Interesting New Releases in 2024 (Updated Weekly)

Use the linked dates below to jump right to a release week.

January ::1st*:: ::5th:: ::12th:: ::19th:: ::26th::                     February ::2nd:: ::9th:: ::16th:: ::23rd::
March ::1st:: ::8th:: ::15th:: ::22nd:: ::29th::                         April  ::5th::  ::12th::  ::19th::  ::26th::
May  ::3rd::  ::10th::  ::17th::  ::24th::  ::31st::                       June  ::7th::  ::14th::  ::21st::  ::28th::
July  ::5th::  ::12th::  ::19th::  ::26th::                                             August ::2nd::  ::9th::  ::16th::  ::23rd::  ::30th::
September  ::6th::  ::13th::  ::20th::  ::27th::                         October  ::4th::  ::11th::  ::18th::  ::25th::
November  ::1st:: ::8th:: ::15th:: ::22nd:: ::29th::             December  ::6th::  ::13th::  ::20th::  ::27th:: 

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*All five Ryan Adams releases from Jan 1st, 2024…because he’s *extra*.

Hi there!

So we did this thing last year, and enough people seemed to give a damn that we decided to do it again. Click on that link above to learn more about the impetus for this lil project and with that, don’t fault me for doing some copy pasta below of some good boilerplate from that post.

The bottom line is that I want more people to discover good music that they may not otherwise hear about through their normal channels of discovering new music. The link above talks briefly about the Postcard from Hell, and how it is an invaluable resource for discovering new music. I’m trying to bring a little more of that spirit to a broader audience without having to become a newb to an online community that has been around for 30+ years (and includes several original members). Or maybe you would like that. If so, consider joining.

That said, the records I put on these weekly lists are BY NO MEANS a comprehensive list of new releases; rather they are just those that were pleasing to my own ears - AND - records I thought that friends of mine who might actually read this blog will also enjoy.

Naturally, I will miss some good new releases, and when I do, I invite you to comment at the bottom of this post, or, more naturally, share the suggested record in the comments section of whichever social media site you found this link.

This will be a “running post” updated weekly (hopefully). I may miss a week or two but for the most part, my hope is to roll into the week of December 31st, 2024 with 52 sets of new releases (though, historically, not much comes out in the final weeks of a given year).

STRUCTURE AND SOURCE(S)

The list at the top of this post each week will contain new releases from the most recent week we’ve posted. You can scroll down to see the weekly releases going back to the week of January 1st, 2024.

New releases come out every Friday. However, some artists will schedule their records to be released on other days. We will do our best to capture all the releases from a given week up to and through “New Release Friday” of that week.

We split the releases into two categories each week:

  • The Knowns: Releases by artists you have likely heard of. Sometimes if it’s a solo record by an artist from a well-known band (i.e., if Jonathan Pearce from the Beths were to release his first solo record, it may go here…or it may be in the next section. The rules are fluid). My aim for this year is to include fewer records in this section, and focus more on…

  • The News: Releases by bands I’ve never heard of and presume many folks reading this have also not heard of. This does not mean that it is a debut record by the artist/band. Just that they’re not quite a household name yet. I will also try to limit these releases to stuff that I think is particularly worthy of sharing.

Our list of releases will not usually include reissues, live albums, and/or pop albums that you’re likely hearing about elsewhere that have a billion streams on Spotify (unless it is something that rules like Taylor Swift or The Chicks). Unfortunately, these lists will be light on hip hop and R&B because I am just not skilled enough to separate the wheat from chaff in the glut of hip hop, R&B and trap music being released. We welcome your suggestions on good, positive hip hop. The same can be said for metal. There are only so many bands whose names are written with gnarled sticks that stand out from the rest of the pack.

Our primary source is the weekly new release list shared by Consequence of Sound as it has been most consistent in sharing releases that have seemed to fit the likes and styles of Postcarders who have been benefitting from these lists. We’re wholly open to exploring other sources and have had past success with allmusic, albumoftheyear, metacritic, and newreleasenow…but Consequence has been most consistent and accurate with release from the date in question.

We link each record to its space on Spotify. And all linked playlists are housed on Spotify. You’re not going to convince me to use another streaming site. You do not need a premium account to interact with these links.

Ok? Ok. What’s next?



January 1st, 2024

Ok - I mean, we’re already listing stuff and it’s not even “New Release Friday” yet… But because Ryan Adams is extra, here we are. The dude decided to drop FIVE (5) new albums on January 1st, 2024 that total 77 tracks of music (65 of which are new songs). Clearly they were in the can already, but if you spend any amount of time on his insta page, you might think his fans believe he recorded all of them on Dec. 31, and released them Jan. 1.

Gross hero-worship aside, and whatever your feelings might be on Adams given his recent, publicly scorned behavior toward romantic partners, the man is a prolific songwriter, and I am going to write about him (fuck sakes, look at the name of this blog!!). So here are some blurbs about each of the records he released on New Year’s Day.

::The Ryans::

Ryan Adams ::1985:: Of the five (5!) records Adams released on New Year’s Day, 1985 is the most ‘punk’. It boasts 29 songs clocking in at a mere 34 minutes. Only two songs clock in over two minutes, and the song with the longest duration (“On A Side”) is only 2:45. There’s clearly some fucking around going on, but some of the songs that last beyond one minute have a certain ‘Ryan Adams’ quality to them…it’s kinda 80s, kinda twangy, kinda Husker Du, kinda Replacements, it’s melodic. Like your favorite Guided By Voices record (or Ryan Adams record as of late), you could probably cull this down into 11, pretty similar/coherent tracks.
Ryan Adams ::HEATWAVE:: The opening cut on HEATWIVE might have fit more squarely on 1985…but beyond that, this record leans a bit more into the glam world that Adams traipsed around in when he released ROCK-N-ROLL and III/IV. These are the songs apt for an arena rock show. Not saying that show would be incredible or anything, but the songs on HEATWAVE are big, sometimes riffy, and sometimes pulling from the 60s/70s era Stones and Mott the Hoople influences. But then there are some 80s-influenced, super chorus-y/swirly + reverb-drenched guitar-laden songs like “Walls” that break this mold. Either way, the style isn’t breaking any new ground for Adams.
Ryan Adams ::STAR SIGN:: If you like the Adult Album Alternative season of Ryan Adams’ career (think GOLD, CARDINOLOGY, EASY TIGER), you might want to start with STAR SIGN. Of the five albums, this is the one that sounds sonically different than the others. We hear the return of the acoustic guitar as a primary track on some songs, but also some strings, a banjo here and there, and pedal steel guitar accompaniment. Some of these songs are like a methadone hit to us Whiskeytown addicts. Like, you kinda remember that feeling, but it is nowhere near as good and pure as it once was. Dial up “Shinin’ Through The Dark” for an example. This record also includes my favorite song of the bunch - “Speeding Car” as it sounds most like the song that wasn’t produced in a home studio. Several cuts on this record actually sound more sonically ‘open’ and leads me to wonder if these were recorded a while ago at the PAX-AM studio before it (presumably?) shuttered.
Ryan Adams ::SWORD & STONE:: You’d think with a title like SWORD & STONE that this would be another attempt at a black metal record (look, ORION is unironically still one of my favorite Ryan Adams releases), but alas, this sounds like an extension of STAR SIGN noted above. The songs on this record fall into that softboi Adult Album Alternative sound that Adams was heralded for back in the early aughts. Mostly acoustic and piano-driven songs with the occasional rocker. Lots of that Adams falsetto (which, personally, I could do without). Again, not much new ground broken here, but none of it is offensive in anyway. It’s just fine. I’m also left to wonder when these songs were written and tracked as the sound quality on this record also sounds a bit more professional (and there are at least two songs clearly about New York, Adams former residence).
Ryan Adams ::PRISONERS (LIVE):: Admittedly I have not listened this one, but it is live, acoustic versions of Adams’ 2017 release PRISONER.

All told, these are five, inoffensive, fine, non-ground-breaking Ryan Adams records that fans who have stuck with Adams through all of his recent shit will probably like. Once-fans who aren’t inclined to support an artist who was accused (and cleared) for soliciting an underage fan…but is pretty clearly guilty of being manipulative and shitty to some of his female partners; both musically and romantically…though the line between the two was often blurred…and therein lies the problem.

My fandom of Adams has waned substantially since he went solo. A lot of it is because my tastes have changed and his songs are no longer identifiable mile markers to moments of my life. By no means am I saying that Adams’ solo career songs are not good, or are inferior…just that I do not connect with them as much as I did, say “Inn Town”, where, as a college sophomore, I would return to the home where I was raised and spend short periods of time living out of a suitcase in my own bedroom.

