voice are already missed.
Standout Track: “Sound of the Season”

Mr. Husband ::WEST VIRGINIA:: Definitely winning the award for best album art, local Frederick, Maryland trio Mr. Husband - tired of waiting on Sufjan Stevens - decide to release their own “state record” for WEST VIRGINIA; a dream pop homage the home state of songwriter Kinny Husband. Though probably seen as a gimmick befitting Mr. Husband’s usual schtick, this former West Virginian thinks the songs’ content is a brilliant 20 minute history lesson in some of the lesser known WV facts and annoyances. For example, after relaying to folks where in WV we live, at least once we’ve been asked “oh, is that near Richmond?” Hence the opening song “West Virginia (A Whole Other State). There’s history (“Meemaw” who “washed away in the ‘85 flood”, the pioneer who founded the settlement that is present day West Virginia - “Morgan Morgan”, the urban legend of the Mothman, and the more recent Teacher Strike). The closing track is chock-full of Mr. Husband schtick, where Kinny calls out Sufjan in good humor. This record is worth 20 minutes of your time.
Standout Track: “Round Bale Wrasslin’”

Nada Surf ::NEVER NOT TOGETHER:: Some bands find a lasting formula that works. Nada Surf is one of those bands. The core trio of songwriter/guitarist Matthew Caws, bassist Daniel Lorca, and drummer Ira Elliot have been crafting catchy power pop songs since 1996’s HIGH LOW, where the band was written off as a one-hit-wonder after failing to “capitalize” (by music industry standards) on the success of the single “Popular.” Nearly 25 years later, Nada Surf is still crafting gorgeous pop music, fueled by Caws’ off-the-beaten vocal melodies, and huge guitar sounds from odd chords and alternate tunings (and the help of sometime-member/guitarist Doug Gillard) all present on NEVER NOT TOGETHER. Though released on Feb 7th, before many states and localities instituted lockdowns in the wake of the COVID-19 pandemic, the title NEVER NOT TOGETHER is fitting given these songs are about ways in which human beings strive to stay and feel connected to one another, be it physically or emotionally or other. An all-too important message this year.
Standout Tracks: “Live Learn and Forget”; “Crowded Star”

Zephaniah OHora ::LISTENING TO THE MUSIC:: Brooklyn New York honky-tonk crooner (you heard that right) releases a solid follow-up to 2017’s THIS HIGHWAY. Produced by the late Neal Casal, who expertly captured OHora’s gift for crafting late 60’s era crooner country music, the songs on MUSIC alternate between raucous (“Black & Blue”), political (“All American Singer”), and wistful (“It’s Not So Easy Today”; “When I’ve No More Tears To Cry”; “We Planned To Have It All). LISTENING TO THE MUSIC sounds like a 42-minute montage depicting the life of a country singer walking the streets of Brooklyn; but as odd as that might sound, it works.
Standout Track: “Black & Blue”

Old 97s ::TWELFTH:: Longtime alt-country stalwarts release their “senior year” record aptly titled TWELFTH. All of the elements that put the Olds on your radar back toward the beginning of their career (witty lyrics, twangy guitars, and enough hooks to supply a fishing tackle store) are present here. Hell, even “Robert” makes another cameo!
Standout Track: “Turn Off The TV”

Owen ::THE AVALANCHE:: Only Owen’s Mike Kinsella could get away with the line “I can’t have my cake and fuck it too.” Not a lot of new ground being broken on THE AVALANCHE, but what Kinsella has been doing with this project and with American Football in recent years hasn’t turned us away yet! RIYL croaking sad white dude vocals over atmospheric arpeggioed guitar and sparse accompaniment.
Standout Track: “I Should Have Known”

Nick Piunti & the Complicated Men ::DOWNTIME:: Wherever Nick Piunti came from (well, we know it’s Detroit, but whatever), hopefully there is more in store. As a fan of the Replacements and Replacement-adjacent acts (Paul Westerberg, Grandpaboy, Tommy Stinson, Bash & Pop) Piunti, and his new band “The Complicated Men” definitely scratch a certain itch. There’s enough jangle on this record to satisfy for a long time to come.
Standout Track: “Gonna Be Good”

Joel Plaskett ::44:: In his 44th year, Halifax N.S. songwriter Joel Plaskett released a FOUR-album set of new songs that is surprisingly not bloated with fluff. Though tough to take in during a single setting, 44 was a great soundtrack to keep on in the background while doing chores or working on time-intensive projects this year. The sounds on the record are familiar, steeped in 70s classic rock, but with a modern polish.

Standout Tracks: “Highland Heart”; “Melt The Universe With Brotherly Love”

David Ramirez ::MY LOVE IS A HURRICANE:: Ramirez has evolved his sound since the 2015 record that put him on our map, FABLES. However, the songcraft remains just as strong. Songs that waft through the air like the thick smoke in a dimly-lit bar hover throughout the record as Ramirez’s song narrators continually yearn for lost love, answers, or closure.
Standout Track: “Heaven”

Kenny Roby ::THE RESERVOIR:: like Zephaniah OHora’s LISTENING TO THE MUSIC noted above, THE RESERVOIR was slated to be produced by the late Neal Casal. Kenny Roby had been sending Casal demos but as fate would have it, Neal would pass before the two could start working together. Roby’s songs on the RESERVOIR seem to channel his own year of loss (a divorce, grown kids having left the nest, and Casal’s suicide). For a Roby solo record, these songs sound more akin to 6 String Drag’s HIGH HAT than they do MEMORIES & BIRDS.
Standout Tracks: “History Lesson”; “Watchin’ Over Me”

Rookie ::ROOKIE:: Chicago record label Bloodshot has had its own share of shit to wade through in 2020 - but one thing they got right was signing Rookie to their label. Jesus Christ! It’s like instead of “reading, writing, rithmatic”, the six members of Rookie grew up steeped in the subjects of Thin Lizzy, Big Star, and Cheap Trick. It’s a damn shame COVID-19 benched this band right as they were breaking out because there appears to be a bright career ahead of them so long as they can stay healthy and focused (and other sports analogies).
Standout Track: “Sunglasses”

Sturgill Simpson ::CUTTIN’ GRASS VOL 1+2:: When Simpson released SOUND & FURY, not a lot of fans who came to the fold knew what to do with it. But one thing that record made clear is that Sturgill Simpson is gonna do whatever the fuck he wants, musically. So in a 180 degree turn, he released two records that feature bluegrass/stringband versions of his catalog; with a band of crackshot musicians to boot. Rather than debate whether or not these records are “bluegrass”, let’s just say that they’re both perfectly enjoyable.
Standout Tracks: “"Just Let Go”; “Oh Sarah”

Surrender Human ::SURRENDER HUMAN:: In the late 1990s, Chapel Hill NC was home to one of the better power pop bands in the area during that time: The Mayflies USA; a juggernaut of three crafty songwriters who released three records between 1998 and 2002 that are all worthy of your time. Former Mayfly Matt McMichaels brings the same craft to Surrender Human. Poppy guitars, thick and high harmony vocals (he already hovers between alto and tenor), and an unmistakable “Chapel Hill sound.” After interviewing The Mayflies USA back in 1998 on the heels of their debut SUMMERTOWN, when asked about their sound and influences, McMichaels said “we’re really influenced by Teenage Fanclub, and… Well… We’re basically just trying to be Teenage Fanclub.” Apparently this is still true…and welcome at that.
Standout Track: “Hantuchova”

Taylor Swift ::FOLKLORE:: You damn right Tay is on this list. And if EVERMORE was released earlier in the year and there was more time to digest it, then it would probably be here too.
Standout Track: “Exile” (feat. Bon Iver)


::THE RANK STRANGER’S TOP TEN RECORDS OF 2020::

10. Jim Shorts ::LATE TO THE FEAST:: Though I have it on good authority that Frederick Maryland’s Jim Shorts has more music “in the can,” 2020 also delivered the retirement of Jim Shorts the band and the moniker used by former Chattanoogan David Haynes. This was a hell of a swan song. The tunes sound like lost Built To Spill B-sides, but the song lyrics tell of the everyday, seemingly mundane things that we are all probably taking for granted (perhaps a page out of slack king Stephen Malkmus’ book). What resonates most for me is that the songs are rooted in place…"Out on the patio”, “Max’s front porch in Richmond…” “drinkin Modelos on the beach”, a soul food restaurant…etc. We could all do better to appreciate these small things. It’s clear from the content on LATE TO THE FEAST that Haynes does. Sonically, this record is BIG. Haynes is an understated guitarist, but the secret weapon is drummer Mike Barth. Queue up the song “Here’s” and fast-forward to the 2:38 mark. It’s an onslaught…which then cascades into a sweet indie rock groove at 3:13. Don’t forget to turn it up loud.
Standout Track: “Late To The Feast”

9. Benchmarks ::SUMMER SLOWLY:: After a somewhat lengthy crowd-funding campaign, SUMMER SLOWLY hit mailboxes in the fall of 2020. This record sounds like it is constantly on the precipice of something bigger…yet there is a hesitancy to move forward as the narrator of the songs seems to still have one foot firmly planted in a comfortable past; a battle between holding on and moving on. One way songwriter Todd Farrell Jr. couches this battle is in a childlike desire to hang onto the summer (a theme that occurs beyond the record’s title and opening track), and thinking about life as different seasons where, presumably, summer is the preferred time of one’s life. Sonically, the songs boast EVHesque guitar wizardry alongside Thin Lizzy inspired guitarmonies all in the confines of classic pop punk structure. A heavy album for heavy times that somehow lifts away a weight with each listen.
Standout Track: “Leave the Light On”

8. Les Nuby ::CLOUDED:: Les Nuby is having a bit of a renaissance. in 2019, his band Holiday Gunfire released an ear-raising debut, and this year he is back with CLOUDED, which sounds like it could be the follow-up to the self-titled Holiday Gunfire debut. Recorded in his own Ol Elegante Studio outside Birmingham, Alabama, where he also played every instrument on the record, CLOUDED sounds crisp. There’s a Rickenbacker through Vox AC30 jangle in these songs that elicits a certain craving, and enough brit pop and shoe gaze to warrant hitting the repeat button. Most interesting to these ears are the vocals, which have a Bob Mould quality that sounds more natural than it does intentional. After many years as a gunslinger with Verbena and Vulture Whale…and then a producer behind the board at Ol Elegante, it’s nice to hear what Nuby can do at the helm of a band. This is a fine start!
Standout Track: “OK, Let’s Try”

7. Waxahatchee ::SAINT CLOUD:: Plenty of year-end lists will be singing the praises of Katie Crutchfield’s latest effort with Waxahatchee. But the secret weapon behind SAINT CLOUD was the enlisting of Detroit’s Bonny Doon to serve as the backing band. Indeed, the inclusion of Bonny Doon adds a certain amount of lilt to these songs. The breeziness of SAINT CLOUD was a necessary salve in an ongoing shit year.
Standout Track: “Can’t Do Much”

6. Phoebe Bridgers :: PUNISHER:: Someone on a message board or elsewhere on the internet recently quipped about Phoebe Bridgers: “how did she get so good so fast?!?!” No shit, right? On her second full length, PUNISHER, the 26 year old songwriter delivered songs with a maturity matched by few of her peers. She’s been in good company recently, having released a record with Conner Oberst (Better Oblivion Community Center) and the supergroup Boygenius (featuring Lucy Dacus and Julien Baker sharing songwriting duties). But lines like “you’re sick, and you’re married, and you might be dying, but you’re holding me like water in your hands” are just…I mean…is this the kind of thing 26 year-olds normally deal with? PUNISHER is the soundtrack to many a dreamscape…and that’s a carryover from 2020 that will be welcome next year.
Standout Tracks: “Kyoto”; “Moon Song”

5. Vita and the Woolf ::ANNA OHIO:: In September of 2018, Baltimore MD coordinated/choreographed 80s dance pop outfit Super City invited Vita and the Woolf to open their record release show. They damn near got upstaged. Two years in the making, ANNA OHIO is a collection of heartbreak songs and pep-talks from songwriter Jennifer Pague, either to herself or to whomever is listening. ANNA OHIO is ripe with indie synth pop that might have been a better/proper follow up to Passion Pit’s MANNERS. This record is a fast grower as the songs are just too damn catchy to ignore; even when playing in the background. Pague’s vocals and harmonies are strong throughout, and the pop hooks are easily identified. Though originally calling Philadelphia home. Pague has recently relocated to L.A. where she continues to build Vita and the Wolf. Here’s to hoping that they come out with a bang post-pandemic.
Standout Track: “Kentucky:

4. The Beths ::JUMP ROPE GAZERS:: Aukland New Zealand sweethearts The Beths capitalize on 2018’s FUTURE ME HATES ME with this year’s JUMP ROPE GAZERS. Building upon the same power pop formula with Liz Stokes’ sweet, shy lyrics…though with more wistful, slower numbers, this current effort may not have exceeded expectations, but it most certainly met them…which was already a nearly impossible bar to clear. The Beths are one of the few acts that have actually been able to tour in their nearly COVID-free native New Zealand, which might bode well for the band’s ability to rebound post-pandemic in relation to their peers.
Standout Track: “Out Of Sight”

3. Katie Pruitt ::EXPECTATIONS:: In October 2018, East Nashville newcomer Ruston Kelly was touring to promote his record DYING STAR. The tour landed him in Vienna Virginia at Jammin Java. Kelly was known for co-writing with and promoting up-and-coming female singer/songwriters. He lived up to that promise this night, inviting Nashville by-way-of Georgia singer songwriter Katie Pruitt to open. Armed with only a Stratocaster and Fender amplifier, Pruitt wowed the crowd with her booming vocals, and intensely personal songs about being an out LGBTQ woman in the South, navigating love and relationships alongside family expectations. These songs would make their way to her debut record, EXPECTATIONS, which took these sparse vocal and electric guitar performances from the form heard at Jammin Java, and gave them a slick, Nashville treatment. We can only hope that the future of up-and-coming Nashville country songwriters is led by talented, socially conscious, diverse voices like those of Pruitt. EXPECTATIONS challenges those that the old heads have been living with for too long.
Standout Tracks: “Expectations”; “Normal”

2. Futurebirds ::TEAMWORK:: There was a period in the late two thousand aughts, early 2010s where southern rock bands (not Southern Rock bands) were on the brink of explosion. There were hotspots with flagship bands promoting this sound; The Dexateens, Vulture Whale, and Duquette Johnson in Birmingham, Alabama; The Water Liars in Northern Mississippi; Glossary and the Bohannons in Murfureesboro and Chattanooga, Tennessee, respectively; and the District Attorneys, The Pollies, and the Futurebirds from Atlanta/Athens, Georgia. Not many of these outfits are active across the South these days, but the Futurebirds have rolled on and released arguably their best effort in 2020’s TEAMWORK. Hell, if I started a band tomorrow (and I’m tryna), I would want our songs to sound like those on TEAMWORK. There is a rollicking, breezy, but gothic feel to these songs, drenched in reverb and cutting guitars. This record was meant to be played in the open air - or at least when all the windows are open.
Standout Track: “My Broken Arm”

1. Pinegrove ::MARIGOLD:: Looking back on 2020, isolation and lockdowns will likely be themes associated with our efforts to mitigate the spread of COVID-19. For Pinegrove’s Evan Stephens Hall, who, at the close of 2019, had just emerged from a yearlong hiatus after he was accused of sexual coercion, and “me too’ed” - halting the band’s then meteoric rise in the indie-sphere. Part of the agreement Hall entered with his accuser was no touring for a year. The band had just bought a house/studio in upstate New York, and Hall used this time for reflection and writing. The first record to be created in the wake of that isolation was 2020’s MARIGOLD - a record largely about, you guessed it, reflection and isolation. However, given that it was released in January of 2020, MARIGOLD was actually eerily prescient considering the whole of America would soon find itself in isolation and reflecting on the outside world from their respective bunkers. There are songs about redemption (“Dotted Line”), stream of consciousness likely induced from LOTS of time with oneself (“Spiral”), sticking to a trusted routine (“No Drugs”; “Endless”), the unknown (“Moment), and connection with others from afar (“Neighbor”). I don’t know about you all, but MARIGOLD was absolutely the soundtrack to my entire 2020…I just didn’t realize it until 4 months after the record’s release. Hall still has an uncanny ability to connect with his songs on emotional level where he is re-living the events of the song more so than he is recalling them. That has been incredibly cathartic during this shit show of a year. MARIGOLD is the primal scream therapy I didn’t know I needed, but I am damn glad I found it.
Standout Track: “Moment”

::Shows Attended in 2020::

Obviously this list is going to be sparse as there were only two months before all live music in America was shut down, but there were still a few to log (this list does not include livestreamed shows, which were available in abundance and honestly, hard to keep up with):

Friday January 10, 2020: Yola, Amythist Kiah, Nightclub 9:30, Washington DC

*Saturday January 11, 2020: Jim Shorts (solo), Middle Kid, Dumb Valley; Cafe Nola, Frederick, Maryland

Friday January 24, 2020: Scott Miller, Steve Schillinger; Jammin Java, Vienna, Virginia

Saturday January 25, 2020: Silent Old Mts, Scott Siskind; Frederick Eagles Club, Frederick, Maryland

Friday February 21, 2020: Archers of Loaf, Gauche; Cat’s Cradle, Carrboro, North Carolina

Sunday February 23, 2020: Sloan; Cat’s Cradle (Back Room), Carrboro, North Carolina

*Indicates a show I played as well as attended

The Strangers Almanac Year In (End) Review: 2019

What a year, 2019! Look at you, 2000’s - all grown up and about to enter your twenties. In another year, you’ll be able to vape!