One day, I’d like to make a good ~90 minute mixtape of songs across his solo career, with The Cardinals, the Finger, and whatever other things he’s involved himself with over the years since Whiskeytown called it a day, and have a nice ‘cream-of-the-crop’ sample of that output. Though, honestly, I don’t know how many - if any - of the songs from his more recent output would make that cut.


January 5th, 2024

Slim pickins this early in the year. I am still combing through some other sites looking for releases but they all seem to have some of the same ones that I just don't find that interesting. 

As in prior years, I am creating monthly spotify playlists to aggregate all the links shared in this running thread. I had already made the January Playlist to pull all five Ryan Adams records dropped at Midnight on January 1, 2024.

January 2024 Spotify Playlist: 2024-01

I noted in another post that Fust put out a spate of EPs that are suuuuper lo-fi. I like it, but I am obsessed with that band right now. I also listened to the Gumshoes record that Karla mentioned elsewhere, and it didn't really move me. I'd be curious to learn if anyone else listens to it and likes it, because I am going to attempt to cull the number of things I put on these playlists so they are more manageable. If my hunch is right that most of y'all are 'meh' on a band like Gumshoes, that's data for me moving forward. Granted I don't make the playlists *just* for Postcard, but y'all are the barometer I use for measuring 'good' music. 

Now, then, here is what dropped on the first new release day of the year, Friday January 5th, 2024.

::The Knowns::

Nuthin.

::The News::

The Boy Detective ::ART THEFT:: Fun emo-punk-ska out of southeastern Michigan. 
Fust ::SONGS OF THE RAIL:: Written and recorded while Fust singer/songwriter Aaron Dowdy was living in New York, these songs were sparsely recorded on a "kitchen table" recording rig. I'd say that these songs are somewhere between demos and suuuuper DIY. This one might be for the die-hards, but if you're like me, and you enjoy hearing these rougher, unpolished gems, this might be your jam.
The Hypos ::THE HYPOS:: New songwriting collaboration between Greg Cartwright (Reigning Sound) and Scott McMicken (Dr. Dog) that answers the question: "What if before they got their MD, 'Mr. Dog' went to med school at UT Memphis, and spent as much time studying Memphis Rock N Roll as they did studying for the MCAT?" [Note: This release is not (yet?) on spotify, so it will not be included on the January Playlist. The link here takes you to their Bandcamp space].
Wagging ::MY OWN PRIVATE RODEO:: Wagging is a three-piece, lo-fi power pop trio from Asheville, NC led by songwriter Alison Antaramian, and her two friends Mark & Emily. Simple, melodic pop with twee singing by Alison and Emily. Recorded in Asheville's Drop of Sun Studios, the record has a nice warmth to it that lends itself to two-windos-down car jams during spring road trips. 


January 12th, 2024

Happy Friday. This weekend my folks were in town from PA and we spent all day at a Fishing Expo here in Raleigh. Fun times. But yeah, here are the releases of interest from January 12, 2024 (which would have been my late pup's 14th birthday. To celebrate, I made steak and eggs for dinner that night - which was always the birthday meal Mosby got to eat).

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm hoping this year's playlists will have a better wheat:chaff ratio.

January 2024 Spotify Playlist: 2024-01

Quick nod to the Holler Choir record. This is the new stringband project of Clint Roberts, a songwriter I've mentioned before who hails from the Asheville, NC area. Clint released a hell of a record in 2021 called ROSE SONGS that was recorded in Nashville with a set of crackshot musicians. His writing and vocal phrasing on ROSE SONGS reminded me a lot of FABLES-era David Ramirez. Some of that same phrasing can be heard on the Holler Choir stuff. And the musicians on this record are also pretty amazing.  

Anyway, brother, here is what dropped on the first new release day of the year, Friday January 12th, 2024.

::The Knowns::

Gurf Morlix ::MELT INTO YOU:: Music for Americana Whitehairs and No Depression readers..

::The News::

Bill Ryder-Jones ::IECHYD DA:: Described as a "musical polymath" with credits as a producer, multi-instrumentalist, composer, and singer/songwriter, this former guitarist for the psych-pop outfit the Coral draws on influences such as Ennio Morricone, Johnny Greenwood (Radiohead) and Nick Drake on his latest. RIYL low-key folks-influenced Brit pop.
The Clamps ::MEGAMOUTH:: Speed-stoner rock from Italy. I'm not saying that these are direct influences, but listening to the first couple tracks on this record makes me want to pull out all my old Corrosion of Conformity and Kyuss albums.
Holler Choir ::SONGS BEFORE THEY WRITE THEMSELVES:: The latest songwriting vehicle for Asheville, NC singer/songwriter CLINT ROBERTS who eschewed the slick Nashville studio production of his debut solo record ROSE SONGS, and pulled together a group of friends from in and around Asheville who lay a base of banjo, fiddle, upright bass, and gorgeous vocal harmony. There's a reason they call Western NC/Eastern TN/Southwestern VA "A Hotbed of Musicians". Roberts' vocal phrasings remind me of the FABLES-era David Ramirez, which ain't a bad thing at all. Though Holler Choir's direction is decidedly more stringband/bluegrass/Appalachian stop, Roberts' songwriting still contains a heavy pop element which serves these nine original songs well. Come for the nine originals, and stay for the stringband cover of Nirvana's "Heart-Shaped Box."
Lily Seabird ::ALAS,:: Lo-fi singer-songwriter hailing from Burlington Vermont who brings a Gregory and the Hawk DIY vibe to her songs. There quiet introspection, guitar-driven indie pop, and some twang to be had on this record. 


January 19th, 2024

Still a slow trickle of new stuff early in 2024. Maybe we can blame the arctic front that's over a large portion of the US right now (EXcluding the NC piedmont, unfortunately). Here's what trickled out on Friday January 19th, 2024...

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm hoping this year's playlists will have a better wheat:chaff ratio.

January 2024 Spotify Playlist: 2024-01

::The Knowns::

Green Day ::SAVIORS:: A band that went from singing anthems about masturbation to anthems about anti-capitalism. Green Day is still worth our time.
Sleater-Kinney ::LITTLE ROPE:: Described as "one of the finest, most delicately layered records in the bands nearly 30-year career."
Doug Paisley ::SAD OLD WORLD:: Paisley follows up his stellar 2023 release SAY WHAT YOU LIKE with a record of old country covers.

::The News::

Eliza McLamb ::GOING THROUGH IT:: First, I love this album title. And the songs are good, too. Based in LA, there's definitely a pop element to these songs, but the backbone is steeped in late aughts and early 2010s indie. The third track, 'Mythologize Me' is radio -eady (hell, I don't listen to the radio, so it may be getting some play already judging by the spotify playcount).
Lizzie No ::HALFSIES:: I honestly don't know how to characterize this Lizzie No record. Some of it sounds like East Nashville-style 'country', some of it is pop, some is AAA, but it's all really good. As a proxy for artists/events where Lizzie No played, here's some of her priors: "Lizzie has toured with Iron & Wine, Adia Victoria, Ron Pope, Sarah Shook and the Disarmers, and has showcased at festivals like Newport Folk Fest, Americanafest, South by Southwest, and Hardly Strictly Bluegrass."
Old Heavy Hands ::SMALL FIRES:: These bois oughtta scratch the itch of the "Nine Bullets" contingent of the Alt-Country/Americana spectrum. They make a bed consisting of punk and metal as the fitted sheet, loud southern twang as the flat sheet, and gruff, gravelly vocals as the comforter on top. 
PACKS ::MELT THE HONEY:: Songwriting vehicle for Madeline Link, who self-produced the record in a nod to 'unpretentious disaffection of the grunge movement and the inventive arrangements of Guided By Voices, who have inspired PACKS since their inception.


January 26th, 2024

Finally at the end of January and its five damn weeks. But still not a lot out there kicking off the year. Granted, I am being more picky. For example, this time last year, the January playlist had 66 albums and 743 tracks, whereas the January 2024 playlist has 32 records and 364 tracks (and 4 of those records and 77 of those tracks are all Ryan Adams releases). Quality over quantity is the goal. 

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. As noted, I'm hoping this year's playlists will have a better wheat:chaff ratio.

January 2024 Spotify Playlist: 2024-01

So here's what dropped on the final Friday of the month, January 26th, 2024.

Let me know what I missed.

::THE KNOWNS::

Chatham County Line ::HIYO:: Gotta admit, it's pretty wild to hear an electric guitar kick off a Chatham County Line record. If you were an early adopter, this is a new sound, but the bones are still here.
Katy Kirby ::BLUE RASPBERRY:: RIYL inward-looking folksy/Americana exploring why we feel the way we feel when entering into a relationship...particularly one that is novel.
Matt pond PA x Alexa Rose ::CALL AND RESPONSE [EP]:: Nice to see Matt team up with my cousin Alexa.
Sarah Jarosz ::POLAROID LOVERS:: There's a reason Jarosz has been nominated for a Grammy 4 times. This record is crisp.
The Smile ::WALL OF EYES:: Though I am not the biggest fan of Radiohead, I can appreciate Thom Yorke and Johnny Greenwood forming a side project appropriate for their non-Radiohead art.
Torres ::WHAT AN ENORMOUS ROOM:: This is Mackenzie Scott's sixth record - and third with Merge records. If you're not familiar with her music, think about the Merge Records roster and this fits right alongside the label's other recent output.
Willi Carlisle ::CRITTERLAND:: The term "folk" gets tossed around a lot, but Carlisle truly embraces the genre. Based out of Northwest Arkansas, Willi is a musician, historian, and folklorist who has spent a LOT of time collecting folk songs and stories from the Ozarks and beyond. And it is these stories and lore that influence his own writing. Proud to call Willi a friend. I'm not religious, but Willi's songs always make me feel the way I wish Church would have made me feel back when I used to go.
William Elliott Whitmore :SILENT, THE MIND BREAKS:: Country blues, gospel shouts, and field hollers.

::THE NEWS::

A Fish in the River ::FOREST GOD [EP]:: (Jan 25th release) This is what I think of when I think "Portland" - just slack-ass melodic indie rock. I wish this was longer. This feels like a band Ben Salmon should know about. Hopefully he can provide a little extra info if so!
Gruff Rhys ::SADNESS SETS ME FREE:: Super Furry Animals' frontman adds another LP to his solo career. This sorta reminds me of a weirder cousin to Belle and Sebastian. Some 70s pop, augmented by strings and steel guitar in places. Falsetto vocals soar above these melodies. Definitely interesting.
Heavy Seas ::DISTORTION DAYS:: This one is for Jenn Husbands, since they're a Chicago band. From the band's bio: "Jesus Lizard rhythms over melodies that channel Sonic Youth's more aggressive atmospheres..." RIYL: Seaweed, Jawbox, Quicksand, The Casket Lottery, Braid.Large Brush Collection ::OFF CENTER:: Texas-based 4-piece that coalesces around songwriter and bassist Nora Predey's songs. The band has a full-time flautist, and before you think Jethro Tull or Marshall Tucker, think again. This is really chill. Conjures some early aughts indie vibe, but super soft.
Office Dog ::SPIEL:: Power trio out of Auckland NZ who sound like they were raised on a steady diet of late 90s grunge and Pavement. It's wild how a brand new record can make you feel nostalgic. This one is gonna get some spins.
Slower ::SLOWER:: Featuring members of Fu Manchu and Kyuss, this EP of all Slayer covers is dripping with the heaviest sludge. Oh, and the five tracks on this record clock in at just under 40 minutes...so there are some heavy jamzzzz.
Spencer Burton ::NORTH WIND:: After retreating to a cabin in northern Ontario, Burton started penning songs inspired by the isolation. Garden variety Americana produced in Nashville, but the songs have a rawness and lilt that is magnetic.
The Umbrellas ::FAIRWEATHER FRIEND:: From the band's bio: "Classic indiepop influences are very much in evidence here, from The Byrds to Orange Juice, The Pastels, Comet Gain and Belle & Sebastian, along with a noticeable garage-pop/Paisley Underground flavor that is a hallmark of San Francisco's best bands."


February 2nd, 2024

Happy Groundhog Day from this Native Pennsylvanian who doesn’t give a FUCK how inaccurate Punxsutawney Phil’s winter/spreing predictions have been across history. Loving him is a law! like scrapple, and the Amish. Also, Happy American Aquarium Road trip To Raleigh to all who celebrate! I have a pal from Arkansas in town and he and I plan to spend most of the weekend up to our elbows in Eastern North Carolina Pulled Pork Barbecue and bloodstreams full of good bourbon. Anyway, brother, here is the light fare from Friday February 2, 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. As noted, I'm hoping this year's playlists will have a better wheat:chaff ratio. Also, there's a new list for February!

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist:
2024 - 02

Let me know what I missed.

::THE KNOWNS::

J Mascis ::WHAT DO WE DO NOW:: Mascis solo brings the same energy as Dino Jr, but without the three Marshall FULL stacks that rupture your eardrums.
J. Robbins ::BASILISK:: One-time Government Issue bassist and Jawbox founder serves as a throughline to all the old DC Hardcore I grew up listening to.
The Paranoid Style ::THE INTERROGATOR:: Songwriting vehicle of Elizabeth Nelson of the Mendoza Line and includes an all-star cast of players including her husband and Mendoza Line member Timothy Bracy, Peter Holsapple, and William Matheny.
Paul McCartney & Wings ::BAND ON THE RUN (50TH ANNIVERSARY EDITION):: BRB - gonna go google what "underdubbed: means. (hint: It means stripped-down)

::THE NEWS::

Big Scenic Nowhere ::THE WAYDOWN:: Featuring members of Fu Manchu, Mos generator, and Yawning Man this has a sludge metal through the vocal stylings of peak Alice in Chains, or a more tempered Faith No More. All the songs are over 4 minutes long, and with only 7 tracks seconds shy of 40 minutes, there are some jammmmmms on this one.
Flight Mode ::THE THREE TIMES:: Oslo, Norway power pop with hints of math-y emo. I was a big fan of their TORSHOV '05 EP that came out in 2022. This release looks like a combination of all the band's EPs and singles released over the past few years. RIYL Beezewax (which, is basically just me and Ryan Kennemur I think).
The Last Dinner Party ::PRELUDE TO ECSTASY:: Meghan nailed this one: "Kate Bush meets Belle & Sebastian meets Eurythmics with some Radiohead guitar thrown in."
Liquid Mike ::PAUL BUNYAN'S SLINGSHOT:: Usually when I think about Michigan's Upper Peninsula, I think about "Da Jimmer" (IYKYK), but who knew Marquette Michigan would produce a damn good indie band, too? As a mail carrier in town, frontman Mike Maple gets to observe a lot of the world and those everyday observations manifest as songs that, as Rolling Stone says "splits the difference between 90s pop punk and 90s indie." Well said.
Reconciler ::ART FOR OUR SAKE:: Soft-edged hardcore with a southeastern (Atlanta, GA) swagger. RIYL The Dirty Nil, The Dead Stars.
Vera Sola ::PEACEMAKER:: Described as the "lost love child of Leonard Cohen and Nancy Sinatra" and "PJ Harvey at her most irate, teeth-bared." Worth a spin.


February 9th, 2024

Last week's list was pretty good, so maybe we're finally starting to thaw the new-release frozen tundra that we typically experience at the start of the year. That said, here's what we get on Friday, February 9th, 2024,

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. As noted, I'm hoping this year's playlists will have a better wheat:chaff ratio. Also, there's a new list for February!

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02

Let me know what I missed.

::THE KNOWNS::

The American Analog Set ::NEW DRIFTERS:: Seeing this band name made me think I just fired up Soulseek to download some P2P MP3s. The Austin, TX drone-pop outfit's latest is a blast of nostalgic sounds as it is a retrospective that includes the FUN OF WATCHING FIREWORKS, FROM OUR LIVING ROOM TO YOURS, and THE GOLDEN BAND LPs, remastered from the original analog tapes and garnished with period b-sides, outtakes, and demos.
Brittany Howard ::WHAT NOW:: Pro Tip: Don't approach this record through the lens of The Alabama Shakes. Brittany is operating on a different plane...and though this is a whole other vibe, it definitely hits in spots.
The Dead South ::CHAINS & STAKES:: Manufactured bluegrass/Americana with zero flaws. I feel like when I tell people I like "alt-country" and "Americana" this is what comes to their mind. I find it incredibly stale and boring, but your mileage may vary.
Ducks Ltd. ::HARM'S WAY:: Looking to scratch that mid twenty-teens jangle-pop itch? These dudes still remind me of Surfer Blood a bit. Also, their latest features collabs with Ratboys' Julier Steiner and Marcus Nuccio.
Tyler Ramsey ::NEW LOST AGES:: Lead guitarist of Band of Horses releases the best Band of Horses record to come out so far this year.