This past year brought with it a number of changes - probably the most since moving to Maryland two and a half years ago. In personal growth news, the lady friend and I combined households and rented us a townhouse in Downtown Frederick. We’re now walking distance from our favorite restaurants, record stores, bars, and “music venues.” (more on this bullshit in a separate post). Combining households has been a great experience, both financially, and because now my pupper has a “step-dude” who is available to feed and let him outside (since my dog was bequeathed to me after the passing of my grandfather, who is his actual “dad”, I instead call myself his “dude”, hence the lady-friend moniker of “step-dude.” It’s only confusing if you don’t know us). But moving in together has so far been one of the best decisions I’ve made - second to working hard so that the lady friend continues to like me and want to be in a relationship with me. Because that is mos def the best decision I’ve ever made

Musically, 2019 has been a big year. After a random encounter at the final Cheshi show (Fall 2018 I think?), and realizing that Cheshi Drummer Evan Owens and I had a lot of musical commonalities, he invited me to join his new outfit Dumb Valley. We played our first show at Cafe Nola on April 20th 2019, and it has been busy ever since! Between April and December 2019, we played 5 shows (all local) at three different venues (Cafe Nola, Sky Stage, and the Frederick Eagles Club). And if you’re a local reader, we’re playing with our favorite American bands Miss Lonelyheart and Middle Kid on January 11th at Cafe Nola. Come hang.

Toward the end of the year, I got connected with local singer/songwriter Katie Powderly of the Unconditional Lovers, and played a show accompanying her on lead guitar and backing vocals. Hat tip to my old Arkie/Okie music boss Carter Sampson for being the random connection that got me connected to Katie. Hopefully we’ll get to do a lot more pickin and a’singin’ in 2020!

On the professional side, I still have a good job crunching numbers at a local community college, and managed to get hired on teaching a second class at a local four-year institution. I was invited back to teach the same doctoral-level policy course for the third time, so I must be doing something right. I am equally enjoying teaching masters-level education students about research - an area that has taken a backseat to pedagogy until the recent era of educational accountability ushered in with the new millennium. Lastly, I have filed to run in the 2020 County School Board election; however reading the above makes me tired, so we’ll see where my priorities fall as 2020 meanders forward. But if I am in the mix, I’ll be asking for your vote!

Well, hey…look at me…I am rambling. Let’s get to the music!

Looking back, 2019 might be the year when ‘sad white guy’ music ceased to dominate the stereo speakers/spotify ‘spins’. Lady friend has a LOT to do with this. Looking back at “attended show” lists from the past two and a half years is a fun exercise. Though living so close to DC and Baltimore (and Philly for that matter), there is also a broader palate of music to consume live. Not so much here in Frederick, though, where 2019 delivered the closing of TWO venues that hosted music: Guido’s and The Blue Side. Y’all, this town is hemorrhaging music venues…and the rents are so out of reach that even if the Scene gathered up it’s couch-cushion money, we’d be hard-pressed to put a dent in the cost to buy/rent one of these spaces and run it as a legit venue. This has been an issue on our radar since moving to Frederick and is due a post-length tirade.

We digress. So yeah, fewer sad white guys sang through the speakers in 2019, and that allowed for a broader palate of artists/bands to hit this year’s top ten. Don’t get it twisted, there was still a lot of room for sad white dudes on this year’s list - it’s just that they placed lower than they would have in years’ past as our tastes widen.

As in year’s past, we start with ‘The Elevens” - records that just missed the top 10 cut. “The Elevens” are listed here in alphabetical order (by first name or band name) so as not to weight one release as closer to #10 than the next. In reality, any one of these “Elevens” could probably be swapped out for #10 depending on how we’re feeling on a given day…but here is how it shakes out on this day. Each record notes our “standout track” which has been compiled into the playlist below. The playlist also has some of our favorite songs from 2019 that either did not have a full record release, or were a “twelve” but still had a song that we “spun” a lot (i.e., the two Pinegrove songs are an example of this - as the band’s full-length will be released in early 2020). Feel free to listen along as you read.

::2019 Standout Tracks Playlist::

::The Eighteen Elevens::

A.A. Bondy ::ENDERNESS:: Birmingham, AL native A.A. Bondy abandons his vintage Gibson hollow body guitars and blistering Fender Super Reverb amplifiers for dreamy and sparse synth on his first record in 8 years. All of the moodiness and stellar songwriting is still here - just packaged differently. Great music for late nights and/or dismal days.
Standout Track ::#Lost Hills::

Basement Brew ::BIG DAMN OCEAN:: Fayetteville, Arkansas “canoe rock” band releases their first record since 2014’s LOST IN RAMBLE. The songs included on BIG DAMN OCEAN occupy a large space in my musical heart because while still living in Arkansas, I played a number of shows with “The Brew” between 2013 and 2016, filling in for guitarist Patrick George who had moved to New Orleans. It also doesn’t hurt that the rhythm section features former Damn Arkansan alum Will Eubanks (bass) and Chris Fletcher (drums). This record is best consumed when you are near open windows.
Standout Track ::Made It Through::

Bob Mould ::SUNSHINE ROCK:: Bob Mould has been making music for forty (40!) years…and his latest packs the same punch he was delivering back in the 1980s with Husker Du. The guitars on this record sound like a buzzsaw (in a good way) and the songs have an immediacy to them that makes this listener want to thrash the room. Mould is arguably one of the most consistently prolific musicians of his generation…and shows no real signs of slowing down.
Standout Track ::The Final Years::

Carlton Jumel Smith ::1634 LEXINGTON AVENUE:: Named after his childhood address in Spanish Harlem, Carlton Jumel Smith’s 1634 Lexington Avenue is another pin in the map of great neo-soul music coming out of New York. His record label (Timmion), based in Finland, worked in conjunction with Daptone Records to release this record, and it fits right in that wheelhouse. Recommended if you like (and miss) Sharon Jones and Charles Bradley.
Standout Track ::Ain’t That Love?::

Caroline Spence ::MINT CONDITION:: Spence’s SPADES & ROSES hit our radar reading year-end lists from 2017 and occupied our speakers quite a bit in early 2018. This year;s MINT CONDITION features the same aching/longing vocals that are cornerstones of her past output. Don’t let the rocking opener “What You Don’t Know” fool you, as this record decelerates to a moderate Americana pace afterward…but it’s a smooth ride throughout.
Standout Track ::Song About a City::

Dragmatic ::PREPARE TO BE DISMAYED (EP):: Ryan Kennemur is my favorite songwriter on the planet. And the only negative about Dragmatic’s follow-up to our favorite record of 2015 (AT LEAST WE’RE NOT DEAD YET) is that is about 7 songs too short! Still, the 15 minutes of this EP were a welcome salve at the end of 2019. The bug guitars, vocal melodies (and harmonies) are front-and-center again as they were on DEAD. More interesting though, is the broad sonic palate on DISMAYED. Echoes of centro-matic ring out on “Sunday Paper” at the bridge with the “bop-ba-das”, there’s a shot of Sloan on “Last to Know” (which ends with some thicc guitarmonies!), and the open-tuned intro on “From the Grave” sounds like a lost Blue Mountain song from Kennemur’s alt-country days…until it kicks in and kicks up, that is. The EP is nicely buttoned up with all the above sonic components in the closing track, “Takeaway.” Maybe the want at the end of this 15 minutes was by design…
Standout Track ::Sunday Paper::

Dylan LeBlanc ::RENEGADE:: In 2010, LeBlanc released PAUPERS FIELD which racked up a significant amount of plays on the ol iPod (yes…iPod. Because 2010). His follow-ups, CAST THE SAME OLD SHADOW (2012) and CAUTIONARY TALE (2016) were a bit more hit or miss to these ears, but with RENEGADE, LeBlanc seems to have found his lane. Washed in reverb and echoing the best influence of Neil Young, this record slaps. Holler if you hear a bit of Neil’s “War of Man” in LeBlanc’s “Bang Bang Bang.”
Standout Track ::Bang Bang Bang::

The Get Up Kids ::PROBLEMS:: Another batch of sharp songs from the Kansas City emo/pop punk veterans. Now nested among the impressive Polyvinyl Records family, here’s to hoping that the Get Up Kids can keep cranking out albums of this caliber for years to come (though we won’t be mad if The New Amsterdams put something else out either). Please don’t lose your muse, Matt Pryor! (and please continue to write some of the best bass lines in pop-punk, Rob Pope! See the ‘standout track’ for a review)
Standout Track ::Lou Barlow:

Great Grandpa ::FOUR OF ARROWS:: Fitting that Great Grandpa would show up next to the Get Up Kids as these two bands also toured together in 2019. Fronted by Alex Menne and her haunting longing voice - and hailing from Seattle - there’s a lot to love if you grew up a Gen-Xer steeped in Seattle grunge who also came of age in the mid-aught indie boom. There’s a lot of well-placed dissonance on this record and cascades of loud and soft crescendos.
Standout Track ::Digger::

The Hold Steady ::THRASHING THRU THE PASSION:: Not sure what more can be said about the Hold Steady. Fifteen years into their career, they are still the masters of pairing arena rock riffs with the ongoing saga of the aging scene kids that live vibrant lives in Craig Finn’s head; though there are more horns these days. Not unlike other recent Hold Steady output, the narrators in the songs from that band’s latter career play the role of “scene elder.” Given the adventures of the characters on early records, there’s a lot to learn from the narrators on THRASHING.
Standout Track ::Entitlement Crew::

Josh Ritter ::FEVER BREAKS:: It doesn’t hurt that Jason Isbell both produced and conscripted his band (the 400 Unit) to play on Josh Ritter’s tenth studio record. But the production and players also don’t overshadow Ritter’s strong songwriting. Indeed, FEVER BREAKS is a songwriter’s record. The songs have a familiarity even on first listen - as Ritter employs vocal melodies often traipsed in traditional folk and bluegrass. It’s a hell of a tenth record to hang a hat on.
Standout Track ::I Still Love You (Now and Then)::

Middle Kid ::QUEEN OF ROCKLEDGE:: Frederick, Maryland indie-rock stalwarts almost didn’t release QUEEN OF ROCKLEDGE. Rumor has it that primary Middle Kidder Zack Willis had another record written, scrapped it, regrouped, and then wrote a batch of new songs that would become QUEEN OF ROCKLEDGE. With lyrics like “I traded happiness for straight compensation” on “Intentionally Blank,” Willis presents as a mid-aughts indie kid raised by his older Gen-X sibling, and I am here for it. Don’t sleep on the lead guitar work by secret weapon Evan Braswell (a fantastic songwriter in his own right) who plays like he’s listened to nothing but Sunny Day Real Estate all his life! Damn those spicy bois!
Standout Track ::Queen of Rockledge::

Mike and the Moonpies ::CHEAP SILVER AND SOLID COUNTRY GOLD:: Like the album title suggests, if you’re a sucker for “solid country gold” from the early to mid 90s [raises hand], this record is for you. Unpretentious, but with an intoxicating amount of country swagger, the band’s sixth record perfectly partners with its predecessor STEAK NIGHT AT THE PRAIRIE ROSE. The standout track (see below) on CHEAP WHISKEY is our favorite song of the year by a mile. Just listen to that pedal steel guitar run at 3:19! If that doesn’t get your boots scootin, you may need to check your pulse. Come to think of it…the last time I saw them at the White Water Tavern in Little Rock, Arkansas, I am pretty sure my night paralleled the narrator of “You Look Good In Neon.” Damn. Pass the whiskey and put another quarter in the juke box.
Standout Track ::You Look Good In Neon::

Pedro the Lion ::PHOENIX:: Those who dabble in nostalgia and longing will find a lot of purchase on David Bazan’s return with Pedro the Lion. The songs on Phoenix offer a glimpse into the world of a kid growing up in the desert town (“Yellow Bike”, “Model Homes”) to the perils of dealing with being an adult (“Clean Up”). Also, the guitar tones on this record are a magical accompaniment to Bazan’s howl.
Standout Track ::Model Homes::

Purple Mountains ::PURPLE MOUNTAINS:: Look, just Google “Purple Mountains Album David Berman” and enjoy the words of many others who can sum up the story of this album’s release and Berman’s death soon after way better than we could ever do here.
Standout Track ::Darkness and Cold::

Spencer Thomas ::HANGIN TOUGH:: Laurel Canyon rock-n-roll meets Water Valley Mississippi silt. RIYL Dawes and the Water Liars.
Standout Track ::Lift Me Up::

Tyler Childers ::COUNTRY SQUIRE:: Despite the nudging from others, some of us [raises hand] were late to the game with Tyler Childers. His 2017 release PURGATORY was no stranger to our turntable throughout 2018 and 2019. COUNTRY SQUIRE is another set of smart, witty, songs from the Kentucky songwriter. Again, with native Commonwealther Sturgill Simpson at the production helm, Childers pushes his sound a little further toward the boundaries of country and bluegrass. For example, despite it’s spelling, “All Your’n” is more soul than country. Not that there aren’t foot stompers on the record (“House Fire”). Hell, there’s even a country song about rubbin one out (“Ever Lovin’ Hand”). Beat that with…a stick? Childers songs shine brightest when today’s Appalachian are the featured subject or narrator (“Creeker”, “Matthew”).
Standout Track ::Ever Lovin Hand::

Will Johnson ::WIRE MOUNTAIN:: For the second year in a row, a Will Johnson project just missed the top ten cut. Maybe it is because we keep everything Will does close in our hearts because it is always good! Any time capsule of American culture should contain at least one Will Johnson song. This record is an aural painting of sparse landscapes and lost thoughts. Give WIRE MOUNTAIN a full spin.
Standout Track ::Shadow Master::

The Rank Stranger’s Top Ten Records of 2019

10. Kitty Kat Fan Club ::DREAMY LITTLE YOU:: The opening notes of the San Jose septet’s (!!!) debut record, DREAMY LITTLE YOU sound like summer. Scene veteran Mike Park (Skankin Pickle, Jeff Rosenstock) imagined Kitty Kat Fan Club as a vehicle to get together with friends and play music. But it wound up growing into much more. On any given night, the players could rotate and differ - but singers Casey Jones and Brianda Nocheazul’s are pretty standard - and it’s a good thing because their vocals blend together like butter and sugar. A glorious power pop/pop punk record for fans of The Beths and Alvvays.
Standout Track ::This Curtain Call::

9. Holiday Gunfire ::HOLIDAY GUNFIRE:: Veritable Birmingham Alabama supergroup featuring member of Verbena and Vulture Whale (Lester Nuby), 13 Ghosts (Michael Williams) and the Grate Lakes (Craig Ceravolo) come out swinging with their debut, self-titled record. Imagine Bob Mould’s Sugar and Superdrag combined forces and sounds…you’d have Holiday Gunfire. Given Birmingham is not only home to great acts like Verbena and Vulture Whale, with other great rock artists like the Dexateens, Lee Bains & the Glory Fires, A.A. Bondy, and Duquette Johnson hailing from the Magic City, Holiday Gunfire is in excellent company!
Standout Track ::The City::

8. Cabana Wear ::CABANA WEAR:: Yeah…in the bridge of the opening song and title track to Cabana Wear’s debut, singer Brian Mietz is singing “I threw up…” But it is easy to look over because every damn thing else about this record is SO CATCHY! Hailing from Philadelphia (a city whose bands are no stranger to our top ten lists of the past), musically, Cabana Wear seems to pull from influences all over - including Nada Surf (NYC), Superdrag (Knoxville, TN), and Dinosaur Jr. (Amherst, MA) and Weezer (LA, CA). Lots of fuzzy guitars and rich vocal harmonies throughout. This band definitely now sits on the “must see” list.
Standout Track ::Scaredy Horse::

7-Foxhall Stacks.jpg

7. Foxhall Stacks ::THE COMING COLLAPSE:: Velocity Girl, Minor Threat, Dag Nasty, Bad Religion, Government Issue, and Jawbox are all bands on the collective resume of Foxhall Stacks. But THE COMING COLLAPSE leans more toward power pop than it does DC Hardcore, for which the members’ former band were best known. Indeed, the hook-y guitars, jangle, and call/response vocal harmonies sound more like early-90s Seattle (think the Posies), so we’re not mad about it in the least. In fact, do an A:B of the harmonized vocal melody at the 0:55 mark in the song “Take Control” - then listen to the Posies “Ontario” at the 0:51 mark. Pretty damn!
Standout Track ::Turntable Exiles::

6. Justin Peter Kinkel-Schuster ::TAKE HEART, TAKE CARE:: There is a stretch of I-40 between Memphis and Little Rock that is the bane of my existence when I make my annual trek to the Natural State each year. The semi-trucks all have governors, but still try to pass one another causing long traffic backups since the speed differential is only a half MPH. Then there is the landscape. Flat. Unkempt. Struggling. Desolate. Justin Peter Kinkel-Schuster (or JPKS…or ‘Pete’ for short) has penned the perfect soundtrack for this drive with TAKE HEART, TAKE CARE. And JPKS is likely no stranger to that drive, given that he recently moved from Water Valley, MS to Fayetteville, AR, and one would assume he has been back-and-forth a time or two. The songs on TAKE HEART are musical vignettes of an elder southerner’s teachings to their next of kin (“Educated Guesses”, “Cut Your Teeth”, “Flies on Shit” and the title track). Whenever I get to missing the south, this record makes for a nice salve.
Standout Track ::Friend of Mine::