::THE NEWS::

Astral Bakers ::THE WHOLE STORY:: From their blurb on Rough Trade describing the band's sound: "Some say acoustic rock, others say soft grunge. Songs in English, halfway between Big Thief, Supertramp and an unplugged Nirvana concert."
David Nance & Mowed Sound ::DAVID NANCE & MOWED SOUND:: One of the better spotify bios I've seen in a while: "Music made with dirt, water, gravy, Midwestern Raga, sand, choogle, 1972 Fender Twin Reverb, hair, insomnia, wind, joy, caramelization, breath, thunder, rain, and sunshine." The opening track has lots of swagger. This sounds like a deep cut record from my dad's vinyl collection amassed in the mid-70s.
Ellis Bullard ::HONKY TONK AIN'T NOISE POLLUTION:: Honest-to-goodness honky tonk stop. This guy is tearing Waylon and Dwight Yokam out of a shitty Peavey guitar. Also, there is an epic key change in "What's a Man to Do?"
Madi Diaz ::WEIRD FAITH:: Really good, earnest singer/songwriter/Americana surely to impress the Americana/No Depression subscribers. Hopefully she doesn't get pigeonholed into this lane because this record has broad appeal. I'm picking up Katie Pruitt meets Phoebe Bridgers vibes.
Orgone ::CHIMERA:: Funk as hell. RIYL The Breakestra, The New Mastersounds.
Pouty ::FORGOT ABOUT ME:: Songwriting vehicle for Rachel Gagliardi who, over her career using the Pouty moniker has collaborated with Michelle Zauner (Japanese Breakfast) and former members of Hole and the Vivian girls. RIYL frungy, bratty punk rock with 90s nostalgia.
Split System ::VOL. 2:: Melbourne, AUS punk band that spans the gamut of punk sounds from "proto- to post-".


February 16th, 2024

Has 2024 been kicking anyone else’s ass so far? Yeah. let’s just get to the new releases I found interesting from Friday February 16th, 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02

Let me know what I missed.

::THE KNOWNS::

Blackberry Smoke ::BE RIGHT HERE:: Look. It's a Southern Rock band from Georgia. And they worked with Dave Cobb to produce this record. It's gonna be good. Also - when the weather gets warm and you're driving with the windows down, put on track 2 ("Hammer And The Nail") and thank me later.
Frontier Ruckus ::ON THE NORTHLINE:: An inde-rock fan's alt-country band. These guys hit the scene around the same time as your Blitzen Trappers and Dr. Dogs. And they're still making pleasant music.
Granddaddy ::BLU WAV:: Gonna lift an apt description from, of all places, Pitchfork, that nails this one: "On...Grandaddy’s first album in seven years, Lytle leans into bittersweet Americana twang, a natural fit for his fatally flawed, cautiously optimistic cast of characters."
IDLES ::TANGK:: Post-punk has never been my bag, but I totally get why people dig it. At least these dudes do less worshipping at the Ian Curtis altar. This record has a lot of energy.
Laura Jane Grace ::HOLE IN MY HEAD:: Shit...she comes out swinging on this opening track! This record is what Craig Finn meant when he said "sing along songs will be our scriptures". The track "Birds Talk Too" sounds like the Mats!
Matthew Logan Vasquez ::FRANK'S FULL MOON SALOON:: The first time I saw Delta Spirit, I thought their singerl looked a little like Fez from That 70s Show. I feel bad about that now. If you're familiar with Vasquez's music, you'll like this. 

::THE NEWS::

Barren Womb ::CHEMICAL TARDIGRADE:: Two-piece Nordic noise rock outfit that reminds me of what the Japandroids would sound like if they listened to post-hardcore music. This kinda rips!!
Danielle Durack ::ESCAPE ARTIST:: I get that I often compare new, female indie songwriters to Phoebe Bridgers, but damn, this artist really sounds cut from the same cloth. The opening song sounds like a B-Side from STRANGER IN THE ALPS. But Durack has her own style as well. Her voice is bell-clear and earnest over these guitar-forward songs. Really enjoying this!
Ethan Lipton & His Orchestra ::DID YOU DO THE THING WE TALKED ABOUT?:: This might violate my wheat:chaff goal, but something about this record is refreshing. Lipton has what appears to be a four-piece "orchestra" that includes guitar, upright bass, drums, and saxophone. This record sounds like four longtime bandmates went into a room, put a microphone in the middle, and knocked out 11 songs in one take each. It's super simple and enjoyable if this is your sorta jam. I feel like the Two-Rs and Americana old heads (he said affectionately) will dig this a lot.
Frances Chang ::PSYCHEDELIC ANXIETY:: Chang refers to her music as "slack prog" and i couldn't agree more. This answers the question "What if Wednesday and early WESTING BY MUSKET AND SEXTANT-era Pavement made a record together?"
Friko ::WHERE WE'VE BEEN, WHERE WE GO:: A blend of post-punk, chamber-pop, and & experimental rock, Chicago style. If you like songs with a "the world might end soon, so we need to finish this set" energy, give this a spin! This is a BIG-sounding record, and it's the band's debut.
Gaby Moreno ::DUSK:: If you've been digging the latest Lizzie No record, i feel like you'll enjoy this Gaby Moreno. It's pop music through an Americana filter. But Moreno, who is Guatemalan, has a couple tracks that lean on that influence and heritage. But it's damn good. And her voice? Holy hell! Start with "Solid Ground" and go from there!
Gentleman Rogues ::SURFACE NOISE:: Austin, TX quartet who aren’t so much wearing their influences on their sleeve…they’re just wearing the band’s t-shirt. This is a great band to play “spot the influence” with. Superdrag? Check. The Replacements? Check. Superchunk? Check. And if you don’t believe my words, check out this mashup of the Lemonheads and Superdrag on the non-album track “Bloody Rudderless (In Ursa Major)”.Levitation Room ::STRANGE WEATHER:: This record answers the question "What was the soundtrack to Los Angeles in the 1970s?"
Lol Kirke ::COUNTRY CURIOUS [EP]:: Actress-turned-country singer who has toured with Jenny Lewis and Margo Price. This EP was produced by Elle King and features a guest spot by Rosanne Cash. RIYL any artist just mentioned above.
Pet Needs ::INTERMITTENT FAST LIVING:: This sounds like Frank Turner cosplay, and I don't mean in a bad way. Suuuuper high energy, anthemic rock.
Prize Horse ::UNDER SOUND:: Minneapolis slo-grunge band that probably have a few records in their collection by Nirvana, Hum, and Sunny Day Real Estate. 
San Fermin ::ARMS:: interesting record by Brooklyn-based OCTET (!!!) with alternating lead vocals by bandleader Ellis Ludwig-Leone and Claire Wellin (who has a great voice). The record has an early 2010s indie feel to it, and there's a lot of ground covered across 9 songs in 33 minutes.
 serpentwithfeet - GRIP. If you like R&B/pop with gorgeous, glass-clear male vocals and melodies, this is your jam. He's been coupled up for a few years now and has been writing really sweet songs about his boo. This typically is nowhere near my cup, but my wife and I saw serpentwithfeet early on in our relationship. This was pre-COVID, but during a particularly heavy week socio-emotionally. It was still during the Trump admin, and some infringement of others' rights had gone down...and serpentwithfeet took the opportunity to put together a setlist of songs and spoken word with the intent to uplift the audience. It was amazing and like a shot of elixir against the ills of society that night. I say all this to say that my emotional and personal connection may be why I still like their music so much, but I know we have broad and varying tastes on this list so i wanted to signal to other existing or potential serpentwithfeet fans that you're not alone!
Shadow Show ::FANTASY NOW!:: detroit all-female power trio that combines elements of 60s garage psychedelia and modern pop-art.


February 23rd, 2024

This has zero to do with new music, but today I learned that "King" Richard Petty is still alive at 86 years young. If that doesn't give you reason to celebrate, well, then. Also. Ace Frehley and Mick Mars (Motley Crue) released records today that I am not going to include on the playlist below, but shit...I definitely don't hate either one. In other news, Sun Kil Moon has an EP out today with a song called "Mark Kozalek Died Happy While Fishing."  Good. Fuck that guy and all of his bands. 

That said, here's what dropped on February 23, 2024:

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02

Let me know what I missed.