5. Roger Bryan and the Orphans ::KEEP YOU IN MIND:: Roger Bryan and the Orphans last record, 37, was released eight years ago, and still remains one of our favorite records. Their latest has all of the same components that vaunted 37 - hook-laden guitars, creaky, longing vocal melodies indicative of a narrator who is about at the end of his rope, and a solid rhythm section (yeah, yeah…despite what was said at the beginning of the post, there are still gonna be some sad white dudes on this list!). Few bands have so perfectly blended the jangle of Big Star with the loneliness of mid-90s alternative country like Roger Bryan. If the narrator on KEEP YOU IN MIND sounds like he is about to give up, we’re pretty glad he hasn’t yet.
Standout Track ::Leave a Light::

4. Peter Bruntnell ::KING OF MADRID:: UK singer/songwriter Peter Bruntnell first came across my radar in 1999, after he released his third (and arguably best) record NORMAL FOR BRIDGEWATER. Not sure the ol’ Discman got much of a reprieve from that record between ‘99 and 2002, when his next, ENDS OF THE EARTH was released. In a period where the mid-90s alternative country boom was starting to bust, Bruntnell’s music was the dim light in the distance. It helped that original members of Son Volt were featured on these two records. In the age of the internet, where streaming services became king, Bruntnell’s presence was more lacking than other artists, which made it easier for him to fall off the radar. Indeed, KING OF MADRID almost slipped by this year were it not for the Postcard From Hell and a well-placed Facebook ad. Though released in June of this year, KING OF MADRID sounds less like a summer record and more like one where the narrator just woke up after a long period of hibernation. Bruntnell’s weary vocals come out of the speakers like a fog from the thawing earth. There’s more Brit-Jangle on this record than past efforts (“Thief of Joy”, “Dinosaur”) but it still works well alongside the more somber tones on this record.
Standout Track ::Broken Wing::

3. The Sensational Barnes Brothers ::NOBODY’S FAULT BUT MY OWN:: “How many Believers we got out there…who’s tryin to get Home?” is how the Sensational Barnes Brothers spectacular debut gospel record NOBODY’S FAULT BUT MY OWN opens. Here’s the thing…I am not a Believer…and if I am, I’m pretty bad at it. But damn…this record makes me want to believe. Don’t be scared of the genre here (gospel) as this record is as much a Memphis soul record as it is a gospel record…but here, both elements are combined, and it is radiant. It’s Stax goes to Church. Even Vice took note of the Memphis Gospel Resurgence. Maybe if us sinners listen to the Sensational Barnes Brothers (and the other amazing Memphis Gospel acts enjoying a resurgence) enough, we will eventually be redeemed! Let’s give it a try!
Standout Track ::I Won’t Have to Cry No More::

2. Lizzo ::CUZ I LOVE YOU:: Imagine a world where everyone woke up one day and shared Lizzo’s no-fucks attitude, really…and I mean really practiced the self-love and body positivity that Lizzo exhibits, I think this grand community of ours would be a kinder, gentler place. Since the #MeToo movement began picking up speed, and women’s voices started getting louder, there was a land for a pop start to emerge and coalesce around that sentiment. The thing is, Lizzo’s been doing it for a while…it’s just that CUZ I LOVE YOU broke through at the right time. With lines like “I’m my own soul mate, I know how to love me…” and “look up in the mirror and like ‘damn, she the one’” and “I’ma marry me one day” from “Soulmate” to “the only exes that I care about are in my fuckin chromosomes” from “Like A Girl” in an anthem that co-opts the sentiment of “you do that like a girl”, oft a patriarchal dig, and makes it the point of pride it always should have been. Hell, my rock band even covered “Juice” at a Halloween show where we did a whole set of covers (which are basically costumes for songs, right?). If you think that putting CUZ I LOVE YOU near the top of this list is pedestrian, then you’re hereby welcome to come to the house and spin it with me on the turntable, where I’ll try to further my case. This record should be taught in schools.
Standout Track ::Like A Girl::

1. Yola ::WALK THROUGH FIRE:: Throughout 2019 I did my best to broaden my musical palate. Granted, I still spun a lot of stalwart sad white bois, but no artist presented what I was seeking better than Yola - a black British woman who sings like Bonnie Raitt over tunes that could have just as easily been lost Glen Campbell tracks. Some credit is due to the Black Keys’ Dan Auerbach, who was at the production helm of WALK THROUGH FIRE, but a lot of what is happening on this record is not new for Yola; her smoky vocals are featured on two records released by her former band Phantom Limb (2012’s THE PINES and 2010’s PHANTOM LIMB). Auerbach pulled some weight making the record as Vince Gill guests as a vocalist, and country/bluegrass fiddler to the stars Stuart Duncan rosined up his bow for the recording as well. Still, Yola is clearly the feature here - and I don’t think I’ve ever listened to the end of “It Ain’t Easier” without my heart rate increasing. This record makes me want to open all the windows on my 1979 Ford F-250, crank these songs at full blast and just drive.
Standout Track ::It Ain’t Easier::

Shows/Performances Attended in 2019

[1]. 01/05/2019 Mess/North by North/Baby Razors; Cafe Nola, Frederick, MD

[2]. 01/26/2019 Neko Case/Margaret Glaspy; The Lincoln Theatre, Washington DC

[3]. 01/28/2019 Thin Lips/Grace Vonderkuhn/Born Dad; Songbyrd, Washington DC

[4]. 02/08/2019 Nellie McKay, The John F. Kennedy Center for the Performing Arts, Washington, DC

[5]. 02/09/2019 Alvin Ailey American Dance Theater, The John F. Kennedy Center for the Performing Arts, Washington DC

[6]. 02/21/2019 Cirque Mechanics, Weinberg Center for the Arts, Frederick, MD

[7]. 03/01/2019 The Beths/Bad Hats/Bad Moves, Music Hall of Williamsburg, New York, NY

[8]. 04/03/2019 Amanda Palmer, National Theatre, Washington DC

[9]. 04/13/2019 Middle Kid/Blue Heaven/Andy Burns, Cafe Nola, Frederick, MD

[10]. 04/22/2019 Durand Jones & the Indications/Divino Nino, The Ottobar, Baltimore, MD

[11]. 04/25/2019 Levar Burton, Weinberg Center for the Arts, Frederick, MD

[12]. 05/09/2019 Neil Gaiman, Weinberg Center for the Arts, Frederick, MD

[13]. 05/18/2019 Eddie Izzard, Warner Theatre, Washington, DC

[14]. 05/25/2019 The Fun Boys, Guido’s, Frederick, MD

[15]. 06/01/2019 Live from Here with Chris Thile, feat. Guster & Adia Victoria, Wolf Trap, Vienna, VA

[16]. 06/02/2019 Middle Kid/Puddle Splasher/Although, Cafe Nola, Frederick, MD

[17]. 06/20/2019 Although/Spooled Up/Sunniva, Cafe Nola, Frederick, MD

[18]. 06/26/2019 Hannah Gadsby, The John F. Kennedy Center for the Performing Arts, Washington DC

[19]. 07/03/2019 Hamilton, The Hippodrome, Baltimore, MD

[20]. 07/24/2019 The Get Up Kids/Great Grandpa, The Ottobar, Baltimore, MD

[21]. 07/27/2019 Frederick Jams Presents: Rozwell Kid/Middle Kid/Soul Meets Body, New Spire Stages, Frederick, MD

[22]. 08/16/2019 Ibram X. Kendi, How To Be An Anti-Racist book tour, Sidwell Friends School, Washington DC

[23]. 09/21/2019 Billy Bragg, The Birchmere, Alexandria, VA

[24]. 09/25/2019 Lizzo/Ari Lennox, The Anthem, Washington DC

[25]. 09/26/2019 Pinegrove/Boyscott/Derek Ted, Nightclub 9:30, Washington DC

[26]. 10/04/2019 West By God, The Keegan Theatre, Washington DC

[27]. 10/19/2019 Jordan Hudkins (Rozwell Kid)/Mr. Husband, Cafe Nola, Frederick, MD

[28]. 10/25/2019 Sleater-Kinney/Joseph Keckler, The Anthem, Washington DC

[29]. 11/17/2019 Katie Powderly & Josh Crews, Roasthouse Pub, Frederick, MD

[30]. 11/22/2019 Middle Kid (record release), Frederick Eagles Club, Frederick, MD

[31] 11/25/2019 Tool/ Capitol One Arena, Washington DC

[32]. 12/06/2019 Holiday Hangout night #1 w/ Isaac Hoskins, The Baptist Generals, Jeremy Pinnell, John Calvin Abney (full band), Vandoliers, and Legendary Shack Shakers @ White Water Tavern, Little Rock, AR

[33]. 12/07/2019 Holiday Hangout Saturday Day Party w/ Brent Best, Shane Sweeney, Chris Flemmons, and Isaac Alexander @ Lost Forty Brewing, Little Rock, AR

 [34]. 12/07/2019 Holiday Hangout night #2 w/ Bonnie Whitmore, Clownvis Presley, John Dee Graham, Patrick Sweany, Slobberbone, and Lee Bains & the Glory Fires (w/ John Calvin Abney on guitar) @ White Water Tavern, Little Rock, AR

[35]. 12/20/2019 Sprouts, Cafe Nola, Frederick MD

Shows Played in 2019

[1]. 04/07/2019 Listening Room Session with Ashli Cheshire, Caleb Rose (solo acoustic) and Diane Buch, Cafe Nola, Frederick, MD

[2]. 04/20/2019 Dumb Valley/The Beatnik Termites/Luna, Cafe Nola, Frederick, MD

[3] 08/24/2019 Dumb Valley/Middle Kid, Cafe Nola, Frederick, MD

[4]. 10/19/2019 Dumb Valley/Miss Lonelyheart/Dot Dash, Sky Stage, Frederick, MD

[5]. 10/26/2019 Dumb Valley/The Fun Boys Halloween Party, Cafe Nola, Frederick MD

[6]. 12/13/2019 Dumb Valley/Natural Rat/Mishima, Frederick Eagles Club, Frederick, MD

[7]. 12/28/2019 Katie Powderly w/ Caleb Rose/Silent Old Mts, Music Cafe, Damascus, MD

Red Letter Night: The Get Up Kids w/Great Grandpa @ The Ottobar, Baltimore Maryland July 24, 2019

It's been an uncharacteristically busy year for this Stranger, which has led to what I will assume is a statistically significant reduction in the number of shows I've attended in 2019.

One of the main culprits is the recent combining of households with my ladyfren and usual live music sidekick - and that process seems to have eaten up a LOT of time over the past three-four months with searching, looking, saving, packing, moving, unpacking...etc. It's the damn worst. Further, my "show list" palate has expanded - and now includes more non-music/concert forms. For example, we recently saw Hamilton at the Hippodrome in Baltimore, and we saw Hannah Gadsby's latest "comedy-turned TED talk" at the Kennedy Center in DC last month.

But things are starting to settle down. And last night I experienced what was probably one of the best shows I've seen in 2019.

I wanna say the Get Up Kids first hit my radar in 1999 or 2000 - whatever the year, I know that my best college bud is responsible for turning me on to the band. In the early aughts, I started listening to more emo-tinged bands (i.e., Thursday, Sparta, et al.) and the Get Up Kids were more intriguing because there were heavier doses of pop punk in their sound. Soon after I moved to Arkansas, already knowing that the band was from Kansas City (some three hours north), they broke up. I missed their reunion show at the Record Bar in 2008 - but members of my former band, Damn Arkansan, went,and definitely rubbed it in that I missed a hell of a show!

I say all this to say that after nearly 20 years of listening to this band, last night was my FIRST TIME seeing them. And last night was SPECIAL™.

I've had a couple chances to see Matt Pryor solo (the last of which I didn't do because I was still in recovery from my car accident), and I missed them in DC last year because I was out of town in Raleigh NC to see Father John Misty play at the NC Museum of Art. But - despite being exhausted from work, moving, and general other shit, I wasn't gonna miss the show last night...and I am SO glad I went.

Show Poster.jpg

I think I'm comfortable saying that the Ottobar in Baltimore is my favorite regional venue. It's an easy drive from Frederick (~ an hour), light on traffic, and in a hip area of the city that has good eats and other amenities (record and book stores). The venue itself also has a great layout. Two stories: a lounge upstairs with a bar where they host comedy, small shows, and trivia, and the main floor with a bar/merch area in the back, and the "stage room" which is a split into a stage floor and balcony/loft on stage right. Along the wall on stage left, there are two tiered risers - almost like bleachers - that are at the same height as the steps leading you down from the bar area to the stage room floor. I note this because whether you're up front, on the back or sides on a riser, or in the balcony/loft, there are few *bad* vantage points in the room.

I posted up in the back corner of the room, stage left, parallel to the sound man, and at a great vantage point to get the mix from ALL the PA speakers. I arrived a song or two into Seattle Washington-based opener Great Grandpa's set.

Here is what Pitchfork reviewer Ian Cohen had to say about the Great Grandpa's debut record, PLASTIC COUGH in his 6.7-rated review:

"Familial band name with twee sensibilities, quippy grievance airing over fizzy alt-pop: thanks to the revolution started in Great Grandpa’s hometown of Seattle, this sound provided quite a few Buzz Bin hits and resultant entries in used CD bins in 1997 and has somehow become the sound of indie rock in 2017."

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I mean, I *think* Cohen wants that to be a dig at the band - but for 41 year-old Gen Xers who still go to shows (and I'll tell ya, if you averaged the demographics of this crowd, I was the mean/average to the letter) we couldn't have asked for a better opener (not named Reggie and the Full Effect or Saves the Day).

Great Grandpa's lead singer, Alex Mennes, is a tiny woman, but has an absolutely HUGE voice. I had to do some double-takes when her howling vocals smacked me in the face through the PA. After doing some research, it looks as though the band is usually a quintet, but tonight was a 4-piece, with Mennes also playing bass (usually tackled by Carrie Miller). The two guitarists really added a nice, grungy layer to the songs - several of which were in alternate tunings. This definitely changed the sonic palate and allowed for a richer sound coming off the strings.

I think maybe the a good shoot-from-the-hip description would be this: Great Grandpa sounded like if an emo Delores O'Riordan fronted Pavement - if Pavement were from mid-1990s Seattle.

Roughly 45 minutes after Great Grandpa started, they exited the stage and made way for the Get Up Kids. By this point, the stage room floor had filled up. Even I was shoulder-to-shoulder with some folks back in my corner vantage point.

After a "hello Baltimore!" around 9:15 PM - wasting no time, Matt Pryor hit the chords and opening lines to "Satellite" - the opening song off the Get Up Kids latest (2019) record PROBLEMS. The song was explosive, and the near-packed house was here for it. If Craig Finn was right, and the "sing along songs" truly "will be our scriptures" then this crowd was definitely in church this particular Wednesday night.

The band played about an hour and a half (excluding the 5 minute break before the encore) - and covered ALL their records. It was great to see the band members' reaction to the crowd singing along to the older songs. Pryor remarked on more than one occasion "shit, you guys sing LOUD!" Guitarist Jim Suptic noted "we don't get to Baltimore often enough...but we're definitely coming back!"

Highlight songs included the appropriate opener "Satellite" which has an "old school" Get Up Kids sound for being new material. "Martyr Me" - which is one of my favorite cuts from THE GUILT SHOW - absolutely smoked. "Holiday" from SOMETHING TO WRITE HOME ABOUT (talk about a dang sing-along!) "Don't Hate Me" from FOUR MINUTE MILE (which had a fun false-start where Pryor had to stop and restart the band). Also "Lou Barlow" from the new record PROBLEMS and "Stay Gone" from ON A WIRE were a thesis on how to masterfully create pop groove on a bass guitar.

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Let's talk about bassist Rob Pope for a minute. Not only is he a founding member of The Get Up Kids, but also has been playing with Spoon since 2007 (he actually just quit) - and he really does add an incredible layer with his bass playing over the Get Up Kids songs. His playing got more dynamic with the release of ON A WIRE - a record that did not sit well with fans who were more into the band's emo leanings on the first two records. Considering I just started playing bass - despite the fact that my current outfit’s music does not sound like the Get Up Kids - there is a lot to be gleaned from Pope's playing in regard to how to craft a low-end melody through a song. It was a joy watching him do this live last night.

The hour-long opening set closed with "Action & Action" if I am recalling correctly - and the whole crowd was screaming along with Pryor on the chorus line "I playyyyed the fool!!!" It was cathartic and joyful. The encore was about 6 or 7 songs, and given the crowd response on the night, I wouldn't be surprised if the band had planned on playing a shorter encore. Suptic led the band on his cover of the Mats' "Beer For Breakfast" which the Get Up Kids released on their 2001 LP of covers and rarities, EUDORA. They also obliged a member of the crowd who shouted for "Mass Pike" by playing a rousing rendition of the song. The closer was "Ten Minutes" from SOMETHING TO WRITE HOME ABOUT. Man...if the foundation of the Ottobar wasn't a concrete slab, that floor would have been bowing last night.

I am usually not one to break his phone out a lot during a show, but I captured several songs on video last night because I really wanted to document this experience. I can't remember the last time I felt like I was in a room full of so many people whose expectations seemed to immediately be met and continued to be exceeded - the band's included - as the night wore on. It was an all ages show, and I saw what appeared to be lots of dads and daughters enjoying the show together, which was pretty rad.

The band is off to play two nights in New York next - at the Bowery tonight and the Music Hall of Williamsburg in Brooklyn tomorrow. If you ever enjoyed this band, I highly, highly encourage you to go check them out if they come to your town on this tour. They're seemingly are firing on all cylinders right now.

The Strangers Almanac Year In (End) Review: 2018

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Man…

Usually when I pen this year-end review I spend a number of paragraphs lamenting another move to a new town, changing my job, or some other horrendous life event that upended my year.