::THE KNOWNS::

Ace Frehley ::10,000 VOLTS:: Like...this isn't terrible. But wheat:chaff means i am not adding to the playlist. But the KISS completists out there might want to dial this one up.
Hurray for the Riff Raff ::THE PAST IS STILL ALIVE:: I mean...I feel like this is the kind of record we all could queue up and just lay back and enjoy. This may be my favorite release by Alynda Segarra to date. Stoked to catch them live next week!
Laetitia Sadier ::ROOTING FOR LOVE:: Solo outfit by Stereolab's lead vocalist.
Mary Timony ::UNTAME THE TIGER:: Did y'all know Mary Timony taught Lindsey Jordan (Snail Mail) how to play guitar?
Mick Mars ::THE OTHER SIDE OF MARS:: I mean, this album kinda fucks - but I'm still not gonna put it on the playlist. And I don't know who lead singer Jacob Bunton is, but he is from Birmingham Alabama, so I want to believe that he cut his teeth partying at The Nick.
Modern English ::1 2 3 4:: There are about 50 bands out there *trying* to do what Modern English does effortlessly. "Not Fake" is a banger.
Real Estate ::DANIEL:: Carry me back to 2009.

::THE NEWS::

Disastroid ::GARDEN CREATURES:: These dudes have been making grungy stoner rock for a decade, so they may not be new, but the singer sounds like if you put a 45 of Chris Cornell on 33RPM. It jams.
Glitterer ::RATIONALE:: Saw this outfit open for The Hotelier a few weeks back. High-energy rock n roll fronted by Ned Russin, who emotes all over his songs. Super catchy tunes with big sing-along moments throughout.
Little Kid ::A MILLION EASY PAYMENTS:: Toronto indie folk outlet with crips, quiet tunes. Really pleasant. I feel like it falls somewhere in the range of Hiss Golden Messenger and Someone Still Loves You Boris Yeltsin...kinda.


March 1st, 2024

Greetings from sunny PA - here's what dropped March 1st 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 2024 - 02
March 2024 Spotify Playlist: 2024 - 03

Let me know what I missed.

::THE KNOWNS::

The Bevis Frond ::FOCUS ON NATURE:: For those of you who need a dose of 90s alt in your life, these guys have been owning that underground for decades.
Faye Webster ::UNDERDRESSED AT THE SYMPHONY:: Were it not for the Postcard From Hell, I would not know about Faye Webster. I remember her 2019 record ATLANTA MILLIONAIRES' CLUB hitting me like a brick with its mix of indie folk, hip-hop, and GOBS of pedal steel guitar. UNDERDRESSED AT THE SYMPHONY doesn't diverge from this recipe and it's a good thing. If you can't groove to this opening track, check your pulse
Liam Gallagher and John Squire ::LIAM GALLAGHER AND JOHN SQUIRE:: Cunty, British, tosser-rock.
Mannequin Pussy ::I GOT HEAVEN:: Cathartic tunes about despairing times, Philadelphia edition.
Ministry ::HOPIUMFORTHEMASSES:: Fourteen year-old Caleb from 1992 is JAMMING to this record...
Pissed Jeans ::HALF DIVORCED:: if, like me, you're mired in Student Loan Debt, the track "Sixty-Two Thousand Dollars in Debt" is worth a listen, even if it's the only track you spin from this record. Punk as fuck.
Sheer Mag ::PLAYING FAVORITES:: Listening to this the other day, my wife and I landed on this description: It's like young Michael Jackson fronting Death by Unga Bunga." If that makes sense to you, then you'll probably love this. 

::THE NEWS::

Coco ::2:: Side project collab by members of The Dirty Projectors and Lucius. It's a little all over the place but a pleasant listen. Per the Spotify bio about the latest record: "its sonics varying from lush shoegaze guitars, to dusky electronica, to jangly 60s pop." All of that tracks on a quick sampling of these songs. A little something for everyone, maybe.
Footballhead ::OVERTHINKING EVERYTHING:: Not much to overthink, here. This is just solid, guitar-forward chicago-based, midwest, 90s-influenced alt rock by a songwriter who spent a lot of time at the skate park.
Jade Dust ::GREY SKIES:: Jade Dust answers the question "What if Fugazi were from Portland, Orehan." The nod to DC Hardcore this band delivers is uncanny. I love it!
Hands of Goro ::HANDS OF GORO:: Hands of Goro answer the question "What if Lemmy Kilmister had three illegitimate children who formed a band and started a third wave of British heavy metal?" If you were ever into 90s metal and butt rock, please give this a shot. RIYL: The Darkness, Death By Unga Bunga.
Hannah Frances ::KEEPER OF THE SHEPHERD:: Wild, polyrhythmic guitar playing under soaring, clear vocals in a music style that has drawn comparisons to Jeff Buckley and Joni Mitchell with its meld of avant-folks, progressive rock, and jazz.
Late Bloomer ::ANOTHER ONE AGAIN:: Charlotte, North Carolina's Late Bloomer answer to the question "What do you get when a band draws from early DIY punk, the fuzzy alt-rock of Superdrag, Sugar, Dinosaur Jr, and the subdued harmony of the Weakerthans?"  This is good.
Mush ::MUSH WITH BENEFITS:: Midwest emo supergroup that will scratch your American Football, Get-Up Kids, Saves the Day, and other mathy-midwest emo bands itch. 
RIP Dunes ::RIP DUNES:: This won't be for everyone, but this synth-heavy indie dream pop outfit fronted by Brooklyn's Michael Iwanusa has a lot of big-sounding moments that made it hard to click past. I can't really put a pin on their sound, but the RIYLs from spotify include Ducks Ltd. and The Reds, Pinks, and Purples.
Tish Melton ::WHEN WE'RE OLDER [EP]:: This 18-year old rising star teamed up with Brandi Carlisle, who served as producer, collaborator, and mentor in helping Melton craft her brand of pop. No wheel-reinventing here, but good music is good music. Probably an artist to take note of now.


March 8th, 2024

Who's got some Q1 favorites for Ryan Mallett?  For me it's probably Lizzie No, Liquid Mike, and Hurray for the Riff Raff. But let's keep it rollin with releases from March 8th, 2024.

As always, I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

January 2024 Spotify Playlist: 2024-01
February 2024 Spotify Playlist: 
2024 - 02
March 2024 Spotify Playlist: 
2024 - 03

Let me know what I missed.

Adeem’s new record ANNIVERSARY is out May 3rd

I usually don't use this space to talk about singles, but I will highlight a new song from my pal Adeem the Artist, whose first single "One Night Stand" is out today from the forthcoming record ANNIVERSARY, produced by Butch Walker and due out in early May. The song has heavy Diamond Rio vibes with the little mandolin line. One of my favorite aspects about Adeem's writing is how they take progressive lyrical themes, in this case about two men navigating a relationship where one wants a one night stand, and the other wants a long term relationship, and fold them into a pop country tune. If you're not listening to the words, it sounds like any song that could be on Top 40 Country Radio. I hope for a world where normies who 'don't 'understand all that gay shit' wind up loving the song because it allows them a sonically comfortable and safe place to reconcile the lyrics; basically that love is love. Anyway. Listen to the song. It's pretty great!

::THE KNOWNS::

Judas Priest ::INVINCIBLE SHIELD:: Unreal that this band is still going after 50 years. Halford's vocals are as powerful as ever.
Kim Gordon ::THE COLLECTIVE:: I met Kim Gordon and Sonic Youth oncet.
Norah Jones ::VISIONS:: Consistent since 2002s COME AWAY WITH ME

::THE NEWS::

Brother Bird ::ANOTHER YEAR:: Honestly, the story behind this artist, covered in Forbes of all places, is pretty wild. The TL:DR is a young Nashville songwriter covers a Manchester Orchestra song, puts it on youtube, dude from MO's mom sees it, shares it with her son, and now he collabs with the songwriter.
Ghost Work ::LIGHT A CANDLE FOR THE LONELY:: alt-rock supergroup featuring members of Seaweed (Aaron Stauffer, vocals), Snapcase (Sean Husick, bass) and Minus the Bear (Erin Tate, drums). And it sounds as good as you would think.
Lamplight ::LAMPLIGHT:: This record reconts songwriter Ian Hatcher-Williams odyssey from a child raised in a Virginia cult, to a burned out NYC tech ework, and back to VA where he married his childhood friend. I've zero doubt that Hatcher-Williams has every Pavement record in his collection. Start with "Call Your Mother" and its gorgeous steel guitar lines. 
Luke Grimes ::LUKE GRIMES:: I recently binged every show that Taylor Sheridan has written in the Yellowstone universe, starting with 1883, then 1923, and finally Yellowstone. For fellow Yellostone fans, you'll recognize Luke Grimes as Kayce Dutton. Despite what I am sure would be instant coddling from 'Slick Nashville™', this record retains a roughness. It's closer to his co-star Ryan Bingham's work than it is Tim McGraw. I', really digging it so far. But if you're a fan of that American Aquarium, 49 Winchester, and Ryan Bingham lane of Americana, this is for you.
Tomato Flower ::NO:: Baltimore quartet that "melds...melodies with rhythmic trickery and unexpected structures...math rock, dub, and bossa might flash well before the outro." Definitely unique moments while I was previewing these tracks!