Not this year, y’all. I’m happy to report that 2018 has been super smooth sailing. Picked up a college teaching gig in addition to my normal research gig, still got the same lady friend and we are talking about getting a place together in the summer of next year once our leases are up. Did a TON of traveling (domestically), and caught a bunch of shows as well (see the list of shows at the end of this document.) Family is healthy and happy. My one and a half year-old nephew is still the cutest kid in my universe.

Yeah, 2018 has been good.

Of course it wasn’t all rainbows and cookies. I worked on a political campaign that got shellacked, and watched in some semblance of horror as the electorate in my county re-elected a racist sheriff, and did not get as soaked by the blue wave as many other places across America. So there is work to do on that front. And, of course there’s all the shit happening with the Federal Government. In a few days, the Smithsonian is going to close while our lawmakers are still trying to point their fingers harder in the direction of blame at the other, (falsely) hoping it will engender support. Unfollowing” all my friends on Facebook this year has helped. I still have an active account but I only use it to keep my social and event calendar synced with my phone. It’s been one of the best decisions I’ve made (though I am gonna post the link to this write-up on my FB wall, so my hypocrisy is not lost on me).

But whatever. It’s been a good year and I am here for it! The only thing that will be left after pecking out this year-end review will be to make good on my 2018 New Year’s Resolution and commit 10 phone numbers to memory!!

::2018 Songs of Note Playlist::

For your “listen while you read” pleasure, I am including a playlist of my standout tracks of the year. The tracks go in reverse order, that is, the standout track from each of “the elevens” will be at the top of the playlist, and the closing track will be the standout from the number 1 record on the list below. Fun times, yeah?

A playlist featuring 6 String Drag

::The Twenty Elevens::

“The elevens” are listed here in alphabetical order so as not to weight one release as closer to #10 than the next. In reality, any one of these “elevens” could probably be swapped out for #10 depending on how I am feeling on a given day…but here is how it shakes out on this day:

6 String Drag ::TOP OF THE WORLD:: Raleigh, North Carolina alt-country pioneers 6 String Drag won 2018 with a double-dose of music. First, they re-released their seminal 1997 record HIGH HAT to celebrate its 20th anniversary, while simultaneously dropping their first record of new music in three years with TOP OF THE WORLD. Prior to 2015, the band had been largely dormant. TOP OF THE WORLD also marks the band’s first recording with new, shit-hot guitarist Luis Rodriguez and drummer Dan Davis, the band is as tight as ever, and showcased their skills this past December to a largely virgin audience at the annual White Water Tavern Holiday Hangout in Little Rock, Arkansas. But for us old heads, if you liked HIGH HAT, there is a LOT of sounds for you on TOP OF THE WORLD
Standout Track ::Wrong Girl::

Belle Adair ::TUSCUMBIA:: Combine all your favorite things about Big Star, the Byrds, Muscle Shoals, and the south and you have Belle Adair’s TUSCUMBIA. Fans of chime and jangle will rejoice at the sound of the guitars on this record. Recorded at the legendary FAME Studios in Muscle Shoals, Alabama, the vibe of that building coupled with the pop sensibilities of the fellas in Belle Adair made for a solid marriage. This is just a nice, two-windows down jam for springtime kinda record. Much Rickenbacker! Such yay!
Standout Track ::Marooned::

Drew Beskin ::NOSTALGIA PORN:: This Athens, Georgia-based prolific bastard not only released a killer record with last year’s CHA CHING MACHINE, and who once contributed songs to The District Attorneys, PURSES, and Party Dolls, has returned in 2018 with more saccharine power pop that pays more homage to Memphis and Big Star than Athens’ REM. Beskin continues to produce a high quality product.
Standout Track ::Suspicion From The Start::

Bonny Doon ::LONGWAVE:: In the mid 90s, bands like Pavement and Guided by Voices made music that had critics and reviewers tossing around the term “slack rock” because of a lazy and oft sloppy musical delivery that somehow worked. Detroit’s Bonny Doon deserve a spot in that company. The songwriting duo of Bobby Columbo and Bill Lennox trade songs back and forth over 40 minutes of rollicking songs that make you want to do that thing where you drive with the windows down, arm in the wind, letting the wind pick up your arm in a wave-like motion for miles and miles…that is still a thing, right?
Standout Track ::I Am Here (I Am Alive)::

Boygenuis ::BOYGENUIS:: When news broke that Julien Baker, Phoebe Bridgers, and Lucy Dacus would be forming a supergroup, the corner of the internet where all the indie rock kids hang out shattered into a billion pieces. Rightfully so. There is nothing unexpected on this six-song EP. Its only failing is that it is too short. Two more songs from each artist and might-could have had a full Boygenius LP. Hopefully there is more to come, if for no other reason than that the world needs more Julien Baker songs with a full-band treatment.
Standout Track ::Stay Down::

Andrew Bryant ::AIN’T IT LIKE THE COSMOS:: At the 2017 White Water Tavern Holiday Hangout in Little Rock, Arkansas, Andrew Bryant took the stage with a Danelectro Guitar and boutique tube amplifier and proceeded to break the hearts of anyone who was listening. The songs were sparse and heavy, and elicited several whispers of the name “Jason Molina.” Prior to covering “Hammer Down”, Bryant did indeed talk about what a heavy influence Jason Molina has been on his writing. The sparse songs heard at the White Water Tavern that night have been given a full band treatment on COSMOS, but there is still a beautiful loneliness to them. It may be Bryant’s hollow voice, which (probably intentionally) resonates a sort of defeat even on the upbeat tunes. Jason Molina wrote a lot about ghosts. Andrew Bryant may be seeking a muse in Molina’s - and I am here for that.
Standout Track ::The Price Was Right::

Neko Case ::HELL ON:: Neko Case makes a hell of a return with HELL ON. The record is a nice blend of classic Neko Case stylings (i.e., “Halls of Sarah”, “Bad Luck”, and “Last Lion of Albion” - check out the Song Exploder Episode on the latter) and a newer, different sound that showcases Case’s talent and ability to shake up her foundation (i.e., “Sleep All Summer”). A solid effort by one of music’s strongest songwriters.
Standout Track ::Last Lion of Albion::

Dawes ::PASSWORDS:: Admittedly, the last two Dawes records have left a lot to be desired - especially when you compare recent output to the band’s stellar first three records. It was clear that principal songwriter Taylor Goldsmith was approaching his songwriting from a different direction on 2016’s WE’RE ALL GONNA DIE (though the track “Roll With The Punches” was one of the year’s best IMHO). However, PASSWORDS is a bit of a return to form - just not quite all the way there. Still, there is likely a hell of comp to be culled out of Dawes’ recent output.
Standout Track ::Crack the Case::

Death By Unga Bunga ::SO FAR SO GOOD SO COOL:: By the time we reach the end of this year-end list, it will be clear that 2018 was the year that riff-heavy rock-n-roll returned to heavy rotation for these ears. Imagine Thin Lizzy were a five-piece band, and instead of being Irish, they were Norse as fuck - you’d have Death by Unga Bunga. Delicious riff-driven poppy rock -n-roll complete with harmonized guitars, and sick finger tapping. And this is their fifth LP. So if you like what you hear, dig in to the band’s back catalog for more!
Standout Track ::Soldier:: [Note: The guitar solo starting at 2:50, with the harmonized finger tapping at 3:13 is perfection].

The Dirty Nil ::MASTER VOLUME:: Like the riffy Death by Unga Bunga - the Dirty Nil also brings riffy, Thin Lizzy-esque rock-n-roll, Hamilton, Ontario Canada-style. However, unlike the former, The Dirty Nil is only a three-piece. MASTER VOLUME is apropos as the album title as there is a LOT of sound coming out of this power trio of guitar, bass, and drums. Don’t sleep on the band’s cover of the Metallica classic “Hit the Lights” from the 1982 debut record KILL EM ALL [Note: I am not linking the original song and record because fuck Metallica, and fuck you, too, Lars].
Standout Track ::That’s What Heaven Feels Like::

Father John Misty ::GOD’S FAVORITE CUSTOMER:: In the Drive By Truckers’ song “Ghost To Most,” Mike Cooley sings the line “saving everybody takes a man on a mission with a swagger that could set the world at ease…” After seeing Josh Tillman’s Father John Misty this past summer, it’s possible Cooley found his candidate. Seeing an artist live can completely color how one experiences an artist’s recorded work - for better or worse. This was a case for the better as it made Father John Misty’s latest album-length spewing of Gen X. malaise much more palatable. In some worlds, GOD’S FAVORITE CUSTOMER and PURE COMEDY might make one hell of a double album with the similar themes of societal exhaustion after clinging to a myriad of false promises.
Standout Track ::Mr. Tillman::

Hurry ::EVERY LITTLE THOUGHT:: While heading to DC for a Nada Surf show, Spotify did that thing where it suggests music after whatever you’re listening to ends. At the end of the latest Hop Along record, Spotify played Philly-based Hurry’s song “Hanging On” with its Teenage Fanclub, fuzzy, power pop guitars and vocal phrasing not unlike John Davis’ from Superdrag and the Lees of Memory (listen to the way singer Matt Scottoline sings “I’m already hangin on…”) for an example. A mental note was made and the album was later spun. Turns out “Hanging On” was the perfect taste of what Hurry had to offer. Big guitars, lush vocal harmonies, and lots of power pop melodies. Since Philadelphia has recently been cranking out some big names in indie rock as of late (Hop Along, Kurt Vile, The War on Drugs), it is easy to overlook some of the other amazing acts that call the City of Brotherly Love home. Don’t sleep on Hurry if you’re a fan of Teenage Fanclub, Nada Surf, Superdrag, or the Bigger Lovers.
Standout Track ::Separation::

Marie/Lepanto ::Tenkiller:: This one almost came in at #10, but in the end, it was ‘thinly’ [pun intended] edged out. This record evokes a lot of near-and-dear imagery given it’s roots in the Ozarks (Arkansas, Missouri, and Oklahoma) where the songwriting duo of Will Johnson [centro-matic, South San Gabriel, a million other bands] and Justin Peter Kinkel Shuster [Water Liars] have ties. Johnson and Shuster’s voices perfectly compliment one another over songs that sound like they could be outtakes from a lost Crazy Horse session, while also offering softer morsels, like Shuster’s finest song to date, “Tenkiller.”
Standout Track ::Tenkiller::

Mess ::COMFORT CREATURE:: Baltimore Maryland is known for its enduring punk scene, largely overshadowed by New York and DCs hardcore scenes that gained traction in the 80s and 90s. Indeed, Baltimore still boasts a stalwart punk scene, but there is also a budding scene of kids who are starting bands that embrace their parents music: grunge. In that spirit, Mess sounds like they’ve been ingesting a steady diet of Sunny Day Real Estate, Hum, Dinosaur Jr., Codeine, and Seaweed. Don’t be dismayed by the scant 4 songs on this EP, which clocks in at 21 minutes. This record is nostalgia heaven for those who grew up watching 120 minutes, looking for the next ‘it’ band. Also check out the band’s 2017 release TREE, whose 7 songs could easily be sequenced with the four songs on COMFORT CREATURE to create an LP-length playlist.
Standout Track ::Worrybody:: [Note: Frederick, Maryland readers - check out Mess at Cafe Nola on January 5th, 2019]

Mr. Husband ::SILVERTONE and OCEAN PINES:: We’ve opined about the budding, yet underground music scene in Frederick, while simultaneously lamenting the lack of a proper venue (see the end of this post for a review). A pillar of the Frederick music scene is Kenny Tompkins, or as he would say: “but that’s Mr. Husband 2U…” Tompkins released two full-length records this year under his Mr. Husband moniker; SILVERTONE, with it’s full, three-piece band treatment delivering dreamy pop songs that any fan of the Beach Boys/Brian Wilson could find common musical ground and OCEAN PINES, a lilting, quiet, solo effort drawing from Tompkins love of classic country music and Hawaiian steel guitar. Lots to love here from a talented individual with a broad musical and songwriting palate.
Standout Tracks ::Living in Dreams (SILVERTONE):: ::Stranger for a While (OCEAN PINES)::

Ovlov ::TRU:: Man…if you cue up Ovlov’s TRU, make sure nothing valuable is nearby and/or not tethered down, because the huge opening guitars of “Baby Alligator” might have you thrashing around the room in an instant. SUUUPER fuzzy and BIG guitars are abundant alongside dirty, distorted, buried vocals. This is the band’s first record in 5 years, as they’ve apparently had some difficulty keeping things together during the decade they’ve been around. Like the band’s history, TRU sounds like a record that could split apart at the seams any moment. It’s glorious. Hell, even Pitchfork liked it! We recommend paring this record alongside Mess’s COMFORT CREATURE for a nostalgic fuzz-buzz.
Standout Track ::Short Morgan::

Nick Piunti ::TEMPORARY HIGH:: Last year, Tommy Stinson released ANYTHING CAN HAPPEN via his Bash and Pop project. Fans of the Replacements rejoiced as the songs on ANYTHING tickled their Replacements-depraved ears. If those ears still thirst for that sound, you may want to give Nick Piunti’s 2018 release TEMPORARY HIGH a spin. This record seemed to come from out of nowhere, with little to no acclaim, despite Piunti putting roots in his native Detroit’s power pop scene starting back in the 1970s. This record is worth a listen if you enjoy 70s power pop and Replacements-style rock n roll.
Standout Track ::You Invented Hell::

S. Carey ::HUNDRED ACRES:: Folk may recognize the name S.[ean] Carey as one of the 437 musicians accompanying Justin Vernon on stage with Bon Iver. Carey’s music comes from the same corner of the musical spectrum as Vernon’s. Its distant, layered, and atmospheric landscape is easy to get lost in while listening. This is a great “cold weather” record and was much enjoyed this past winter.
Standout Track ::Rose Petals:: [Note: fans of Will Arnett’s Netflix show Flaked may recognize this song from S2]

Sloan ::12:: Not many bands can say “this is our 12th record.” Alas, Canadian power-pop stalwarts Sloan released record number 12 and what a ride it’s been since 1992’s SMEARED. When a band has such a vast catalog, it is tough to avoid playing the “it’s their best since…” game, but this record does seem to be stronger from a musical and songwriting standpoint than some of the band’s more recent releases. These ears think that 12 combines all the best elements of 1998’s NAVY BLUES and 1999’s BETWEEN THE BRIDGES; pop hooks for days, three and four-part vocal harmonies, oooohs and ahhhs, sing-along choruses, and fucking hand claps! All wrapped in a modern-day classic rock canvass painted by the likes of KISS, The Beatles, The Kinks, and Boston. So if that is the Sloan of your heart’s desire, give 12 a spin.
Standout Track ::The Day Will Be Mine::

The Rank Stranger’s Top Ten Records of 2018

10. Thin Lips ::CHOSEN FAMILY:: Philadelphia, y’all!! Killin it in 2018. Thanks to Frances Quinlan, who, at a Hop Along show earlier this year at the 9:30 Club, introduced multi-instrumentalist Chrissy Tasjian as having “a badass band called Thin Lips…” When CHOSEN FAMILY was released in July, it immediately found heavy rotation on the Spotifys. Tasjian crafts catchy pop punk songs that become the earworms you enjoy having stuck in your head. The record starts with Tasjian relating a story about her six-year old self having a dream about seeing a naked woman, waking, and running downstairs to consult her mother, noting that she was afraid she was gay - she was frightened because she didn’t want to go to Hell. Now, as an open member of the LGBTQ community, her songs speak to relationships that span the spectrum. For example, arguably anyone can relate to songs with titles such as “I Know That I’m the Asshole” or “Sex is Complicated” or “What’s So Bad About Being Lonely”. The guitars on this record are huge, which are punctuated by a two-coats-of-paint-tight rhythm section (who are a joy to watch on this Audiotree performance - that bass, y’all!). Pumped to see Thin Lips at Songbyrd Music Cafe in DC on January 28th with Delaware’s Grace Vonderkuhn! If you take a chance on ONE record listed here, let it be this one.
Standout Track ::South America::

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9. Leon Bridges ::GOOD THING:: If you read a barrage of “best of” lists that have been published, several have listed Janelle Monae’s DIRTY COMPUTER as one of - if not their favorite - record of the year. They herald how Monae took some of the difficult events of her life and set them to pop music inspired by icons such as Prince and Michael Jackson. Maybe these folks didn’t pay attention to Leon Bridges’s GOOD THING, but you could literally replace her name with his and swap the album titles and the same rings true. On GOOD THING, Bridges gambles on a hard 180 degree turn, abandoning his Sam Cooke comfort zone and putting up 10 songs flavored with contemporary and throwback R&B and pop - some songs in the style of Prince (If It Feels Good [Then It Must Be]), and Michael Jackson (Forgive You; You Don’t Know). The songs deal openly with the difficult subject of a romantic relationships - a topic he was nervous singing about because, given the autobiographic nature of the songs, his mother would learn about some behaviors that she would not agree with. But with this leap (musically, personally, and nervously), GOOD THING settles into a stride…then to a swagger that might take a few attempts to love, but will be worth the effort.
Standout Track ::Beyond::

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8. Jim Shorts ::HALO REPAIR:: The third local/regional release on this list (see Mr. Husband and Mess above), Frederick’s Jim Shorts, the project of recent Chattanooga Tennessee expat David Haynes, tugs at all the heartstrings I possess tuned to my love for Built to Spill. Haynes is not bashful about citing Built to Spill and Doug Martsch as influences, but one spin of HALO REPAIR and you wouldn’t need him to relate this fact. These songs traipse territory often found on the more Americana/Alt-country releases often filling these ears: travel up and down long highways to get back to a loved one. Indeed, Haynes chronicles his road trips between Chattanooga (where he was attending school) to Frederick, Maryland (where his now-wife was living). On these long trips, Haynes had a lot of time to think and write. Some songs (i.e., “24,000”) are directly about getting back to see his wife, others are about talking to yourself (“Meet the Author”) which you can imagine happens quite a bit on long, solo road trips, and learning what happens after we die (“Broadcasting Cosmic Silence”). Though only in his mid-twenties, Haynes has forty (40!) individual releases on his bandcamp page. HALO REPAIR is leaps and bounds the most realized effort to date.
Standout Track ::Tree of Life, MD::

7. Superchunk ::WHAT A TIME TO BE ALIVE:: Not much to add to what’s been said elsewhere about Superchunk’s latest, and 11th album in their 30-year career as a band. Eleven songs, 32 minutes, and punk-as-fuck. These songs eviscerate the current Presidential administration and point out the absurdities of 2018 America. When President Trump was elected in 2016, there was a call to musicians and artists to use their craft to create a rallying message. Not sure that Superchunk achieve that goal with WHAT A TIME TO BE ALIVE, but I sure as hell want to fuck a lot of shit up when I listen to this record!
Standout Track ::Black Thread::

6. John Paul Keith ::HEART SHAPED SHADOW:: “Throwback music” can be hit or miss. Some groups have capitalized on it - like soul artists Sharon Jones and the Dap Kings, or Charles Bradley (RIP to both), or country artists such as Sturgill Simpson, Zephaniah OHora, and Margo Price. For other artists, such as the aforementioned Leon Bridges, the throwback style didn’t last (and perhaps the same could be said for Sturgill). Some of these artists have been accused of capitalizing on a fad; however, this is not the case for Memphis songwriter John Paul Keith. Though he’s dabbled in pop rock (Stateside), and alt-country with a really early version of the V-Roys, Keith seems to have found his calling in crafting a Memphis style rock-n-roll that not only pulls from various legends that stood on the black-tape ‘X’ in Sun Studios, but also attempts to preserve their legacy by incorporating their sound into his original songs. HEART SHAPED SHADOW is JPK’s first full-length solo record since 2013’s MEMPHIS CIRCA 3AM - and a LOT has happened in those five years. Relationships started. Relationships ended. More relationships started. More relationships ended. Band members came and went. New bands were formed (Motel Mirrors). Songwriters Block. Much of the five years is documented in HEART SHAPED SHADOW. The songs are simplistic, but not simple, familiar but new. And his band, including now longtime drummer Shawn Zorn, and veteran bassist Preston Rumbaugh, and Memphis giant Rick Steff filling on on keys are absolutely on fire. This might be the most fun record on this list.
Standout Track ::Leave Them Girls Alone::

5. Pinegrove ::SKYLIGHT:: First, we can side-step a discussion about the accusation levied against Pinegrove’s Evan Stephens Hall nor the post-mortem take after the band’s hiatus because SKYLIGHT was completed and set for release before all this went down. Records are a snapshot of a band at a specific time. Numerous factors contribute to the singular magic during a recording session that cannot be captured at subsequent recording sessions or on subsequent records. That said, SKYLIGHT stands in a parallel world, unmarred by the fallout and rebuilding since the #MeToo accusation. Pinegrove’s 2016 CARDINAL (now out as an expanded edition) was a juggernaut for musical partners Evan Stephens Hall and Zack Levine - one that amassed to sold out tours, world travel, and the purchasing of a house-turned-studio in upstate New York, a quieter change from the band’s home base spanning New York City and Montclair, New Jersey. Before the media fallout, the band was perched in their new house/studio, recording songs new and old for the anticipated follow-up to CARDINAL. The songs on SKYLIGHT still feature the same shape-like, circular lyricism Hall favors (i.e., “Take a rectangle and tangle your head” on “Intrepid”) or conjuring imagery from prior records with mentions of a “cardinal” and “ampersand” in “Rings”. Indeed, new recordings old songs (i.e., “Angelina”) are more fully realized. Lyrically, the record eerily seems to be written from the perspective of someone holed-up, or walled-in from an outside world that is bright, loud, and generally caustic. If only the narrator could just stay inside all day and hang out with the friends he loves, maybe it will all be ok. Clearly the narrator is navigating a new world that is wholly different from the one familiar to him just a few years ago. Since the release of SKYLIGHT, Pinegrove has successfully completed a mini tour, and has all but sold out all shows on their current tour. Despite the atmosphere currently surrounding the band, whether justified or not, Pinegrove definitely enhances their already strong catalog of music with SKYLIGHT.
Standout Track ::Darkness::

4. Bat Fangs ::BAT FANGS:: The year of the riff continues. North Carolina by way of Washington DC band Bat Fangs isn’t reinventing the wheel with their riff-driven rock n roll, but they’re definitely crafting their own, better model by building on existing blueprints. The duo or Betsy Wright (Ex Hex) and Laura King (Flesh Wounds) crafted a blistering record - 9 songs clocking in at 25 minutes - that draws from female rock icons such as Pat Benatar, Heart, and Joan Jett and the Blackhearts. Wright can slay a guitar, and King’s drumming could cause an avalanche if she’s not careful. This record is HUGE in all the right ways and makes me wish I still had my old 1986 Chevy Camaro. Hell, I might even take up smoking Marlboro reds and hanging out front of the local arcade…or [insert 80’s badass imagery here]. After seeing Bat Fangs open for Superchunk early on in 2018, and watching Betsy and Laura just own the stage - giving Superchunk a run for their money - I hoped - and still hope - that every parent with a teenage daughter will 1) See Bat Fangs live, 2) buy their daughter(s) the Bat Fangs record, 3) buy their daughter(s) a guitar, bass, or drums and 4) hope the daughter(s) put two and two together, form a bitchin rock band, and show all these sad bois how shit gets done!
Standout Track ::Boys of Summer::

3. Ruston Kelly ::DYING STAR:: Nashville Tennessee typically conjures up a certain image. The neon lights of the touristy bars and honky tonks along Broadway, aging country music stars bedazzled in sequins and Nudie suits singing at the Grand Ol Opry, or maybe arena-sized venues with massive concerts featuring names like Taylor Swift, Tim McGraw, and Florida Georgia Line. But there is another Nashville. A darker, smaller-scale Nashville on the east side of the river where scrappy bands get gigs at the 5 Spot, close down the bar at Mickey’s, then stumble home just hours before the sun comes up, coming down from a string of consecutive nights drunk and/or high. This is the Nashville featured on Ruston Kelly’s DYING STAR. Though for all the rough edges around DYING STAR’s narrators (many of whom are probably Kelly himself), there is an certain polish, or ‘Nashville sheen’ to this record that almost disconnects the story from the song. Rightfully so, as Kelly, who has been a songwriter in Nashville for more than a couple years, signed a record deal with Rounder Records (typically a label for bluegrass artists, but has branched out to a more roots music-based palate under president John P. Strohm), and the label seems to have really opened the purse as Kelly created this record. In addition, Kelly’s songs have been recorded by Tim McGraw and the Josh Abbott Band - and though not yet released, “Trying to Let Her” (from DYING STAR) has been recorded by Kenny Chesney. So the “Nashville sheen” on DYING STAR shouldn’t be all that shocking. But the songs…and Kelly’s voice, which sounds like some mashup between Kurt Cobain and A.A. Bondy cuts right through that sheen like a smoker’s cough. Ruston Kelly has a hell of a story to tell…from kicking hard drugs and alcohol, his marriage to Americana darling Kacey Musgraves, and touring with his pedal steel guitar playing father Tim Kelly, DYING STAR is just the start to Ruston Kelly’s story. Since hearing this record, on the days I wake up with a song in my head, 90% of the time it’s a song from DYING STAR.
Standout Track ::Mockingbird::

The Beths FUTURE ME HATES ME.jpg

2. The Beths ::FUTURE ME HATES ME:: In 2016, a quartet from New Zealand dropped a five-song EP called WARM BLOOD. It was stellar. At a glance, with a name like “The Beths”, the band may have been misconstrued as a 60s vocal girl group ('i.e., the Shirelles, the Shondells, etc). But the opening guitar lines from “Whatever” quickly put that assumption to rest. Before the year would end, WARM BLOOD would disappear from Spotify and other streaming/music sites. Thankfully, under the direction of the fine folks at Carpark Records, not only did WARM BLOOD resurface on streaming sites, but so did the Beth’s debut LP FUTURE ME HATES ME. Y’all…this record is pure kiwi power pop goodness. Primary singer and songwriter Liz Stokes sighs her awkward tales of reckoning - with relationships, with past mistakes, and with…well, “Whatever.” Stokes, flanked by lead guitarist and FUTURE ME producer Jonathan Pearce, drive the songs with crisp and crunchy guitars while rhythm section Benjamin Sinclair (bass) and Ivan Johnston (drums) hold down the fort. If you catch the Beths live, prepare for an adorable and awkward display of humility, gentleness, and fucking badass musicianship. They’re a must-see if they come near your town. My tickets for their DC show on March 2nd have already been purchased! Hopefully touring drummer Katie Ham will be smacking the brass again!
Standout Track ::Not Running::

Adam Faucett IT TOOK THE SHAPE OF A BIRD.jpg

1. Adam Faucett & the Tall Grass ::IT TOOK THE SHAPE OF A BIRD:: Adam Faucett’s voice is an Arkansas treasure. On his finest record to date, Adam Faucett and his band the Tall Grass (consisting of bassist Jonathan “Johnny D” Dodson and drummer Chad Conder) wring another slate of songs out of the humid air and arid silt of the eastern Arkansas flatlands. These songs, like much of Faucett’s catalog, would be an ideal sountrack to a muggy summer float trip down some Arkansas river. The characters in these songs would be the people you might see along the bank…a dysfunctional extended family trying to care for one of their own who was orphaned after both parents died and her brother went off to Africa (“King Snake”) or the world weary folks trying to kick various addictions (“Dust”). The songs on BIRD ponder navigating life as an outsider (“Ancient Chord”; “Living on the Moon”) and grinding through year after year, setback after setback all in the name of doing what you love. For example, many of us can probably identify with the opening lines of “Axe” where Faucett sings “Put an axe to the same oak since early ‘01, she still stands tall, unaware, all I’ve done…” The songs, though covered in a gritty, gnarly, surface all contain a diamond within: Faucett’s voice. High, lonesome, booming, angry, timid - it matches whatever emotion the song presents. And Dodson and Conder perfectly match the tone of the song…be it full-throttle through a rapid or lilting along in calm water. This is Adam Faucett & the Tall Grass at their absolute best.
Standout Track ::King Snake::

Shows Attended in 2018

Since moving to the DC Metro, I’ve had to learn a few things…most importantly that if I want to see a show in either DC or Baltimore, I will need to buy tickets in advance, or the show damn well may sell out. Even with being shut out of a few here and there, I still managed to attend 52 shows in 2018 (counting the three-day multi-act, multi-stage White Water Tavern Holiday Hangout as one). Here are the shows attended with the bracketed number being the show number, followed by the date, the band(s)/artist(s), the venue, and the city.

[1]. 01/19/2018 Middle Kid/Violet Ripken/Mess; Cafe Nola, Frederick, MD 

[2]. 02/15/2018 Superchunk/Bat Fangs; Ottobar, Baltimore MD*

[3]. 03/07/2018 Nada Surf; the Black Cat, Washington DC*

[4]. 03/09/2018 Grace Vonderkuhn/Double Motorcycle/Gorpho; Guido’s Speakeasy, Frederick MD

[5]. 03/30/2018 John Paul Keith/Motel Mirrors; Railgarten, Memphis TN

[6]. 04/19/2018 Julien Baker/Tancred; The Chameleon Club, Lancaster PA*

[7]. 04/20/2018 Marie/Lepanto/PSALMSHIPS; DC9, Washington DC

[8]. 04/21/2108 The Decemberists/Tennis; The Anthem, Washington DC*

[9]. 04/24/2018 The Darkness/Diarrhea Planet; Ram’s Head Live, Baltimore MD*

[10]. 04/25/2018 Durand Jones & the Indications/Aztec Sun/Super City; The Ottobar, Baltimore MD*

[11]. 04/26/2018 Sarah Shook & The Disarmers/Zephaniah OHora; Pearl Street Warehouse, Washington DC

[12]. 04/30/2018 Modest Mouse/Mass Gothic; The Anthem, Washington DC*

[13]. 05/02/2018 Jim Shorts/Cheshi (acoustic)/Too Soon Jokes; The Ottobar, Baltimore MD

[14]. 05/05/2018 Middle Kid/Lucas Laws @ Frederick Friends Fest Memorial to Colleen Magrann Morin; Friends of the Eagles, Frederick MD

[15]. 05/05/2018 Ani DiFranco/Gracie & Rachel; 9:30 Club, Washington DC*

[16]. 05/18/2018 Mr. Husband/Michael Nau/Ghost Baby; 11:11 Cafe, Frederick MD

[17]. 6/12/18 Snail Mail/Bonny Doon; Black Cat, Washington DC*

[18]. 6/14/18 The Beths/Lavender; Songbyrd, Washington DC*

[19]. 6/16/2018 Strange Wayne/The Stereophonic Heartbreak/ Middle Kid; Cafe Nola, Frederick MD

[20]. 6/17/2018 Stephen Malkmus & the Jicks/Lithics; The Black Cat, Washington DC

[21]. 6/21/3028 Lee Bains IIII and the Glory Fires/Bad Moves/The Sniffs; Songbyrd, Washington DC*

[22]. 6/22/2018 Ghost Baby/Aether Fields/ Lucas Laws; 11:11 Cafe, Frederick, MD

[23]. 6/27/2018 Zephaniah OHora; Stage on Herr, Harrisburg, PA*

[24]. 7/12/2018 Snail Mail/Bonny Doon/Romantic States; Parkway Theater, Baltimore, MD*

[25]. 7/14/2018 John Moreland/Old Heavy Hands; The V Club, Huntington, WV*

[26]. 7/21/2018 Jim Shorts (solo); Cafe Nola, Frederick, MD

[27]. 7/22/2018 Chatham County Line/Kate Rhudy; Ram’s Head On Stage, Annapolis, MD

[28]. 7/26/2018 The Hold Steady/Beach Slang; Union Transfer, Philadelphia, PA*

[29]. 7/27/2018 The Smashing Pumpkins/Metric; Royal Farms Arena, Baltimore, MD*

[30]. 8/1/2018 Father John Misty/Jenny Lewis; North Carolina Museum of Art, Raleigh, NC*

[31]. 8/9/2018 Qiet; Pearl Street Warehouse, Washington D.C.*

[32]. 8/13/2018 Jim Shorts/Suggested Friends (UK)/Flooring; Soap City (House Show), Frederick, MD

[33]. 9/15/2018 Ghost Baby/Cheshi (solo); Area 31, Frederick, MD

[34]. 9/15/2018 Mr. Husband; Cafe Nola, Frederick, MD

[35]. 9/17/2018 Neko Case/Thao Nguyen; Whitaker Center, Harrisburg,PA*

[36]. 9/21/2018 Dinosaur Jr.; The Black Cat, Washington DC

[37]. 09/29/2018 Vita and the Woolf/Super City; The Ottobar, Baltimore, MD*

[38]. 10/5/2018 Baby Razors; Guidos, Frederick, MD

[39]. 10/06/2016 The Thing: Cosmic Hallitosis, Flooring, Jim Shorts, Middle Kid, Cheshi, Mr. Husband; Frederick, MD*

[40]. 10/10/2018 Leema/serpentwithfeet; The Ottobar, Baltimore, MD*

[41]. 10/12/2018 Adam Faucett; Capital Ale House, Richmond, VA

[42]. 10/14/2018 The Beths w/ Nowadays; Songbyrd Cafe and Music House, Washington DC*

[43] 10/17/2018 Middle Kid (solo)/Silent Old Mts (solo) 11:11 Cafe Frederick, MD

[44]. 10/27/2018 Ruston Kelly w/ Katie Pruitt; Jammin Java, Vienna, VA

[45]. 10/27/2018 Cheshi w/ Fun Boys; Cafe Nola, Frederick, MD

[46]. 10/31/2018 Rasputina; City Winery, Washington DC*

[47]. 11/16/2018 Amasa Hines w/ Hermeda; Songbyrd Cafe and Music House, Washington DC*

[48]. 11/29/2018 Gurf Morlix; White Water Tavern, Little Rock, AR*

[49]. 11/30/2018 through 12/2/2018 The 2018 White Water Tavern Holiday Hangout; White Water Tavern, Little Rock, AR*

  • Friday 11/30/2018: Matt Woods; Isaac Hoskins and the Glass Mountain Orchestra; Kim Nall & The Fringe; DEADnettles; Tim Easton; 6 String Drag; Lee Bains and the Glory Fires

  • Saturday 12/1/2018: Songwriter in the Round at Lost Forty Brewing featuring Kevin Kerby, Isaac Alexander, Todd May, and Tim Easton. 

  • Saturday 12/1/2018: Hangout at the White Water Tavern; Dazz & Brie, Hanmel on Trial, Stephen Neeper and the Wild Hearts, J Kutchma & Chasing 76, John Calvin Abney, Slobberbone

  • Sunday 12/2/2018: Shane Sweeney, Jim Mize, John Paul Keith, Joshua Ray Walker, Cary Hudson, Brent Best

[50]. 12/7/2018 Baby Razors, Little Lungs, Mess; Guido’s, Frederick, MD

[51]. 12/11/2018 Jim Shorts (David solo), Vista Kicks; DC9, Washington D.C.

[52]. 12/15/2018 Baby Razors, Hex Girlfriends, Cheshi; Cafe Nola, Frederick, MD

*Indicates a show where the ladyfriend accompanied me. This is why our relationship works. She is the bist!!!