March 15th, 2024

I dunno about you folks, but I am bewaring the SHIT out of today. And I plan to steer clear of any Caesar salads during meals (yeah, I know they're not named after *that* Caesar, but whatevuh!). So yeah, let's talk about the most interesting shamrocks I picked out of the cloverfield this week (or something more witty).

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

The Black Crowes ::HAPPINESS BASTARDS:: Fifteen years since their last album of original music, the brothers' Robinson have reunited and released their 10th studio album with longtime bassist Sven Pipen. Definitely some new vibes here, but also some classic sounds for the nostalgia-seeker in you.
Dan Boeckner ::BOECKNER!:: I've included this in the 'knowns" because most of us know Boekner as a driving force behind early Wolf Parade output, Handsome Furs, Divine Fits and others. He was also a touring member of Arcade Fire. This record seems square in the wheelhouse for any fan of the above.
The Dandy Warhols ::ROCKMAKER:: Though they've been around since the 90s, I know very little about the Dandy Warhols, but I know folk love em. 
Justin Timberlake ::EVERYTHING I THOUGHT I WAS:: Yeah. Maybe you actually thought you treated Britney Spears right...but you didn't. I still heart you, JT, but you were an asshole to Britney.
Kasey Musgraves ::DEEPER WELL:: Eat your heart out, Ruston Kelly. Also, I think in a truly just world, Kasey Musgraves would make the proper 4th member of boygenius.
Scott Stapp ::HIGHER POWER:: "HOLD ME NOWWWW!!!"
Wonder Women of Country ::WILLIS, CARPER, LEIGH [EP]:: Look, Kelli Willis and i are twitter friends now, so I got that going for me. But also, this trio of Willis, Melissa Carper, and Brennen Leigh is, given the note above, like the Texas version of boygenius. Cowboygenius? Whatever. Kelly Willis could sing me the phone book and I'd be mesmerized.

::THE NEWS::

Beans ::BOOTS N CATS:: Australian organ-forward garage psych supergroups fronted by Murlocs drummer Matt Blach. The track "One to Four" has me wanting to reach for my Meters records.
Bedbug ::PACK YOUR BAGS THE SUN IS GROWING:: Suuuuuuper lo-fi bedroom indie, but really great sense of melody, and the li-fi recording means you also get some noise. Listening to this makes me think (fondly) of the days I was plugging a 1/8 inch computer microphone into my CreativeLabs SoundBlaster external soundcard, and recording ditties using Cool Edit Pro. Though Bedbug does it way better than I ever did.
Chuck Strangers ::A FORSAKEN LOVER'S PLEA:: I am pretty ill-equipped to speak eloquently about hip-hop music, but I like this. It's musical more so than just beat and rhyme-heavy. Also, his spotify bio just says "Chuck be doing him" and I kinda love that.
de clair ::HIDING MOUNTAINS IN THE PALM OF MY HAND [EP]:: Praise for this indie-forward folk artist includes "a sonic balm for the whirring mind" and "Storytelling on par with John Lennon". Pretty high praise.
The Fourth Wall ::RETURN FOREVER:: Melodic noise rock from Portland, Oregon by way of Oahu, Hawaii. Clicking through the songs on this record, if you like crescendos, you'll jam this. Though, admittedly, "Beware the Furnace sounds like an homage to everyone's favorite Portlandian, Elliott Smith.
Grieving ::EVERYTHING GOES RIGHT, ALL AT ONCE:: From Stereogum [paraphrased] "Grieving’s music triangulates the early emo, post-hardcore, and gritty ’90s indie touchstones. if you’re into the likes of Jawbreaker, Fugazi, Lemonheads, Samiam, Guided By Voices, Trail Of Dead, Dismemberment Plan, Archers Of Loaf, Shudder To Think, and At The Drive-In, well, so are they.” This is a favorite of the week so far!
The Messthetics + James Brandon Lewis ::THE MESSTHETICS AND JAMES BRANDON LEWIS:: Former Fugazi bandmates Joe Lally and Brandon Canty are found here backing up James Brandon Lewis' sax playing. For those of you with a penchant for jazz, you're probably going to love this one. 
Potato Beach ::DIP IN:: Psych and garage-inflenced outfit from Vienna, Austria. This opening track sounds directly influenced by Syd Barrett.
Sunday Cruise ::ART OF LOSING MY REFLECTION:: indie/punk/emo from outside of Chicago. Lead singer Zoe's vocal phrasings remind me some of my favorite aspects of Gwen Stefani...but this music is far from a No Doubt vibe. Definitely gonna come back to this.
Sweet Pill ::STARCHILD [EP]:: Philly-based emo band that isn't afraid to wrap themselves in their Paramore and Circa Survive influences. Some of these song structures remind me of Tallahassee-turned Austin emo band Look Mexico. i am such a sucker for music like this.


March 22nd, 2024

What better way to seek solace if/when your NCAA tournament bracket busts (BYE Kentucky!) than with some new music. There was a LOT to sift through today, some mem - even after controlling for the wheat:chaff ratio, others gems that are shining through, but most of this will get overshadowed by the new Waxahatchee. Y'all, Katie Crutchfield bringing Jake Lenderman onto this project is such a clutch move. I already love everything he's ever put to tape, but this collab is a dream for my ears. I am only on track three of TIGERS BLOOD and I already know that I am going to be listening to this all day, multiple times. That said, here's what swished from deep beyond the arc on Friday March 22, 2024.

Of note - to all who celebrate - the Butthole Surfers reissued some of their back catalog today (PCPPEP, PSYCHIC...POWERLESS...ANOTHER MAN'S SAC, and REMBRANDT PUSSYHORSE). I don't usually include reissues in these lists, but at least wanted to throw Butthole Surfers fans a turd wave. 

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

Let me know what I missed

::THE KNOWNS::

Adrienne Lenker ::BRIGHT FUTURE:: The first time I saw Big Thief, Adrienne Lenker carried two Magnatone amps onto the stage and not to get all IYKYK, but I knew then that she put a lot of care and thought into her songcraft, from sonics to lyrics.I imagine Waxahatchee will suck up a lot of oxygen this week, but don't sleep on this record.
Aoife O'Donovan ::ALL MY FRIENDS:: O'Donovan's voice is ethereal as ever.
Cary Hudson ::OLD BLUE:: Few other artists have had the impact on my guitar playing and songwriting as Cary Hudson. As a grandfather of Alt-Country with the Hilltops and Blue Mountain, and later in his career as a traveling, swamp blues performer - it's tough to quit Cary Hudson. His latest also features lead vocals on some songs by his daughter Anna Hudson. Oh, and one of these days, remind me to tell you the story of when Cary carved a pipe out of a red delicious apple and smoked pot in my kitchen through it. This dude is an all-timer.
Charlie Parr ::LITTLE SUN:: For the bluesy Americana fan inside of you, this record sounds like the soundtrack to a snowy day in the Minnesota winter.
Cody Jinks ::CHANGE THE GAME:: Not always my speed, but I recall stumbling into a Jinks show at the Pour House in Raleigh and really being blown away by the songs. And Jinks is still bringing that "country/americana music for heavy metal fans" vibe that he's finely honed over his career.
The Gaslight Anthem ::HISTORY BOOKS - SHORT STORIES [EP]:: Jersey AF.
The Jesus & Mary Chain ::GLASGOW EYES:: So many new bands draw on their influence, but it's tough to top the OGs.
Ruston Kelly ::WEAKNESS ETC. [EP]:: B-sides and leftovers from Ruston's WEAKNESS LP.
Sam Evian ::PLUNGE:: producer to the indie stars is out with his 4th record, inspired by 70s rock production vibe, but still sounding crisp and modern.
Sierra Ferrell ::TRAIL OF FLOWERS:: Sierra's bio says she "brings a dose of beautifully strange magic to everything she touches" and I agree. If you love the Kasey Musgraveses and S.G. Goodmans of the music world, Ferrell ought to be on your radar.
Waxahatchee ::TIGERS BLOOD:: This one will be at the top of year-end lists. "Right Back To It" is already my 'song of the year' as Jake Lenderman's harmony part in that song is perfect.
Wye Oak ::SHRIEK: VARIATIONS:: 10th anniversary of the fan-favorite album with Variations, five cuts reimagined by GRAMMY-nominated composer William Brittelle and recorded by Wye Oak and the Metropolis Ensemble.