A Growing and Incomplete Playlist of Frederick Local (and Regional) Artists/Bands

So…D’y’all Like Local Music?

I have no doubt that the few people who have discovered this blog since we launched it less than a year ago are already familiar with The Thing - a one-day, multi-venue music festival featuring and highlighting local musical talent - that will be going down Saturday October 6th.

The Thing.jpg

This will be our first Thing (though we recall hearing about it last year, but feel like we were out of town the weekend it went down). So it should go without saying, being huge fans of local music, that we’re pretty pumped about it.

In fact, the Thing reminds us a little of the humble beginnings of Fayetteville, Arkansas’ Block Street Block Party, which started as a small, kid-friendly festival along Block Street, with games, local artisan vendors, food trucks, local music, and lotsa booze (as Block Street was home to several local watering holes in our college town).

So the idea of hopping around from venue to venue has appeal. In our minds, we’re thinking this might be something akin to a SUUUUPER scaled-down South by Southwest, but with hometown appeal like the Block Street Block Party.

ANYWAY…

We’ve been doing our homework since launching The Strangers Almanac keenly taking notes on the Frederick music scene’s offerings. Recently, we decided to take playbook page from this one dude in Richmond VA who created a Spotify Playlist of local and regional Richmond punk/rock/indie bands that helped us learn the lay of the scene right after we moved there. It was a great resource during our short tenure in the River City.

Not long after moving to Fredrick, we became aware of The Frederick Playlist’s coverage of local music, and their role in bringing us The Thing…but we have yet to find a place where you can get a cache of local artists’ recorded output - including those performing at the Thing. The closest we got was this rad google sheet of local artists that was curated by Middle Kid’s Zack Willis.

That all said, we started with Zak’s list and began to cobble together a running playlist that not only includes some of our favorite local indie bands (i.e., Cheshi, Middle Kid, Jim Shorts, Flooring, Gloop, Mess, Mr. Husband, Cosmic Halitosis, J-Berd, Michael Nau, Double Motorcycle, Miss Lonelyheart, and Although), but also recently updated it to include some of the folks who will be performing at the Thing.

Ergo, if you’re anything like us, and simply seeing the name of a band only whets your appetite, then hopefully you’ll get some more gravy for your biscuits by listening to our berth of local talent through this playlist.

We’ve turned the “comments” on for this post, so please, let us know which local/regional Frederick artists who have a record on Spotify we are missing!

See y’all at the thing!

A playlist featuring Cheshi and Middle Kid







Frederick Double-Header: Ghost Baby/Cheshi @ Area 31 and Mr. Husband @ Cafe Nola Saturday Sept. 15, 2018

Yeah…we’re posting this WAY after the fact, but…

Frederick!!

Man…we’re getting there.

For all of the hemming and hawing we’ve done here at the Stranger’s Almanac about needing to breather some life into “the scene” (assuming one exists in Frederick), Saturday September 15th was evidence that we’re getting there.

Because…if you have to decide which show to catch on a given night because two stellar shows are occurring at the same time - that is a GOOD thing.

Saturday brought us a cavalcade of local music scene juggernauts: Ghost Baby (the solo project of Olivia Solomon, of Austin and Oliva fame) and Ashli Cheshire, (of Cheshi fame) teaming up to play a quiet but heavy show at Area 31. Afterward/during, the purveyors of wonderment and friendship, Mr. Husband, were also booked to close down Cafe Nola on the same night - with starting set times about an hour apart. We decided to catch the beginning of the Ghost Baby and Cheshi (solo) show before popping over to Nola to catch Mr. Husband and their brand of jangle pop.

Ghost Baby & Cheshi @ Area 31

Y’all. Ghost Baby’s set was harmony central. But before we get into that, let’s rap a sec about Area 31

From the website: “Area 31 is a space that will evolve with the artists and patrons who participate. Not only is it home to a collection of filmmakers, editors, artists, Frederick’s 72 Film Fest, Archai Media, and and atrhouse theater, the space is available for rent and is host to unique events and seminars. We are here to make it easier for others to create more of whatever drives them.

Cool.

We’ve not yet witnessed any of the other shows at this space, but we’re gonna keep our eyes peeled. However, we would be remiss if we did not note that the price tag associated with renting the space seems a bit prohibitive. If we are reading the pricing accurately, it cost $750 to put on this show. - meaning you would need to get 75 bodies in the room at $10/per to break even.

Come on, Frederick. Not sure that is making it “easier for other to create more of what drives them” … but we’ll reserve our thoughts on this for another post.

Not there were 75 bodies in the room on this particular night (the cover was $10), so we’re dubious about this show ‘breaking even’ - but if it didn’t, that’s a damn shame. Because it was special.

Despite the above dig on rental pricing, Area 31 is a great venue. No stage, but there is a makeshift bar as you enter, and the room where the music took place was sizable - and could be a full-legit music venue if there was a dedicated stage and PA. On the adjacent wall to the area where the ‘stage’ was set, there was a large screen on which a black and white film of landscapes pictured upside down was displayed - soliciting more than one joke about Stranger Things.

Full disclosure: this image was stolen from Ghost Baby’s Insta or Facebook, or Myspace page…so photo credit goes to the person who took it.

Full disclosure: this image was stolen from Ghost Baby’s Insta or Facebook, or Myspace page…so photo credit goes to the person who took it.

All that aside, the space really was #RadAF. Olivia and Ashli spent some time decorating the “stage” area with LED candles, and crazy taxidermied lamps of some weird shit involving deer hooves and lots of floral-y stuff. It was incredibly fitting for the atmospheric sounds that were about to fill the room.

As noted, Ghost Baby is the solo project of Olivia Solomon. She’s been active on SoundCloud posting her own music (and some covers) for about 5 months. It is hard to pin-down her sound with a simple ‘Recommended If You Like’ (RIYL), but on this particular evening, Ghost Baby upped the ante by inviting Ashli Cheshire to the set sing harmony and play some lead guitar.

Holy shit.

There were moments of the set where Olivia and Ash singing together sounded like Neko Case (and we feel confident in that assessment having recently seen Neko Case in Harrisburg, PA). Given, the only time we’ve seen Ash play was a solo set in Baltimore at the Ottobar opening for Frederick locals Jim Shorts, it was nice to see this artist in a different context - in this case, adding additional layers of sound and soaring vocal harmonies to this set of Ghost Baby songs [after a year of living in Frederick, we’ve yet to catch a full-band Cheshi show (which will be rectified when they play The Thing this fall)].

Ghost Baby y Cheshi

Everything about this set clicked. From the bizarre, yet kinda rad “stage” to the overall vibe of the crowd and the room - which meshed well with the songs themselves. Ghost Baby’s sound is ethereal. Though, perhaps ‘haunting’ is the better adjective here. The crowd was engaged and quiet (which has not been our experience when attending shows of this ilk while living elsewhere). Despite the skeletal setup of two electric guitars, two amps, and two microphones, these two artists painted every wall with a pretty lush sound. Olivia was plugged into an “organ”-like effect that created a layered, swelling sound with each strum. Her guitar laid a droning landscape that allowed hers and Ashli’s vocals (and their lead guitar) to soar above.

It was gorgeous.

Here, have yourself a listen:


Ghost Baby’s set seemed to end just as soon as it had begun. reluctantly, we bid farewell to Area 31 for the embrace of Cafe Nola and the trio from out of the 4th Dimension, Mr. Husband. Again, all apologies to Cheshi for missing their solo set, but to atone for these sins, we’re gonna be front and center for y’all at the Thing!

Mr. Husband at Cafe Nola

Mr. Husband Nola 9-15.png

If you’ve never seen Mr. Husband before…well…we’ll just say you’re missing a wild ride. Mr. Husband’s sets are just bananas. Before a note of music is struck, you more than likely notice frontman Kinny Husband’s ‘getup‘, which , we should note, has been the same for every show we’ve been privy to attending. From the ground up: black Vans, black denim jeans, dark indigo denim jacket (buttoned-closed) over a white turtle neck, bright-colored faux Ray-Ban shades, and a red, white, and blue bandanna holding back a massive, long, black wig of hair. In fact, he looks a lot like the dude in the photo to the right.

Durning the set, there are lots of references to friendship, wonderment, the 4th Dimension, and just how good each song has been to Kinny and the boys.

If you’re thinking " Come ON, Stranger!! Bands who rely on gimmicks do so because they’re otherwise boring.”

Yeah. No.

IMG_0551.JPEG

Mr. Husband are tight. As two coats of paint. And their sound is completely dialed in (which is not easy to do in a room as echo-y as Nola). Also, for a three-piece, they bring a LOT of sound to the stage. There is something to be said about a good power trio who knows how to listen to each other when playing and know how to play to the room. Mr. Husband’s songs are dreamy, poppy tunes chock-full of arpeggioed guitar that allows the song’s melody to bounce right across the room and into your head - where it will live for a while (not a bad thing). The tunes are filled in by the rhythm section of ‘Bassin’ Jasen Reeder and Chris Morris on the drums. Reeder’s bass lines compliment the bounce of the melodies while still keeping the low groove. Oh, and that in-between song banter about friendship, wonderment and the 4th Domension? It works. There is nothing about the character of Mr. Kenneth Husband that doesn’t seem like he might not be an actual dude you know. He’s not too extreme. He’s not too boring. It’s, as the kids would say, ‘gold!’

We missed much of the opening solo Kinny set, but if the two songs we did catch were an indication of the whole thing (a couple fun old country covers), it’s a shame we missed it (but, you know, Ghost Baby and Cheshi, yo). This begs the question about Mr. Husband’s penchant for country AND western music. The note accompanying the pre-release of OCEAN PINES on Mr. Husband’s bandcamp page suggests that he is steeped in this genre, which is interesting as much of the available output has more of a poppy, almost Beach Boys quality to it (please note that this is a compliment). But hey, we’re no Stranger [pun intended] to country and western music ourselves. So Kinny…[call us].

Mr. Husband’s OCEAN PINES is due out October 26, 2018. You can pre-order via the bandcamp link above (which will get you the title track as an instant download). Really, really looking forward to this record, fellas.

Good on you, Frederick!

So, yeah. More nights of lots of good music, please.

In fact, since this show took place, there have been a steady stream of excellent shows around town (some which we here at the Rank Stranger missed in favor of seeing Dinosaur Jr. at the Black Cat in DC). But we’re DEFINITELY looking forward to the Thing. Indeed, we hope to have a post (or two) about it. Maybe it will shut us up about the perceived fledging music scene here in Frederick!

[fun fact: Mr. Husband must have heard us on Nola’s patio earlier in the night lamenting the lack of stages in Frederick that could lend to a stronger scene because he looked out from the stage and commented that “things seem pretty, pretty awesome” that Saturday night at Nola. We agree, Kinny…we just want a lot more of that very thing!]







The Charm and the Key: Mess, Violet Ripken, and Middle Kid @ Cafe Nola, Frederick, Maryland January 19, 2018

A Level 5 Charm Spell was Cast on Me...

To look around Cafe Nola Friday night, you would never have known that a federal government shutdown was looming - unless you you were hovering over my shoulder, watching me frantically tweet and re-tweet about it while guzzling decaffeinated peppermint tea at the bar (I drop booze, caffeine, and do the whole clean-eating thing every January and February - don't @me). Maybe we all knew, but chose to ignore it because Baltimore band Mess was owning up to their "Charm City" base and winning over the room with catchy, melodic, alt-indie-pop.

Alexa...we DO need a druid...

Alexa...we DO need a druid...

Don't get me wrong, I was paying attention to the music - the tweets happened in-between songs and sets...honest.

Caveat: I'm new to Frederick. I moved here in July of 2017, and have been quietly finding my bearings. I've found several good bars, the city is quite walk-able thanks to a great park system, and I have been getting involved in local politics...but I still hadn't quite tapped into the music scene in Frederick. Hell, I am not really sure there is one (and I noted as much in a lengthly post on the city's subreddit page).

Friday Night was a breath of fresh air, though. Two bands from Baltimore (or 'Bawmer' for the locals) - Mess and Violet Ripken - made their way from Charm City to join locals Middle Kid in the Key City at Cafe Nola for what ended up being a pretty stellar night of live music.

You Mean, Like, The Crescent City?!??

I got to Cafe Nola around 9:30, ordered a caffeine-free peppermint tea, found a seat at the bar and posted up for the evening. My Facebook communique with Middle Kid frontman Zack Willis noted that the music would start at 10:00 PM.

Cafe Nola is a fine establishment. Much like such places in Virginia, from whence I just moved, places that serve alcohol must also serve food. The food at Nola is great. I've had several dishes there while trying to soak up the bourbon consumed at my weekly Drinking Liberally meetings held each Wednesday. One reason the meetings are held there is that for those abstaining from adult beverages, Nola also has a wide selection of coffee and teas available to patrons. In all, there's a lot of things going right for Nola...but it's not really a music venue. Indeed, some of what follows is not necessarily complaints...just, notes, if you will, for potential conversations in the future about how to make establishments that feature live music more closely resemble actual music venues (but again, more on that later)

There is a section of floor opposite the bar that is raised about four inches, and this is the "stage." It works in that it's tucked away from the main trafficked areas (i.e., the entrance and the bar), but the "stage" is so shallow that bands playing there set up in a line, that is, the drum kit is front-and-center, and each other musician lines up beside the drum kit on the left or right. From the player's perspective, this is a nightmare. It's difficult to watch/hear your fellow bandmates...and because of the shallow stage, monitor placement is, shall we say, less than ideal.

Uh, yeah...this is actually J Mascis' amp setup. Three Marshall "full stacks".

Uh, yeah...this is actually J Mascis' amp setup. Three Marshall "full stacks".

Also - it gets oppressively loud in the room (love you Etymotic, mean it!). And it is not like the bands are rolling in with three Marshall "full stacks" a'la J Mascis of Dinosaur Jr. But even a power trio (Middle Kid) or four-piece band (Mess; Violet Ripken) are gonna blow the doors off the joint without much effort.

Further, the floor area is peppered with tables (after all, Nola is a restaurant). Indeed, some of the tables had been moved to clear the stage area and the floor directly in front of it. But the tables that remained had not been moved because they were bolted to the floor.

One positive of this setup is that it doesn't take much to make the room seem packed. And indeed, all of the tables were full and there were still folks standing near the front by the time Mess started playing...

What a Beautiful Mess.

According to their Bandcamp site, opening band Mess hails from Baltimore/Frederick (though introduced themselves as a Baltimore band). Unlike my usual routine before a show - I unfortunately did not look up all of the bands on the bill and preview their music. I have been jamming on the Middle Kid EP for a solid few weeks now and just didn't think to do so. So when the group kicked into "Lean" off their recently released TREE EP, I nearly did a spit take with my peppermint tea while spinning around to ensure I hadn't accidentally stepped into a T.A.R.D.I.S. and jumped with The Doctor back to the alternative rock halcyon days. Scanning the stage - flannel shirt? Check. Fender Jazzmaster guitar? Check! Doc Martens footwear?!? CHECK!

It's times like this that I am über thankful for things like Spotify and satellite radio, as they provide younger generations 24 hour instant access to arguably one of the more important eras of music over the past 50 years (again...don't @me). I have a feeling that the dudes in Mess - who are mayyybe mid- to late 20s - have several records in their collection with a 1991 to 1993 copyright date stamped on the back. I hear moments of Sunny Day Real Estate and Hum in their sound. This is all meant as a compliment. After a stellar one-two opening punch of "Lean" and "No Grovel About the Road" (I believe) off the EP, lead singer Erik greeted the crowd in a nervous/muted voice I am guessing was embellished for effect - because after these two songs, Mess had no reason to be shy.

We were treated to all the songs off the EP in what was an all too-short set. In between songs, Erik noted and thanked the other bands for inviting them to the bill and supporting them during the set, thanked the crowd and recognized/welcomed his parents sitting at the table stage center. Luckily for Mess, they now have at least one more fan than their moms and dads.

Their set was stellar. Lush with layered electric guitars that were just filthy with melody, strained/yearning vocals, and an incredibly right rhythm section. The crowd was attentive - likely because the band has a commanding presence. For any fan of that early 90s alt-rock sound, check out TREE on Bandcamp [or click the image above to listen on Spotify]. you'll probably dig it. If nothing else, enjoy the nostalgia.

You Mean, Like, The Iron' Man's Mother??

Violet Ripken WILDCARD.jpg

If you're a big fan of the Bawmer Oweeoes, then you probably recognize the name Violet Ripken as the mother of the greatest baseball player of all time: Cal Ripken Jr.

Yet the 1991 Golden Glove and MVP's mother was not hanging around Cafe Nola Friday night. Better yet, we got a female-fronted Baltimore thrash punk quartet with the same name. Where Mess brought melody and moderate rock tempos, Violet Ripken dialed the room up several notches with buzzsaw guitars, punching bass and drums, and operatic vocals from singer Melissa Weller's booming pipes.

Another short set, it sounded like the band rifled through all six songs on their WILDCARD EP plus a few more. Weller also noted that they were glad to be in Frederick as part of this bill. They were definitely a good fit in that both bands thus far had a punk/diy ethos, and it was a treat to get two different sounds.

No, Not the Aussie Three-Piece...They're Plural

Middle Kid YEAH SURE.jpg

Around midnight, Frederick-based power trio Middle Kid took the stage, lighting into two new songs not available on the 2016 YEAH SURE EP or the all acoustic WHINER. After greeting the crowd, front Middle Kid Zach Willis and band commenced with the YEAH SURE lead-off track "Shell" which, musically, sounds like something straight out of Chapel Hill indie stalwarts Superchunk's playbook. There is something to be said about songs that can see-saw two chords back and forth through the verse and chorus and still hold your attention. "Shell" is one of those songs. By the time the band hit the bridge, they were firing on all cylinders. Willis has a lively stage presence. Plenty of jumping around (and being that the band is a three piece, there was more room to do so) such that there were multiple times between songs where Willis had to reaffix his classes and beanie hat to his head. Following suit, the band delivered a short - but punchy and impactful set.

The new songs sounded like a sonic departure from what is available on YEAH SURE. I wouldn't be surprised if Willis had been listening heavily to WOWEE ZOWEE-era Pavement before penning them. Once again, meant as a compliment. To be more specific, the guitar lines on these new songs leaned more toward 'avant' than they did melodic. But that is just the opinion of one set of ears. Looking forward to hearing these songs as they gel. Regardless, I am happy to report that I have a new favorite band in Frederick...

If I Am A Stranger Now To You...I Will AlwayS Be...

This was a much-needed night of local/regional music for me. If you read the Reddit post I referenced above, you'll catch hints of my previous lives in Richmond, VA; Little Rock, AR; and Fayetteville, AR - all three places with strong music scenes - and in two of which where I was an active participant.

If you build it, they will come...

If you build it, they will come...

All of these cities had venues with stages. One benefit to playing in Arkansas is that bars are not required by law to serve food where alcohol was also served. So you could build a bar and a stage and you are golden. Virginia and Maryland have an arcane and bullshit puritanical law that doesn't allow for the construction of *just* a bar. So you're hamstrung into serving food at places that also serve alcohol.

That said, and I am completely spit-balling here, but I wonder if bar/restaurant owners in Frederick view live music as an auxiliary effort. As noted in the Reddit post, venues in Frederick don't really have "stages" - and those that do could possibly utilize their spaces better so that the stage area felt like a music venue.

I am beginning to hear whispers. And a recent one is that the owner of Cafe Nola recently bought the entire building that houses the establishment. That building has three floors. The whispers tell me that there may be plans to put a barcade in on the second floor. While barcades are fun, I can't help but think this is a mistake. Hear me out...

Turn the upstairs of Cafe Nola into a legit music venue with a stage and an upstairs bar. The upstairs bar does not have to be as stocked as the main restaurant bar downstairs. Put someone at the door to collect cover and slap wristbands on those who pay it; these folks can traverse up-and downstairs as they please. If you just want to come to Nola to hang and drink/eat sans music...then you can chill downstairs in the restaurant.

This only works if the music scene in Frederick comes together to help a place like Nola profit from such a venture. And that means putting on shows, then promoting the holy fuck out of those shows, ensuring folks come to the venue, and spend their money (on food, booze what have you). All sides of the music community (bands/artists, fans, and venue owners) need to come together on this. Nola could/would be the place where the "scene kids" (I don't mean that pejoratively) of the music community would hang out. They would see it as "their bar." Fans would hopefully follow suit - because if you have a vibrant music scene, it's kinda rad to run into artists and musicians you may have just seen on stage last week knocking back beers in the same place where you and your friends are hanging out. I've lived in places where this is the norm. Indeed, it is pretty rad.

Over the next few weeks and months, I hope to turn the above into a larger conversation with the music and venue communities. I don't yet know whether or not I will chronicle it here, because who the fuck am I? But there are several other well-established Frederick outfits that might be a more appropriate venue for this conversation (such as the Frederickland Blog, the Subversive Zine, or maybe the Western Machines Blog - which recently published a post sharing this sentiment).

Hopefully some local Frederick folk in the know will read this and reach out.

Til then...

The Year In (End) Review...2017

Man...

I am tired of moving. I am in my 4th house in the third "new" town since graduating from my doctoral program in May of 2013. This move puts me a little closer to the old homeplace in Pennsylvania though, which, on one hand, is kinda cool...but also not quite what I had planned.

I didn't want to leave Richmond. But a job opportunity presented itself in Frederick, Maryland, and the money was right. So here I be. Only an hour from Baltimore and the District, so I got that going for me. And it is a quaint little city...though it still needs a personality of its own. The city is thankfully liberal/progressive, but that purples a bit when you get out into the county. I dunno... considering a run for one of the open Frederick County School Board seats. What do you think?

Looking at the dearth of shows I attended in 2017 compared to years' past, I can't help but blame the pretty wretched car accident I was involved in back in March of 2017. I was at a stoplight and a fella in a minivan rear-ended me without braking. Thankfully, nobody was seriously injured (the minivan was carrying an entire family - two adults, three children, and the dog), except my trusty 2013 Toyota Prius; the first *new* car I ever bought. I put over 100,000 miles on that car - mostly road-tripping to shows. Anyway, I did discover the wonders of chiropractic medicine. So there's that.

But hey, I wound up buying another "winter grey" 2013 Toyota Prius. And I still got my travels in. Trips to North Carolina, Arkansas, Nashville, Tennessee, DC and Baltimore - and a fantastic couple days in New York City (working at a community college where you get off a little over two weeks at the end of December is pretty badass)!

So new job, new town, new nephew (I became a 1st time uncle on July 29h!), new lady-friend, new year. Let's keep it going! Here's to ya, 2018!!!

::2017 Songs of Note Playlist::

While you're reading below, please feel free to launch the following Spotify playlist with my "2017 Songs of Note" on it. The songs are sequenced in reverse-order so that if you time it right, you can listen to a song from each artist as you work your way through the list! Enjoy!

https://open.spotify.com/user/jivetownjimmy/playlist/3tb35nOR5OYRfDLWNTGl38?si=ty-k2Ug5RjWV-jurvn9hbA

::The Seventeen Elevens::

Sad Palomino ::SAD PALOMINO:: Fayetteville, Arkansas "scene" torch-bearers, if you will, released their debut self-titled EP, produced by Will Eubanks at East Hall Recording. For three dudes in their early-mid twenties, they put out one hell of a grunge record from 1991.

Favorite Song ::Feed No Friction::

Craig Finn ::WE ALL WANT THE SAME THINGS:: The Hold Steady frontman returns with his 3rd, and most even solo effort to date. All of the stellar storytelling found on Hold Steady records lives on here, but with older, wiser, and more tired characters.

Favorite Song ::Preludes::

Micah Schnabel ::YOUR NEW NORMAN ROCKWELL:: In a similar vein to Craig Finn above, Micah Schnabel released another solo record as a side boo to his main squeeze: Two Cow Garage. Lately, Micah has also been taking a page from the Finn playbook and "speak-singing" his songs. And rightfully so, as Micah has always been a poet...and these songs feel more like him setting his poetry to music. It works well here.

Favorite Song ::Cincinnati, Ohio::

Positive No ::PARTNERS IN THE WILD:: Hopefully it's not out of line to say that Positive No is to Richmond, Virginia as Superchunk is to Chapel Hill, North Carolina. Songwriting duo Kenny Close and Tracy Wilson have been crafting their brand of indie pop together since 2011. This follow up to 2015's GLOSSA is chock-full of great indie rock with off-kilter guitar lines and socially conscious lyrics. Tracy's vocal melodies and Kenny's guitar melodies float over a solid rhythm foundation throughout the record.

Favorite Song ::Kind Reminder::

Waxahatchee ::OUT IN THE STORM:: The latest release from the talented Crutchfield sisters opens with a bang! In fact, someone needs to take "Never Been Wrong"and turn it into a ringtone for me, because I want that opening guitar blast to be my morning alarm clock (yeah, I know it can be done, but I am too Gen. X to figure it out myself). Katie Crutchfield may be center stage at a Waxahatchee show, but don't sleep on sister Allison's pop sensibilities. This guitar on this record is lush from top to bottom, as are the sisters' vocal harmonies.

Favorite Song ::Never Been Wrong::

Jason Isbell and the 400 Unit ::THE NASHVILLE SOUND:: The third release since Jason Isbell's noted sobriety offers more songs about complicated characters, typically in Southern settings, encountering or overcoming some burden. The slick production mirrors the album's title. The songs would also befit a 'Songwriting 101' course at Americana University. There does seem to be less of a connection between Isbell and his characters/narrators on THE NASHVILLE SOUND as compared with SOUTHEASTERN and SOMETHING MORE THAN FREE, but even that criticism isn't enough to suggest that Isbell isn't still riding a high wave of inspired output.

Favorite Song ::Tupelo:: (Note: anyone who has ever lived in the swampy South can *damn* well relate to the line "get about a week of spring, and the summer is blistering." I miss Little Rock, but I sure don't miss 95 degree heat in 85% humidity during late April).

John Moreland ::BIG BAD LUV:: John Moreland adds to his canon with BIG BAD LUV. In the press surrounding the release of this record, questions about Moreland's somber songs and demeanor were staved off, with the Oklahoma singer-songwriter noting this batch of songs had a recurring them of love, something he has been riding since getting married between the release of HIGH ON TULSA HEAT and BIG BAD LUV. In addition to the emotive songwriting fans have come to expect from Moreland (yeah, it's still here), the songs are accented with the guitar playing of fellow Oklahoman John Calvin Abney. Don't gloss over the cover photo, which was taken by White Water Tavern owner Matt White. It's a statement of it's own, as are the songs included here.

Favorite Song ::Slow Down Easy::

Lee Ann Womack ::THE LONELY, THE LONESOME, AND THE GONE:: Some country artists have tried, with success, to eschew the denouement of their careers once the Top 40 Country world moves on. Lee Ann Womack has done just that, by releasing records that harken back to the strong, female country crooners from the 60's and 70's. These songs do not tread any new ground. Heartbreak is a common thread throughout the record, but damn if Womack's delivery doesn't sound fresh and hip on these tracks. Even the company she keeps being signed to ATO records trends toward the hipper side of the aisle (label-mates include The Old 97s, My Morning Jacket, and the Alabama Shakes). This is a great, breezy country record for people who are afraid of country music. If you've been digging Margot Price, you'll likely find a similar spirit with Womack's latest.

Favorite Song ::Bottom of the Barrel::

Porter and the Bluebonnet Rattlesnakes ::DON'T GO BABY, IT'S GONNA GET WEIRD WITHOUT YOU:: In October of 2016, I recall seeing my Facebook feed peppered with posts from friends in Eastern North Carolina, who lived along the I-95 corridor, commenting on a horrendous accident in the Northbound lanes. That accident would claim the life of Chris Porter and his Bluebonnet Rattlesnake bandmate Mitchell Vandenburg (while also hospitalizing bandmate Adam Nurre). The news crippled my musical circle. Porter was a giant (yes, he was tall, but he was truly a "giant" of a soul). We became Facebook friends after I was fortunate enough to play a house show in Fayetteville, Arkansas opening for Porter and John Moreland. Porter was attentive, and actually talked to me after the show about specific lines in my songs. He was all about the music. He made me feel like I was part of it all, despite only being a hobbyist at best. Thanks to Cornelius Chapel records, DON'T GO BABY, IT'S GONNA GET WEIRD WITHOUT YOU was released on vinyl late this year. It has an all-star cast including John Calvin Abney slaying on lead guitar, former Drive-By Trucker Shonna Tucker on bass, and centro-matic, South San Gabriel, and all around Texas renaissance man Will Johnson on drums - oh, and he produced the record too. This is a fine example of what the "alt-country" side of Americana *should* sound like.

Favorite Song ::Your Hometown::

Ryan Adams ::PRISONER:: Ryan Adams should get divorced about a year before making each subsequent record. He's always written his finest songs when heartbroken. Thank you, Mandy Moore, as PRISONER is some of Ryan's finest recent work. Also - if you loved PRISONER but still nay-say ROCK N ROLL, you need to get right.

Favorite Song ::Doomsday::

The War on Drugs ::A DEEPER UNDERSTANDING:: Fans of Ryan Adams' PRISONER with it's heavy reverb- and chorus-laden guitars will find similar solace in A DEEPER UNDERSTANDING. One major difference, is that Adam Granduciel seems less focused on writing a three-minute pop song, and more interested in painting sonic landscapes via the instrumentation layered throughout the record. This record will no doubt be on countless year-end lists, so there is little need to elaborate here. But if you ever want to get lost in yourself for an hour and six minutes, just toss A DEEPER UNDERSTANDING on your record player and enjoy the ride.

Favorite Song ::Pain:: (Note: This is among my Top 5 songs of 2017. It's perfect).

Son Volt ::NOTES OF BLUE:: To tease NOTES OF BLUE, Son Volt released "Back Against The Wall" in advance. It was a glorious teaser. Classic Son Volt tones and tempo, the song sounds like it could be an outtake from 1998's WIDE SWING TREMOLO. It also features a blistering guitar solo played by frontman Jay Farrar himself - a call back to his days with Uncle Tupelo (for example, listen to the similarities in style and grit in the solo for "Back Against the Wall" and Uncle Tupelo's "Chickamauga"). But "Back..." wouldn't really set the pace for NOTES OF BLUE. Instead, Farrar drew influence, as he has before, from the Mississippi Delta. Songs in open tunings learned from studying bygone blues musicians are selected from Farrar's toolbox to craft these songs, which may be his best since the early days of the band.

Favorite Song ::Back Against the Wall::

Jay Som ::EVERYBODY WORKS:: When EVERYBODY WORKS was released, there was a post made in a group text to me saying "Caleb might make it 30 seconds into this record before tossing it." That statement would be right if it wasn't completely wrong. Give me infectious pop melodies or give me death! And Jay Som's Melina Dueterte is full of the former! Upon hearing "The Bus Song" (another Top 5 song of the 2017), it was all over. Interesting fact: Duterte played nearly every note on this record - pretty prodigious for a 22-year old - and also intriguing considering the sometimes "80's" feel to the songs/tones (listen to the guitar solo on "One More Time, Please" for an example).

Favorite Song: "The Bus Song"

Roger Waters ::IS THIS THE LIFE WE REALLY WANT?:: Twenty-Five years is a long time between records. But that is how long it has been since former Pink Floyd frontman Roger Waters released his last studio album (1992's AMUSED TO DEATH). Where Father John Misty is likely to show up on year-end lists for his scathing indictment of society in 2017, Waters' latest probably deserves to be cast in the same shadow. However, the themes on IS THIS THE LIFE WE REALLY WANT? are not new territory for Waters - but the catalyst is. Multiple songs take direct shots at Donald Trump, the "deplorables" who helped get him elected, and the societal fallout that ensues from having such a figure in the White House. Where more and more artists are finding the stones to call out the dangers of electing a leader such as Trump, few are as on-the-nose as Waters is here. And even fewer can get away with a lyric like "If I had been God, with my staff and my rod, if I had been given the nod, I believe I could have done a better job." Fans of the musical themes found on the Floyd's WISH YOU WERE HEREANIMALSTHE FINAL CUT, and even Waters' other solo records will be pleased here.

Favorite Song ::Smell the Roses::

Sharon Jones and the Dap Kings ::SOUL OF A WOMAN:: The second posthumous release in this list, and it is also a doozy. In addition to the high-energy soul we've come to expect from the Dap Kings, there is a fair amount of gospel sounds on this record, a call back to Jones' days singing in church (before her time with the Dap Kings). For those who watched the Miss Sharon Jones documentary, and knew of her struggles with low energy from chemotherapy while battling cancer, her performance on SOUL OF A WOMAN doesn't suggest the presence of those effects. This is a stellar collection of barn-burning, ass-shaking soul with highlights of soaring gospel, fitting for the nature of the release.

Favorite Song ::Matter of Time::

Susto ::& I'M FINE TODAY:: Imagine if Wilco had not taken such a turn into more experimental phrasings of rock and folk music after the release of YANKEE HOTEL FOXTROT. Had they stayed on a simpler path, 2017 Wilco may have sounded much like 2017 Susto. (In fact, here is me trying to illustrate the similarities in two tunes by each band). Though Susto probably fits most squarely into the "alt-country" genre, some tracks stray a bit, making this release appealing to folks who like a variety of sounds. Also, beware if you're not into controversial lyrics, which songwriter Justin Osborne definitely dials up on my favorite track from this record.

Favorite Song ::Gay in the South::

Kate Rhudy ::ROCK N ROLL AIN'T FOR ME:: For those tired of Americana music from the male perspective, give Kate Rhudy's debut a shot. These songs paint images of the barrooms and venues where patrons drink and consort, and sometimes bat-eyes at one another - but through the eyes of the female musician. In some cases, things don't work out, as in "I Don't Like You or Your Band" or "Boy from Charlevoix." Based in Raleigh, and having spent a considerable amount of time there, the characters in Rhudy's songs are not unfamiliar to these ears. The instrumentation is largely acoustic, and draws from the bluegrass and stringband traditions. Twinges of gospel can also be found (Peace Like a RiverValentine - which includes the stellar line "someone once broke my heart by handing me a toothbrush"). For a debut, there is much promise here.

Favorite Song ::Kissing My Friends::

::Top Ten Records of 2017::

10. The Too's ::OUTER SOUNDS:: Fayetteville Arkansas, by way of Joplin Missouri, the Too's have cemented their place in the muted Americana scene of the Ozarks. OUTER SOUNDS is their first full-length. The band hit a snag in the recording of this record when local producer-hero Lou Whitney passed away in the middle of recording. After tapping Kansas City producer Lennon Bone to grab the helm, OUTER SOUNDS found its release. For fans of Susto, the Too's are highly recommended. Melodic Southern Americana with hints of Midwestern breeziness make this a very pleasant listen. On their latest, songwriting duties are split between Isaac Duncan and Elijah Chambers, with Chambers' songs unmistakably nodding to Tom Petty and Duncan to Jeff Lynne. Musically, there is a lot of texture on this record thanks to Chambers' dual attack from both guitar and Fender Rhodes piano/keys. If Fayetteville, Arkansas can keep churning out talent like this, the scene will stay viable. For more on The Too's, read this call-and-response review between me and former Fayetteville Free Weekly editor Nick Brothers.