::THE NEWS::

Barely Civil ::I'D SAY I'M NOT FINE:: Interesting outfit out of Milwaukee, Wisconsin who blend melodic midwest emo with math rock and screamo. Some of it sounds like Beezewax meets the Posies and other parts sounds like Fugazi meets Thursday. YMMV but records like this are extremely my shit and definitely worth digging into more.
Early Day Miners ::OUTSIDE LIES MAGIC:: Fronted by Daniel Burton, who was an engineer on early Songs: Ohia records, and has been involved with Secretly Canadian over his career, this is a lilting, slowcore record (the band's 9th) that would likely intrigue any fan of present or past Secretly Canadian artists (despite SC not releasing this record).
Restorations ::RESTORATIONS:: This is the third record this band has released since 2014 I think, and each time I am not sure whether I like it, or find it too derivative. But if you like anthemic punk that draws from mid-atlantic americana (think The Gaslight Anthem), then this is for you. Hell, this record sounds more like the Gaslight Anthem I remember than the new Gaslight Anthem also released today does.
Rickshaw Billie's Burger Patrol ::BIG DUMB RIFFS:: I mean, the title got me, but the band's bio is icing on the cake: "We just wanted 'the part.' The opening of Pantera's 'Primal Concrete Sledge', the breakdown in Primus' 'Pudding Time' - the shit that makes you move and lose your mind. Just that part the whole time...Being a dingus is crucial to the groove. All these riffs were designed to allow us to act bigger and dumber on stage." It's kinda like if Diarrhea Planet were from Austin. Probably not the best thing released today, but damn sure fun!
Rosali ::BITE DOWN:: Another stellar NC-based artist on Merge Records. The bio on Merge seems fitting: "Rosali makes songs that take their time in revealing their full power. What might appear to be restrained, introspective compositions will stretch slowly outward, snagging your attention with a sideways guitar lead or an exceptionally raw lyric you didn’t catch the first time around. Her softly glowing music is deceptively fluid, able to appear patient and refined at the edge of unraveling.
Sam Morrow ::ON THE RIDE HERE:: Country-fried honk. I feel like this would be a fitting on-deck record to the Black Crowes' release from last week.
Siouxie & The Skunks ::SONGS ABOUT CUDDLES:: Riotous garage punk from Brescia Italy.
Snuff ::OFF ON THE CHARABANC:: Old school UK-style anthemic punk.
The Staves ::ALL NOW:: The Staves answer the question "what if two sisters who listened to nothing but Laura Marling, Simon and Garfunkel, and Crosby, Stills, Nash, and Young took those influences and started a band." The vocal harmonies on this record are gorgeous.
Van Houten ::THE TALLEST ROOM:: "...a sonic mixing pot of intimate li-fi rock + cavernous shoegaze" from Leeds.
Velcros ::STRANGE NEWS FROM THE VAULT:: Sounds way more 1994 than 2004. From an article in Everything is Noise: "With a magnetic fusion of Tom Petty‘s undeniable charisma and the raw, unfiltered energy reminiscent of the punk bands such as The Hives or The Wipers, VELCROS masterfully intertwine elements of infectious melody and unapologetic vigor."
Villagerrr ::TEAR YOUR HEART OUT:: Nice, twangy, soft indie rock out of Columbus Ohio. Songs that "[imbue] mundane moments with disarming emotional clarity." Primary songwriter Mark Allen Scott is prolific, this being his 4th record since forming the band in 2022.


March 29th, 2024

I’m in Nashville last week and so far have played four different Gibson ES-335s (three at Carter Vintage and one at the Gibson Garage) and had I walked out with all three, it would have cost me over $20,000. Expensive-ass hobby.

Anyway, you know what's free? The knowledge of the new releases from Friday March 29th!

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new March 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

Alejandro Escovedo ::ECHO DANCING:: "Radically rearranged versions of [Escovedo's] back catalog recorded in Italy with Don Antonio. Some interesting arrangements on here. Kinda wish they did "Five Hearts Breaking" and at the same time am kinda glad they didn't.
Beyonce ::COWBOY CARTER:: For a large chunk of the population, this is the Alpha and Omega of this list. This record is great. But I'm loath to use superlatives to describe it. "Bodyguard" is my favorite jam so far. That bass line is some shit.
Chastity Belt ::LIVE, LAUGH, LOVE:: Five years since their eponymous 2019 record, Chastity Belt are back with more guitar-driven, lyrically witty 90s riot grrrl rock.
Jon Snodgrass ::BARGE AT WILL.:: This record sounds like Jon has been listening to Bob Mould more so than Drag the River. High-energy punk-adjacent midwest heartland rock.
Ride ::INTERPLAY:: This week's list is heavy on shoegaze/dream pop - not that I am complaining.
Sarah Shook & The Disarmers ::REVELATIONS:: Still on a songwriting high since they got sober, River Shook continues to perfect a songraft that is transparent, honest, and lays bare some shit that most people don't have the ability to reckon with. I hope they play some shows in and around my home region in support of this record.
Scott H. Biram ::THE ONE & ONLY SCOTT H. BIRAM:: …The ‘H’ stands for “Motherfucker.”
The Secret Sisters ::MIND, MAN, MEDICINE:: Southern. Gothic. Alt.Country. Soul. Sister-Harmonies. Dark. Good.
Shabazz Palaces ::EXOTIC BIRDS OF PREY:: Just wild and weird hip hop that remains in a league of its own.
Sheryl Crow ::EVOLUTION:: Sheryl Crow is a national treasure, and a hell of a songwriter.

::THE NEWS::

Candi Carpenter ::DEMONOLOGY:: This is the kind of pop music I love. Think Olivia Rodrigo or Blondshell...just that guitar-forward, rock-driven pop with soaring vocals and harmonies. This record is radio-friendly as shit, but my guess is that the album- and song titles is keeping the play counts down. Seriously, tho, click that link and check out those song titles...and while you're there, listen to a few. They're pretty great!
The Fever Haze ::MOONBOW:: Grand Rapids' Michigan quintet The Fever Haze answer the question "What if My Bloody Valentine and the Cure overlapped?" Listen to the opening sequence of "Last Night I Killed a Man" and tell me you don't expect to hear Robert Smith come in singing...
gglum ::THE GARDEN DREAM:: moniker of 21 year-old London-born songwrite Ella Smoker, who was recently signed to Secretly Canadian. From her website bio: "Inspired by the likes of Alex G, Phil Elverum and Adrianne Lenker, gglum’s music positions Smoker as an artist who can wield atmospheric disturbance at her fingertips, crafting soundscapes that allow her to reconcile with a tumultuous coming-of-age. With flickers of electronica, dream pop and discordant garage-punk, her acoustic guitar becomes a sturdy ally, the base of a versatile, lo-fi sound that manages to feel simultaneously escapist and immersive."
Kelly Moran ::MOVES IN THE FIELD:: New York-based composed who has worked with FKA Twigs and Yves Tumor. This solo-piano record is giving me big George Winston vibes.
Majesty Crush ::BUTTERFLIES DON'T GO AWAY:: I usually don't list compilations, but I am making an exception here. Detroit's Majesty Crush were a dream pop/shoegaze band from the 90s that never really found their footing, even after opening for acts like Jesus Jones, Mazzy Star, Royal Trux, and the Verve. One journalist opined that had the band been from London and not Detroit, their career may have spanned more than five years. This one checks a lot of boxes and would be a killer follow-up for those of you who liked that Fever Haze record above. BUTTERFLIES DON'T GO AWAY is a compilation of the band's discography.
Melisande Pope ::[DELETE] [DELETE] [DELETE]:: Holy grunge guitar, Batman! Boston-based Molly Pope has big feelings, and they're accompanied by big guitar chords. She says many of the songs on this record stem from angsty text messages never sent (hence the title). A crystal clear voice over sometimes loud guitars in a full-band setting, and others in a soft acoustic arrangement. I wish there were more than 5 tracks here.
The Rocky Valentines ::ERASE:: I was going to skip over this because of the dumb name, but it turns out that this project fronted by Charles Martin - who happens to be the son of Starflyer 59's Jason Martin - is pretty good. RIYL Weezer and/or Beezewax. From Martin'sd Tooth & Nail bio: "ERASE is a record that harkens back to some of rock’s best moments, though its most important influence might be Charles himself. Mixing Grant Hart’s earworm melodies with Tony Iommi’s heavier-than-hell guitar riffs, Martin combines it all with a measured restraint, allowing his vocals to shine without a lot of studio trickery."
Teens in Trouble ::WHAT'S MINE:: I've been anticipating this one. Lizzie Killian has been slowly building her career here in Raleigh, playing pop-up record store shows, sets at festivals, and some supporting and headlining sets at local venues. The debut Teens In Trouble record is a crisp, punk/garage/dream pop/grunge onslaught - and is a massive sounding record for the band only being a power-trio. Fuck tons of melody and crunchy Weezer-esque guitar. Listen.


April 5th, 2024

Welp - I'm already into this new John Moreland and am loving it. A return to form, if you will, after some more experimentation on BIRDS IN THE CEILING. Anyway, let's dig in, because it is a MONSTER week for New Releases that will please many ears around here (Moreland, Old 97s, Black Keys, Phosphorescent, Pernice Brothers, Kruangbin), on this day, Friday April 5th.

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new April 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

The Black Keys ::OHIO PLAYERS:: NGL, I was kinda hoping this was a record of all Ohio Players songs. But it's not. Either way, you know it would be good. These guys don't miss.
Cedric Bunrnside ::HILL COUNTRY LOVE:: From the opening guitar notes, I was transported back to the White Water Tavern on a swampy July night sweating alongside everyone else grooving to Cedric and his band. This is honest-to-goodness Mississippi juke joint music from the grandson of a legend.
Cock Sparrer ::HAND ON HEART:: Old, bald, gray, and still punk as fuck. Oi!!
John Moreland ::VISITOR:: Sparse, acoustic-forward, and just some of the best songwriting in America right now. John's voice creaks over these songs tired and hopeful like the light breeze after an Oklahoma tornado just took everything from you.
Katie Pruitt ::MANTRAS:: East Nashville-based songwriter who I discovered when she toured with Ruston Kelly back in 2017. Her debut LP, EXPECTATIONS, was a hell of an effort that framed not only Pruitt's songwriting muscle, but also her guitar playing chops. This is pop country with an edge. And if the show Nashville were still on TV, Katie's character would be hanging out with Scarlett, Gunnar, and Avery.
Khruangbin ::A LA SALA:: The soundtrack to a steamy, Texas summer fever dream.
Novo Amor ::COLLAPSE LIST:: The Bon Iver of TikTok. And whatever, dude makes pleasant music.
Old 97s ::AMERICAN PRIMITIVE:: Hitchhike to Rhome...take a Greyhound to Fredericksburg.
The Pernice Brothers ::WHO WILL YOU BELIEVE:: This record is a giant cross section of sounds and styles that Joe Pernice has crafted over the past several decades. 
Phosphorescent ::REVELATOR:: Someone should Google how many artists have included "Revelator" in the title of their record. Anyway, I have always loved how the pedal steel guitar floats so effortlessly in Phosphorescent songs. Judging by the opening track, there's more of that to love on this record.

::THE NEWS::

Bnny ::ONE MILLION LOVE SONGS:: Lo-fi, dreamy, indie outfit that is the project of Jessica Viscius, who recorded the album in Asheville, NC's Drop of Sun Studios (Wednesday, Indigo DeSouza, MJ Lenderman, HotlineTNT). Nearly everything coming out of that studio is magic, and this record fits that bill.
Dustin Kensure ::DESERT DREAMING:: A southwest, desert alt-country record by the dude in...Thrice?!?!? Give it a shot. Lots of 1-6 rolling bass lines and steel guitar sweeps.
Gustaf ::PACKAGE PT. 2:: Brooklyn art punk that might belong in the chaff pile, but I have a feeling that Jersey Joe knows something about this band that will make some of you want to listen to them. 
Kate Clover ::THE APOCALYPSE DREAM:: LA-based and LA-inspired punk (think X, Germs, and the Gun Club).
Kyle Kimbrell ::EASY TRUTHS:: From Kimbrell's spotify bio; "Standout track "Shape I'm In" ... immediately brings to mind the likes of Dave Alvin, jimmie Dale Gilmore, and Jason Molina with Kimbrell's high lonesome vocals taking the spotlight. Indeed, this guitar-driven work of alt-country feels like it could have come from the genre's golden era in the late 80s and early 90s while still brimming with the kind of modern touch that is sure to appeal to fans of fellow Alabama artist Jason Isbell."
Maxband ::MAXBAND ON ICE:: Max Savage (Parquet Courts) trades in his drums for guitars on this new project.
Melanie Baker ::BURNOUT BABY [EP]:: RIYL Boygenius, Lucy Dacus, Phoebe Bridgers.
Sea Urchin ::DESTROY!:: Lo-fi, slack rock from New York. Just all over the place and fun. Please check out their Bandcamp bio.
Temple of the Fuzz Witch ::APOTHEOSIS:: Like, could this have been anything other than doom/sludge metal?
Wisp ::PANDORA [EP]:: Emo/shoegaze from San Fran. HEAVY, thick, fuzzy guitars with an almost Sigur Ros-like vocal delivery. This jams. 

April 12th, 2024

Fresh off a visit to my cardiologist, let's take a look at what came out today, Friday April12, 2024

Weekly Reminder: I've created monthly spotify playlists to aggregate all the links shared in this running thread. I'm making a conscious effort to improve wheat:chaff ratio of these playlists this year. We're starting a new month, so if you're the type who saves these playlists in your Spotify app, note the new April 2024 playlist below.

Let me know what I missed.

::THE KNOWNS::

Aaron Lee Tasjan ::STELLAR EVOLUTION:: Four songs in and it's clear this is a synth record. So it's definitely an evolution. The jury is out on whether it's "stellar". I guess being as prolific as Tasjan, you gotta try new things to keep it fresh.
Elliott BROOD ::COUNTRY:: I googled why BROOD is always all capital letters, and couldn't find an answer.
James ::YUMMY:: The band's SIXTEENTH record!
Maggie Rogers ::DON'T FORGET ME:: Maryland's native daughter.
Metz ::UP ON GRAVITY HILL:: I recall thi outfit's 2012 eponymous record getting a lot of hype.
The Reds, Pinks, and Purples ::UNWISHING WELL:: Since 2019, Glenn Donaldson has released six EPs and NINE full-length LPs. And they're arguably all good.
Will Hoge ::TENDERHEARTED BOYS:: Proto-Americana songwriter hasn't lost a step.

::THE NEWS::

Aaron West and the Roaring Twenties ::IN LIEU OF FLOWERS:: Americana for power pop and emo kids. Or maybe this is more like someone who listened to Panic at the Disco all his life, and then discovered Frank Turner and tried to do what he does. Not sold on Aaron West's voice. But I appreciate what he's trying to do here. It's trying to be anthemic Emo Americana - like a mashup of Turner and the Hotelier, but I am not sure it pulls it off. YMMV.
Asha Jefferies ::EGO RIDE:: Hailing from Brisbane Australia, Jefferies' music references Tom Petty, Olivia Rodrigo, and Soccer Mommy, but you can hear that being filtered through a listener-friendly Britpop filter.
The Cosmic Dead ::INFINITE PEAKS:: This is lite instrumental sludge metal that sounds like it's been triple-filtered through late 60s Pink Floyd records. Think an album-length jam in the middle of "Set The Controls For the Heart of the Sun."
Diane Birch ::FLYING ON ABRAHAM:: Songwriting in the vein of Carole King, Laura Nyro, and Elton John that distills her love of Motown, blues, and old-fashioned pop into a retro sound. The second track "Jukebox Johnny" is a whole-ass vibe.
Dog Date ::ZINGER:: 13/10 on the band name, 9/10 on the music which their Spotift bio describes as "thick walls of dimed-out fuzz applied to spiky, hyperactive punk rock songs." Accurate.
Nicolette and the Nobodies ::THE LONG WAY:: High-energy honky tonk from Guelph, Ontario.
The Ophelias ::RIBBON [EP]:: Julien Baker-adjacent queer-conscious indie from Cincinnati, Ohio.
Trummors ::5:: I think we've reached the point where we can refer to something as "garden variety Cosmic Americana" music. This outfit is for the Beechwood Sparks, Flying Burrito Brothers, and Mojave 3 fans in your life...or, you know, maybe that's you?
Work Wife ::WASTE MANAGEMENT:: Slack-y, lilting, atmospheric indie rock. This short EP has a lot of nice space being filled by pedal steel guitar buried in the background. Really pleasant backdrop against the other noise.