STANDOUT TRACK ::Certain Kind::

9.  Julien Baker ::TURN OUT THE LIGHTS:: Earlier this year, at a Julien Baker show at Nightclub 9:30 in Washington DC, I watched my friend Alisha, who is one of the toughest, most steeled women I know, completely crumble into a pile or weeping dust two songs into Baker's set. On the heels of the critically acclaimed, and arguably perfect SPRAINED ANKLE, Baker continues to write songs with narrators who are often broken...but most importantly, conveying that it is OK to be broken. That being broken is manageable. That finding support and healthy outlets are important. If just reading the words isn't enough, Baker's bombastic vocals should get your attention. When Julien hits high notes, it's almost as if her whole head becomes her mouth and the room is filled with her voice. Find any YouTube video where she performs the title track, or the final line of "Sour Breath" for an example. The delivery of these songs continues to feature electric guitars drenched in various delay, reverb, and chorus/phaser effects. There are fewer straight acoustic numbers on this release as compared to SPRAINED ANKLE. Instead, Baker switches things up by accompanying herself on piano, which still fits the somber nature of her songs.

STANDOUT TRACK ::Happy to Be Here::

8.  Phoebe Bridgers ::STRANGER IN THE ALPS:: Phoebe Bridgers may get tired of the comparisons to Julien Baker (see above), but if I were Phoebe Bridgers, I would consider myself in good company. Both artists have similarities: they're young, strong female songwriters in the spring of their careers; they spend time on the darker side of the aisle which seems to be where much of their songwriting inspiration is derived. And they even toured together in 2016. But sonically, Bridgers offers a different palate, with tasteful use of a baritone guitar, with a lower register that perfectly compliments the tone of many of the songs on this record. Another differentiation is that Bridgers' songs sometimes receive full-band treatment, like Top 5 song of 2017 finalist "Motion Sickness." In fact, Julien Baker comparisons aside, this track lends itself more to a Ryan Adams influence than anything else (Adams produced Bridgers' stellar debut 7" KILLERS and released it on his own PAX-AM Records in 2015). This is a strong debut from a promising artist.

STANDOUT TRACK ::Motion Sickness::

7.  Benchmarks ::OUR UNDIVIDED ATTENTION:: Just as there is always money in the banana stand, there is always room for solid pop-punk in year-end bests list. Nashville's Benchmarks supply that fix here. Singer/songwriter Todd Farrell found his way into many hearts as the lead guitarist for Columbus, Ohio outfit Two Cow Garage. But make no mistake, Benchmarks is definitely Todd's own stamp in the rock n roll ether. If you like crunchy guitars, pop-punk hooks, and sweet harmonies, OUR UNDIVIDED ATTENTION should find its way into your queue. Farrell doesn't simply wear his influences on his sleeve, here...he is cut their t-shirt into a back patch fastened to his denim jacket. If The Hold Steady ever put out a pop-punk record, it might sound a lot like Benchmarks.

STANDOUT TRACK ::Girls and Boys::

6.  Drew Beskin ::CHA-CHING MACHINE:: When it comes to prolific songwriters, the names Ryan Adams, Will Johnson, and Daniel Romano get tossed around my musical circles...but with his fourth project in, what, three years ? (The District Attorneys, PURSES, and Party Dolls), this eponymous project doesn't stray from the formula that made those other bands great. Jangly pop guitar is augmented by bass, drums and keys - and the cherry on top of course is Beskin's clear vocal. CHA-CHING MACHINE contains my favorite musical moment of 2017 - and it's pretty subtle. On the standout track "I Don't Know What to Do," just beyond the build-up ("make sure you know who you're taking orders from..."), at 2:55, the bass guitar slides into an A note high on the neck as Beskin launches into the chorus vocal. The bass rides that note until 3:02 when for three beats, it slides down to the A note an octave below where it was riding - before rolling back up to a high E. Y'all!! Those the lower-octave A notes are the bees knees. Something so simple. And it is the ONLY time in the song that this happens. Simple things like this is why I continue to give my ear to Beskin's output, and I almost always find something I love.

STANDOUT TRACK ::I Don't Know What to Do::

5.  Jon Latham ::LIFERS:: At the 2016 White Water Tavern Holiday Hangout, Aaron Lee Tasjan played an acoustic set at the Lost Forty Brewery. He had a fellow Nashville musician/guitarist in tow to accompany him during his set. Midway through, he introduced this sideman as Jon Latham and invited him to play a song. Latham commenced to blowing away the crowd with "Waitressing Sucks" from his 2015 record REAL BAD NEWS. Ok, so if the crowd wasn't blown away, these ears definitely were - and it meant that Latham's 2017 release LIFERS was highly anticipated. To say that Latham is influenced by Tom Petty is a gross understatement. In fact, he was one of several Nashville singer/songwriters who organized a number of tributes in the wake of Tom Petty's death earlier this year. Latham is another new artist who did his alt-country homework. And he did his rock n roll homework, too, with callbacks to 80s artists on songs like "Yearbook Signatures" and "Kimberly Met Billy" - which tells the tale of two parents who met at the 1987 Eddie Money summer tour, found themselves in the back of a "beat-up chevy" and "eight months and three weeks later" the child who is being told the story was born. At 8 songs and 40 minutes, LIFERS has little fluff. Have a listen to the opening track (see below) and see how long it takes for you to walk around singing "first to volunteer to be the last in line..." the rest of the day.

STANDOUT TRACK ::Last In Line::

4.  Bash and Pop ::ANYTHING CAN HAPPEN:: Any fan of the Replacements who has not yet picked up a copy of this record is missing out on possibly the best post-Replacements release from any member of the storied Minneapolis band (sorry, Paul, but it's probably true). A friend once described ANYTHING COULD HAPPEN as "Rock TM." Yeah, well, if that is a bad thing, then it is unfortunate that you don't like rock n roll. Tommy Stinson's consistent snarl on this record makes me feel like I am doing something wrong - something that might get me arrested - or better yet, drunk - while listening to it. And it always feels good! Released on January 20th (my dad's birthday!), this record has remained a force throughout all of 2017. It was the soundtrack to my spring. "On the Rocks" - a bona-fide two-windows-down jam - was easy to blast in the car, singing those high harmonies along with Stinson ("hiii-ee-yiii-ee-yiii-ee-yide!!!"). Or belting out the high harmony of the title track ("anything could haaaaaaaaaap-unn!!"). Then, just before the breakdown in the song  (What's up, Dave?) there's that guttural "Wooooowwwooohhhh!!" akin to the opening howl in the Replacements' "Bastards of Young." You definitely need to be screaming along with the testy "Unfuck You." Here's to morning singing along to this record with the windows down come spring 2018!!

STANDOUT TRACK ::Breathing Room::

3.  Father John Misty ::PURE COMEDY:: 2017 started under a cloud with the impending inauguration of Republican President Donald Trump - who was elected to the American Presidency despite 54% of voters choosing someone else at the polls. Throughout 2016, with the deaths of many beloved actors and musicians, and the culmination of Trump's election, cynicism in America was pretty off the charts. Josh Tillman effortlessly harnesses this cynicism and delivers his commentary on 2016-17 America through his Father John Misty character. I wrote a piece earlier this year noting how Father John Misty was the embodiment of Generation X ethos (perhaps pathos?) navigating a millennial world, so I won't rehash that here. I will note that I keep coming back to the theme that undergirds PURE COMEDY throughout: That the Earth is a wonderful, beautiful, magnificent place - and humankind, in all our selfish, pompous, haughty, top-of-the-foodchain ways, continuously, and obliviously destroy "this bright blue marble" such that it is now "orbited by trash." Humankind are sloven, selfish, mind-numbed parasites, siphoning every bit of life and beauty from the planet that carries us through the cosmos. I *NEED* this album in my life because each time I listen to it, I want to be a better human being. We all would do well to follow suit. Pair PURE COMEDY with Roger Waters' IS THIS THE LIFE WE REALLY WANT (see above) for a deep dive into 2017 despair.

STANDOUT TRACK ::Things It Would Have Been Helpful To Know Before The Revolution::

2.  Zephaniah OHora ::THIS HIGHWAY:: Neo-traditional country has been making waves since the Sturgill Simpsons, Margot Prices, and Chris Stapletons hit the scene - and these artists' brand of country is usually preceded by the term "outlaw." Don't get it twisted, Zephaniah OHora's debut THIS HIGHWAY is definitely country...but to precede his style of country with anything other than "classic" would be doing it an injustice. This record hit my radar late in 2018 thanks to a Facebook post from my friend Nate Kennedy in Little Rock who posted the link to THIS HIGHWAY on Spotify. After one listen, it was clear that this record was something special. In explaining THIS HIGHWAY, I keep coming back to what my friend Will Eubanks says about the record: "It's perfect from a production standpoint. There isn't one ounce of wasted space here. And not one wasted note. Everything is perfectly placed." Recall, Eubanks is a producer himself at East Hall Recording in Fayetteville, Arkansas. So I tend to listen when he gives production notes. In simpler terms, Zephaniah OHora sounds like a mix between Merle Haggard and Glen Campbell. In fact, when he is not playing his own material with his band The 18 Wheelers, he moonlights with a residency at Brooklyn New York's Skinny Dennis Honky Tonk with his Merle Haggard cover band The Last Roundup Boys.

Oh, yeah. Zephaniah and his classic country/Merle Haggard sounding self is based in Brooklyn, NY!!! Wot? Apparently there is a small, but shit-hot honky tonk country scene there. Indeed, famed Brooklyn guitar slinger Jim Campilongo had a hand in helping THIS HIGHWAY come to fruition...and he also plays lead guitar on the record. Campilongo's unique playing style definitely adds a noticeable layer to the music. Aspects of his guitar playing sound like a semi-truck barreling past you on the highway blowing its horn, or laying on the "Jake" brake as it rolls by. In fact, I wouldn't be surprised if Jim Campilongo's main influence on guitar was Trucks. Given the socially conscious lyrics of the records situated at the #3 and #1 spots on this list, it may seem interesting that, lyrically, Zephaniah OHora is composing simple, sweet country love songs. And not necessarily romantic love - there are even songs about "mama" included here (i.e., "Songs My Mama Sang"). OHora composed 10 of the 11 tracks on the record, with the 11th song, a duet with Dori Freeman, covering the Sinatra duet (which he recorded with Nancy) "Somethin' Stupid." Don't sleep on the gospel-tinged "For a Moment or Two" which closes the record. OHora, who grew up in the church (not unlike traditional southern country artists), does not seem out of place at all singing such a number. So if you're looking for solid classic country gold as interpreted by a thirty-something Brooklynite, THIS HIGHWAY is definitely the road you wanna travel.

STANDOUT TRACK ::Take Your Love Out of Town::

1.  Lee Bains III & The Glory Fires ::YOUTH DETENTION:: Jesus Christ, this record should be taught in schools. When Donald Trump was elected, the music and arts atmosphere my life has continued to orbit seemed to call out in unison: "make your voice heard through your art!" If you've been a fan of Lee Bains at all, you know that he's been on that page for some time now, but YOUTH DETENTION ups the ante. Bains is able to take his experience growing up as a white, middle class kid from South Birmingham - an area of town known for it's diversity of race, religion, etc, and bring it to scale in 2017 America. That said, Bains has talked about how he hopes to shed the "white Alabamian" stereotype portrayed throughout history...and in modern times. The songs on YOUTH DETENTION position the narrator(s) (likely teenage versions of Lee himself) amongst his black and Muslim friends, viewing the injustices experienced by his non-white, non-Christian friends through his own lens of white privilege. But rather than shrug it off, the narrator(s) question it. These narrators also have strong, socially conscious adults in their lives who have instilled an ethos of "you ain't no better than no one else" in their offspring. YOUTH DETENTION is a snapshot of 2017 America; the racism, sexism, bigotry, anger, frustration, privilege, fight, questioning, eye to the past, eye to the future - all through the lens of a middle-class white kid from South Birmingham. And that middle-class white kid is equally angry and frustrated. He identifies more with his friends who *don't* look like him. Who are being treated unfairly; oppressed. And he is doing his best to speak out! Lastly, YOUTH DETENTION being my favorite album of 2017 also includes, in my humble opinion, the song of the year: "Whitewash,"as it embodies the thinking that many liberal-minded individuals are wrestling with currently - the idea that we aren't trying to hold on to our white supremacy. We don't desire to be the superior race. We don't want to erase the contributions of other races and cultures because we are scared that the white race will no longer be at the "top." Yeah. YOUTH DETENTION has been a mantra since its release back in the summer. I mean, shit, 6 of the 17 track titles end with an exclamation point! The tone of the music, the immediacy of the performances, and the lo-fi, DIY production fits the lyrical - and current societal sentiment. That said, I *highly* recommend grabbing the lyric book to the record (which is fashioned to look like a zine!) or visit the Glory Fires website to follow along while streaming. Lee can cram 13 words into a stanza where most folk can only fit 4, so reading along with the lyrics definitely helps get the message of the record across. If music really can change the world, I want the result to mirror how I feel when I listen to YOUTH DETENTION

2017 SONG OF THE YEAR ::Whitewash::

::Shows Attended in 2017::

1/7/2017 - I Am Maddox, Dragmatic, The Unlucky 7's @ The Deep South Bar, Raleigh, NC

1/18/2017 - Big Thief @ Strange Matter, Richmond, VA

1/21/2017 - Horsehead @ Hardywood Brewery, Richmond, VA

2/1/2017 - Lee Bains III & the Glory Fires @ DC9 Nightclub, Washington DC

3/1/2017 - Japandroids w/ Craig Finn @ The Cat's Cradle, Carrboro, NC

3/5/2017 - Ryan Adams w/ Phoebe Bridgers @ The National, Richmond, VA

3/31/2017 - Horsehead, Landon Elliott and the Goods, Paulo Franco @ The Camel, Richmond, VA

4/7/2017 - Old Heavy Hands/Benchmarks/Almost People/ Dragmatic @ Slims, Raleigh, NC**

4/13/2017 - Caleb Caudle House Show, Richmond, VA

4/15/2017 - I Am Maddox / Unlucky Sevens / Dragmatic / Rocket 77 @ The Deep South Bar, Raleigh, NC**

4/16/2017 - Surfer Blood, Lazyeyes, The Trillions @ Strange Matter, Richmond, VA

5/1/2017 - Austin Lucas House Show, Richmond, VA

5/8/2017 - BJ Barham @ The Camel, Richmond, VA

5/14/2017 - Pinegrove w/ Russel the Leaf @ Motorco, Durham, NC

5/17/2017 - Cloud Nothings w/ Eric Slick @ Strange Matter, Richmond, VA

5/20/2017 - Bash & Pop @ The Camel, Richmond, VA

6/29/2017 - Diarrhea Planet w/ Cowabunga Pizza Time @ The Ottobar, Baltimore, MD

7/30/2017 - Lee Bains III and the Glory Fires w/ the Sniffs and Priors @ DC9 Nightclub, Washington DC

8/18/2017 - Lee Fields & the Expressions @ The Rock n Roll Hotel, Washington DC

8/25/2017 - Durand Jones & The Indications @ DC9 Nightclub, Washington DC

9/9/2017 - Lee Fields & The Expressions @ Rosslyn Jazz Fest, Rosslyn, VA

9/14/2017 - Dragmatic w/ Chistianne & the Strays, The Eric Scholz Band @ The Pour House Music Hall, Raleigh, NC

10/7/2017 - Glossary w/ Jon Latham @ the Mercy Lounge, Nashville, TN

10/17/2017 - Julien Baker w/ Half Waif & Petal @ Nightclub 9:30, Washington DC

10/23/2017 - The War on Drugs w/ The Building @ The Anthem, Washington, DC

11/3/2017 - Bon Iver @ Sprint Pavillion, Charlottesville, VA

11/11/2017 - Tegan & Sara @ The Anthem, Washington DC

11/17/2017 - Puddles Pity Party @ The Lincoln Theater, Washington DC

12/1/2017 - The White Water Tavern Holiday Hangout @ The White Water Tavern, Little Rock, Arkansas, Night 1: Iron Tongue, Micah Schabel, Kevin Kerby + Battery, Austin Lucas, Adam Faucett & the Tall Grass, John Paul Keith & the One-Four-Fives, Motel Mirrors, Glossary

12/2/2017 - The White Water Tavern Holiday Hangout Day Party @ Lost Forty Brewing, Little Rock, Arkansas: Brad Williams, Bonnie Montgomery, Tim Easton, Joey Kneiser and Kelly Smith

12/2/2017 - The White Water Tavern Holiday Hangout @ The White Water Tavern, Little Rock, Arkansas, Night 2:  Isaac Hoskins, Andrew Bryant, Kim Nall & the Fringe, Tim Easton, The Legendary Shack Shakers, Slobberbone, Two Cow Garage

12/3/2017 - The White Water Tavern Holiday Hangout @ The White Water Tavern, Little Rock, Arkansas, Night 3 (Acoustic):  Larry Fulford (comedy), Dazz & Brie, Isaac Alexander, Shane Sweeney, Kevin + Gus Kerby, John Calvin Abney, Colonel J.D. Wilkes, Brent Best

12/8/2017 - The Too's w/ Lost John and Basement Brew @ The Smoke and Barrel Tavern, Fayetteville, AR*

12/19/2017 - Zephaniah OHora and the Last Roundup Boys @ Skinny Dennis, Brooklyn, NY

12/28/2017 - Hedwig and the Angry Inch @ The Ottobar, Baltimore, MD

** Indicates a show where I played bass with Dragmatic

* Indicates a show where I played guitar with Basement Brew

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